It happens like this. "One day you meet someone and for some inexplicable reason, you feel more connected to this stranger than anyone else--closer to them than your closest family. Perhaps this person carries within them an angel--one sent to you for some higher purpose; to teach you an important lesson or to keep you safe during a perilous time. What you must do is trust in them--even if they come hand in hand with pain or suffering--the reason for their presence will become clear in due time."Though here is a word of warning--you may grow to love this person but remember they are not yours to keep. Their purpose isn't to save you but to show you how to save yourself. And once this is fulfilled; the halo lifts and the angel leaves their body as the person exits your life. They will be a stranger to you once more.-------------------------------------------------It's so dark right now, I can't see any light around me. That's because the light is coming from you. You can't see it but everyone else can.
Lovers and madmen have such seething brains,Such shaping fantasies, that apprehendMore than cool reason ever comprehends.The lunatic, the lover and the poetAre of imagination all compact:One sees more devils than vast hell can hold,That is, the madman: the lover, all as frantic,Sees Helen's beauty in a brow of Egypt:The poet's eye, in fine frenzy rolling,Doth glance from heaven to earth, from earth to heaven;And as imagination bodies forthThe forms of things unknown, the poet's penTurns them to shapes and gives to airy nothingA local habitation and a name.
If you have a dream, don’t just sit there. Gather courage to believe that you can succeed and leave no stone unturned to make it a reality.
A written word is the choicest of relics. It is something at once more intimate with us and more universal than any other work of art. It is the work of art nearest to life itself. It may be translated into every language, and not only be read but actually breathed from all human lips; -- not be represented on canvas or in marble only, but be carved out of the breath of life itself.
What we have forgotten is that thoughts and words are conventions, and that it is fatal to take conventions too seriously. A convention is a social convenience, as, for example, money ... but it is absurd to take money too seriously, to confuse it with real wealth ... In somewhat the same way, thoughts, ideas and words are "coins" for real things.
To assess the quality of thoughts of people, don't listen to their words, but watch their actions.
Words can be twisted into any shape. Promises can be made to lull the heart and seduce the soul. In the final analysis, words mean nothing. They are labels we give things in an effort to wrap our puny little brains around their underlying natures, when ninety-nine percent of the time the totality of the reality is an entirely different beast. The wisest man is the silent one. Examine his actions. Judge him by them.
We are not sheep or cows. God didn’t create fences for us or boundaries to contain our nationalities. Man did. God didn’t draw up religious barriers to separate us from each other. Man did. And on top of that, no father would like to see his children fighting or killing each other. The Creator favors the man who spreads loves over the man who spreads hate. A religious title does not make anyone more superior over another. If a kind man stands by his conscience and exhibits truth in his words and actions, he will stand by God regardless of his faith. If mankind wants to evolve, we must learn from our past mistakes. If not, our technology will evolve without us.
What is this power of words? In our everyday routine, we use words to carry out all our transactions. If someone praises us then we get happy and if someone criticizes us then we get annoyed. If we take a closer look at this phenomenon then we will easily understand that when somebody is praising us or calling us names, that time no material comes and hits us. All that happens is, we just get to hear the sound of the words uttered by the other person. When that sound reaches our ears, our mind starts analyzing and interpreting that sound. If the interpretation given by the mind is positive then we get happy. If the interpretation given by the mind is negative then we get annoyed. It is true that the meaning of those words is already present in our mind. Words only invoke the meaning already present in our mind. This relationship between words and their meanings is known as ‘Shakti’ (power) in philosophy.
Never justify someones wrong action, without them apologizing first & admitting their wrongs. If you do. You are not making them better, but you are making them worse on the bad things they do.
If you have influence on other people. Dont be influenced by their hate, money, jealousy, anger and popularity .
I dont celebrate any friendship that was build on hate, because we share the common enemy.
Children are no longer being parented, but are raised. Thats why they don't have morals, ethics,humanity and manners, because their parents neglected them. We now live in a society that doesnt care about right or wrong.
When people support you when you have done something wrong. It doesnt mean you are right, but it means those people are promoting their hate , bad behavior or living their bad lives through you.
My silences had not protected me. Your silence will not protect you. But for every real word spoken, for every attempt I had ever made to speak those truths for which I am still seeking, I had made contact with other women while we examined the words to fit a world in which we all believed, bridging our differences.
The language of light can only be decoded by the heart.
Men of the world who value the Way all turn to books. But books are nothing more than words. Words have value; what is of value in words is meaning. Meaning has something it is pursuing, but the thing that it is pursuing cannot be put into words and handed down. The world values words and hands down books but, though the world values them, I do not think them worth valuing. What the world takes to be values is not real value.
Words are not just wind. Words have something to say. But if what they have to say is not fixed, then do they really say something? Or do they say nothing? People suppose that words are different from the peeps of baby birds, but is there any difference, or isn't there? What does the Way rely upon, that we have true and false? What do words rely upon, that we have right and wrong? How can the Way go away and not exist? How can words exist and not be acceptable? When the Way relies on little accomplishments and words reply on vain show, then we have rights and wrongs of the Confucians and the Mo-ists. What one calls right the other calls wrong; what one calls wrong the other calls right. But if we want to right their wrongs and wrong their rights, then the best to use is clarity.
Your faith is your conscience, and your conscience is your faith. You cannot have faith without a conscience, but you can have a conscience without faith. Man was designed to be good with or without religion, yet the challenge for many is staying good. Some people claim to be religious but have no conscience, while some people without religion are very much aware of their conscience. Therefore, a religious label does not define your character or validate your worth. In the end, all men will be judged by the amount of truth in them and the weight of their hearts. The heavier the conscience, the heavier the truth. The lighter the heart, the higher it goes. The only spiritual currency one has in the afterlife is amassed in the form of light, in that, the amount you have depends on the weight of your words and deeds in the living. Conscience is everything. Conscience is what connects us to the truth and light of the highest power source of all. God. The cosmic heart of the universe.
If you do not have control over your mouth, you will not have control over your future.
Speak you too,speak as the last,say out your say.Speak-But don’t split off No from Yes.Give your say this meaning too:Give it the shadow.Give it shadow enough,Give it as muchAs you know is spread round you fromMidnight to midday and midnight.Look around:See how things all come alive-By death! Alive!Speaks true who speaks shadow.But now the place shrinks, where you stand:Where now, shadow-stripped, where?Climb. Grope upwards.Thinner you grow, less knowable, finer!Finer: a threadThe star wants to descend on:So as to swim down beliow, down hereWhere it sees itself shimmer:in the swellOf wandering words.
I revere the word of God for I love its poetic force. I loathe the word of God for I hate its cruelty. The love is a difficult love for it must incessantly separate the luminosity of the words and the violent verbal subjugation by a complacent God. The hatred is a difficult hatred for how can you allow yourself to hate words that are part of the melody of life in this part of the world? Words that taught us early on what reverence is?
Don’t let mental blocks control you. Set yourself free. Confront your fear and turn the mental blocks into building blocks.
The world’s greatest achievers have been those who have always stayed focussed on their goals and have been consistent in their efforts.
I Am In Love With Myself, With My Heart.
I learned from Whitman that the poem is a temple -- or a green field -- a place to enter, and in which to feel. Only in a secondary way is it an intellectual thing -- an artifact, a moment of seemly and robust wordiness --wonderful as that part of it is. I learned that the poem was made not just to exist, but to speak --to be company. It was everything that was needed, when everything was needed.
Dads. It’s time to show our sons how to properly treat a woman. It’s time to show our daughters how a girl should expect be treated. It’s time to show forgiveness and compassion. It’s time to show our children empathy. It’s time to break social norms and teach a healthier way of life! It’s time to teach good gender roles and to ditch the unnecessary ones. Does it really matter if your son likes the color pink? Is it going to hurt anybody? Do you not see the damage it inflicts to tell a boy that there is something wrong with him because he likes a certain color? Do we not see the damage we do in labeling our girls “tom boys” or our boys “feminine” just because they have their own likes and opinions on things? Things that really don’t matter?
Dads. Do you not realize that a child is what you tell them they are? That people almost always become what they are labeled? Was whatever your child just did really the “dumbest thing you’ve ever seen somebody do”? Was it really the “most ridiculous thing they ever could have done”? Do you really believe that your child is an idiot? Because she now does. Think about that. Because you said it, she now believes it. Bravo.
Dads. It’s time to tell our kids that we love them. Constantly. It’s time to show our kids that we love them. Constantly. It’s time to take joy in their twenty-thousand daily questions and their inability to do things as quickly as we’d like. It’s time to take joy in their quirks and their ticks. It’s time to take joy in their facial expressions and their mispronounced words. It’s time to take joy in everything that our kids are.
Do you not realize that your kids are going to make mistakes, and a lot of them? Do you not realize the damage you do when you push your son’s nose into his mishaps or make your daughter feel worthless because she bumped or spilled something? Do you have any idea how easy it is to make your child feel abject? It’s as simple as letting out the words, “why would you do that!?” or “how many times have I told you…
Words are never frail. They have all the powers to change the personality and features of a man. The way he relates and depicts the things are based on the words he discovers. At one point where words portray happiness for someone, it also counts for the tears to some. The day we comprehend the strength of words, we would choose them more closely and patiently. Where we would prefer silence more over words. If words are our strength, they are our weakness too.
