She was broken from moment to moment, watching her world collide she felt lost inside herself. She fell apart for a passion that flamed beneath her. She waited and died a hundred times, it dripped from her pores. The moment she let go, she soared over the stillness like the star she was born to be.
Discipline allows magic. To be a writer is to be the very best of assassins. You do not sit down and write every day to force the Muse to show up. You get into the habit of writing every day so that when she shows up, you have the maximum chance of catching her, bashing her on the head, and squeezing every last drop out of that bitch.
I always thought old age would be a writer’s best chance. Whenever I read the late work of Goethe or W. B. Yeats I had the impertinence to identify with it. Now, my memory’s gone, all the old fluency’s disappeared. I don’t write a single sentence without saying to myself, ‘It’s a lie!’ So I know I was right. It’s the best chance I’ve ever had.
It is related that Sakyamuni [the historical Buddha] once dismissed as of small consequence a feat of levitation on the part of a disciple, and cried out in pity for a yogin by the river who had spent twenty years of his human existence learning to walk on water, when the ferryman might have taken him across for a small coin.
Marriage can be made to work if both the partners can see beyond themselves and understand the limitations,needs and abilities of the other person and are willing to embrace the positive and negative aspects of each other in their understanding.But it never happens that way. We expect others to understand and comply with us while we fail to do the same.Thus marriage loses all it's sheen by the time the couple reaches middle age.
YOU ARE JUSTYou are not just for the right or left,but for what is right over the wrong.You are not just rich or poor,but always wealthy in the mind and heart.You are not perfect, but flawed.You are flawed, but you are just.You may just be conscious human,but you are also a magnificentreflection of God.
Spirit is a child, the tune of dancing feet its lullaby.
To be honest, I love watching some of the old cartoons and new ones that are popular. It's another way to make me happy and reminisce the good old times. Plus, it makes me forget the recreational world around me. If only the economy would let loose and not tire everyone out. I'm just saying. People have an inner child somewhere. I have one, too. So it's cool to have an inner child at times. It can brighten your day and see another view in life.
The struggles we endure today will be the ‘good old days’ we laugh about tomorrow.
Those who achieve the extraordinary are usually the most ordinary because they have nothing to prove to anybody. Be Humble.
It's in those quiet little towns, at the edge of the world, that you will find the salt of the earth people who make you feel right at home.
I know how you feel because I’ve been there too. I’ve hated and I’ve loved. I’ve seen my demons root and crawl and my angels branch and soar. I've died within myself and lived a thousand different lives. I too fight the same war and I too am drowning in the puddles of self-consciousness this world created.
Time is tick, tick, ticking away. How many souls will I capture today? Will they be a challenge or will they be given? Only time will tell as the clock keeps tick, tick, ticking. Your god has arrived with enough hatred for y’all, with enough evil for the big and small, so come one, come all. I will shred your souls and place them in my satchel, call you a settler and make you my peddler. Come one, come all, come stand behind your god. I will lead you into the darkness of Earth's end. Come one, come all, my wilted flowers, come claim your title, speak out and cheer it. Come one, come all, let’s have a ball, my wilted flowers . . . Sweet, Unconquerable Spirits.
How could I live above the water or breathe under it. How could I swim in darkness consumed in an ocean of you? Falling or flying towards you, losing or finding myself in you and beauty was never the word to catch all that you are. For now I know the means of the infinite and it all starts and ends with you.
Betsy was so full of joy that she had to be alone. She went upstairs to her bedroom and sat down on Uncle Keith's trunk. Behind Tacy's house the sun had set. A wind had sprung up and the trees, their color dimmed, moved under a brooding sky. All the stories she had told Tacy and Tib seemed to be dancing in those trees, along with all the stories she planned to write some day and all the stories she would read at the library. Good stories. Great stories. The classics. Not Rena's novels.
We grow up with such an idealistic view on how our life should be; love, friendships, a career or even the place we will live ~ only to age and realise none of it is what you expected & reality is a little disheartening, when you've reached that realisation; you have learnt the gift of all, any new beginning can start now and if you want anything bad enough you'll find the courage to pursue it with all you have. The past doesn't have to be the future, stop making it so.
Life's trials will test you, and shape you, but don’t let them change who you are.”~ Aaron Lauritsen, ‘100 Days Drive
From this point forward, you don’t even know how to quit in life.”~ Aaron Lauritsen, ‘100 Days Drive
True friends don't come with conditions.
The high road of grace will get you somewhere a whole lot faster then the freeway of spite.
The highway of grace will get you somewhere a whole lot faster then the freeway of spite.
Be a team player, not a bandwagon jumper.
There is strange comfort in knowing that no matter what happens today, the Sun will rise again tomorrow.
The freedom of the open road is seductive, serendipitous and absolutely liberating.
At some point, you just gotta forgive the past, your happiness hinges on it.
We love our partners for who they are, not for who they are not.
Explore, Experience, Then Push Beyond.
Travel is costly yes, but it pays dividends too.
If you didn't earn something, it's not worth flaunting.
Without struggle, success has no value.
There is no such thing as loving a child too much.
It’s the ‘everyday’ experiences we encounter along the journey to who we wanna be that will define who we are when we get there.
Successes are those highlights of life we look back on with a smile. But it's the day to day grind of getting them that defines the laugh lines etched until the end of time. Enjoy each moment along the way
There's more to a person than flesh. Judge others by the sum of their soul and you'll see that beauty is a force of light that radiates from the inside out.
Building bridges is the best defence against ignorance.
Now is not the time for bigots and racists. No time for sexists and homophobes. Now, more than ever, is the time for ARTISTS. It’s time for us to rise above and to create. To show humanity. To spread hope. We must prevent society from destroying itself, from losing its way. Now is the time for love.
Some of the people who hate me love some of the sentences that I have written, until they get to the name of the person to whom the sentences are attributed.
I started this dirty quote business when I noticed that I only tend to read authors when their quotes convince me of wit and style. In a world overflowing with bad literature and corrupted product-placement critics the only weapon one has is either word of mouth or quotes, and me I highly prefer the latter. So I have just decided that I will only post to facebook through goodreads quotes. That's policy that makes a lot of sense for a writer.
Some writers write to forget. Some forget to write.
Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.
Cowards say it can't be done, critics say it shouldn't have been done, creator say well done.
I became an artist because I wanted to be an active participant in the conversation about art.
She might not have read many books. But when she reads a book, she swallows the very words. If you open the books on her shelves, you will find that the front and back covers encase white pages.
Don't let your past dictate your future,
A woman does not become whole until she has a baby.
A woman does not become whole, until she has a baby.
A women does not become whole, until she has a baby.
Writers are made, they are not born.
Have you noticed how prejudice still exists today? For instance, now they challenge famous people for their past achievements: People like Christopher Columbus and now even Vince Lombardi. Nothing surprises me. I never grew-up with prejudices against anyone. I don't care what color you are or where you came from. This sort of stuff to me never made sense. You see I grew up in an "educated family." Education teaches you not to be so ignorant.
Don't ever rely on one job, business contact, etc for your main source of income. Receive multiple sources of income for success.
Have you noticed how prejudice still exists today. For instance, now they challenge famous people for their past achievements: People like Christopher Columbus and now even Vince lombardi. Nothing surprises me. I never grew-up with prejudices against anyone. I don't care what color you are or where you came from. This sort of stuff to me never made sense. You see I grew up in a "educated family." Education teaches you not to be so ignorant.
Start having more confidence in yourself, and others will do the same.
Stop now and decide to never worry again about what others think about you.
Some of my greatest successes in business are simply the result of taking huge, calculated risks.
Get out of your comfort zone and go for it. I do this when I apply for lead acting parts in feature movies.
Forget about how old you are, and get busy.
You can have practically anything you want in this world, if you have great credit.
Through synergy of intellect, artistry and grace came into existence the blessing of a dancer.
Burdened no more is soul for whom life flows through dance and not breath.
Burdened no more is soul for whom life flows through dance like breath.
... so this is for us.This is for us who sing, write, dance, act, study, run and loveand this is for doing it even if no one will ever knowbecause the beauty is in the act of doing it.Not what it can lead to.This is for the times I lose myself while writing, singing, playingand no one is around and they will never knowbut I will forever rememberand that shines brighter than any praise or fame or glory I will ever have,and this is for you who write or play or read or singby yourself with the light off and door closedwhen the world is asleep and the stars are alignedand maybe no one will ever hear itor read your wordsor know your thoughtsbut it doesn’t make it less glorious.It makes it ethereal. Mysterious.Infinite.For it belongs to you and whatever God or spirit you believe inand only you can decide how much it meantand meansand will forever meanand other people will experience it toothrough you.Through your spirit. Through the way you talk.Through the way you walk and love and laugh and careand I never meant to write this longbut what I want to say is:Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourselfand let your very existence be your song, your poem, your story.Let your very identity be your book.Let the way people say your name sound like the sweetest melody.So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountainwhere no one will ever hearand your very existence will be the most hypnotising scar.Make your life be your artand you will never be forgotten.
We aren't suggesting that mental instability or unhappiness makes one a better poet, or a poet at all; and contrary to the romantic notion of the artist suffering for his or her work, we think these writers achieved brilliance in spite of their suffering, not because of it.
You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander. We build this place with the sand of memories; these castles are our memories and inventiveness made tangible. So part of us believes that when the tide starts coming in, we won't really have lost anything, because actually only a symbol of it was there in the sand. Another part of us thinks we'll figure out a way to divert the ocean. This is what separates artists from ordinary people: the belief, deep in our hearts, that if we build our castles well enough, somehow the ocean won't wash them away. I think this is a wonderful kind of person to be.
Surely it is an odd way to spend your life - sitting alone in a room with a pen in your hand, hour after hour, day after day, year after year, struggling to put words on pieces of paper in order to give birth to what does not exist, except in your head. Why on earth would anyone want to do such a thing? The only answer I have ever been able to come up with is: because you have to, because you have no choice.
The writer is the duelist who never fights at the stated hour, who gathers up an insult, like another curious object, a collector's item, spreads it out on his desk later, and then engages in a duel with it verbally. Some people call it weakness. I call it postponement. What is weakness in the man becomes a quality in the writer. For he preserves, collects what will explode later in his work. That is why the writer is the loneliest man in the world; because he lives, fights, dies, is reborn always alone; all his roles are played behind a curtain. In life he is an incongruous figure.
Muses are fickle, and many a writer, peering into the voice, has escaped paralysis by ascribing the creative responsibility to a talisman: a lucky charm, a brand of paper, but most often a writing instrument. Am I writing well? Thank my pen. Am I writing badly? Don't blame me blame my pen. By such displacements does the fearful imagination defend itself.
But how?" my students ask. "How do you actually do it?" You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind -- a scene, a locale, a character, whatever -- and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind.
I still encourage anyone who feels at all compelled to write to do so. I just try to warn people who hope to get published that publication is not all it is cracked up to be. But writing is. Writing has so much to give, so much to teach, so many surprises. That thing you had to force yourself to do---the actual act of writing---turns out to be the best part. It's like discovering that while you thought you needed the tea ceremony for the caffeine, what you really needed was the tea ceremony. The act of writing turns out to be its own reward.
That afternoon he told me that the difference between human beings and animals was that human beings were able to dream while awake. He said the purpose of books was to permit us to exercise that faculty. Art, he said, was a controlled madness… He said books weren't made of themes, which you could write essays about, but of images that inserted themselves into your brain and replaced what you were seeing with your eyes.
Well, Betsy," he said, "your mother tells me that you are going to use Uncle Keith's trunk for a desk. That's fine. You need a desk. I've often noticed how much you like to write. The way you eat up those advertising tablets from the store! I never saw anything like it. I can't understand it though. I never write anything but checks myself. ""Bob!" said Mrs. Ray. "You wrote the most wonderful letters to me before we were married. I still have them, a big bundle of them. Every time I clean house I read them over and cry.""Cry, eh?" said Mr. Ray, grinning. "In spite of what your mother says, Betsy, if you have any talent for writing, it comes from family. Her brother Keith was mighty talented, and maybe you are too. Maybe you're going to be a writer."Betsy was silent, agreeably abashed."But if you're going to be a writer," he went on, "you've got to read. Good books. Great books. The classics.
Sometimes, when it’s going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery. The true writer, the born writer, will scribble words on scraps of litter, the back of a bus tickets, on the wall of a cell. Emma is lost on anything less than 120gsm.
The pale organisms of literary heroes feeding under the author's supervision swell gradually with the reader's lifeblood; so that the genius of a writer consists in giving them the faculty to adapt themselves to that - not very appetizing - food and thrive on it, sometimes for centuries.
Writing is hard work, and if anything's true about the process, it's that fact that a good story is hard to find and even trickier to get on paper. What's less romantic than staring alone at a blank screen? And edgy? I've changed the cat little because I didn't know what my characters were going to say next.
I doubt I was much of a storyteller, but I would have put that smile in my book. On page 104, right next to the image of the Ward. I would have written it on my heart. I would have proofread it a thousand times under a thousand moons until a thousand tears thoroughly rationalized what it meant to me. Each time for when I’d met the darkness, and then succumbed. The smile read “you can’t break me’”—bold and in italics.
