They had created themselves together, and they always saw themselves, their youth, their love, their lost youth and lost love, their failures and memories, as a sort of living fiction.

In this couple defects were multiplied, as if by a dangerous doubling; weakness fed upon itself without a counterstrength and they were trapped, defaults, mutually committed, left holes everywhere in their lives. When you read their letters to each other it is often necessary to consult the signature in order to be sure which one has done the writing. Their tone about themselves, their mood, is the fatal one of nostalgia--a passive, consuming, repetitive poetry. Sometimes one feels even its most felicitious and melodious moments are fixed, rigid in experession, and that their feelings have gradually merged with their manner, fallen under the domination of style. Even in their suffering, so deep and beyond relief, their tonal memory controls the words, shaping them into the Fitzgerald tune, always so regretful, regressive, and touched with a careful felicity.

Scott is gone.I've had two days with this truth. This truth and me, we're acquainted now, past the shock of our first unhappy meeting and into the uneasy-cohabitation stage. Its barbs are slightly duller than they were that first night, when even breathing felt agonizing and wrong. Tootsie and Marjorie hovered over me, waiting to see whether I'd collapse, while Mama looked on, white-faced, from her rocker by the fire. "Gone?" I would whisper, to no-one in particular. I, too, waited for me to be overwhelmed - but all that happened was what happens to anyone who has lost their one love: my heart cleaved into two parts, before and foreverafterward.

Every sort of trouble I can think of, we've tried it out- become expert at some of it, even, so much so that I've come to wonder whether artists in particularity seek out hard times the way flowers turn their faces toward the sun.