Here's another poem,like all others before and after,dedicated to you.There isn't anything left to be saidbut I will spend my lifetrying to put you into words.You who is every goodness,every optimismand hope.Your love is a better fate for methan anything I could wish for.If you are a part of me, then you’re the best part.And if you're separate from me, then you are my destination.But I’ve become a weary traveller,so please,let us never be apart.
I wanted to explain that I am constantly overestimating and underestimating the human race - that rarely do I even simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant...I AM HAUNTED BY HUMANS.
If this turns to friendship, it only meansThat one of us will suffer.That when we meet after the worst of endings,There will only be this skein of words between us—Most of them for boredom, fewer for loneliness—Rising out of our mutual space of breath, leavingBehind a bluer sky each moment of departure.And one of us will cling on to its blue,Hung on partings like a muted cloud, whileThe other rides on a wing of word away from here.
They took one look at me,And hated my black face.They took one look at me,And decided on my fate.They took one look at me,And forced an unknown fear.They took one look at me,And caused the shed of tears.They took one look at me,And decided I was wrong.They took one look at me,And now I'm singing the slave mans song...
If you are a Buddhist, inspire yourself by thinking of the bodhisattva. If you are a Christian, think of the Christ, who came not to be served by others but to serve them in joy, in peace, and in generosity. For these things, these are not mere words, but acts, which go all the way, right up to their last breath. Even their death is a gift, and resurrection is born from this kind of death. (157)
But words are things, and a small drop of ink, Falling like dew, upon a thought, produces That which makes thousands, perhaps millions, think; ’T is strange, the shortest letter which man uses Instead of speech, may form a lasting link Of ages; to what straits old Time reduces Frail man, when paper — even a rag like this, Survives himself, his tomb, and all that’s his.
If you can't impress them with your argument, impress them with your actions.
Words are better than weapons, wisdom is better than war.
She might not have read many books. But when she reads a book, she swallows the very words. If you open the books on her shelves, you will find that the front and back covers encase white pages.
In the absence of a formally agreed, worldwide dictionary definition of 'Quotography' (in 2016), here are my two cents worth: 'Quotography is the art of pairing unique quotations with complementary images in order to express thought-provoking ideas, challenging concepts, profound sentiments'.
A slip of the foot may injure your body, but a slip of the tongue will injure your bond.
You can not control the thought, but you can control the tongue.
The poet must always, in every instance, have the vibrant word... that by it's trenchancy can so wound my soul that it whimpers.... One must know and recognize not merely the direct but the secret power of the word; one must be able to give one's writing unexpected effects. It must have a hectic, anguished vehemence, so that it rushes past like a gust of air, and it must have a latent, roistering tenderness so that it creeps and steals one's mind; it must be able to ring out like a sea-shanty in a tremendous hour, in the time of the tempest, and it must be able to sigh like one who, in tearful mood, sobs in his inmost heart.
I stalk certain words... I catch them in mid-flight, as they buzz past, I trap them, clean them, peel them, I set myself in front of the dish, they have a crystalline texture to me, vibrant, ivory, vegetable, oily, like fruit, like algae, like agates, like olives... I stir them, I shake them, I drink them, I gulp them down, I mash them, I garnish them... I leave them in my poem like stalactites, like slivers of polished wood, like coals, like pickings from a shipwreck, gifts from the waves... Everything exists in the word.
I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words.
I am not a finished poem, and I am not the song you’ve turned me into. I am a detached human being, making my way in a world that is constantly trying to push me aside, and you who send me letters and emails and beautiful gifts wouldn’t even recognise me if you saw me walking down the street where I live tomorrowfor I am not a poem. I am tired and worn out and the eyes you would see would not be painted or inspiredbut empty and weary from drinking too much at all timesand I am not the life of your party who sings and has glorious words to speakfor I don’t speak muchat alland my voice is raspy and unsteady from unhealthy living and not much sleep and I only use it when I sing and I always sing too muchor not at alland never when people are around because they expect poems and symphonies and I am nota poembut an elegyat my bestbut unedited and uncut and not a lot of people want to work with me because there’s only so much you can do with an audio take, with the plug-ins and EQs and I was born distorted, disordered, and I’m pretty fine with that,but others are not.
Equally, the surrealists consider words as witnesses of life acting in a direct way in human affairs. To use words properly it was necessary to treat them with respect, for they were the intermediaries between oneself and the rest of creation. To abuse them was immediately to set oneself adrift from true being. Words need to be coaxed to reveal a little of their true nature, so as to close the breach that exists between the writer and the universe. The world is not something alien against which man is in conflict. Rather man and cosmos exist in reciprocal motion. We are not cast adrift in an alien or meaningless environment. The universe is intimate with us and, as Breton insisted, it is a cryptogram to be deciphered.
Most of my friends like words too well. They set them under the blinding light of the poem and try to extract every possible connotation from each of them, every temporary pun, every direct or indirect connection - as if a word could become an object by mere addition of consequences. Others pick up words from the streets, from their bars, from their offices and display them proudly in their poems as if they were shouting, "See what I have collected from the American language. Look at my butterflies, my stamps, my old shoes!" What does one do with all this crap?
It was language I loved, not meaning. I liked poetry better when I wasn't sure what it meant. Eliot has said that the meaning of the poem is provided to keep the mind busy while the poem gets on with its work -- like the bone thrown to the dog by the robber so he can get on with his work. . . . Is beauty a reminder of something we once knew, with poetry one of its vehicles? Does it give us a brief vision of that 'rarely glimpsed bright face behind/ the apparency of things'? Here, I suppose, we ought to try the impossible task of defining poetry. No one definition will do. But I must admit to a liking for the words of Thomas Fuller, who said: 'Poetry is a dangerous honey. I advise thee only to taste it with the Tip of thy finger and not to live upon it. If thou do'st, it will disorder thy Head and give thee dangerous Vertigos.
By giving words the latitude she does, (Marianne) Van Hirtum emphasizes their contagious qualities: they become almost like viruses, with which it is necessary to put oneself in harmony by sympathetic magic if one is not to be overwhelmed. ... What is essential is to become one with the sickness, that is, in the context of language as a whole, to enter into contact with words.
Prowling the meanings of a word, prowling the history of a person, no use expecting a flood of light. Human words have no main switch. But all those little kidnaps in the dark. And then the luminous, big, shivering, discandied, unrepentant, barking web of them that hangs in your mind when you turn back to the page you were trying to translate...
Words are power. The more words you know and can recognize, use, define, understand, the more power you will have as a human being... The more language you know, the more likely it is that no one can get over on you."selection from book: Our Difficult Sunlight: A Guide to Poetry, Literacy & Social Justice in Classroom & Community
Sometimes in composition class, when I have been confronted by someone who simply cannot get the first word written on paper, I give the following advice: Say your essay into a tape recorder and then write it down.
You alone in Europe are not ancient oh ChristianityThe most modern European is you Pope Pius XAnd you whom the windows observe shame keeps youFrom entering a church and confessing this morningYou read the prospectuses the catalogues the billboards that sing aloudThat's the poetry this morning and for the prose there are the newspapersThere are the 25 centime serials full of murder mysteriesPortraits of great men and a thousand different headlines("Zone")
What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic." (1980)]
Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship.
Surely it is an odd way to spend your life - sitting alone in a room with a pen in your hand, hour after hour, day after day, year after year, struggling to put words on pieces of paper in order to give birth to what does not exist, except in your head. Why on earth would anyone want to do such a thing? The only answer I have ever been able to come up with is: because you have to, because you have no choice.
…words have been all my life, all my life--this need is like the Spider's need who carries before her a huge Burden of Silk which she must spin out--the silk is her life, her home, her safety--her food and drink too--and if it is attacked or pulled down, why, what can she do but make more, spin afresh, design anew….
The novelist’s happy discovery was to think of substituting for those opaque sections, impenetrable by the human spirit, their equivalent in immaterial sections, things, that is, which the spirit can assimilate to itself. After which it matters not that the actions, the feelings of this new order of creatures appear to us in the guise of truth, since we have made them our own, since it is in ourselves that they are happening, that they are holding in thrall, while we turn over, feverishly, the pages of the book, our quickened breath and staring eyes. And once the novelist has brought us to that state, in which, as in all purely mental states, every emotion is multiplied ten-fold, into which his book comes to disturb us as might a dream, but a dream more lucid, and of a more lasting impression than those which come to us in sleep; why, then, for the space of an hour he sets free within us all the joys and sorrows in the world, a few of which, only, we should have to spend years of our actual life in getting to know, and the keenest, the most intense of which would never have been revealed to us because the slow course of their development stops our perception of them.