There are... otherwise quite decent people who are so dull of nature that they believe that they must attribute the swift flight of fancy to some illness of the psyche, and thus it happens that this or that writer is said to create not other than while imbibing intoxicating drink or that his fantasies are the result of overexcited nerves and resulting fever. But who can fail to know that, while a state of psychical excitement caused by the one or other stimulant may indeed generate some lucky and brilliant ideas, it can never produce a well-founded, substantial work of art that requires the utmost presence of mind.
A good writer is also an avid reader. A good reader is also a vivid dreamer. A good dreamer is also a good learner. And a good learner is definitely a good listener. A good listener is always looking to what the heart speaks. A spoken heart talks directly to a silent soul. And a silent soul is most of the time in pace with a peaceful thought. A peaceful thought is also a good writer...
Only you can change your own world. No one else.
We suddenly arrived in this very lost and strange city. Somewhere in the middle of the mountains. We didn't know where we are. We were just heading back to the sea. When we walked trough the forgotten city in silence, something inside us changed. We lost a bit of ourselves too and gained space for something new.
You have to believe that your voice can mean something. You have to believe that what you do matters. And you have to keep going even on days you can't find that belief. If you can't do it for yourself, you do it for all the other young souls who need to be shown that things are possible. That they too can do that thing they dream of. You do it despite the doubts and the struggles. You do it because it's what you came here to do.That's what makes an artist.
Even though I'm an ordinary writer, I too, have trouble when it come to writing along the way. But at least I manage to self-publish my book with no errors (hopefully). Just check out Agatha Christie, an author who also has a learning disability. She managed to be succesful. And I hope that I would be successful as her and Abishek Bachan.
I spent all nightweaving a poem for you to wear. You look so beautifulwhen you wear my light.
Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel.
I do what I do because I love God, as I love your children, as I love humanity, as I love peace, truth, and justice for all. I may not be a fan of religion, but I am a big fan of God. I choose not to subscribe to any one religion because I recognize truths in them all — both the truths and flaws. For anybody to believe that any father would want to see his children fighting is madness. It does not make the Creator happy to see anybody massacre any of his beautiful creations. If you must know the religion I choose, I choose LOVE. If you must know the name of my god, his name is Truth, or rather 'He Who is One, The One Who is All.
Despite the experiences that put me in the spotlight as the co-creator of my wisdom, the human part of me keeps burning, like an alchemical process that I both accept and want to refuse. You see, it's hard when I notice women falling in love with me, and then destroying everything at the same time. And so, I'm changing the world as much as this world is changing me. The two things are inseparable.
For when I trace back the years I have liv'd, gathering them up in my Memory, I see what a chequer'd Work Of Nature my life has been. If I were now to inscribe my own History with its unparalleled Sufferings and surprizing Adventures (as the Booksellers might indite it), I know that the great Part of the World would not believe the Passages there related, by reason of the Strangeness of them, but I cannot help their Unbelief; and if the Reader considers them to be but dark Conceits, then let him bethink himself that Humane life is quite out of the Light and that we are all Creatures of Darknesse.
You see that girl, she looks so happy right? But inside she's dying. She's hurt and tired. Tired of all the drama, tired of not being good enough, tired of life. But she doesn't want to look dramatic, weak or attention seeking so she keeps it all inside. Act's like everything's perfect but she cries at night, boy does she cry at night, so that everybody thinks she is the happiest person they know, that she has no problems and her life is perfect. Little do they know.
There is no greater feeling of accomplishment than to create a world that solely exists in your imagination and be able to pull someone into this hidden place inside of my thoughts. To make someone care for a person that has manifested from my dreams, to make them hate me for putting them in danger, and for them to ask to be taken on another journey with me when it is all said and done is why I write.
The approach to digital culture I abhor would indeed turn all the world's books into one book, just as Kevin (Kelly) suggested. It might start to happen in the next decade or so. Google and other companies are scanning library books into the cloud in a massive Manhattan Project of cultural digitization. What happens next is what's important. If the books in the cloud are accessed via user interfaces that encourage mashups of fragments that obscure the context and authorship of each fragment, there will be only one book. This is what happens today with a lot of content; often you don't know where a quoted fragment from a news story came from, who wrote a comment, or who shot a video. A continuation of the present trend will make us like various medieval religious empires, or like North Korea, a society with a single book.The Bible can serve as a prototypical example. Like Wikipedia, the Bible's authorship was shared, largely anonymous, and cumulative, and the obscurity of the individual authors served to create an oracle-like ambience for the document as "the literal word of God." If we take a non-metaphysical view of the Bible, it serves as a link to our ancestors, a window. The ethereal, digital replacement technology for the printing press happens to have come of age in a time when the unfortunate ideology I'm criticizing dominates technological culture. Authorship - the very idea of the individual point of view - is not a priority of the new ideology. The digital flattening of expression into a global mush is not presently enforced from the top down, as it is in the case of a North Korean printing press. Instead, the design of software builds the ideology into those actions that are the easiest to perform on the software designs that are becoming ubiquitous. It is true that by using these tools, individuals can author books or blogs or whatever, but people are encouraged by the economics of free content, crowd dynamics, and lord aggregators to serve up fragments instead of considered whole expressions or arguments. The efforts of authors are appreciated in a manner that erases the boundaries between them.The one collective book will absolutely not be the same thing as the library of books by individuals it is bankrupting. Some believe it will be better; others, including me, believe it will be disastrously worse. As the famous line goes from Inherit the Wind: 'The Bible is a book... but it is not the only book' Any singular, exclusive book, even the collective one accumulating in the cloud, will become a cruel book if it is the only one available.
Poetry is jealous of you tonight, for as soon as I come to pen a few words, your perfume attacks me in the most civilised manner and I forget myself. I forget the poem. I forget the ...
I find it quite intriguing that the one observing me as different, immediately assumes that there's something wrong with me, but never, not even for one instant, questions the possibility of the opposite. It's truly amazing that the ones with more certainties, the most arrogant and the most selfish, are indeed the most stupid inside society. They are so dumb and ignorant that they can't see a writer in front of their nose. And the more the writer types, talks and thinks, the more they think that this separation, this difference, grants them some form of superiority. Indeed, the light pushes demons into hell. The brighter your light, the faster you differentiate others. The way of the light was never meant for the weak, which are a majority. And this majority will always ignore the light, as demons fearing and hating angels. And so, it's interesting that without artists God would not have a way to reach the world. And yet, without the ignorant, Satan wouldn't have a way to stop God.
I only wrote prose before I met you. My musings were superfluous and serious as well. But now the words dance with me. I sing with them and we create poetry.
Coming of age in a fascist police state will not be a barrel of fun for anybody, much less for people like me, who are not inclined to suffer Nazis gladly and feel only contempt for the cowardly flag-suckers who would gladly give up their outdated freedom to live for the mess of pottage they have been conned into believing will be freedom from fear.Ho ho ho. Let's not get carried away here. Freedom was yesterday in this country. Its value has been discounted. The only freedom we truly crave today is freedom from Dumbness. Nothing else matters.
I am a deeply uncertain individual. I often find myself acting like a fool to make the people around me laugh. When they’re laughing, they’re not watching me quite as closely. I smile to put people at ease. But what if I opened my mouth one day, spoke my actual thoughts, and the people glared at my opinions? What if they thought me disgusting or frightening or ugly because of my words? Would you keep your lips shut for the rest of your life to not face that judgment? Just for the sake of someone else’s comfort? For these strangers, who I will never know? If I can’t speak then I’ll write. These strangers, whose opinions crush me, will be forced to listen. Because when they read my words those words will make a home within their heads. They may even end up using my own opinions against me. But at least I’ll be hidden behind the pages of a book.
There are some writers who sweep us along so strongly in their current of energy--Normal mailer, Tom Wolfe, Toni Morrison, William F. Buckley, Jr., Hunter Thompson, David Foster Wallace, Dave Eggers--that we assume that when they go to work the words just flow. Nobody thinks of the effort they made every morning to turn on the switch. You also have to turn on the switch. Nobody is going to do it for you.
Music does not need language of words for it has movements of dance to do its translation.
Dance resides within us all. Some find it when joy conquers sorrow, others express it through celebration of movements; and then there are those... whose existence is dance,
I’ve never liked the term ‘actor’.” Barron spoke slowly, joining hands with the cast members to his left and right. The rest of them formed a circle, also holding hands, and he continued. “Seriously now, is anyone here ‘acting’? Is anyone here pretending? “Me, I’m a theater director. One hundred percent, all the time. I’m not pretending, or acting, or trying to fool anyone. This is what I do, and I give it my all—just like you. I look around me, and I don’t see a single phony. I see people who give their hearts, their minds, and their very lives to being serious performers on the stage. In the last weeks I’ve watched every one of you give up the easy life to come here and bust a gut to make this show a reality. “That’s why I call you performers. Not actors—performers. Because when it’s time to prepare, you work out every nuance of a role. When it’s time to step in front of the crowd, you reach out and pull them in with both hands. When it’s time to say your lines, you deliver them with skill and meaning. That’s performance. And there’s nothing phony about that. There’s nothing pretend about that. There’s no acting that will take the place of that. “And so that’s my wish for you tonight: Have a great performance. You’ve done the work, you’re ready, and now it’s time to show off. Have fun out there, gang. Perform.” --Jerome Barron's opening night pep talk to the cast of Death Troupe
You cannot free someonewho is caged intheir own self.
Master the art of selfloveand you will never have to seekvalidationever again.
I am no one's to be claimed,I belong to me.
It's okay darling,creative people are called crazyall the time.
But even a vessel pulsates, beats and pumps in ecstasy and in rage!I wonder are the way we are because we are trying to protect ourselves from the “monsters” not realizing this fear that we are harboring inside us is turning us into goblins and ghouls ourselves? Not even a heart caged inside of ribs can be protected. Who can really be to blame for your broken heart?In-turn we find our own vices , our own ways to cope, ways that we petrify our bodies our lives in such a fashion so we can stop and notice the stars sparkling in the sky everything and everyone that embodies love YOUR LOVE… and every spec dancing in our own light, specs we failed to see because of our own faults.
I did put on the record player, the love symphony of Beethoven wafted in the air. You and I made love,last February on that amazing Sunday afternoon. And the neighbor's dog barked madly every time our bed creaked from all the gyrations that you and I could outmaneuver in our frenzy of wanting each other's body and soul!
I write because the security of your love allows me to develop my craft without concerning myself with trivialities — as if your love could be any more complete. But I write, in the first place,because of you, my muse. I write for your green eyes to glance at my humble words and for the pleasure of hearing you utter them.
I came to pen another poem for you, but even every unwritten poem is you.
I want to learn how to speak to anyone at any time and make us both feel a little bit better, lighter, richer, with no commitments of ever meeting again. I want to learn how to stand wherever with whoever and still feel stable. I want to learn how to unlock the locks to our minds, my mind, so that when I hear opinions or views that don’t match up with mine, I can still listen and understand. I want to burn up lifeless habits of following maps and to-do lists, concentrated liquids to burn my mind and throatand I want to go back to the way nature shaped me. I want to learn to go on well with whatever I have in my hands at the momentin a natural state of mind,certain like the sea.I will find comfort in the rhythm of the sea.
For that is what you are, that is who you are – you are an author. You cannot cease to write any more than you can cease to breathe...This difficult season will pass – your eyes and mind will inevitably be opened once more to the wealth of ideas all around you...And even if the ideas around you fall short of what you seek – even if, as you say, you have not the heart to write… perhaps it is your heart you ought to write of. - Laurie to Jo, on writing
A POCKET-SIZED GIRLHe keeps me in his pocket for a rainy day; he swears I'm not an object as he yo-yo's me away.A friend is what we'll call it,but my friend, he does not know,each time it rains I love him— so to his pocket, I must go.He thinks he's being clever,but I am not a fool;his love ain't worth a penny,so to my heart I must be cruel.
MY MOONI'll always wonder what time it is there; if you're dreaming, or awake. My moon is your sun; my darkness, your light. I'm in the future, you'd jokingly say.And I know where you are, because I'm watching you from the past.
Whenever any of these new writers come up who are brilliant, I always realize that you have more talent and more skill than any of them;---but circumstances have prevented you from realizing upon the fact for a long time. [About F. Scott Fitzgerald]
My problem as a writer is that—whenever I meet someone for the first time—I immediately invent for them a personality and background that are invariably more interesting than the ones they possess. And confirming this character to be uninteresting after a few minutes of conversation, I decide that they are unnecessary to my story and begin devising ways to kill them off.
If typos are God's way of keeping a writer humble, plot holes certainly keeps one on their knees.
I write our names on the page.What of it, if the paper will be burned?I write our names in the sand.What of it, if the shore will be washed by waves?I write our names on trees that will be cutand benches that will be painted,but what of it?I will keep on writing our namesbecause in this world of ephemera, You and I are the only constant.
Think not of the fragility of life, but of the power of books, when mere words can change our lives simply by being next to each other.
There is a vitality, a life force, a quickening that is translated through you into action, and because there is only one of you in all time, this expression is unique. And if you block it, it will never exist through any other medium and be lost. The world will not have it. It is not your business to determine how good it is, nor how valuable it is, nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you. Keep the channel open.
It's easier said than done but when you feel yourself out of balance within, stop in that present moment and catch your breathe. Remind yourself of 5 things, that help you feel most alive and re-centre your own energy frequency so you can continue living out of your intentions not the world's distractions.
