After a while it occurred to me that between the covers of each of those books lay a boundless universe waiting to be discovered while beyond those walls, in the outside world, people allowed life to pass by in afternoons of football and radio soaps, content to do little more than gaze at their navels.
And I read something else," Jacob goes on. "There was this discussion of the story of Cain and Abel, from the Bible. After Cain kills his brother, God says, 'The bloods of your brother call out to me.' Not blood. Bloods. Weird, right? So the Talmud tries to explain it.""I can explain it," says William. "The scribe was drunk.""William!" cries Jeanne. "The Bible is written by God!""And copied by scribes," the big boy replies. "Who get drunk. A lot. Trust me."Jacob is laughing. "The rabbis have a different explanation. The Talmud says it's 'bloods' because Cain didn't only spill Abel's blood. He spilled the blood of Abel and all the descendants he never had.""Huh!""And then it says something like, 'Whoever destroys a single life destroys the whole world. And whoever saves a single life saves the whole world."There are sheep in the meadow beside the road. Gwenforte walks up to the low stone wall, and one sheep--a ram--doesn't run away. They sniff each other's noses. Her white fur beside the ram's wool--two textures, two colors, both called white in our inadequate language. Jeanne is thinking about something. At last, she shares it. "William, you said that it takes a lifetime to make a book.""That's right.""One book? A whole lifetime?"William nods. "A scribe might copy out a single book for years. An illuminator would then take it and work on it for longer still. Not to mention the tanner who made the parchment, and the bookbinder who stitched the book together, and the librarian who worked to get the book for the library and keep it safe from mold and thieves and clumsy monks with ink pots and dirty hands. And some books have authors, too, like Saint Augustine or Rabbi Yehuda. When you think about it, each book is a lot of lives. Dozens and dozens of them."Dozens and dozens of lives," Jeanne says. "And each life a whole world.""We saved five books," says Jacob. "How many worlds is that?"William smiles. "I don't know. A lot. A whole lot.
Imagine, if you will:Meradinis!The stuff myths are made of! The Turtle Island of the stars – home planet to the fearsome and once legendary Corsairs. The very name of this world immediately grabbed the imaginations of young boys and girls, and universally mesmerize dreamers and romantics alike. The truth though was less romantic – and as reality so often demonstrates in real life - instead rather ugly and brutal. The Corsairs were not corn-ball comics that went about with parrots on their shoulders, saying “Arr!” to everything they encountered. They were anything but. Behind the Corsairs and their culture lay a history fraught with a struggle to survive, a vengefulness and a cruelty – and a drive to survive by preying upon others that struck fear into the hearts of neighboring fringe worlds.
In the Black Palace, in the capital city below, the man know as the Patron – Martel the Mighty, ruler of this dark world - had packed his coffers and was now also, presumably, making good his escape. For the Corsair elite and ruling class – those whose hands were literally dripping blood, profiteering from the bloodshed and violence that terrorized dozens of worlds - escape was the only option left and he would not be the only one to mount an escape attempt, nor be the only one to succeed. For years to come, there would be countless bounties offered on missing prominent Corsairs that had slipped through the net, with the occasional report of so-and-so being spotted on some or other rim world, presumably sporting a new beard and a pair of sunglasses – which might have raised a few eyebrows in the case of the many female Corsairs.
You haven't finished the key, but not because you are afraid to finish. You're afraid of finding you can't finish. You're afraid to go down to where the stones stand, but not because you're afraid of what may come once you enter the circle. You're afraid of what may not come. You're not afraid of the great world, Eddie, but of the small one inside yourself.
Writing has become more than just a profession, and hobby…it has become a way to express my feelings and pour my entire soul into the pages of my books. Thank God for the little things in life that makes us feel infinite and tranquil…the little things that make way for us to escape reality and enter new worlds that we create. -Nina Jean Slack
And when I fall in love,” I began, "I will build a mountain to touch the sky. Then, my lover and I will have the best of both worlds, reality firmly under our feet, while we have our heads in the clouds with all our illusions still intact. And the purple grass will grow all around, high enough to reach our eyes.
How could we have discovered great lands, if we dare not travel?
Words, then, are born of worlds. But they also take us places we can’t go: Constantinople and Mars, Valhalla, the Planet of the Apes. Language comes from what we’ve seen, touched, loved, lost. And it uses knowable things to give us glimpses of what’s not. The Word, after all, is God.
One wants never to give up this crystalline perspective. One wants to keep counterpositioning home with what one knows of alternative realities, as they exist in Tunis or Hyderabad. One wants never to forget that nothing here is normal, that the streets are different in Wisebaden, and Louyang, that this is just one of many possible worlds.
(Of the main character seeing a new world for the first time.) The air was cold but not bitterly so, and it seemed a bit rough at the back of his throat. He gazed about him, and the very intensity of his desire to take in the new world at a glance defeated itself. He saw nothing but colours - colours that refused to form themselves into things. Moreover, he knew nothing yet well enough to see it: you cannot see things till you know roughly what they are. His first impression was of a bright, pale world - a watercolour world out of a child's paint-box, a moment later he recognised the flat belt of light blue as a sheet of water, or of something like water, which came nearly to his feet. They were on the shore of a lake or river.
There's a sameness to streetlife. On every world I've ever been, the same underlying patterns play out, flaunt and vaunt, buy and sell, like some distilled essence of human behavior seeping out from whatever clanking political machine has been dropped on it from above.
What worlds are there herein? I’ll tell you. In these seas of fragrant waters, numerous as atoms in unspeakably many buddha-fields, rest an equal number of world systems. Each world system also contains an equal number of worlds. Those world systems in the ocean of worlds have various resting places, various shapes and forms, various substances and essences, various locations, various entryways, various adornments, various boundaries, various alignments, various similarities, and various powers of maintenance.
It was if, in the process of its long and arduous journey from Afghanistan's mines to Europe's canvases, and its painful evolution from barren beginnings, ultramarine had collected and purified all the wisdom of the different worlds it traversed, retaining only what was common to then, and what was most important. This pure, clean color evokes undulating infinity, that delicate moment between day and night, an image of man constantly drifting between existence and non-existence.
Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness....And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing!Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.
You read, move your lips, figure out the words, and it's like you're in two places at the same time: you're sitting or lying with your legs curled up, your hand groping in the bowl, but you can see different worlds, far-off worlds that maybe never existed but still seem real. You run or sail or race in a sleigh--you're running away from someone, or you yourself have decided to attack--your heart thumps, life flies by, and it's wondrous: you can live as many different lives as there are books to read.