I cannot decide whether it is an illness or a sin, the need to write things down and fix the flowing world in one rigid form. Bear believed writing dulled the spirit, stilled some holy breath. Smothered it. Words, when they’ve been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they’ve passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin stripped from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless. Bear recognized that all writing memorializes a momentary line of thought as if it were final. But I was always word-smitten.
We cannot control the way people interpret our ideas or thoughts, but we can control the words and tones we choose to convey them. Peace is built on understanding, and wars are built on misunderstandings. Never underestimate the power of a single word, and never recklessly throw around words. One wrong word, or misinterpreted word, can change the meaning of an entire sentence and start a war. And one right word, or one kind word, can grant you the heavens and open doors.
Have you ever pondered the miracle of popcorn? It starts out as a tiny, little, compact kernel with magic trapped inside that when agitated, bursts to create something marvelously desirable. It’s sort of like those tiny, little thoughts trapped inside an author’s head that―in an excited explosion of words―suddenly become a captivating fairytale!
As I train myself to cast off words, as I learn to erase word-thoughts, I begin to feel a new world rising up around me, The old world of houses, rooms, trees and streets shimmers, wavers and tears away, revealing another universe as startling as fire. We are shut off from the fullness of things. Words hide the world. They blur together elements that exist apart, or they break elements into pieces bind up the world, contract it into hard little pellets of perception. But the unbound world, the world behind the world – how fluid it is, how lovely and dangerous. At rare moments of clarity, I succeed in breaking through. Then I see. I see a place where nothing is known, because nothing is shaped in advance by words. There, nothing is hidden from me. There, every object presents itself entirely, with all its being. It's as if, looking at a house, you were able to see all four sides and both roof slopes. But then, there's no “house,” no “object,” no form that stops at a boundary, only a stream of manifold, precise, and nameless sensations, shifting into one another, pullulating, a fullness, a flow. Stripped of words, untamed, the universe pours in on me from every direction. I become what I see. I am earth, I am air. I am all. My eyes are suns. My hair streams among the galaxies.
I think the reason why I don't read so much, is because as I have observed, whole books all boil down to a drop of essence. You can read a book full of ten thousand words and at the end, sum it up in one sentence; I am more for the one sentence. I am more for the essence. It's like how you need a truckload of roses to extract one drop of rose oil; I don't want to bother with the truckload of roses because I would rather walk away with the drop of rose oil. So in my mind, I have written two hundred books. Why? Because I have with me two hundred vials with one drop of essence in each!
OBSOLETE, adj. No longer used by the timid. Said chiefly of words. A word which some lexicographer has marked obsolete is ever thereafter an object of dread and loathing to the fool writer, but if it is a good word and has no exact modern equivalent equally good, it is good enough for the good writer. Indeed, a writer's attitude toward "obsolete" words is as true a measure of his literary ability as anything except the character of his work. A dictionary of obsolete and obsolescent words would not only be singularly rich in strong and sweet parts of speech; it would add large possessions to the vocabulary of every competent writer who might not happen to be a competent reader.
Another important consequence in the arrival of digital technology and its facilitation of feedback is that we can look at large systems and recognize them once more not only as part of ourselves, but also as components that can change... Now, though, we live in a world where text is fluid, where is responds to our instructions. Writing something down records it, but does not make it true or permanent. So why should we put up with a system we don't like simply because it's been written somewhere?
Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason -- if the worlds are in any way blurred -- the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'.
V.S. Pritchett's definition of a short story is 'something glimpsed from the corner of the eye, in passing.' Notice the 'glimpse' part of this. First the glimpse. Then the glimpse gives life, turned into something that illuminates the moment and may, if we're lucky -- that word again -- have even further ranging consequences and meaning. The short story writer's task is to invest the glimpse with all that is in his power. He'll bring his intelligence and literary skill to bear (his talent), his sense of proportion and sense of the fitness of things: of how things out there really are and how he sees those things -- like no one else sees them. And this is done through the use of clear and specific language, language used so as to bring to life the details that will light up the story for the reader. For the details to be concrete and convey meaning, the language must be accurate and precisely given. The words can be so precise they may even sound flat, but they can still carry; if used right they can hit all the notes.
I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation.
As the chapters took shape, a change came over her. It was the double-sided recognition that this book, the last that she would write, might achieve esteem and success equal to her great novel, but that its emotional heart would lie in her own unhappiness for having failed to find the one thing she wanted. For the first time she was a character in her own writing, and her frailties and mistakes were trapped on the page by the beauty and unsparing focus of her prose. Towards the end it was a battle to finish a page. The story was the story she had told herself for decades, deep within her own mind, and now as it grew, line by line, on the paper before her, she wrestled with each turn in the path all over again, as if it were still possible to change its course with the power of her words.
It's easy to waste too many words—and too much energy—on nonsense we don't even care about. What a relief it is to start giving time and energy to what matters most (whatever that is for you). We choose what gets our attention. Why not choose things that are worthy of it?When he chose only to speak about things he absolutely believed, knew to be true, or really cared about, he was delighted by how much less talking he needed to do.
Let these words be your guide; money or no money, houses or no houses, cars or no cars, never turn down the divine assignment of God for your life. Become an inspiration to another life through good service and healthy relationship.
A truly good book is something as natural, and as unexpectedly and unaccountably fair and perfect, as a wild-flower discovered on the prairies of the West or in the jungles of the East. Genius is a light which makes the darkness visible, like the lightning’s flash, which perchance shatters the temple of knowledge itself--and not a taper lighted at the hearthstone of the race, which pales before the light of common day.
The books—the generous friends who met me without suspicion—the merciful masters who never used me ill! The only years of my life that I can look back on with something like pride... Early and late, through the long winter nights and the quiet summer days, I drank at the fountain of knowledge, and never wearied of the draught.
As long as reading is for us the instigator whose magic keys have opened the door to those dwelling-places deep within us that we would not have known how to enter, its role in our lives is salutary. It becomes dangerous, on the other hand, when, instead of awakening us to the personal life of the mind, reading tends to take its place, when the truth no longer appears to us as an ideal which we can realize only by the intimate progress of our own thought and the efforts of our heart, but as something material, deposited between the leaves of books like a honey fully prepared by others and which we need only take the trouble to reach down from the shelves of libraries and then sample passively in a perfect repose of mind and body.
Positive energy radiates from every word you share to a magnitude that can not be measured on scale. The vibrations he sends your way are received and absorbed into the very core of your existence. The power within his words quench the areas of your spirit that only God knows. Mortality thrives on the very essence of Godly Love
Your words control your life, your progress, your results, even your mental and physical health. You cannot talk like a failure and expect to be successful.
Power means different things to different people. For poets and politicians, words are power. For some, money is power. For most of Earth’s history, weaponry and resources have constituted power. My grandfather always told me—and I believed for many years—that knowledge was power. But the funny thing about power is that no matter what you think it is, or how much you think you have, it’s the people above and all around you who get the final say.
Many scholars forget, it seems to me, that our enjoyment of the great works of literature depends more upon the depth of our sympathy than upon our understanding. The trouble is that very few of their laborious explanations stick in the memory. The mind drops them as a branch drops its overripe fruit. ... Again and again I ask impatiently, "Why concern myself with these explanations and hypotheses?" They fly hither and thither in my thought like blind birds beating the air with ineffectual wings. I do not mean to object to a thorough knowledge of the famous works we read. I object only to the interminable comments and bewildering criticisms that teach but one thing: there are as many opinions as there are men.
The meaning of a story should go on expanding for the reader the more he thinks about it, but meaning cannot be captured in an interpretation. If teachers are in the habit of approaching a story as if it were a research problem for which any answer is believable so long as it is not obvious, then I think students will never learn to enjoy fiction. Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it.
Words were weapons, his father had taught him that, and he'd wanted to hurt Clary more than he'd ever wanted to hurt any girl. In fact, he wasn't sure he had ever wanted to hurt a girl before. Usually he just wanted them, and then he wanted them to leave him alone.
Some people have the coldest smiles, but have the tenderest hearts. And many have the most tender smiles, but carry the coldest hearts. You cannot judge a man by his smile, but you can judge a man by his heart. The smallest actions reveal the most about a hearts true color, so pay attention to them. Actions are the true words of the heart.
Words bite. They hurt more than physical blows. External hurt disappears after some time but the wounds that words leave linger on and on. It’s very difficult to erase them from your heart- some cruel words get permanently engraved. So choose your words carefully, choose them wisely, because, words once uttered cannot be taken back.
Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.
At times I feel as if I had lived all this before and that I have already written these very words, but I know it was not I: it was another woman, who kept her notebooks so that one day I could use them. I write, she wrote, that memory is fragile and the space of a single life is brief, passing so quickly that we never get a chance to see the relationship between events; we cannot gauge the consequences of our acts, and we believe in the fiction of past, present, and future, but it may also be true that everything happens simultaneously. ... That's why my Grandmother Clara wrote in her notebooks, in order to see things in their true dimension and to defy her own poor memory.