A leader does not only discover what people can do better. He teaches, guides and mentor them to do it exceptionally well. When a seed comes into contact with a leader, fruits are produced.
Poetry isn’t an island, it is the bridge. Poetry isn’t a ship, it is the lifeboat. Poetry isn’t swimming. Poetry is water.
We are all born as storytellers. Our inner voice tells the first story we ever hear.
Some artists benefit less from being interviewed than they do from being left alone.
The hours tick by as I lie in bed.Memories keep surfacing, tormenting me into unbelievable sadness. I can't bring myself to move. I can't fight the memories that keep filling my thoughts. I stay curled in the fetal position as each memory plays out. I can't stop them from coming. I can't make them go away. Nothing can distract me. I can't block the memories, so they continue to come.
I'm being pulled under - father and farther from the surface. My lungs continue to scream for air. Panic is building inside me, threatening to combust. I can't break free.Help! I can't break free!I open my mouth to scream.
One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore.Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.
Night has settled over Paris.The streets have cleared of the crowds, and the city has been lit up. I set my book down, deciding to go for a walk. The Eiffel Tower is only a few blocks away. Now that there aren't many people out, I can walk there without having to fight my way through mobs of gawking tourists.
He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask.I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.
He stares at me—taking me in—with his lips slightly parted. I struggle to hold myself in place as we gawk at each other. I want so desperately to run, but something is holding me back, keeping me in place.
Every gesture and every look he gives me takes me by surprise and causes my heart to stutter.
I freeze, my feet suddenly glued to the floor. It takes me a minute to gather the courage to turn around, but when I do, I immediately wish I hadn't. The boy is standing in the doorway at the end of the hall.Why is he here again? I barely allow myself time to ask the question before I move. Panicked, I turn and run back downstairs as fast as I can."Hey! Wait!" he calls after me.I don't stop.
I grab the nearest lamppost when my knees threaten to give out, panting for breath as the words rip through me
I take in all the colorful locks that line the bridge. Each one told a story. Each lock represented a relationship that was once special, whether it ended or turned into true happiness. The locks represented a past, present, and a possible future.
When we step onto the bridge, Nathan turns and spreads his arms out wide. ‘Welcome to Pont des Arts, a.k.a. The Lock Bridge.
The boy took my sketchbook.
I head in the direction of the Eiffel Tower when I exit the alley, relieved to be out of the dark.
He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.” I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.” He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.” I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand. He lets his hand fall back to his side. “At least I got you to say something non-hostile.” “I haven’t been hostile,” I object. His eyebrows shoot up. “Oh, haven’t you?” “Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door. “Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me. “That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.
A book can be a great friend, an advisor, a means to an end. A book reveals so much more than a movie would ever do. For example, when I watched the movie “The Hours” I was fascinated by the story. Just a year later I decided to read the book. And what was my surprise that I was even more dazzled by its writings than I was by the images… The images in my head were more vivid than the film could ever transport me to that feminine universe that the author was trying (and so successfully granted me) to conceive…
Sit here, so I may writeyou into a poem and make you eternal.
For what was it about books that once finished left the reader in a bit of a haze and made them reread the last few sentences in order to continue the ringing in their hearts a while longer, so as not to let the silence illumine the fact that reading, they had gained something — distance, a lesson, a companion, a new world — but now, after the last full stop, they had lost something palpable and felt a little emptier than before.
Oh, how scary and wonderful it is that words can change our lives simply by being next to each other.
I want to... have fun with writing again. Enjoy my work, enjoy playing with the language and characters like a sculptor plays with clay. But there's this manic focus on numbers--how many books have you written and how many have you sold and it's all push, push, push, and no time for reflection--but at heart, books are about dreaming... which is just the opposite. So I don't know... M.M. Bennetts comment to Nancy Bilyeau as related in Nancy's tribute "M.M. Bennetts: The Closest Friend I Never Met
Fantasy, an unflagging optimism is necessary for a writer at all stages of this rough game. A kind of madness is therefore necessary, when there is every logical reason for a state of depression and discouragement. Perhaps the fact that I can react with utter gloom to this is what keeps me from being psychotic and keeps me merely neurotic. I am doing quite a good day's work today. But I am also aware of the madness that actually sustains me, and I am not made more comfortable or happy by it.
As some people turned to religion for comfort, so, Highsmith wrote in her notebook in September 1970, she took refuge in her belief that she was making progress as a writer. But she realised that both systems of survival were, however, fundamentally illusory. She wrote, she said, quoting Oscar Wilde because, 'Work never seems to me a reality, but a way of getting rid of reality'.
As a writer, It’s an elation to see my own words in print, to float them out there for all the world to read and to learn that some of the world actually does read them. Of their own free will! It warms the heart. However, I have learnt that in spite of frequent and sound advice, the world has not become a noticeably more peaceful kingdom. Folly abounds, incompetence, wrath, crime, nonsense prevails, thieves multiply, power corrupts. And my bones creak in the morning. Still, spectacular things go on in the sky; forms and colors and movements, cloud shapes and sunscapes so awesome I ought to end everyday standing on a rooftop and clapping and calling for more. Slowly I learn bits of what there is to see, and then forget and learn again. And learn too that mortality is the stuff of life; learn how soon the young get old, how short a while is for ever. It’s sad to stand on the hill and, one by one, see the lights go out around you; sad to know the paper has begun turning yellow before the pencil gets to the bottom of the page, to realize there won’t be time enough to get it all done – the chores, the cooking, the sitting on the porch to watch the birds dart at dusk, the major work. But there’s something reassuring too in understanding that death is nature’s, life’s, God’s way of letting us know that we are never meant to save the world single-handedly, to keep the sun aloft and the old globe spinning. What we’re meant to do, I hope, is fill some small and temporary slot, to give off a little light for a little while and then lie down. I’m comfortable with that, with the notion of being a small voice yapping away in a small planet. One of many voices, neither the wisest, nor the best, but mine, and fairly close to as good as I can make it.
All I need to dois place my pen against paperand your lovewrites for me.
A poetess is not as selfishas you assume.After months of agonising over her marriage of words—the bride—and spaces—the groom,she knows that as soonas she has penned the poem,it’s yours to consume.So, without giving it a think,she blows on the inkand the letters fly awaylike dandelions on a windy day,landing on hands and lips, on hearts and hips.But more often than not,you can easily spotthem trodden and forgotten,becoming sodden and rotten.Yet, she will continue to makewhat’s others to takebecause selfishness is not the mark of a poetess.
I've written you sixty-seven love poems.Here’s another one for you.But really, for me.These poems are the candles that I light with the fire you have ignited in me.I place this candle here and another thereso even if the stars have argued with the moonand are sulking away in a corner, you can still find your way to me.Sixty-eight poems now. What does the future hold for us?Joy? Disappointment? Gentle caresses? And subtle neglect?I hope the good is more than the bad. Much more. For what is the point of loveif by lighting these candlesour own flame loses its brightness?I know the good is more than the bad. Much more.I cannot wait to write you sixty-nine.
If movements were a spark every dancer would desire to light up in flames.
Show me a person who found love in his life and did not celebrate it with a dance.
We are all beautiful instruments of God. He created many notes in music so that we would not be stuck playing the same song. Be music always. Keep changing the keys, tones, pitch, and volume of each of the songs you create along your journey and play on. Nobody will ever reach ultimate perfection in this lifetime, but trying to achieve it is a full-time job. Start now and don't stop. Make your book of life a musical. Never abandon obligations, but have fun leaving behind a colorful legacy. Never allow anybody to be the composer of your own destiny. Take control of your life, and never allow limitations implanted by society, tell you how your music is supposed to sound — or how your book is supposed to be written.
... and I realise the only way to tell the others is through the way my voice can take these broken wordsand turn it into music. Turn it into poetry.And I sing to make myself come alive, but also for you,because I’d like this to mean something.To not disappear with the dark I will enter one day and so now I will tell.If not for you, then for my own heart, because it tells me to,and I'm learning to listen.
Take a shower. Wash away every trace of yesterday. Of smells. Of weary skin. Get dressed. Make coffee, windows open, the sun shining through. Hold the cup with two hands and notice that you feel the feeling of warmth. You still feel warmth. Now sit down and get to work. Keep your mind sharp, head on, eyes on the page and if small thoughts of worries fight their ways into your consciousness: threw them off like fires in the night and keep your eyes on the track. Nothing but the task in front of you. Get off your chair in the middle of the day. Put on your shoes and take a long walk on open streets around people. Notice how they’re all walking, in a hurry, or slowly. Smiling, laughing, or eyes straight forward, hurried to get to wherever they’re going. And notice how you’re just one of them. Not more, not less. Find comfort in the way you’re just one in the crowd. Your worries: no more, no less.Go back home. Take the long way just to not pass the liquor store. Don’t buy the cigarettes. Go straight home. Take off your shoes. Wash your hands. Your face. Notice the silence. Notice your heart. It’s still beating. Still fighting. Now get back to work. Work with your mind sharp and eyes focused and if any thoughts of worries or hate or sadness creep their ways around, shake them off like a runner in the night for you own your mind, and you need to tame it. Focus. Keep it sharp on track, nothing but the task in front of you.Work until your eyes are tired and head is heavy, and keep working even after that. Then take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes. Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more. You’re doing just fine. You’re doing fine.I’m doing just fine.
Am I making something worth while?I’m not sure.I write and I sing and I hear words from time to time about my life and choices making ways, into other lives, other hearts,but am I making something worth while?I’m not sure.There was a boy last night who I never spoke to because I was too drunk and still shy, but mostly lonely, and I couldn’t find anything lightly to say,so I simply walked awaybut still wondered what he did with his lifebecause he didn’t even speak to meor look at mebut still made me wonder who he wasand I walked away askingAm I making something worth while?I am not sure.I am a complicated person with a simple lifeand I am the reason for everything that ever happened to me.
Dance is the timeless interpretation of life.
One step, two steps, three steps; like winds of time experience joy of centuries, when movements become revelations of the dance of destinies.
Make dance the mission every moment seeks to accomplish.
Life is an affair of mystery; shared with companions of music, dance and poetry.
Dance as the narration of a magical story; that recites on lips, illuminates imaginations and embraces the most sacred depths of souls.
Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.
Dance to inspire, dance to freedom, life is about experiences so dance and let yourself become free.
Dance is the ritual of immortality.
If you opened the dictionary and searched for the meaning of a Goddess, you would find the reflection of a dancing lady.
DANCE – Defeat All Negativity (via) Creative Expression.
She who is a dancer can only sway the silk of her hair like the summer breeze.
Transcend the terrestrial; surpass the celestial, from nature’s hands when you receive the sublime pleasures of dance.
Dance is that delicacy of life radiating every particle of our existence with happiness.
Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.
O wayfarer! Yearn finds quench, not in meadows, seashores or altitude of mountain peaks; but when being and dance are one.
O wayfarer! Yearn finds quench, not in meadows, seashores or altitude of mountain peaks; but when being becomes dance.
If spirit is the seed, dance is the water of its evolution.
When a dancer performs, melody transforms into a carriage, expressions turn into fuel and spirit experiences a journey to a world where passion attains fulfillment.
Limit not to only five, when the divine gifts the supreme sixth; the sense of dance
Now that you're an adult, you might still feel a pang of guilt when you decline a dinner invitation in favor of a good book. Or maybe you like to eat alone in restaurants and could do without the pitying looks from fellow diners. Or you're told that you're "in your head too much", a phrase that's often deployed against the quiet and cerebral.Or maybe there's another word for such people: thinkers.
You have a great talent and a great role in the world.
I left the bankbecause they wouldn’t deposit my cheque of poems.So I went to the store,but they didn’t acceptmy currency of words.So I boxed all my storiesand took them to charity.But they refused my donation and asked me to give blood instead.I opened the notebooks and made them look, 'What do you think I wrote these in?
There's something beautiful about facing tragedy, you crack open a new, you find yourself in the parts of you; that can finally be explored freely with out judgement or guilt. Where to from here doesn't exist & your not sure when it will return, but there's something beautiful in facing tragedy, a new type of being within you is born and one whom is more fearless than ever before.
The more I learned the less I felt I knew you and I got lost counting stars, I fell dreaming. Sometimes I’d wander away. Maybe I wasn’t ready or maybe it was just a hard time to love. You always reminded me of home and I could never fathom the reasoning behind your smile. Perhaps one day, if we believe enough, we’ll find our way.
She had more of me then I had of myself. We were both wild birds chasing the stars. We’d lose our way and find new places, close our eyes and fall back towards a constellation of dreams. We wrapped ourselves in a blanket of passion and each night we fell deeper without control, into this strange space called love.
Brush strokes write poetry harmonized through the cords of an artist's imagination.Color, contrast, simple compassion splattered across paper leaves tainted with the melody of the silent wind.Gasping, grasping, simply glancing at the souls of those who were not blessed with the visionary sight of inspirational artistry.
Writing is the only way to change the world without leaving bed.
I had zero idea of what I was doing.. I honestly had no idea where to start. All I knew was I had something I craved to say.. I wanted to create art that lived on longer than I do. Perseverance and teaching yourself, every day through stress and hard work proves shit really does progress without you realizing. One minute you're an amateur, knowing nothing, not even the basics. The next you can put pen to paper, write a song, and create art in such little time! It's crazy beautiful.