The tree was so old, and stood there so alone, that his childish heart had been filled with compassion; if no one else on the farm gave it a thought, he would at least do his best to, even though he suspected that his child's words and child's deeds didn't make much difference. It had stood there before he was born, and would be standing there after he was dead, but perhaps, even so, it was pleased that he stroked its bark every time he passed, and sometimes, when he was sure he wasn't observed, even pressed his cheek against it.
Time can play all sorts of tricks on you. In the blink of an eye, babies appear in carriages, coffins disappear into the ground, wars are won and lost, and children transform, like butterflies, into adults. That's what happened to me. Once upon a time, I was a boy named Hugo Cabret, and I desperately believed that a broken automaton would save my life. Now that my cocoon has fallen away and I have emerged as a magician named Professor Alcofrisbas, I can look back and see that I was right. The automaton my father discovered did save me. But now I have built a new automaton. I spent countless hours designing it. I made every gear myself, carefully cut every brass disk, and fashioned every bt of machinery with my own hands. When you wind it up, it can do something I'm sure no other automaton in the world can do. It can tel you the incredible story of Georges Melies, his wife, their goddaughter, and a beloved clock maker whose son grew up to be a magician. The complicated machinery inside my automaton can produce one-hundred and fifty-eight different pictures, and it can wrote, letter, by letter, an entire book, twenty-six thousand one hundred and fifty-nine words. These words. THE END
If we do not objectify, and feel instinctively and permanently that words are not the things spoken about, then we could not speak abouth such meaningless subjects as the 'beginning' or the 'end' of time. But, if we are semantically disturbed and objectify, then, of course, since objects have a beginning and an end, so also would 'time' have a 'beggining' and an 'end'. In such pathological fancies the universe must have a 'beginning in time' and so must have been made., and all of our old anthropomorphic and objectified mythologies follow, including the older theories of entropy in physics. But, if 'time' is only a human form of representation and not an object, the universe has no 'beginning in time' and no 'end in time'; in other words, the universe is 'time'-less. The moment we realize, feel permanently, and utilize these realizations and feelings that words are not things, then only do we acquire the semantic freedom to use different forms of representation. We can fit better their structure to the facts at hand, become better adjusted to these facts which are not words, and so evaluate properly m.o (multi-ordinal) realities, which evaluation is important for sanity.
Instead of the calendrical terms Monday, Tuesday and so forth, we cheerfully offer the following surrogates. Use them freely and often, for their use honors us all. For Sunday, please use Sunshine. For Monday. pleasy use Monty. For Tuesday, please use Toes. For Wednesday, please use Wetty. For Thursday, please use Thurby. For Friday, please use Fribs. For Saturday, please use Satto-gatto.
He was the crazy one who had painted himself black and defeated the world.She was the book thief without the words.Trust me, though, the words were on their way, and when they arrived, Liesel would hold them in her hands like the clouds, and she would wring them out like rain.
What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working m
The books transported her into new worlds and introduced her to amazing people who lived exciting lives. She went on olden-day sailing ships with Joseph Conrad. She went to Africa with Ernest Hemingway and to India with Rudyard Kipling. She travelled all over the world while sitting in her little room in an English village.
A book is more than a verbal structure or series of verbal structures; it is the dialogue it establishes with its reader and the intonation it imposes upon his voice and the changing and durable images it leaves in his memory. A book is not an isolated being: it is a relationship, an axis of innumerable relationships.
Books may not change our suffering, books may not protect us from evil, books may not tell us what is good or what is beautiful, and they will certainly not shield us from the common fate of the grave. But books grant us myriad possibilities: the possibility of change, the possibility of illumination.
Insensibly he formed the most delightful habit in the world, the habit of reading: he did not know that thus he was providing himself with a refuge from all the distress of life; he did not know either that he was creating for himself an unreal world which would make the real world of every day a source of bitter disappointment.
There are metaphors more real than the people who walk in the street. There are images tucked away in books that live more vividly than many men and women. There are phrases from literary works that have a positively human personality. There are passages from my own writing that chill me with fright, so distinctly do I feel them as people, so sharply outlined do they appear against the walls of my room, at night, in shadows... I've written sentences whose sound, read out loud or silently (impossible to hide their sound), can only be of something that acquired absolute exteriority and a full-fledged soul.
Until then I had thought each book spoke of the things, human or divine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then the place of a long, centuries-old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treasure of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors.
Because when I read, I don't really read; I pop a beautiful sentence into my mouth and suck it like a fruit drop, or I sip it like a liqueur until the thought dissolves in me like alcohol, infusing brain and heart and coursing on through the veins to the root of each blood vessel.
I ate them like salad, books were my sandwich for lunch, my tiffin and dinner and midnight munch. I tore out the pages, ate them with salt, doused them with relish, gnawed on the bindings, turned the chapters with my tongue! Books by the dozen, the score and the billion. I carried so many home I was hunchbacked for years. Philosophy, art history, politics, social science, the poem, the essay, the grandiose play, you name 'em, I ate 'em.
Sometimes I sensed that the books I read in rapid succession had set up some sort of murmur among themselves, transforming my head into an orchestra pit where different musical instruments sounded out, and I would realize that I could endure this life because of these musicales going on in my head.
There are books so alive that you're always afraid that while you weren't reading, the book has gone and changed, has shifted like a river; while you went on living, it went on living too, and like a river moved on and moved away. No one has stepped twice into the same river. But did anyone ever step twice into the same book?
Few pleasures, for the true reader, rival the pleasure of browsing unhurriedly among books: old books, new books, library books, other people's books, one's own books - it does not matter whose or where. Simply to be among books, glancing at one here, reading a page from one over there, enjoying them all as objects to be touched, looked at, even smelt, is a deep satisfaction. And often, very often, while browsing haphazardly, looking for nothing in particular, you pick up a volume that suddenly excites you, and you know that this one of all the others you must read. Those are great moments - and the books we come across like that are often the most memorable.
Here's what I mean by the miracle of language. When you're falling into a good book, exactly as you might fall into a dream, a little conduit opens, a passageway between a reader's heart and a writer's, a connection that transcends the barriers of continents and generations and even death ... And here's the magic. You're different. You can never go back to being exactly the same person you were before you disappeared into that book.
The only advice, indeed, that one person can give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions. If this is agreed between us, then I feel at liberty to put forward a few ideas and suggestions because you will not allow them to fetter that independence which is the most important quality that a reader can possess. After all, what laws can be laid down about books? The battle of Waterloo was certainly fought on a certain day; but is Hamlet a better play than Lear? Nobody can say. Each must decide that question for himself. To admit authorities, however heavily furred and gowned, into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions-there we have none.
We are absurdly accustomed to the miracle of a few written signs being able to contain immortal imagery, involutions of thought, new worlds with live people, speaking, weeping, laughing. We take it for granted so simply that in a sense, by the very act of brutish routine acceptance, we undo the work of the ages, the history of the gradual elaboration of poetical description and construction, from the treeman to Browning, from the caveman to Keats. What if we awake one day, all of us, and find ourselves utterly unable to read? I wish you to gasp not only at what you read but at the miracle of its being readable.
The act of true reading is in its very essence democratic. Consider the nature of what happens when we read a book - and I mean, of course, a work of literature, not an instruction manual or a textbook - in private, unsupervised, un-spied-on, alone. It isn't like a lecture: it's like a conversation. There's a back-and-forthness about it. The book proposes, the reader questions, the book responds, the reader considers. We bring our own preconceptions and expectations, our own intellectual qualities, and our limitations, too, our own previous experiences of reading, our own temperament, our own hopes and fears, our own personality to the encounter.
I had lines inside me, a string of guiding lights. I had language. Fiction and poetry are doses, medicines. What they heal is the rupture reality makes on the imagination. I had been damaged, and a very important part of me had been destroyed - that was my reality, the facts of my life. But on the other side of the facts was who I could be, how I could feel. And as long as I had words for that, images for that, stories for that, then I wasn't lost.
Tis the good reader that makes the good book; in every book he finds passages which seem confidences or asides hidden from all else and unmistakenly meant for his ear; the profit of books is according to the sensibility of the reader; the profoundest thought or passion sleeps as in a mine, until it is discovered by an equal mind and heart.
Books, for me, are a home. Books don't make a home - they are one, in the sense that just as you do with a door, you open a book, and you go inside. Inside there is a different kind of time and space. There is warmth there too - a hearth. I sit down with a book and I am warm.
Like flies in amber, like corpses frozen in ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic. As one tends the graves of the dead, so I tend the books. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head.
Now and then there are readings that make the hairs on the neck, the non-existent pelt, stand on end and tremble, when every word burns and shines hard and clear and infinite and exact, like stones of fire, like points of stars in the dark—readings when the knowledge that we shall know the writing differently or better or satisfactorily, runs ahead of any capacity to say what we know, or how. In these readings, a sense that the text has appeared to be wholly new, never before seen, is followed, almost immediately, by the sense that it was always there, that we the readers, knew it was always there, and have always known it was as it was, though we have now for the first time recognised, become fully cognisant of, our knowledge.