I was curious as to how my words started circulating at such an alarming rate. After all, every author waits to be discovered by someone. Anyone. And so I found myself smack bang in the middle of the mad hatters head, and as someone put it, Tumblr might actually be worse than that. But yes, futilely, I was attempting to discover the elusive origin of my words by tracing back notes until I came across my quote right next to a selfie of a stripper, or hooker, with a fox tail butt plug... and that was when I stopped.
The term - 'Fairy-Tales' is so ironical in itself, when I sometimes sit to write love stories with a happy ending, it usually drags me into a dilemma whether, I should even begin with a love story at first place or not? Because honestly, I haven't seen many of them reaching climax, most of them just die out in the mid. Then comes the concept of fairy tales or what we say 'fiction', where nothing is impossible!But over time, if I've realized something, it is that there's no such term called fiction when it comes to reality! Its harsh, in-your-face-sarcastic, ironical and highly irrational. You can't expect what's coming up next, and how it's going to blow you. In the real life, the entire meaning of fiction ceases to exist. Conclusively, we writers, deal with harsh reality and write lively fictions, this job in itself is so ironical but, that's life...
A good author is he who isn’t afraid to speak his mind; he who dictates the art of the verse. A scribbler who merely keeps quiet and enjoys being lauded is nothing but a reader with nothing of importance to do. He whose written word trickles from his wounds into the world and onto paper is not afraid to both praise and criticize, this is what he strives towards.
Writing has become more than just a profession, and hobby…it has become a way to express my feelings and pour my entire soul into the pages of my books. Thank God for the little things in life that makes us feel infinite and tranquil…the little things that make way for us to escape reality and enter new worlds that we create. -Nina Jean Slack
Being a writer means expressing with passion your imagination, nightmares, dreams, experiences and reality through words on paper. You are a successful writer when readers criticize, get emotionally affected by, and praise your written work. As a writer, rejections are paths to success. Being prepared for it is like wearing a powerful armor in battles unknown. Continue to write. It is a writer's mighty shield and weapon.
Always write exactly what you’re feeling at the exact moment when writing something like poetry or an emotional novel. Put yourself, pour all emotions into your work…make yourself cry, feel joy if you are writing joyful things, feel lovey if it calls for it…just put your heart and soul into all that you do…then you will be a good writer when you can make whoever reads your work, feel." -Nina Jean Slack
Although my road to writing seems like it may have come easily, there were a few bumps in that road. I didn’t get a lot of encouragement from friends, although my family were great supporters. I also had many…what you would call “mind-boggling” moments, when I would doubt myself and what I was writing. It has been said that we, ourselves, are our own worst critics.All the hard work had payed off though, and I created a children’s book that I am proud of, and an unforgettable little girl that will touch the hearts of many.”-Nina Jean Slack
As a reader you recognise that feeling when you're lost in a book? You know the one - when whatever's going on around you seems less real than what you're reading and all you want to do is keep going deeper into the story whether it's about being halfway up a mountain in Brazil in 1823 of in love with a man you aren't sure you can trust or fighting a war in the last human outpost, somewhere beyond the moon. Well, if you're writing that book it's real for you too.
After each of his books, the writer, for a while, feels once again that he can now die happy.
Henry had written a novel because there was a hole in him that needed filling, a question that needed answering, a patch of canvas that needed painting—that blend of anxiety, curiosity and joy that is at the origin of art—and he had filled the hole, answered the question, splashed colour on the canvas, all done for himself, because he had to. Then complete strangers told him that his book had filled a hole in them, had answered a question, had brought colour to their lives. The comfort of strangers, be it a smile, a pat on the shoulder or a word of praise, is truly a comfort.
The Scribe"Under the wingsOf the feathered Goddess,And in the middleOf the three dancing women,The scribe comes aliveTo reveal mysteries hiddenThrough divine gifts givenThe scribe is drivenOn his sacred missionTo wake upAll the universe'sMen, women andHeavenly children.Under the seven rays of Aten,And from the age of just ten,The scribe comes aliveWith the fertile inkOf his luminous pen.Below the spectacle of the moon,And in the smile of the sun,The scribe is here to show usHow we are all one.
There is no man but carries in his breast the makings of a story, which, though never told, comes more home to him, than any the mind of another man can find and fashion in words("The Watcher O' The Dead")
To write is to reveal oneself.When I write something, fiction or non-fiction, I do not expect you to accept what I write, nor to agree with what I propose.I expect you to spend at least a tenth of a second to think about it - may be not about the characters, nor about the piece, but at least about the idea.
That's what we storytellers do. We restore order with imagination. We instill hope again and again and again.
He pressed bravely ahead with his story, the outlines and preliminary versions of which by now filled two thick notebooks, reorganizing, redrafting, and obsessively re-polishing lines and paragraphs with a jeweler's precision.But it was not good enough.He wanted the pages to sing with ideas that had once seemed so important to him, all and everything he knew, and yet they did not, and no amount of diligence was able to bring them to life. The story came to be a burden and weighed more heavily in his hands each time he lifted it out of the drawer. After a few weeks he was reluctant to open the desk at all.("Talking In The Dark")
If you call yourself an "authoress" on your Facebook profile, you suck at life. You are stupid and your children are ugly. It doesn't matter if you're just trying to be cute and original. You're not. You are about as original as all those other witless twits "writing" the one millionth shitty Fifty Shades clone. Or maybe you're trying to show your 2000 fake Facebook "friends" that you are an empowered feminist who will not stand for sexist terminology. But you're not showing people that you are fighting the good fight, you're showing people that you are a sheep, who's trying just a little too hard to ride the current wave of idiotic political correctness. The word "author" is no more gender-discrimination than the word "person." Do you call yourself a personess? No, of course not, because then you might as well wear a sign around your neck that says, "Hello, I'm a retard.
If you can't tell from my rap lyrics already, yes I am a feminist. And when I'm saying "hoe" or "bitch" I am actually referring to men. ...That sounded bad, in someway. But at the end of the day, I'm sick of rappers using "bitches" and "hoes" as terms towards women. Feminists are NOT a hate group. Feminists are not all female. Nor has it got an anti-male agenda. It's about equality! I've had a weird, special bond with women since I was a kid. And it's just a shame really that I'm gay.
Love is the bee that carries the pollen from one heart to another.
Why does everyone think a guy who prefers love to people is missing something in his life?
I am part of everyone I ever dated on OK Cupid.
Don't put down too many roots in terms of a domicile. I have lived in four countries and I think my life as a writer and our family's life have been enriched by this. I think a writer has to experience new environments. There is that adage: No man can really succeed if he doesn't move away from where he was born. I believe it is particularly true for the writer.
Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourselfand let your very existence be your song, your poem, your story.Let your very identity be your book.Let the way people say your name sound like the sweetest melody.
If you were destined to be a poet, then you won't brainstorm for lines that rhymes. If you were destined to be a celebrity, then you shouldn't start searching for fans. If you are truly a god, then let others worship you!
I am, as it were, the created creating—a paradox, for all its rhetorical trappings, at the beating heart of our shared human journey, and one I invite you to struggle with just as I have while, day in and day out, word by word and line by line, constructing a fictitious autobiography for myself in these pages.
The thing is, work has simply swamped my whole existence. Slowly but surely it's robbed me of my mother, my wife, and everything that meant anything to me. It's like a germ planted in the skull that devours the brain, spreads to the trunk and the limbs, and destroys the entire body in time. No sooner am I out of bed in the morning than work clamps down on me and pins me to my desk before I've even had a breath of fresh air. It follows me to lunch and I find myself chewing over sentences as I'm chewing my food. It goes with me when I go out, eats out of my plate at dinner and shares my pillow in bed at night. It's so extremely merciless that once the process of creation is started, it's impossible for me to stop it, and it goes on growing and working even when I'm asleep. ... Outside that, nothing, nobody exists.
Haven't I told you scores of times, that you're always beginners, and the greatest satisfaction was not in being at the top, but in getting there, in the enjoyment you get out of scaling the heights? That's something you don't understand, and can't understand until you've gone through it yourself. You're still at the state of unlimited illusions, when a good, strong pair of legs makes the hardest road look short, and you've such a mighty appetite for glory that the tiniest crumb of success tastes delightfully sweet. You're prepared for a feast, you're going to satisfy your ambition at last, you feel it's within reach and you don't care if you give the skin off your back to get it! And then, the heights are scaled, the summits reached, and you've got to stay there. That's when the torture begins; you've drunk your excitement to the dregs and found it all too short and even rather bitter, and you wonder whether it was really worth the struggle. From that point there is no more unknown to explore, no new sensations to experience. Pride has had its brief portion of celebrity; you know that your best has been given and you're surprised it hasn't brought a keener sense of satisfaction. From that moment the horizon starts to empty of all hopes that once attracted you towards it. There's nothing to look forward to but death. But in spite of that you cling on, you don't want to feel you're played out, you persist in trying to produce something, like old men persist in trying to make love, with painful, humiliating results. ... If only we could have the courage to hang ourselves in front of our last masterpiece!
I have hopein who I am becoming.I have belief in every scar and disgraceful wordI have ever spokenor been toldbecause it is still teaching meand I have hope in who I am becoming.They say it takes 756 days to run to someone you loveand they also say that the only romance worth fighting foris the one with yourselfand I know by nowthat they say a lot of things,people talking everywherewithout saying a word,but if it took me all those years to learn myselfor teach myselfhow to look into the mirrorwithout breaking itI know for a fact that it was a fight worth fighting.I stood up for my own head and so did my heartand we are coming to terms with ourselves.Shaking hands, saying ”let’s make this workfor we have places to goand people to seeand we will need each other”So I have hopein who I am becoming.It’s Julyand I have hope in who I am becoming.
The amount of meaning you get into a sentence, the dimensions and intensity of the impression you make a paragraph carry, are most extraordinary.... You once told me you were not a natural writer—my God! You have plainly mastered the craft, of course; but you needed far more than craftsmanship for this. [about The Great Gatsby]
I'm not asking you to come reverently or unquestioningly; I'm not asking you to be politically correct or cast aside your sense of humor (please God you have one). This isn't a popularity contest, it's not the moral Olympics, and it's not church. But it's Writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else. Wash the car, maybe.
The camera was a hand-held auxiliary of wanting-to-know. It had more than information and accuracy to teach me. I learned in the doing how ready I had to be. Life doesn't hold still. A good snapshot stopped a moment from running away. Photography taught me that to be able to capture transience, by being ready to click the shutter at the crucial moment, was the greatest need I had. Making pictures of people in all sorts of situations, I learned that every feeling waits upon its gesture, and I had to be prepared to recognize this moment when I saw it. These were things a writer needed to know. And I felt the need to hold transient life in words - there's so much more of life that only words can convey - strongly enough to last me as long as I lived. The direction my mind took was a writer's direction from the start, not a photographer's or a recorder's.
... but I could also write about love. How a hand can silence thousands of voices and how someone’s smell can make you feel at home even though you’re a million miles away fromhomeand have you ever hurt someone you love? Because you’re angry. Because you’re disappointed and sad and you just really wanted to love and be loved in returnbut life got in the way and you both said things that should never be said and you’re angry but don’t know how to. Because you still feel this strange love for him, but you’re also fucking angry and you want to hit him, but then hug him because hurting him is hurting yourself, and then hit him again because you’re angry! and so you fall on your knees because you’re hopeless to yourself and your own emotionsand that’s love, my friend.
The greatest book is one written by your pen, but not exactly from your mind.
To be read. To be heard. To be seen. I want to be read, I want to be heard. I don't need to be seen. To write requires an ego, a belief that what you say matters. Writing also requires an aching curiosity leading you to discover, uncover, what is gnawing at your bones. Words have a weight to them. How you choose to present them and to whom is a matter of style and choice.
As a writer, you must truly possess a love for words.""Yes, that's right," I agreed."I've noticed that some authors favor particular words, making frequent use of them. Do you have a favorite?"I nodded assuredly and shared my answer. "BECAUSE."My interviewer looked surprised, as though he'd expected an impressive adjective or some rare verb. "That's your favorite word? Why?"I tried not to smirk. "Because.
Whether the underlying cause of your dependency is a chemical imbalance, unresolved events from the past, beliefs you hold that are inconsistent with what is true, an inability to cope with current conditions, or a combination of these four causes, know this: not only are all the causes of dependency within you, but all the solutions are within you as well.
At that moment, sitting on that park bench, The Writer was overcome by an indefinable sadness not completely ascribable to the state in which The Mother was now, nor the desperation of his decades-long creative crisis, a sadness so strong he could have peddle it to all the enthusiasts in the world and turned them into depressives, and would still have some left over. Because he no longer knew what to do with so much sadness. And sometimes he didn't even know what to do with himself.
With great enthusiasm and determination you will master the art in your field.
... because one day, maybe one day, if I learned how to write clear enough, sing loud enough, be strong enough, I could explain myself in a way that made sense and then maybe one day, one day, someone out there would hear and recognise her or himself and I could let them know that they are not alone. Just like that song I had on repeat for several nights as I walked lonely on empty streets, let me know that I was notaloneand that’s how it starts.
A writer out of loneliness is trying to communicate like a distant star sending signals. He isn't telling, or teaching, or ordering. Rather, he seeks to establish a relationship with meaning, of feeling, of observing. We are lonesome animals. We spend all our live trying to be less lonesome. And one of our ancient methods is to tell a story, begging the listener to say, and to feel, "Yes, that's the way it is, or at least that's the way I feel it. You're not as alone as you thought." To finish is sadness to a writer, a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.
You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss like chains tight around my chest,and if you see a fire from the shore tonightit’s my chains going up in flames.
For grief has always been so dear to you that you would make me writhing in pain in the brothel of your imaginations than to be playing with a bunch of balloons in the yard where I should have been.""And may be that's why, you'd rather talk to me about this, than to write a story about me where I could live happily.
It was a very ordinary day, the day I realised that my becoming is my life and my home and that I don't have to do anything but trust the process, trust my story and enjoy the journey. It doesn't really matter who I've become by the finish line, the important things are the changes from this morning to when I fall asleep again, and how they happened, and who they happened with. An hour watching the stars, a coffee in the morning with someone beautiful, intelligent conversations at 5am while sharing the last cigarette. Taking trains to nowhere, walking hand in hand through foreign cities with someone you love. Oceans and poetry. It was all very ordinary until my identity appeared, until my body and mind became one being. The day I saw the flowers and learned how to turn my daily struggles into the most extraordinary moments. Moments worth writing about. For so long I let my life slip through my fingers, like water. I'm holding on to it now,and I'm not letting go.
WRITER'S NIGHTMARE""I felt a grip on my arm that shook my body, forcefully pulling me toward a tunnel of darkness. The threat of consciousness stole my steady breath. For a moment I believed myself to be under siege; ripped from the sky in mid flight, my wings useless against the monstrous claws shredding my reality. I struggled to remain, to be left alone, aloft. Reaching with wings that through the power of imagination were suddenly feathered arms, I grabbed at the air. My hands clutched at something solid. Wooden. A desk. My head spun as I held the furniture, suffering the illusion of falling. "I was flying," I gasped, realizing suddenly that it had all been a dream. "My best fantasy ever." Lifting my head from its resting spot on the writing desk, I worked mentally to secure the fading images, hoping to capture their essence to memory before they faded away forever. Bitterness tainted my heart against the hand that had jerked me into sensibility. Why was I always so callously awakened while doing my best work? Why not let me dream?
Another segment of society that has constructed a language of its own is business. People in business say that toner cartridges are in short supply, that they have updated the next shipment of these cartridges, and that they will finalize their recommendations at the next meeting of the board. They are speaking a language familiar and dear to them. Its portentous nouns and verbs invest ordinary events with high adventure; executives walk among toner cartridges, caparisoned like knights. We should tolerate them--every person of spirit wants to ride a white horse.
Did you… need something?” he asked in a tight voice. I swallowed hard, my mind racing with a million things to say. The fear pricking at me, telling me I had one last chance to wimp out. To walk away. But I shook my head. No. Not this time. “Yes,” I said simply. “I need something.” “And what, may I ask, do you need?” I met his eyes. “You.
I'm prepared now to use the wonderful word confluence, which of itself exists as a reality and a symbol in one. It is the only kind of symbol that for me as a writer had any weight, testifying to the pattern, one of the chief patterns, of human experience. Of course the greatest confluence of all is that which makes up the human memory - the individual human memory. My own is the treasure most dearly regarded by me, in my life and in my work as a writer. Here time, also, is subject to confluence. The memory is a living thing - it too is in transit. But during its moment, all that is remembered joins, and lives - the old and the young, the past and the present, the living and the dead.
its odd to be a writer, you hear someone's experience and you stash it away in some tiny part of your memory and you go on your way again, only to find; in a few lived through chapters of your story a piece of their puzzle became your pathway to hope and you create words from it, like your mind creates some kind of magic. 'Yeah, it's odd being a writer.
I could doubt the value of my books as much as many do, except that, as a researcher and very curious person, I do read a lot too, and can clearly see the difference in value between what I do and what others do. I have no doubt that my books have much more value than nearly all others out there, and it wouldn't make sense for me to be an author if I couldn't see that, or if I saw the opposite, as I believe that, if we're not upgrading mankind, we're just making it lost and vulnerable to the claws of ignorance.
So what do I do? What do we do? How do we move forward when we are tired and afraid? What do we do when the voice in our head is yelling that WE ARE NEVER GONNA MAKE IT? How do we drag ourselves through the muck when our brain is telling us youaredumbandyouwillneverfinishandnoonecaresanditistimeyoustop? Well, the first thing we do is take our brain out and put it in a drawer. Stick it somewhere and let it tantrum until it wears itself out. You may still hear the brain and all the shitty things it is saying to you, but it will be muffled, and just the fact that it is not in your head anymore will make things seem clearer. And then you just do it. You just dig in and write it. You use your body. you lean over the computer and stretch and pace. You write and then cook something and write some more. you put your hand on your heart and feel it beating and decide if what you wrote feels true. You do it because the doing of it is the thing. The doing is the thing. The talking and worrying and thinking is not the thing. That is what I know. Writing the book is about writing the book. So here we go, you and me. Because what else are we going to do? Say no? Say no to an opportunity that may be slightly out of our comfort zone? Quiet our voice because we are worried it is not perfect? I believe great people do things before they are ready. This is America and I am allowed to have healthy self-esteem. This book comes straight from my feisty and freckled fingers. Know it was a battle. Blood was shed. A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
For I have nothing to lean on, nowhere to call my home and there is nowhere I will go for Christmas to rest my head and touch familiar walls. I have no degree to show on paper or employment to take care of my health or the reassurance that I can pay my rent. And I have no right to complain because this is the road I choose and I built it myself, not really knowing where I wanted it to lead, but I have hope in all things ahead and behind and I am learning to let myself go. Forget my own ego and believe that what I am doing is grander than my very own self.
Being goal-oriented instead of self-oriented is crucial. I know so many people who want to be writers. But let me tell you, they really don't want to be writers. They want to have been writers. They wish they had a book in print. They don't want to go through the work of getting the damn book out. There is a huge difference.
I'm an alien in my own world, a writer without words, a musician without a piano, a magician without a wand. I am fooled by infinite words that rush in my blood, yet imprisoned by the very thoughts of silence. I'm a gray green fallow leaf on trees and abandoned on the streets, a never-ending spring season and an eternal autumn. I'm the golden of the sun and the silver of the moon, the fog of dawn and the amber of dusk. I'm the white and the red flag , the obedient and the rebel. I am the coward in the brave, and the child in the man. I am, but a writer.
It feels like someone is gripping my heart and twisting it. It feels like I can't breathe. I shut my eyes tightly against the memory that is threatening to surface. I can't br
Write down what your reader needs, no more, no less. Reading should be textured, but not obscure. Henry James could make an entire paragraph out of a single sentence. The reader is completely sensory deprived of the story until the words show the way. If a reader were practiced, then James’ prose could be followed and appreciated for its economy and elegance.
A writer can live by his writing. If not so luxuriously as by other trades, then less luxuriously. The nature of the work he does all day will more affect his happiness than the quality of his dinner at night. Whatever be your calling, and however much it brings you in the year, you could still, you know, get more by cheating. We all suffer ourselves to be too much concerned about a little poverty; but such considerations should not move us in the choice of that which is to be the business and justification of so great a portion of our lives; and like the missionary, the patriot, or the philosopher, we should all choose that poor and brave career in which we can do the most and best for mankind.
It seems to me that you might create any sort of character in a novel and there would be at least one person in the world just like him. We humans are simply incapable of imagining non-human actions or behavior. It's the writer's fault if we don't believe in his characters as human beings.
To those that don't believe I'm worth more than what they think of other authors, to hell with them. Call me arrogant and call the police of politeness on me if you wish, because I won't stop until anyone that thinks that is erased from history. I will not only become immortal, but annihilate the memory of the ignorant from the face of the earth. My work will persist in the battles against the stupid and for thousands of years after I'm gone.
Great writers speak with their works not with their mouths!
The final advantage is the same that applies in every other competitive venture. If you would like to write better than everyone else, you have to want to write better than everyone else. You must take an obsessive pride in the smallest details of your craft. And you must be willing to defend what you've written against the various middlemen--editors, agents, and publishers--whose sights may be different from yours, whose standards are not as high. Too many writers are browbeaten into settling for less than their best.
If you want to be a good writer, internalize the good writers; absorb them; integrate with their souls; embrace their minds; mingle with their life stories; in short, merge with them, lose yourself in them!
Whatever good and beautiful experience you are having, if you are not writing them down, you are wasting them! Your thoughts on the paper are your real reality because the realities of the experience quickly disappear, they are already gone, they are dead, but the written thoughts of your experiences are still alive and can live thousands of years! Sit down and write them down!
Reflective writing produces distinct rewards. A writer does not claim to live exclusively in the moment. A pensive writer retreats into oneself in noble attempt to meld memory, thought, faith, doubt, and other strong emotions into thought capsules while exploring the inscrutable web of creation.
Don't annoy your readers by over-explaining--by telling them something they already know or can figure out. Try not to use words like "surprisingly," "predictably" and "of course," which put a value on a fact before the reader encounters the fact. Trust your material.
I turn sentences around. That’s my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning. And if I knock off from this routine for as long as a day, I’m frantic with boredom and a sense of waste. Sundays I have breakfast late and read the papers with Hope. Then we go for a walk in the hills, and I'm haunted by the loss of all that good time. I wake up Sunday mornings and I'm nearly crazy at the prospect of all those unusable hours. I'm restless, I'm bad-tempered, but she's a human being too, you see, so I go. To avoid trouble she makes me leave my watch at home. The result is that I look at my wrist instead. We're walking, she's talking, then I look at my wrist - and that generally does it, if my foul mood hasn't already. She throws in the sponge and we come home. And at home what is there to distinguish Sunday from Thursday? I sit back down at my little Olivetti and start looking at sentences and turning them around. And I ask myself, Why is there no way but this for me to fill my hours?
Most writers sow adjectives almost unconsciously into the soil of their prose to make it more lush and pretty, and the sentences become longer and longer as they fill up with stately elms and frisky kittens and hard-bitten detectives and sleepy lagoons. This is adjective-by-habit - a habit you should get rid of. Not every oak has to be gnarled. The adjective that exists solely as a decoration is a self-indulgence for the writer and a burden for the reader.
Most writers sow adjectives almost unconsciously into the soil of their prose to make it more lush and pretty, and the sentences become longer and longer as they fill up with stately elms and frisky kittens and hard-bitten detectives and sleepy lagoons. This is adjective-by-habit - a habit you should get rid of. Not every oak has to be gnarled. The adjective exists solely as a decoration is a self-indulgence for the writer and a burden for the reader.
Toni Morrison said, "The function of freedom is to free someone else," and if you are no longer wracked or in bondage to a person or a way of life, tell your story. Risk freeing someone else. Not everyone will be glad that you did. Members of your family and other critics may wish you had kept your secrets. Oh, well, what are you going to do? Get it all down. Let it pour out of you and onto the page. Write an incredibly shitty, self-indulgent, whiny, mewling first draft. Then take out as many of the excesses as you can.
Passionate attraction to someone of the opposite sex will make a hero or a fool of a novelist each time.
Letting go looks different for everyone, I think. Sometimes it's as simple as waking up one day and deciding not to let your past rule you. Other times it's a process; slow moving and painful, like trudging through a forest of thorny vines in hopes that you'll find freedom on the other side.
...writing allows us to reposition ourselves so we can see what is otherwise in our mental blind spots or those things about oneself and the world that we neither can see nor understand from the spot where we stand.
An author is similar to an actor. They play many characters in their lives—photographer, nurse, dancer, doctor, writer, etc. As an author, you have to learn your craft, know each and every element to become that character you’re writing about to be able to live and breathe what they do.
The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are at one. In fact Woolrich often makes us pull away from the person at the center of the storm, splitting our reaction in two, stripping his protagonist of moral authority, denying us the luxury of unequivocal identification, drawing characters so psychologically warped and sometimes so despicable that a part of us wants to see them suffer. Woolrich also denies us the luxury of total disidentification with all sorts of sociopaths, especially those who wear badges. His Noir Cop tales are crammed with acts of police sadism, casually committed or at least endorsed by the detective protagonist. These monstrosities are explicitly condemned almost never and the moral outrage we feel has no internal support in the stories except the objective horror of what is shown, so that one might almost believe that a part of Woolrich wants us to enjoy the spectacles. If so, it's yet another instance of how his most powerful novels and stories are divided against themselves so as to evoke in us a divided response that mirrors his own self-division.("Introduction")
It isn't dying I'm afraid of, it isn't that at all; I know what it is to die, I've died already. It is the endless obliteration, the knowledge that there will never be anything else. That's what I can't stand, to try so hard and to end in nothing. You know what I mean, don't you? ... I really loved to write.
Maybe Laura’s real problem came in admitting this: there was nothing new under the sun. To write a story would be, somehow deep down, to embrace her limits, to admit that, indeed, she would someday die—if not of a worm or a ceiling, then of something else. The very nature of a story admitted this reality. To be a writer was to say, yes, I am just another Murasaki, and it is quite possible that no one will remember my name.