I think we ought to read only books that bite and sting us. If the book we are reading doesn't shake us awake like a blow on the skull, why bother reading it in the first place? So that it can make us happy, as you put it? Good God, we'd be just as happy if we had no books at all; books that make us happy we could, in a pinch, also write ourselves. What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like a suicide. A book must be the axe for the frozen sea within us. That is what I believe.
To admit authorities, however heavily furred and gowned, into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions—there we have none.
He was a very private person, and sometimes it seemed to me that he was no longer interested in the world or in other people... I got the feeling that Julián was living in the past, locked in his memories. Julián lived within himself, for his books and inside them - a comfortable prison of his own design.""You say this as if you envied him.""There are worse prisons than words.
He began to read at haphazard. He entered upon each system with a little thrill of excitement, expecting to find in each some guide by which he could rule his conduct; he felt himself like a traveller in unknown countries and as he pushed forward the enterprise fascinated him; he read emotionally, as other men read pure literature, and his heart leaped as he discovered in noble words what himself had obscurely felt.
In a word, literature is my Utopia. Here I am not disfranchised. No barrier of the senses shuts me out from the sweet, gracious discourse of my book-friends. They talk to me without embarrassment or awkwardness. The things I have learned and the things I have been taught seem of ridiculously little importance compared with their "large loves and heavenly charities.
No encounter occured that day, and I was glad of it; I took out of my pocket a little Homer I had not opened since leaving Marseilles, reread three lines of the Odyssey, learned them by heart; then, finding sufficient sustenance in their rhythm and reveling in them at leisure, I closed the book and remained, trembling, more alive than I had thought possible, my mind numb with happiness.
Of all man’s instruments, the most wondrous, no doubt, is the book. The other instruments are extensions of his body. The microscope, the telescope, are extensions of his sight; the telephone is the extension of his voice; then we have the plow and the sword, extensions of the arm. But the book is something else altogether: the book is an extension of memory and imagination.
What is literature but the expression of moods by the vehicle of symbol and incident? And are there not moods which need heaven, hell, purgatory, and faeryland for their expression, no less than this dilapidated earth? Nay, are there not moods which shall find no expression unless there be men who dare to mix heaven, hell, purgatory, and faeryland together, or even to set the heads of beasts to the bodies of men, or to thrust the souls of men into the heart of rocks? Let us go forth, the tellers of tales, and seize whatever prey the heart long for, and have no fear. Everything exists, everything is true, and the earth is only a little dust under our feet." (A Teller of Tales)
Do you know the feeling when you start reading a new book before the membrane of the last one has had time to close behind you? You leave the previous book with ideas and themes–characters even–caught in the fibers of your clothes, and when you open the new book, they are still with you
It is not all books that are as dull as their readers. There are probably words addressed to our condition exactly, which, if we could really hear and understand, would be more salutary than the morning or the spring to our lives, and possibly put a new aspect on the face of things for us. How many a man has dated a new era in his life from the reading of a book. The book exists for us perchance which will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered. These same questions that disturb and puzzle and confound us have in their turn occurred to all the wise men; not one has been omitted; and each has answered them, according to his ability, by his words and his life.
You only benefit from books if you can give something back to them. What I mean is, if you approach them in the spirit of a duel, so you can both wound and be wounded, so you are willing to argue, to overcome and be overcome, and grow richer by what you have learned, not only in the book, but in life, or by being able to make something of your work.
I long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time. It is the world outside that box that gives me trouble. I have adapted tamely, though not conventionally, to this visible world so I can retreat without much inconvenience into my inner world of books.
It is not all books that are as dull as their readers. There are probably words addressed to our condition exactly, which, if we could really hear and understand, would be more salutary than the morning or the spring to our lives, and possibly put a new aspect on the face of things for us. How many a man has dated a new era in his life from the reading of a book.
The book exists for us perchance which will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered. These same questions that disturb and puzzle and confound us have in their turn occurred to all the wise men; not one has been omitted; and each has answered them, according to his ability, by his words and his life.
She would go off in the morning with the punt full of books, and spend long glorious days away in the forest lying on the green springy carpet of whortleberries, reading. She would most diligently work at furnishing her empty mind. She would sternly endeavour to train it not to jump.
Have you ever looked at, say, a picture or a great building or read a paragraph in a book and felt the world suddenly expand and, in the same instant, contract and harden into a kernel of perfect purity? Do you know what I mean? Everything suddenly fits, everything's in its place.
I am no novel-reader -- I seldom look into novels -- Do not imagine that I often read novels -- It is really very well for a novel." Such is the common cant. "And what are you reading, Miss -- ?" "Oh! It is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. "It is only Cecilia, or Camilla, or Belinda"; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.
I spent days and nights staring at the blank page, searching the deepest corners of my mind: who have I been, what have I seen, what did I learn? I thought about all the nights I've spent outside, all the times I laid down to cry and how I took a deep breath every morning and decided to simply go on. Because what else is there to do? Decide that this is it? I quit, I'm done? Oh if I could find words to justify those feelings I've carried. I could write the thickest of books with explosions of emotions from a young girl's lost heart. I could make you see, make you hear, make you feel, at least a tiny fragment of what's out there.
Of course anyone who truly loves books buys more of them than he or she can hope to read in one fleeting lifetime. A good book, resting unopened in its slot on a shelf, full of majestic potentiality, is the most comforting sort of intellectual wallpaper.
It is really hard to be lonely very long in a world of words. Even if you don't have friends somewhere, you still have language, and it will find you and wrap its little syllables around you and suddenly there will be a story to live in.
There are books, that one has for twenty years without reading them, that one always keeps at hand, that one takes along from city to city, from country to country, carefully packed, even when there is very little room, and perhaps one leafs through them while removing them from a trunk; yet one carefully refrains from reading even a complete sentence. Then after twenty years, there comes a moment when suddenly, as though under a high compulsion, one cannot help taking in such a book from beginning to end, at one sitting: it is like a revelation. Now one knows why one made such a fuss about it. It had to be with one for a long time; it had to travel; it had to occupy space; it had to be a burden; and now it has reached the goal of its voyage, now it reveals itself, now it illuminates the twenty bygone years it mutely lived with one. It could not say so much if it had not been there mutely the whole time, and what idiot would dare to assert that the same things had always been in it.
Second-hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack. Besides, in this random miscellaneous company we may rub against some complete stranger who will, with luck, turn into the best friend we have in the world.
Among the many worlds which man did not receive as a gift of nature, but which he created with his own mind, the world of books is the greatest. Every child, scrawling his first letters on his slate and attempting to read for the first time, in so doing, enters an artificial and complicated world; to know the laws and rules of this world completely and to practice them perfectly, no single human life is long enough. Without words, without writing, and without books there would be no history, there could be no concept of humanity. And if anyone wants to try to enclose in a small space in a single house or single room, the history of the human spirit and to make it his own, he can only do this in the form of a collection of books.
Literature, real literature, must not be gulped down like some potion which may be good for the heart or good for the brain — the brain, that stomach of the soul. Literature must be taken and broken to bits, pulled apart, squashed — then its lovely reek will be smelt in the hollow of the palm, it will be munched and rolled upon the tongue with relish; then, and only then, its rare flavor will be appreciated at its true worth and the broken and crushed parts will again come together in your mind and disclose the beauty of a unity to which you have contributed something of your own blood.
These are not books, lumps of lifeless paper, but minds alive on the shelves. From each of them goes out its own voice... and just as the touch of a button on our set will fill the room with music, so by taking down one of these volumes and opening it, one can call into range the voice of a man far distant in time and space, and hear him speaking to us, mind to mind, heart to heart.
I care not how humble your bookshelf may be, or how lonely the room which it adorns. Close the door of that room behind you, shut off with it all the cares of the outer world, plunge back into the soothing company of the great dead, and then you are through the magic portal into that fair land whither worry and vexation can follow you no more. You have left all that is vulgar and all that is sordid behind you. There stand your noble, silent comrades, waiting in their ranks. Pass your eye down their files. Choose your man. And then you have but to hold up your hand to him and away you go together into dreamland
For this quiet, unprepossessing, passive man who has no garden in front of his subsidised flat, books are like flowers. He loves to line them up on the shelf in multicoloured rows: he watches over each of them with an old-fashioned gardener's delight, holds them like fragile objects in his thin, bloodless hands.
Reading is sometimes thought of as a form of escapism, and it’s a common turn of phrase to speak of getting lost in a book. But a book can also be where one finds oneself; and when a reader is grasped and held by a book, reading does not feel like an escape from life so much as it feels like an urgent, crucial dimension of life itself.
So I kept reading, just to stay alive. In fact, I'd read two or three books at the same time, so I wouldn't finish one without being in the middle of another -- anything to stop me from falling into the big, gaping void. You see, books fill the empty spaces. If I'm waiting for a bus, or am eating alone, I can always rely on a book to keep me company. Sometimes I think I like them even more than people. People will let you down in life. They'll disappoint you and hurt you and betray you. But not books. They're better than life.
The thought of these vast stacks of books would drive him mad: the more he read, the less he seemed to know — the greater the number of the books he read, the greater the immense uncountable number of those which he could never read would seem to be…. The thought that other books were waiting for him tore at his heart forever.