A writer need not devour a whole sheep in order to know what mutton tastes like, but he must at least eat a chop. Unless he gets his facts right, his imagination will lead him into all kinds of nonsense, and the facts he is most likely to get right are the facts of his own experience.
You should really stay true to your own style. When I first started writing, everybody said to me, 'Your style just isn't right because you don't use the really flowery language that romances have.' My romances - compared to what's out there - are very strange, very odd, very different. And I think that's one of the reasons they're selling.
Like dandelions they flew across the expanse Of desert calm without advance They filtered through the stilled “become” Returning to the land they knew. They knew no more than where they flew. And so they gathered, one and all, And scattered it throughout their path. Only golden-shafted majesty could still their might. And so they flew onward, without a path.
Every writer dreams of a perfect language. Every writer dreams of a language that obeys, that comes to heel. For some this language is spare and pure, pared down to reveal essential truths without ornament or obfuscation. For others it is devilish and twisting, folding back over itself to create layers of meaning, shades of nuance.A language that will survive through the ages.A language that will crack open the heart of readers like a hazelnut.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
There was one story that anger certainly lit the fuse of. In the 1960's, in my home town of Jackson, the civil rights leader Medgar Evers was murdered on night in darkness and I wrote a story that same night about the murderer (identity unknown) called "Where Is The Voice Coming From?" But all that absorbed me, though it started as outrage, was the necessity I felt for entering into the mind and inside the skin of a character who could hardly have been more alien or repugnant to me. Trying for my utmost, I wrote in the first person. I was wholly vaunting the prerogative of the short-story writer. It is always vaunting, of course, to imagine yourself inside another person, but it is what a story writer does in every piece of work; it is his first step, and his last too, I suppose. I'm not sure this story was brought off; and I don't believe that my anger showed me anything about human character that my sympathy and rapport never had.
... and it was quite a sad thing,the way I watched you sleep like nothing could go wrong and I did not want to harm it, I did not want to blur it, but how could I notwhen everything I’ve ever known has slowly gone awayand I know by now that that’s the way you let the new day in with new roads and views and chances to growbut it was quite a sad thing because I don’t want this to ever become ’then’ or ’was’ and it was quite an unfamiliar thing. The way I took off my shoes again, put down my bag and quietly went back to bed, slowly between the sheets of moments I don’t want to leaveand it was quite a beautiful thing the way you had no idea but still must have known because you did not even open your eyes, but turned around and took my hand and you were still asleep, breathing in and out like nothing could go wrong, but still held my hand like you were glad I didn’t leave. ’Thank you for staying’and it was quite a wonderful thing, the way I smiled and so did you, sound asleep, and that’s all I need to know for now. That’s all I want to know for now.
We knew she [Sylvia] was unusual, because of the seriousness with which she was treated, the lofty importance of her job as guest managing editor, and because she was kept fast at her desk when the rest of us were allowed to fool around….I remember we discussed how the editors treater her differently from the rest of us, as if she had been pre-recognized as someone they were expecting great things of.
To receive the compliments of being a good writer really annoys me, as this has been my perception that a writer as such has no value, it is the readers who invest their thought process, give life to dead words, coupled with their own imagination, thus syncing the content to their tastes and sensibilities, that matter.
I am smiling a big adopted-orphan smile as I write this ... I still love scribbling the word - WRITER - any time on a form, questionnaire, document asks for my occupation. Fine, I write personality quizzes, I don't write about the Great Issues of the Day, but I think it's fair to say I am a writer ... ('Adopted-orphan smile', I mean, that's not bad, come on.)
A writer must find his own grain, way, bent. ...He aspires to create new and original works. His way is alone. If he succumbs to ideologies, he turns into a mouthpiece. He must hang on to his identity for dear life. In the end he must rely on his own judgment. It’s the only way to survive as a writer and an artist.
Realize that by hurting your own characters, you are not a sadist. You are not deliberately hurting your loved ones merely to watch them suffer. You’re giving a gift. You’re helping them grow and develop. Your characters take on deeper meaning to become more alive on your pages. They’ll become real.
A writer observes. A writer records for posterity. The moments in the transience of the labyrinth of time that would go unrecorded otherwise! A writer records for value. A writer records for sentimentalism. A writer tries in earnest to carry the emotions and sentiments that make us what we ultimately are. For what are we? Empty spaces in an atom!
Some relationships are like glass its better to leave them broken than to hurt yourself trying to put the pieces back together again. When you start reading the Bunna Man, most of my readers hate Dre and then they realize that Dre doesn't really have any power. The only power he has is the one Saf gave him. What happens now is that by you reach the middle of the story, your anger turns from Dre to Saf cause you realize that Saf is the catalyst behind her own misery. If she'd leave Dre alone. Her suffering would end
Those who are coming from the gutters know that from time to time a piece of us will break off and float back to the floor from whence it came. Wealth can gray your eyes at the edges, money does not make you hover above human qualities, you are only a flawed being with much material gain.
I like to skip prewriting. I love just jumping into the actual writing process. Then I revise/edit and fix what I need to. Then the following steps; proofread and publish. Of course before you just go into writing, it would be a good idea to do some charts of each chapter...what you would want each one to be about and have a character list with their personalities and how they will come into play in your book. I mean, you wouldn't just want to go all crazy and jot down all kinds of random stuff at once...trust me, you'll go crazy. With writing, you take it as it comes, go with your own flow.-Nina Jean Slack
I'm not just a reader or a writer; I inhale written words like they're my oxygen. It's not a hobby. It's a passion. People intrigue me. Life intrigues me. I see a story behind every pair of eyes I meet, history in every voice. I'll see someone wearing a smile and wonder what put it there. Words allow me to immerse myself in a whole other world. I get to become a different person.
You have to be careful what you write and not allow self righteousness to cloud your ability to be objective. This story is not about you, it's about people and things that no one else sees. The truth will at times come to you in a blur, unclear, unsettling refusing to leave until you figure out its relevance.
The novelist is required to create the illusion of a whole world with believable people in it, and the chief difference between the novelist who is an orthodox Christian and the novelist who is merely a naturalist is that the Christian novelist lives in a larger universe. He believes that the natural world contains the supernatural. And this doesn't mean that his obligation to portray the natural is less; it means it is greater.
I think the difference between a lie and a story is that a story utilizes the trappings and appearance of truth for the interest of the listener as well as of the teller. A story has in it neither gain nor loss. But a lie is a device for profit or escape. I suppose if that definition is strictly held to, then a writer of stories is a liar - if he is financially fortunate.
The stories that unfold in the space of a writer's study, the objects chosen to watch over a desk, the books selected to sit on the shelves, all weave a web of echoes and reflections of meanings and affections, that lend a visitor the illusion that something of the owner of this space lives on between these walls, even if the owner is no more.
A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is. When I speak of writing, the image that comes first to my mind is not a novel, a poem, or a literary tradition; it is the person who shuts himself up in a room, sits down at a table, and, alone, turns inward. Amid his shadows, he builds a new world with words.
You have always wanted to be a writer. Getting the job at the magazine was only your first step toward literacy celebrity. You used to write what you believed to be urbane sketches infinitely superior to those appearing in the magazine every week. You sent them up to Fiction; they came back with polite notes. "Not quite right for us now, but thanks for letting us see this." You would try to interpret the notes: what about the word now-do they mean that you should submit this again, later? It wasn't the notes so much as the effort of writing that discouraged you.
For a few weeks you got up at six to compose short stories at the kitchen table with while Amanda slept in the other room. Then your night life started getting more interesting and complicated, and climbing out of bed became harder and harder. You were gathering experience for a novel. You went to parties with writers, cultivated a writerly persona. You wanted to be Dylan Thomas without the paunch. F. Scott Fitzgerald without the crack-up. You wanted to skip over the dull grind of actual creation.
I am as disillusioned with the number of likes for one's posts on social networking sites as I am with the number of followers in one's social network. A great number of people liking your work does not prove your mettle as a writer or as an artiste!If my work can affect even one person and make him/her think then I am satisfied as a writer.
Charlotte Evans was used to feeling grungy. As a freelancer, she traveled on a shoestring, getting stories other writers did not, precisely because she wasn't fussy about how she lived. In the last twelve months, she had survived dust while writing about elephant keepers in Kenya, ice while writing about the spirit bear of British Columbia, and flies while writing about a family of nomads in India.
A person whom works exclusively for money places a price tag on his or her soul. A person whom labors to attain fame seeks a false form of adulation. The writer ignores the lure of a glamorous life by seeking to penetrate the darkness of their own being and meditate the larger issues that frame existence. A seeker knowingly follows a path that is barren, bleak, desolate, and unproductive in terms of attaining recognition and exulted social and financial status.
I truly don’t understand why at every Q and A, someone always asks, “Do you have a routine?” or “Do you write every morning?” Why those questions remain interesting, I really have no idea. But since no one’s putting a gun to their head to ask them, they must compel. They’re probably necessary on a symbolic level more than a literal one, as people cobble together an imagination of what a life devoted to “making” might be like.[I think people want a path to follow. They want a checklist so they can say, “Alright cool, so if I get up at six and I write for this long and I watch this film and I do that…”]It’s weird, because I might have wanted that, too. I used to dance in New York. My Lower East Side days. Modern dance, or whatever. One thing I learned as a dancer was that people learn combinations different ways. Some people, if they get the right side, they can also get the left side right off the top of their head. Some people need to be taught both right and left. Some people count, some people never count, you know? I noticed then that, for me, it was really watching the whole person dancing, trying to take in the whole combination at once, that helped me learn it. I think I’m the same way as a reader—I like to take in the whole book, not getting too specific about how they did it, but ride the bigger example.I mean, at the end of the day, the answer to the question “How did you do it?” is right there, on the page. They’re showing you how they did it, by doing it. Maybe it’s different with art, when you don’t know if someone had all their sculptures knitted or welded by elves somewhere, but with writing, the answer to the question “How do you write a book like this?” is usually, “Like this” [points to book].
I like writing that puts the needle right into the vein. I don’t think, when I’m writing, “Tell a good story” or “find a meaning.” I’m thinking phrase by phrase, make it tight, make it good. Get the idea out in language I can bear. I think there’s something musical about being impatient with boring sentences—it’s not that I don’t have boring sentences, God knows I do, but I’m impatient with them.
I tend to have really interested conversations with employers. They enjoy my interviews and they always last a little longer than norm for i have so much to say and as one said, i am but a breath of fresh air. I was asked what motivates me?I told them my children.When i was a child, i wanted to be like Oprah. I want to be the kind of person my children will be aspire to be. I want my daughter to say she wants to be like me.
I like writing, but I like a lot of things. Maybe out of those things, I'm best at writing. Maybe it's what I like best of all. Maybe it's where I've always felt most at home. Or maybe the writing part of me is over. Maybe there's something else I'm supposed to do instead. I don't know.
Feel free to like & share!I have been writing now for 3 years, managed to publish 12 books, it's coming along. I can really use you guys support. A great amount of being a writer is having the ability to persist and along the way each book sale with its additional review comments is a win and a reminder that I can make it. Pick up one of my books today and if you like it, tell a friend and maybe will do the same thing. It would be much appreciated. You'll find them on Amazon and Kobo.Claire :)
I began to realize how simple life could be if one had a regular routine to follow with fixed hours and a fixed salary and very little original thinking to do. The life of a writer is absolute hell compared with the life of a businessman. The writer has to force himself to work. He has to make his own hours and if he doesn’t go to his desk at all there is nobody to scold him. If he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not. Two hours of writing fiction leaves this particular writer absolutely drained. For those two hours he has been miles away, he has been somewhere else, in a different place with totally different people, and the effort of swimming back into normal surroundings is very great. It is almost a shock. The writer walks out of his workroom in a daze. He wants a drink. He needs it. It happens to be a fact that nearly every writer of fiction in the world drinks more whisky than is good for him. He does it to give himself faith, hope and courage. A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.
A writer’s tools are desperation, humiliation, loneliness, love, affection, heartache, happiness, glee, defeat, victory, setbacks, and a desire for personal redemption. People with the experience to know of such things relate that in order to write one must suffer an alleyway of anguish, and experience an array of physical and emotional pain. More than anything else, emotional growth, and writing are each reflective of the immeasurable gain accomplished through studious reflection.
From the beginning, I’ve told journalists that I planned to write better than any writer of my era who graduated from an Ivy League college. It sounds boastful and it is. But The Citadel taught me that I was a man of courage when I survived that merciless crucible of a four-year test that is the measure of The Citadel experience. I’m the kind of writer I am because of The Citadel.
I am a lover of love and I am a lover of words, and the two together spin visions of airy castles, but also may pierce the heart of hope. And so I remind you that I am a fool, a poet, and what matters is reality, not lovely words. Words are full of promise, yet empty of matter.
If a writer has the desire to communicate by writing and be heard, then he necessarily cares about seeing it in print. I suppose it's the difference between masturbation and making love—the real writer wants to touch another person.
Learn to enjoy this tidying process. I don't like to write; I like to have written. But I love to rewrite. I especially like to cut: to press the DELETE key and see an unnecessary word or phrase or sentence vanish into the electricity. I like to replace a humdrum word with one that has more precision or color. I like to strengthen the transition between one sentence and another. I like to rephrase a drab sentence to give it a more pleasing rhythm or a more graceful musical line. With every small refinement I feel that I'm coming nearer to where I would like to arrive, and when I finally get there I know it was the rewriting, not the writing, that wont the game.
About my interests: I don’t know if I have any, unless the morbid desire to own a sixteen-millimeter camera and make experimental movies can be so classified. Otherwise, I love to eat and drink – it’s my melancholy conviction that I’ve scarcely ever had enough to eat (this is because it’s impossible to eat enough if you’re worried about the next meal) – and I love to argue with people who do not disagree with me too profoundly, and I love to laugh. I do not like bohemia, or bohemians, I do not like people whose principal aim is pleasure, and I do not like people who are earnest about anything. I don’t like people who like me because I’m a Negro; neither do I like people who find in the same accident grounds for contempt. I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually. I think all theories are suspect, that the finest principles may have to be modified, or may even be pulverized by the demands of life, and that one must find, therefore, one’s own moral center and move through the world hoping that this center will guide one aright. I consider that I have many responsibilities, but none greater than this: to last, as Hemingway says, and get my work done.
Identifying as a writer is a matter of self-acceptance. It's not a thing that can be given to you, or bestowed upon you. You are a writer if you write. That's it. If what you are seeking is to be acknowledged as a writer by other people, many of them strangers, you're in for a demoralizing journey. It is a silly club where those who have been 'accepted' are loathe to permit others into. It's sort of like how we Americans love denying our own immigrant origins while railing against immigration.
But apart from these lazinesses of logic, what makes the story so tired is the failure of the writer to reach for anything but the nearest cliche'. "Shouldered his way," "only to be met," "crashing into his face," "waging a lonely war," "corruption that is rife," "sending shock waves," "New York's finest," - these dreary phrases constitute writing at its most banal. We know just what to expect. No surprise awaits us in the form of an unusual word, an oblique look. We are in the hands of a hack, and we know it right away, We stop reading.
And then, unbidden, seemingly out of nowhere, a thought or image arrives. Some will float into your head like goldfish, lovely, bright, orange, and weightless, and you follow them like a child at an aquarium that was thought to be without fish. Others will step of the shadows like Boo Radley and make you catch your breath or take a step backward. They're often so rich, these unbidden thoughts, and so clear that they feel indelible. But I say write them all down anyway.
There's a hum that happens inside my head when I hit a certain writing rhythm, a certain speed. When laying track goes from feeling like climbing a mountain on my hands and knees to feeling like flying effortlessly through the air. Like breaking the sound barrier. everything inside me just shifts. I break the writing barrier. And the feeling of laying track changes, transforms, shifts from exertion into exultation.
There are few experiences as depressing as that anxious barren state known as writer's block, where you sit staring at your blank page like a cadaver, feeling your mind congeal, feeling you talent run down your leg and into your sock.
If we eliminate the word "writer", if we just go back to writing as an act of listening and naming what we hear, some of the rules dissappear. There is an organic shape, a form-coming-into-form that is inherent in the thing we are observing, listening to, and trying to put on the page. It has rules of its own that it will reveal to us if we listen with attention. Shape does not need to be imposed. Shape is a part of what we are listening to. When we just let ourselves write, we get it "right".
No one is treated with more patronizing condescension than the unpublished author or, in general, the would-be artist. At best he is commiserated. At worst mocked. He has presumed to rise above others and failed. I still recall a conversation around my father’s deathbed when the visiting doctor asked him what his three children were doing. When he arrived at the last and said young Timothy was writing a novel and wanted to become a writer, the good lady, unaware that I was entering the room, told my father not to worry, I would soon change my mind and find something sensible to do. Many years later, the same woman shook my hand with genuine respect and congratulated me on my career. She had not read my books.
Beware, then, of the long word that's no better than the short word: "assistance" (help), "numerous" (many), "facilitate" (ease), "Individual" (man or woman), "remainder" (rest), "initial" (first), "implement" (do), "sufficient" (enough), "attempt" (try), "referred to as" (called), and hundreds more. Beware of all the slippery new fad words: paradigm and parameter, prioritize and potentialize. They are all weeds that will smother what you write. Don't dialogue with someone you can talk to. Don't interface with anybody.
As a writer, my mission is to represent the perceptible world in such a way that readers can see the extraordinary that lives all around them. I want to converse on the page. I want to squash the humdrum, the mendacity that arrives due to too many overworked routines and overfed expectations. I want to entertain and awaken. I want to imagine and observe. I want to spin my fiction from an honest, curious place.
If you have received a letter inviting you to speak at the dedication of a new cat hospital, and you hate cats, your reply, declining the invitation, does not necessarily have to cover the full range of your emotions. You must make it clear that you will not attend, but you do not have to let fly at the cats. The writer of the letter asked a civil question; attack cats, then, only if you can do so with good humor, good taste, and in such a way that your answer will be courteous as well as responsive. Since you are out of sympathy with cats, you may quite properly give this as a reason for not appearing at the dedicatory ceremonies of a cat hospital. But bear in mind that your opinion of cats was not sought, only your services as a speaker. Try to keep things straight.
There may be a Nurse Ratched-like listing of things that must be done right this moment: foods that must come out of the freezer, appointments that must be canceled or made, hairs that must be tweezed. But you hold an imaginary gun to your head and make yourself stay at the desk.
I do not so much write a book as sit up with it, as with a dying friend. During visiting hours, I enter its room with dread and sympathy for its many disorders. I hold its hand and hope it will get better. This tender relationship can change in a twinkling. If you skip a visit or two, a work in progress will turn on you.
Among the responsibilities of any writer is that, no matter what else, they know what they mean. So, even if no one else knows what you're talking about, you do. The listener can sense that, even if they don't get the literal meaning. The faith that they place in the clues and the connections and the secrets of the lyrics is of the utmost importance.
I had feared this end, wondered where I would go from it, from the moment I first stepped on this footpath in the desert. But I found I was not afraid of reaching it now. I was happy. I hadn't found every answer for where I was going, but I now had all I needed to take these next steps. I knew I would do what I needed to become a writer now.
Write and people will come to read. Write and people will heed to your words and share them with others. Not all may relate, but wait, and those who were meant to see it eventually will find it, for truth waits to be found. It searches for no one.
Plato, along with the latest pope, recognised how dangerous it is to have an artist around making mischief, stirring things up with the spoon of truth and intoxicant of fantasy and magic. And so, for crossing the line, and for stealing God’s fire, artists were banned, imprisoned, condemned, silenced, killed – they always would be, these sometimes Christs of the page.
She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle. She was so much finer than I, so much more honest, that I was sick of myself and I could not look at her warm eyes, I suppressed the shiver brought on by her brown arms around my neck and the long fingers in my hair. I did not kiss her. She kissed me, author of The Little Dog Laughed.
The writer, indeed every real artist, was the devil, rivalling God in creativity, trying even to surpass him. God was surely man’s most fatal creation, the devil’s kitsch bitch. It was God, with his insistence on being worshipped and admired, who made the argument of art necessary, keeping the fire of dissent alive in men and women. This dissident was the artist, who spanned with his imagination reason and unreason, the under and the over, the dream and the world, men and women.
I think in life there is only one absolute truth. Death... It's the only definitive horizon, sometime it leaps, runs across mountains and vanishes beyond oceans but the closer you get, the more you see and you know it is the final destination, the absolute truth. We are only living to die.
I had decided that I wanted to earn my living as a writer and the only place in Waterbury where they paid you for writing was at the local newspaper. My opportunity came when the paper had an opening for a night janitor. Opportunities are easy to miss, because they don’t always show up in their best clothes. Sometimes opportunities look like beggars in rags. After an eight-hour shift in the shop tossing thirty-pound crates I hustled down to the newspaper building and cleaned toilets, with a vague plan that it would somehow lead to a reporter’s position.
Curt, my husband, is a writer, and he’ll never write again. That’s our funeral, as they say down south. Now in your case, my pet, you’re married to a phenomenon of our own special epoch, a man who couldn’t in a thousand years be a writer in the only meaning of the term, but who can and probably will write a book.
You can't learn to write in college. It's a very bad place for writers because the teachers always think they know more than you do—and they don't. They have prejudices. They may like Henry James, but what if you don't want to write like Henry James? They may like John Irving, for instance, who's the bore of all time. A lot of the people whose work they've taught in the schools for the last thirty years, I can't understand why people read them and why they are taught. The library, on the other hand, has no biases. The information is all there for you to interpret. You don't have someone telling you what to think. You discover it for yourself.
Some mediocre ladies in influential positions are usually embarrassed by an unusual book and so prefer the old familiar stuff which doesn't embarrass them and also doesn't give the child one slight inkling of beauty and reality. This is most discouraging to a creative writer, like you, and also to a hardworking and devoted editor like me. I love most of my editor colleagues but I must confess that I get a little depressed and sad when some of their neat little items about a little girl in old Newburyport during the War of 1812 gets [sic] adopted by a Reading Circle.
She looked at the empty page, which remained blank, apart from the small wet dots from her tears, for hours. Her mind was a turmoil of sadness, rage, fear and all those emotions that gave her inspiration. However her heart lacked the will as the empty words enclosed her soul pulling it down towards the frenzied ravenous imps that stalked hells pantry....
The painter does not conceive himself as existing in himself, he conceives himself as a reflection of the objects he has put into his pictures and he lives in the reflections of his pictures, a writer, a serious writer, conceives himself as existing by and in himself, he does not at all live in the reflection of his books, to write he must first of all exist in himself, but for a painter to be able to paint, the painting must first of all be done.
On a related note, I think for many of us, the first step in becoming a good writer is to write crap. In all seriousness, none of us are born knowing how to write. Almost all of us will produce a lot of really lousy stories before we start to get good. (Not all of us will choose to publish those lousy stories, but that's a whole separate discussion...)
The Lone Star of Africa Land of the free, on your beach and sacred forests loves flourished. You, Liberia, you my love to echo, the scream of freedom, holding tight and will never let go. O beautiful land, The Lone star for decades has survived wars and tribalism the elders who keep the ancestral treasures that resulted in Vandalism. When will morning break for great leaders to stand for what is right Mother Liberia?
The day I became a writerit wasn't the day a whore paid me in sexin exchange for one of my bookswhich happened often and more and moreas time went onit wasn't the first time someone actually paid for one of my bookswhich happens less and less as time goes onIt was the day I realizedthat everything is created by manGod, Satan, Judas, phobias, excrement, even deatheven womeneverything is created by manSo I said to myselfshit, let me make something let me tape together some words and sentencesand proseand predicatesand the residual shit that sticks to my ass after I wipeand compose a new kind of thingBut then I realized that others had discovered thisfor themselves as wellAnd suddenly the world became a jungleWhere everyone eats each other aliveAnd shits out the same shit
...ugly interlopers threaten to choke off your story, depriving it of much-needed nutrition, sunlight and water. Identify and cut those weeds – the life-sucking adverbs, the shade-killing descriptions that don’t move the story forward, the crowding passive voice sentences.
A writer flirts with schizophrenia, nurtures synesthesia, and embraces obsessive-compulsive disorder. Your art feeds on you, your soul, and, yes, to a degree, your sanity. Writing novels worth reading will bugger up your mind, jeopardize your relationships, and distend your life. You have been warned.
Even great, best selling writers produce works that fall flat from expectations. This writing thing isn't easy and everything you produce won't be a best seller, but you must write anyway. You have to write because you love it, because it fuels you, because you can feel the stories living inside you, nudging you, prodding you, itching to get out and the only thing worse than writing it and failing is not writing it. As the late Maya Angelou once said, "There is no greater agony than bearing an untold story inside you."Even if your work doesn't resonate with others, it is still worth writing. And that in itself, is what's important.
Write the words "The FIve Senses" on an index card and tack it to a bulletin board above your desk. You should have a bulletin board above your desk, if at all possible. Some place where you can tack images, quotes, postcards, scraps of thoughts and ideas that will help remind you of you you are and what you're doing.
Seeing yourself in print is such an amazing concept: you can get so much attention without having to actually show up somewhere. While others who have something to say or who want to be effectual, like musicians or baseball players or politicians, have to get out there in front of people, writer who tend to be shy, get to stay at home and still be public.
To be a decent writer you must have both empathy and imagination. While these attributes aid your art, they can plague your soul. You don’t simply suffer your own sadness, experience your own longing and worry about your own wife and children, you are burdened with experiencing the emotional states of multitudes of others you don’t know.
Most people put off my mother's erratic behavior to the fact that she was a writer, as if that just explained everything. To me that was just an excuse. I mean, brain surgeons can be crazy too, but no one says that's all right. Fortunately for my mother, I am alone in this opinion.
The people who don't give you a standing ovation for the hurdles you cross are just afraid that you might win the race. They do not cheer you but they sit, lurking on the sidelines, biting their fingernails hoping you will stumble before the end. They secretly wish you will never win this race. But watch out for them, they will be the firstto stand and cheer you when you stand on that podium of success.