We read in slow, long motions, as if drifting in space, weightless. We read full of prejudice, malignantly. We read generously, making excuses for the text, filling gaps, mending faults. And sometimes, when the stars are kind, we read with an intake of breath, with a shudder... as if a memory had suddenly been rescued from a place deep within us--the recognition of something we never knew was there...
We have no time to waste on insignificant books, hollow books, books that are there to please...We want books that cost their authors a great deal, books where you can feel the years of work, the backache, the writer's block, the author's panic at the thought that he might be lost: his discouragement, his courage, his anguish, his stubbornness, the risk of failure that he has taken.
He believes that if talent is demanded of a literary publisher or a writer, it must also be demanded of a reader. Because we mustn’t deceive ourselves: on the journey of reading we often travel through difficult terrains that demand a capacity for intelligent emotion, a desire to understand the other, and to approach a language distinct from the one of our daily tyrannies… Writers fail readers, but it also happens the other way around and readers fail writers when all they ask of them is confirmation that the world is how they see it.
And sometimes, when the stars are kind, we read with an intake of breath, with a shudder, as if someone or something had 'walked over our grave,' as if a memory had suddenly been rescued from a place deep within us - the recognition of something we never knew was there, or of something we vaguely felt as a flicker or a shadow, whose ghostly form rises and passes back into us before we can see what it is, leaving us older and wiser.
Every time you open a book for the first time, there is something akin to safe-breaking about it. Yes, that's exactly it: the frantic reader is like a burglar who has spent hours digging a tunnel to enter the strongroom of a bank. He emerges face to face with hundreds of strongboxes, all identical, and opens them one by one. And each time a box is opened, it loses its anonymity and becomes unique: one is filled with paintings, another with a bundle of banknotes, a third with jewels or letters tied in ribbon, engravings, objects of no value at all, silverware, photos, gold sovereigns, dried flowers, files of paper, crystal glasses, or children’s toys--and so on. There is something intoxicating about opening a new one, finding its contents and feeling overjoyed that in a trice one is no longer in front of a set of boxes, but in the presence of the riches and wretched banalities that make up human existence.
Fictions exist because of this fact. Because we have only one life, and our desires and fantasies demand a thousand lives. Because the abyss between what we are and what we would like to be has to be bridged somehow. That was why fictions were born: so that, through living this vicarious, transient, precarious, but also passionate and fascinating life that fiction transports us to, we can incorporate the impossible into the possible and our existence can be both reality and unreality, history and fable, concrete life and marvellous adventure.
Nothing is more hallowing than the union of kindred spirits in art. At the moment of meeting, the art lover transcends himself. At once he is and is not. He catches a glimpse of Infinity... Freed from the fetters of matter, his spirit moves in the rhythm of things. It is thus that art becomes akin to religion and ennobles mankind. It is this which makes a masterpiece something sacred.
Poetry is jealous of you tonight, for as soon as I come to pen a few words, your perfume attacks me in the most civilised manner and I forget myself. I forget the poem. I forget the ...
I only wrote prose before I met you. My musings were superfluous and serious as well. But now the words dance with me. I sing with them and we create poetry.
You've got the look of a girl who's no stranger to the page, I can tell. You got words in your soul. ...The books we love, they love us back. And just as we mark our places in the pages, those pages leave their marks on us. I can see it in you, sure as I see it in me. You're a daughter of words. A girl with a story to tell.
When this book is mould,And a book of manyWaiting to be soldFor a casual penny,In a little open case,In a street unclean and cluttered,Where a heavy mud is spatteredFrom the passing drays,Stranger, pause and look;From the dust of agesLift this little book,Turn the tattered pages,Read me, do not let me die!Search the fading letters, findingSteadfast in the broken bindingAll that once was I!
Do not recite words just to prove to yourself and others that you know and love God; for he already put his breath and light inside you. Instead, put truth in your every word and action, and always let your conscience steer and guide you.
He was not a scholar – his brain seemed too sluggish or too dreamy to grasp the things demanded of it – but he was never happier than when left alone among books, and would spend hours turning the pages of atlases, novels or tales from history, alive to the alternative versions of himself they seemed to proffer.
For a multitude of causes, unknown to former times, are now acting with a combined force to blunt the discriminating powers of the mind, and unfitting it for all voluntary exertion to reduce it to a state of almost savage torpor... To this tendency of life and manners the literature and theatrical exhibitions of the country have conformed themselves.
And when the earth began to rumble and quake, as fear and frantic set in, he ran back inside the house past his wife and children, gathering all the valuables and things he thought of importance, and ran back to his car packing away. After making two trips in and out, he waited in the car for his family to come out, in fear they darted through the darkness and pelting cold rain. When everything calmed down, and the house was intact and safe, he returned putting everything back in its place, had the kids go to bed, told his wife he loves her and turned off the light.
[M]ay not literature (and, in particular, fiction) be considered a desperate and permanently thwarted effort to produce a unique form of expression? Something like a cry, perhaps, a cry that, somehow, inexplicably contains all the millions of words that have ever existed, anywhere, in any age. In contrast with the spoken word and its classifying function, the purpose of writing seems, rather, to be a quest for the egg, the seed, nothing more.
I could crawl inside the lyrics and know each note intimately. They would claw at my soul, until I could no longer fight the emotions that took me to a place I couldn't experience. But, it was the possibility that made every verse a heart filled prediction and every beat a direction to follow.
I am a deeply uncertain individual. I often find myself acting like a fool to make the people around me laugh. When they’re laughing, they’re not watching me quite as closely. I smile to put people at ease. But what if I opened my mouth one day, spoke my actual thoughts, and the people glared at my opinions? What if they thought me disgusting or frightening or ugly because of my words? Would you keep your lips shut for the rest of your life to not face that judgment? Just for the sake of someone else’s comfort? For these strangers, who I will never know? If I can’t speak then I’ll write. These strangers, whose opinions crush me, will be forced to listen. Because when they read my words those words will make a home within their heads. They may even end up using my own opinions against me. But at least I’ll be hidden behind the pages of a book.
Wisdom is knowing the right thing to do and doing it at the right time to get the desired result. It is also the correct application of knowledge.
There is no gift of principles, you must apply them if you want to move forward.
You cannot occupy a proper place on earth without wisdom. It is the principal thing you must have.
Every crisis is a wisdom crisis. If you have no peace around you then you lack wisdom.
A lot of people pray for power, house, financial breakthrough, wealth etc. But only few ask God for wisdom. There are so many great power pack man and women of God who lack wisdom.
That you are a born again Christian does not mean you will automatically succeed except you follow God's principles. Never forget faith without good work is dead.
You cannot have a dream and expect someone else's faith to make it a reality for you. Habakuk 2:4
Have you ever reached to a point where you asked God if the assignment is really from Him. In your account you have just 100 dollars and He is asking you to execute a 400 million dollar project. Have you reached to the point that you consider going further will make no sense? Have you reached the point where you asked God are you sure you are still with me?I just found myself in that Junction now. Turning back ....to realise I have gone too far for Him to forsake me. Moving forward I heard the voice saying ...be still and know that I am your God. Giving up.....Couldn't find it in my dictionary.Moral of the lesson. God cannot give you an assignment that is equal to your pocket. If it suits your pocket it is definitely not from God. Remember God will not take glory where nothing happen.
God's word will produce with your level of understanding. The much you can understand it, the more wisdom you are privileged to have.
The money you are looking for is not in any country, phd or your designer outlook, it is in wisdom. Solomon never prayed for wealth but he asked for wisdom.
Wisdom cannot be bought from the walmart, it can only come from the Holy Spirit of God.
A man with wisdom will always have a solution no matter how big his challenges may be. Wisdom makes you a problem solver.
There are too many stars in the sky and none of them is overshadowing the other. Don't let anybody be a threat to your growth.
School does not make people, it is learning that makes people great, that is why you see first class students fail and poor. The world is not ruled by those who went to school, it is ruled by those who learn everyday.
Understand something people, we will be hated by many in the name of Christ, ridiculed, mocked, stoned, slaughtered. We will be fined, jailed and killed for our love for Christ. You are supposed to see better with your eyes today, how close this is happening, just prepare your heart and soul to be braver than Peter and not deny Christ in the moment your life might be in jeopardy for Him and what you believe. Apostle Pauls says to live is Christ to die is gain.
If you want to see the beauty of any fish, throw it into the water, you will see how best it can swim because that is its source. Do you want to see the beauty in you? Don't look in the mirror, don't put on makeups, no jewelleries or expensive designer clothes, just go back and reconnect to your source and I bet, the best of you will show up. Until you return back to God, your best won't come out because He is your source.
Wisdom is the mother of solutions. You cannot upgrade in wisdom and lack solutions and you cannot have a wisdom and be stranded in any challenge you face.
If want to become a person with vision, get back and reconnect to your source.
Negative prophecies are reversible. The Lord reveals to conquer. You are created to reverse any negative with your prayers and the word of God.
Even with fasting and prayers you still need wisdom. At the root of every great accomplishment is wisdom. In all your getting get wisdom first.
You cannot use another man's leg to run your race. Wives stop waiting for your husbands to do everything. For God's sake make an impact. Nobody is a threat to your development.
I am the most important person to me. I am the most important person in the entire universe to me. I am the centre of my own universe.
Faith is never connected to safe. There is no faith without tension. For a rubber band to function to it's elasticity, it has to experience a tension. Saints of God who has no tension has no function.
People would want to get safe and come to Christ because they see the evidence in your life not because you quote the scriptures to them.
There's supposed to be more value in your life than spending more than sixty hours in a week in a place you don't care about and in an environment they don't care about you.
If satan succeds in blinding your mind, he has succeeded in arresting you because anything that can stop you from believing can stop your future.
No satan can unsettle what God has settled.
Without you discovering your true picture, it will be hard to have a glorious future. It is the discovery of what you have inside and the pursuit of it that can guarantee a glorious future
If knowledge is lacking, your destruction is inevitable. Hosea 4:6
It is impossible to enjoy divine protection without the word of God. You must be a word addict.
The church preach so much about power in the kingdom of God but we don't talk about wisdom. Everybody goes for power forgeting that power without wisdom can be disastrous.
Blind minds are worst than blind eyes. That you have eyes does not mean that you have vision. Visionaries do not look they see whlie people look.
Do you want to acquire God's own wisdom? Relate with the Holy Spirit. Be a seeker of divine guidance by the Holy Spirit. You can't be a man or woman of solution without God.
The world is full of problems and I bet you the problems will continue to exist but what will make you relevant to the world is when you have answers to the questions the world asks. You can only be useful when you have the answers to the questions of the world. The best way you provide solutions and answers to those challenges is through wisdom.
People with vision sees opportunity where there is problem. They see money not problem.
I think it will be better if we can live our life as if Christ is going to return today and plan our live as if it is hundred years off. Keep living, serving and most of all be prepared.
Wherever problem persist, wisdom is lacking. There is no problem anywhere except wisdom problem. Wisdom provides solutions where there is complications.
The devil comes to steal, kill and destroy and his followers do the same. Be watchful and keep that in mind.
When wisdom comes, transformation comes. Wisdom makes the difference between the succeeding man and the failing man.
Even though it may look like the wicked is gaining ground, God is still in control. We need to pray for our nations, pray for others, pray for forgiveness and mercy over people. We need to love no matter who we are talking to, whether they are Atheist, Moslems, Lesbians, Homosexuals or Pagans. We need to love them and share the love of God with them and not judge and see if we can rebuild our broken nations.
Poor means when we lack things in our lives. There are two types of poverty. ...those that need food and shelter and those that need God in their lives. We are called to service to help both group of people as much as we can.
Sure we all need money but what do you really focus on? It is a matter of the heart. If your thoughts are on material and worldly things, no good fruits can come out of it.Seek the kingdom of God first and the other things shall be added unto you not vice versa.
If all you are looking for is a miracle you are wide open to follow the antichrist and the false prophets because they are going to have a big league of signs and wonders ministry.If signs and wonders do not bring glory and honour to Jesus Christ, then you must be watching a false prophet whose anointing does not come from the Holy Spirit of God.
Hope, strive and try to be more like Christ until the day we will see Him. Let Him find you faithfully and in obedient serving Him. He is coming quicker than people think.
The closer we try to get to God, the more we will hate to sin in our own lives, the more we are saddened by the thoughts that runs through our minds. I also think that the more we draw closer to God, the more God will honour us and will open doors for the right things to happen in our life.
I have the mind of Christ. The best life you could ever live is the one that your creator destined you for. The one He made you for. He has given us everything we need ......... to become like Him. To reach to your potentials. Worship Him in spirit and in truth.
When we are preoccupied with wealth and material acquisitions, it chokes God's word in us and makes it unfruitful. But if we follow His plan of being prosperous you will enjoy the blessings of this life.
Our life is not in stuff, focus your attention on Christ where it should be. Prosperity and wealth has damaged the body of Christ. God takes pleasure in the prosperity of his children but don't replace him with material.
We are so much distracted nowadays. There is so much distractions in the world today call it internet, media, football matches etc. but don't let it consume you.
Rebuilding is something that is practically difficult than starting over from nothing.
No man's advice can change you unless you speak to yourself. Bible school or seminars can't change you, going to church can't change you except you decide to change.Psalm 139:23 - 24
Ô, the wine of a woman from heaven is sent,more perfect than all that a man can invent.
If I can’t be your love, then let me be a simple brooch so I may rest a while against your chest. If I can’t be your love, then let me be a forgotten coin so I may rest a while against your thigh. If I can’t be your love, then let me be an unlit cigarette so I may rest a while in between your lips. If I can’t be your love, then let me at least remain in these words so I may rest a while in your thoughts.
I write because the security of your love allows me to develop my craft without concerning myself with trivialities — as if your love could be any more complete. But I write, in the first place,because of you, my muse. I write for your green eyes to glance at my humble words and for the pleasure of hearing you utter them.
I came to pen another poem for you, but even every unwritten poem is you.
Everyone lives in two worlds,” Maggie said, speaking in an absentminded sort of way while she studied her letters. “There’s the real world, with all its annoying facts and rules. In the real world, there are things that are true and things that aren’t. Mostly the real world s-s-s-suh-sucks. But everyone also lives in the world inside their own head. An inscape, a world of thought. In a world made of thought—in an inscape—every idea is a fact. Emotions are as real as gravity. Dreams are as powerful as history. Creative people, like writers, and Henry Rollins, spend a lot of their time hanging out in their thoughtworld. S-s-strong creatives, though, can use a knife to cut the stitches between the two worlds, can bring them together. Your bike. My tiles. Those are our knives.
34. Sexual contact between a boy and a girl is a progressive thing. In other words, the amount of touching and caressing and kissing that occurs in the early days tends to increase as they become more familiar and at ease with one another. Likewise, the amount of contact necessary to excite one another increases day by day, leading in many cases to an ultimate act of sin and its inevitable consequence. This progression must be consciously resisted by Christian young people who want to serve God and live by His standards. They can resist this trend by placing deliberate controls on the physical aspect of their relationship, right from the first date.
We cannot control the way people interpret our ideas or thoughts, but we can control the words and tones we choose to convey them. Peace is built on understanding, and wars are built on misunderstandings. Never underestimate the power of a single word, and never recklessly throw around words. One wrong word, or misinterpreted word, can change the meaning of an entire sentence - and even start a war. And one right word, or one kind word, can grant you the heavens and open doors.
The words we choose to use when we communicate with each other, carry vibrations. The word ‘war’ carries a whole different vibration than the word ‘peace’. The words we use are showing how we think and how we feel. The careful selection of words, helps to elevate our consciousness and resonate in higher frequencies.
Let my silence grow with noise as pregnant mothers grow with life. Let my silence permeate these walls as sunlight permeates a home. Let the silence rise from unwatered graves and craters left by bombs. Let the silence rise from empty bellies and surge from broken hearts. The silence of the hidden and forgotten. The silence of the abused and tortured. The silence of the persecuted and imprisoned. The silence of the hanged and massacred. Loud as all the sounds can be, let my silence be loud so the hungry may eat my words and the poor may wear my words. Loud as all the sounds can be, let my silence be loud so I may resurrect the dead and give voice to the oppressed. My silence speaks.
She entered the story knowing she would emerge from it feeling she had been immersed in the lives of others, in plots that stretched back twenty years, her body full of sentences and moments, as if awaking from sleep with a heaviness caused by unremembered dreams.
Othalas: Words. What are they but shadows on a page or howling on the wind? They are as ever-changing as the mists below us and it is just as easy to lose sense of yourself among them. I am older than most sorcerers so what I know may, indeed, be close to the truth. Magic, wyrd, words, dreams, they all come from the spirit. Within them lie both power and peril. For to misuse any is to warp your sense of self. To lie in words, or in magic, or in dreams -- that is how you become lost. The lights you see, they were lost long before they came to the Vale.
One thing I've learnt through writing is this: with everything in life, you have to look down deep into your heart! That fact is true with all things! If you have Jesus inside, He will give you all you need to say, and all the actions you need to do! It's not mere imagination the things I write; they are composed from the words lit up inside of me, from my Creator, who made all things bright!
But now I want to say things that comfort me and that are a little free. For example: Thursdat is a day transparent as an insect's wing in the light. Just as Monday is a compact day. Ultimately, far beyond thought, I live from these ideas, if ideas is what they are. They are sensations that transform into ideas because I must use words. Even just using them mentally. The primary thought thinks with words.
In learning a language, when from mere words we reach the laws of words, we have gained a great deal. But if we stop at that point and concern ourselves only with the marvels of the formation of a language, seeking the hidden reason of all its apparent caprices, we do not reach that end, for grammar is not literature… When we come to literature, we find that, though it conforms to the rules of grammar, it is yet a thing of joy; it is freedom itself. The beauty of a poem is bound by strict laws, yet it transcends them. The laws are its wings. They do not keep it weighed down. They carry it to freedom. Its form is in law, but its spirit is in beauty. Law is the first step toward freedom, and beauty is the complete liberation which stands on the pedestal of law. Beauty harmonizes in itself the limit and the beyond – the law and the liberty.