A lady sent me an email recently advising me to change my environment. I guess she read through the lines of my writing and I had adequately painted a portrait of my experiences for her to form a conclusion that melancholia and fatalistic views of my protagonist reveals the depth or layers of my own consciousness. I haven't experienced much of life at twenty five but I've noticed enough, more than most people do at my age. I won't lie that sometimes it leaves me menacingly depressed. I only represent myself. I am in no competition with anyone. I often muse that if people were half concerned about wars and crimes, corruption in high places and poverty with the heavy regard they place upon other's lives then we would have a better world. Just imagine if the average man on the road heckled politicians the way they are often inclined to insult a fat woman. I have a Ton load of bad experiences but I have not allowed them to deter me, people will think about them at some high point in my life and try to use it to besmirch whatever glory I may attain. I understand that too, they can use it for whatever barometer on their lives they see fit but as for me, I used my crash falls as stairwells to greatness. Sometimes I feel alone because I am youthful and curious about life and people judge me for it and oftentimes it leaves me feeling lonely and asocial. You see the deep thinker has to be careful, the shallow minded will take one look and paint him as madness.
When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.
He can see what move I'm planning to make in chess and counters before I can do it. He always knows who the killer is in a detective story. I think he could make a career out of detecting, but he wants to write plays for theater. Maybe he could be a Shakespeare instead of a Sherlock. He could be anything. Anything he wants to be.
Because his art is sucha difficult one, the writer is not likely to advance in the worldas visibly as do his neighbors: while his best friends from highschool or college are becoming junior partners in prestigiouslaw firms, or opening their own mortuaries, the writer may bestill sweating out his first novel.
Like other kinds of intelligence, the storyteller's is partlynatural, partly trained. It is composed of several qualities, mostof which, in normal people, are signs of either immaturity orincivility: wit (a tendency to make irreverent connections);obstinacy and a tendency toward churlishness (a refusal tobelieve what all sensible people know is true); childishness (anapparent lack of mental focus and serious life purpose, a fondnessfor daydreaming and telling pointless lies, a lack of properrespect, mischievousness, an unseemly propensity for cryingover nothing); a marked tendency toward oral or anal fixationor both (the oral manifested by excessive eating, drinking,smoking, and chattering; the anal by nervous cleanliness andneatness coupled with a weird fascination with dirty jokes);remarkable powers of eidetic recall, or visual memory (a usualfeature of early adolescence and mental retardation); a strangeadmixture of shameless playfulness and embarrassing earnestness,the latter often heightened by irrationally intense feelingsfor or against religion; patience like a cat's; a criminal streak ofcunning; psychological instability; recklessness, impulsiveness,and improvidence; and finally, an inexplicable and incurableaddiction to stories, written or oral, bad or good.
The art is more important than the artist. The work is more important than the person who does it. You must be prepared to sacrifice all the you could possibly have, be, or do; you must be willing to go all the way for your art. If it is a question between choosing between your life and a work of art -- any work of art -- your decision is made for you.
I do not think one can assess a writer's motives without knowing something of his early development. His subject matter will be determined by the age he lives in... but before he ever begins to write he will have acquired an emotional attitude from which he will never completely escape. It is his job, no doubt, to discipline his temperament and avoid getting stuck at some immature stage, in some perverse mood; but if he escapes from his early influences altogether, he will have killed his impulse to write.
I keep on going with this sad and hungry and sordid, this limping and mutilated story, because after all I want you to hear it….By telling you anything at all I’m at least believing in you….Because I’m telling you this story I will your existence. I tell, therefore you are.
The writer is a spiritual anarchist, as in the depth of his soul every man is. He is discontented with everything and everybody. The writer is everybody's best friend and only true enemy — the good and great enemy. He neither walks with the multitude nor cheers with them. The writer who is a writer is a rebel who never stops.
But, it didn’t matter that my mother suspected and knew that I was a writer. It was expected of me to take care of my share of the responsibility of making our way in the world as a family. In those days, also, it was unheard of, by us certainly, that to get any help, even from members of our own family, let alone from the government, which would have been disgraceful. Thank God that that kind of folly in thinking is obsolete. There is a temptation to feel, ‘Well, we all made it; why can’t these other poor people make it?’ And, of course, nothing is more than stupid than that attitude. I must confess that I find that attitude among many countrymen of my own who do find themselves taking undue pride in their own sense of ability — of being equal to any situation, and of seeing it through and improving it, and so on. And then, putting that against other people who don’t have that, and thereby implying that the other people are lazy. Not taking into account the whole different structure and identity and a people who have survived for centuries under very harsh conditions and members of a very great culture, and I am talking about the Indians, to begin with, in the Valley — the San Joaquin Valley, in Fresno, in Tulare, and the mountains, and there are many tribes of them, of different kinds, and I am talking about, also, the Mestizos, the mixtures of Mexican, Spaniards with Indians, making the Mexican. And I am talking about any minority which is considered by anybody as being innately of itself indolent. This kind of narrow thinking is a temptation to all sorts of people, and one has to be sympathetic with the people who are wrong, too, you see. It is not enough just to be sympathetic with the people who are belittled; it is necessary to be sympathetic with the people who belittle them. So, in worrying about the persecuted, one is obliged also to worry about the persecutors. I consider that a basic measure of growth.
I may not be able to say these words to you but that doesn't mean I can't say it to the rest of the world. I'm not a poet. Nor do I try to be one. I simply share what I do in my spare time. All poetry springs from genuine feelings. I'm only a woman expressing herself to the world.
I wasn't that good you know. What I was was a guy who could write a little, publishing in magazines surrounded by people who couldn't write at all. So I looked pretty good. But I never thought I was that good at all. All that I thought was that I tried to tell the truth.
You know that you are a writer if you are imaginative. You know that you are a writer if you are curious. You know that you are a writer if you are interested in the things and people of the world. You know that you are a writer if you hold a minie ball in your hand and wonder about its story. You know that you are a writer if you like the sound of rain on the roof. And if you want to tell someone else about your heart and how waiting for the thunder sometimes makes you feel, if you work to find the words to do that, then you are a writer. --Maureen O'Toople in the short story "Your Question for Author Here
If Laura was so prolific with poems, and in truth she was, then what was the problem with Megan’s request? Couldn’t Laura, with a little doing, keep stringing together line after line of words and construct, in time, a novel? It seemed logical, but there was the matter of finding an idea and sustaining it. Only fire could do that. The fire of rebellion.Mario Vargas Llosa had not used the term “fire” exactly, but rather had discussed the presence of “seditious roots” that could “dynamite the world” the writer inhabited. He claimed that writing stories was an exercise in freedom and quarreling—out-and-out rebellion, whether or not the writer was conscious of it. And this rebellion, Vargas Llosa reminded his readers, was why the Spanish Inquisition had strictly censored works of fiction, prohibiting them for three hundred years in the American colonies.
During the act of making something, I experience a kind of blissful absence of the self and a loss of time. When I am done, I return to both feeling as restored as if I had been on a trip. I almost never get this feeling any other way. I once spent sixteen hours making 150 wedding invitations by hand and was not for one instance of that time tempted to eat or look at my watch. By contrast, if seated at the computer, I check my email conservatively 30,000 times a day. When I am writing, I must have a snack, call a friend, or abuse myself every ten minutes. I used to think that this was nothing more than the difference between those things we do for love and those we do for money. But that can't be the whole story. I didn't always write for a living, and even back when it was my most fondly held dream to one day be able to do so, writing was always difficult. Writing is like pulling teeth. From my dick.
I read obsessively when I'm writing. I think there are two kinds of fiction writers, those who read incessantly while they write and those who can't read at all, lest their individual voices get overwhelmed, or tainted somehow. I'm the first kind. To use a painfully precious metaphor, I need fixed stars to navigate by, otherwise I get lost in the blankness of the page.
THE MANY FACES OF SURVIVALSunday, August 10th at 2:00 PSTDachau Liberator, medical whistle-blower, award winning writer, college professor and world renowned garlic farmer, Chester Aaron, talks about the hard choices he’s had to make, why he made them, and how it’s changed his life. Mr. Aaron was recognized by the National Endowment for the Arts, and received the Huntington Hartford Foundation fellowship which was chaired by Aldous Huxley and Tomas Mann. He also inspired Ralph Nader to expose the over-radiation of blacks in American hospitals. Now Mr. Aaron is a world-renowned garlic farmer who spends his days writing about the liberation of Dachau. He is 86 years old and he has a thousand stories to tell. Although he has published over 17 books, he is still writing more and looks forward to publishing again soon.
What is so frightening about [writing]? I still don't know. Perhaps it's the horrible knowledge that no matter how well you write, the resultant product will never correlate exactly to the truth, will never arrive with quite the melodious voice you hear in the acoustic cavity of your mind.
My normal friends loved having a token author. Just like every WoW raiding party needs at least one healer, every gaggle needs at least one artist. They enjoyed introducing me to people at bars. "This is Jessica. She's a writer." That's really code for "She's definitely fucking someone tonight. Hang around long enough, and that someone might be you.
In the kitchen Anna was quietly plotting to get rid of him. A brief talk, then she would contact the publisher and ask for someone more suitable. When she bore her best china cautiously back into the room she found him on his feet, examining things. 'Here we are,' she said, speaking drily, trying to call him back to his place.'Who's this guy?' Dick asked, staring at a happy, rounded man having his photograph taken on a boat with a huge fish at his feet.'That is my Uncle Max,' Anna said impatiently. 'Here is your coffee.''Great. I need a cup. Strong and black.' Dick was feeling his reckless self coming out: so what is she thinks I'm a scruff? Push some buttons and see what the old cow's made of.Anna regretted that he must place his stained body upon her newly-cleaned velvet. She was grateful for having no sense of smell.'Tell me what you have written, Mr Michaels?' He noticed the challenge.'All sorts of rubbish,' he said unhelpfully, wishing to add the word 'rubbish', but showing admirable restraint. 'I write anything that's required.' As he spoke he noticed an unrealised pride in his humble craft. 'I turn things into readable English so people will be interested. You see, not everyone who has had an interesting life knows how to make it sound good; that's my job.' He could see her expression soften. Something simian amid the fine features? 'I make a great effort not to change the original intention, of course...''You call that a ghost, I think?''Yeah. The ghost brings people's lives to life.
I could be accused of glamourising crime, the favorite question on all journalists’ lips whenever they ask about anyone writing about such things. The answer to that must be an emphatic ‘Yes’. We’ve come to expect our icons of the criminal world to be larger than life, better than anyone else at foiling the final capture scene. We all love a good thriller ....
Early in her career, Muse engaged her skills for technical purposes, such as document translation and schematic visualizations for government entities. She continued to write and paint poetically, in secret, using her pen name, Muse. An inner compass is evident in her work. Pieces reflect both past and present dilemmas; while showcasing her victories in overcoming these obstacles ~ all from her faith based perspective. Light touches of modernism play hand in hand with old world strokes, offering highly visceral readings.
The artistic bend is a sell-out. It's all truth, or it's no good. EIther write what's in the heart, all of it, the good, the bad, the ugly, the uglier, the privat and even more private and it's a book worth reading. Not willing to go there? Do yourself and the world a favor: Don't write it until you're ready to do so. Only then is it your truest artist being heard. And only then will the world want to hear what you have to say."-Wendy K. Williamson 9/25/14
He who has experienced the mystery of the nature is full of life, full of love, full of joy. Radiance emanates from the whole existence itself, it does not know the meaning of holding back. It is pure giving-giving of love. For the great writers, love is like holding ice in hand, it just turns to water and they lose out their role but for a mystic the moment ice transforms to water love starts to flow.
The righteous will possess the earth, and they will live forever on it." PSALM 37:29. ~Stop being envious no one can make it without the true help of a honest individual or someone who believes in your future. Stop hating people for success this will make your bones rotten. DONT burn the only bride you left standing. Your image doe's not pay bills stop being concerned about how your social media page looks. & build a foundation on the heels of your strength. Stop feeling sorry for yourselves the world is to cold for anyone to be in weakness. #God1st #FAMILYCLOSE #Author #Writer #MusicArtist
Writing consist of everything. whether your writing is of riddles, rimes, prose, trivial, general, of thought, or of feeling. indiscretions you've done or have fantasized about. love, deception, romance, fear, death, life, pain, & yes even happiness. writing is of a specific purpose & states a meaning within what is written.
The serious writer was aware of a paradox at the heart of his art: his inner world, the place of the strongest stories, was infinite, but it was also embedded in – if this was possible! – an even more infinite universe of all things to write about. It was like seeing the Grand Canyon from outer space – a huge gorge that looked like a thin trickle, impossible to miss, hard to hit.
Criticism can never instruct or benefit you. Its chief effect is that of a telegram with dubious news. Praise leaves no glow behind, for it is a writer's habit to remember nothing good of himself. I have usually forgotten those who have admired my work, and seldom anyone who disliked it. Obviously, this is because praise is never enough and censure always too much.
Whatever you may have heard, self-publishing is not a short cut to anything. Except maybe insanity. Self-publishing, like every other kind of publishing, is hard work. You don’t wake up one morning good at it. You have to work for that.
You can be a member of all of the romance writers associations, take part in all of the networking available, or win the latest romance award... but guess what? None of that makes a difference if you don't WRITE something people want to READ. The greatest editor in the world won't make your book a best seller if it isn't something people care about. So forget all of the fluff that clouds your purpose... writing!!
He stares at me—taking me in—with his lips slightly parted. I struggle to hold myself in place as we gawk at each other. I want so desperately to run, but something is holding me back, keeping me in place.