For in the end laws are just words on a page - words that are sometimes malleable, opaque, as dependent on context and trust as they are in a story or poem or promise to someone, words whose meanings are subject to erosion, sometimes collapsing in the blink of an eye.
More than being human, we need peace and love.More than being strong and capable, we need compassion.More than being clever, we need kindness and gentleness.But where are all these sense of humanity?Where is the love that we have for human life and nature?Where is the peace that we once had?What about our dreams, dream of a better world?Little children are crying, am beginning to feel guilty.Where is that sense of brotherhood?Where is the compassion?What about our faith, have we lost trust in God?
Does that new man in your life call his ex "a slut", "a whore", "a bitch", "psycho" , "crazy", "a nutter" etc etc. Chances are, whatever he's calling his ex right now, he'll be calling you when things don't go his way. Be warned.
Failure to put the relationship on a slower timetable may result in an act that was never intended in the first place. Another important principle is to avoid the circumstances where compromise is likely. A girl who wants to preserve her virginity should not find herself in a house or dorm room alone with someone to whom she is attracted. Nor should she single-date with someone she has reason not to trust. A guy who wants to be moral should stay away from the girl he knows would go to bed with him. Remember the words of Solomon to his son, “Keep to a path far from her, do not go near the door of her house” (Proverbs 5:8). I know this advice sounds very narrow in a day when virginity is mocked and chastity is considered old-fashioned. But I don’t apologize for it. The Scriptures are eternal, and God’s standards of right and wrong do not change with the whims of culture. He will honor and help those who are trying to follow His commandments. In fact, the apostle Paul said, “He will not let you be tempted beyond what you can bear” (1Corinthians 10:13). Hold that promise and continue to use your head. You’ll be glad you did.
Think not of the fragility of life, but of the power of books, when mere words can change our lives simply by being next to each other.
Never before had I known the sudden quiver of understanding that travels from word to brain to heart, the way a new language can move, coil, swim into life under the eyes, the almost savage leap of comprehension, the instantaneous, joyful release of meaning, the way the words shed their printed bodies in a flash of heat and light.
And when we finally stood up and turned to face the world, I could feel something climbing through me. I could feel it on its hands and knees inside me, rising up, rising up - and I smiled.I smiled, thinking, The hunger, because I knew it all too well.The hunger.The desire.Then, slowly, as we walked on, I felt the beauty of it, and I could taste it, like words inside my mouth.
Talented writers etched the story detailing the travails of broken souls numerous times. The poets recounted an equal amount of times the lucent tears of human laughter and weeping sorrow. Everyone understands bitterness and joy. Conversely, the most evocative aspects of human beings, the bewildering clarification of their ambiguous natures, are virtually indefinable and therefore unutterable. Written testaments to love, truth, beauty, and adoration of nature are inherently weak because words fail to convey what a person experiences inside the spaces that compose their chemical field.
Cal opens a drawer, pulls out a sketch pad and charcoal and sets them down on a drafting table.'Let's draw.'I smile the way I did as a child when receiving a fresh box of 64 Crayola crayons, unabashedly showing all my teeth. I remember how much I used to love to draw, and I wonder why I don't do it anymore. I write, I guess. I draw with words, but when I see Cal's pad and charcoal, I'm overwhelmed with the feeling that it's not the same. I use my words, my artist's charcoal to describe what I'm thinking. He draws with an imperfect fluidity, pausing only occasionally to shade the drawing with his thumb or brush the paper with the back of his hands. He listens and nods and doesn't interrupt. And when I'm done speaking he looks at the drawing, and his eyes get really big. Slowly, he turns his pad around for me to see. My heart stops and then starts. 'Yes,' I say. It's perfect. Alive with added detail and beautiful Inuit soulfulness I couldn't have even imagined sitting outside in my car. My fear is gone. There's a tingling in my skin, like I can feel the thousand needle pricks to come. I am alive.
All that can best be expressed in words should be expressed in verse, but verse is a slow thing to create; nay, it is not really created: it is a secretion of the mind, it is a pearl that gathers round some irritant and slowly expresses the very essence of beauty and of desire that has lain long, potential and unexpressed, in the mind of the man who secretes it. God knows that this Unknown Country has been hit off in verse a hundred times...Milton does it so well in the Fourth Book of Paradise Lost that I defy any man of a sane understanding to read the whole of that book before going to bed and not to wake up next morning as though he had been on a journey.
We cannot see Beauty till we let go our hold of it. It was Buddha who conquered the world, not Alexander - this is untrue when stated in dry prose - oh when shall we be able to sing it? When shall all these most intimate truths of the universe overflow the pages of printed books and leap out in a sacred stream like the Ganges from the Gangotrie?
I guess that sometimes it just takes a long walk through the darkness, a long walk through the darkest shadows and corners of your soul to realize that those are a part of you as well, that you've created through your experiences and thoughts those parts within yourself and as much as you can choose to fear them and repress them, they will require your attention one day, they will need your care and acceptance before you can clean them away and turn the lights on. For you refuse to shine the light on something that is imperfect, because you fear judgement and rejection, but you can always choose to look towards the light as the only source of true beauty and love that can help you in the cleaning process. Healing, after a long time of struggle and mess is a complex process, but a necessary one nevertheless. We are so overwhelmed by the amount of work it requires that we so often choose to run away from the light, hide in our dark corner and hope that we will never be found, hope that we will never be seen, or desperately look outwards for that love and compassion that we can no longer find within ourselves, for our soul's light no longer shines as it used to. And sometimes we just find those people that can see the light beneath all that dust and darkness that's been pilled up, those kind of light workers that understand our broken souls and manage to pick us up and see the beauty within us, when we find it so hard to see it ourselves. Sometimes I get so tired of separation, of division, of groups and different religions and belief systems. Even if you do find the truth, once you've put it into words, books and rules it already becomes distorted by the mind into something that is no longer truth. So I no longer hope for understanding, no longer hope for the opinion of a judgemental mind, but I hope to find the words that touch the soul before the mind, I hope to find the touch that warms the heart from deep inside, and hope to find that far away abandoned part of me which I've left behind.
Words can be honed to crafted perfection by the finest wordsmiths. Yet, if we trust solely in the expanse of them to explain this God of ours or articulate our experience of Him, we will have brutally destroyed the very things we are attempting to explain. And if I should do that, no words can describe how badly I wish I had no words.
I checked my words carefully. Words more powerful than atom bombs and more cutting than AK-47s. People are fragile and words, not bullets will break them, and once they break every part of them spills out. Their soul, spirit, identity, ugliness, and their beauty. It’s all there, right in front of you if you know where to look. Most people see the ugly and I didn't want to become that. I thought I looked for beauty but then wondered why I often say such ugly things.
How it is that animals understand things I do not know, but it is certain that they do understand. Perhaps there is a language which is not made of words and everything in the world understands it. Perhaps there is a soul hidden in everything and it can always speak, without even making a sound, to another soul.
Not everything needs to be said, some things are just understood. Sometimes one’s eyes are enough to express hidden emotions. When two people are truly, madly and deeply in love each other, nature will conspire to bring them together.
If I tell some one that I love him – as I may have told a hundred others – my words will convey nothing to him; but the silence which will ensue, if I do indeed love him, will make clear in what depths lie the roots of my love, and will in its turn give birth to a conviction, that shall itself be silent; and in the course of a lifetime, this silence and this conviction will never again be the same. …
I open my eyes. I want to know:what is in the abyss of a kiss? Are stars born in these black caves that house bated breaths and unspoken words? Do our souls crawl on these tender cheeks to greet one another by ivory gates? What happens when we kiss?Where do you go?Don’t tell me. For I have lost my desire to know. Kiss me so that I forget myself. I close my eyes and fall in the abyss.
Her words are her wings. She's flying.
Kind words change the world.
WHAT IS TRUTH?Truth is not a thingOr a concept.It is as multidimensionalIn its meaningAs it is in its reflection.It is both invisibleAnd visible.It carries tons of weight,But can be carried.It is understood first through the spiritBefore science,And felt in the heart,Before the mind.Truth is not always heard by reason,Because reason sometimesIgnores Truth.Always listen to your conscience.Your conscience is your heartAnd reason is your mind.Your mind is simply there to reasonWith your heart.But remember,Truth is in your heart,And only through your heartCan you connect to the light of God.He who is not motivated by his heartWill not see Truth,And he who thinks only with his mindWill be blind to Truth.He who does not thinkWith his conscience,Does not stand by God,For the language of lightCan only be decoded by the heart.He who reads and recites words of GodAlso does not stand by God –If he merely understandsWords with his mindBut not his heart.Truth is black and white,And the entire spectrumOf colors in-between.It can have many parts,But has a solid foundation.Truth lacks perfection,For it is the reflection of all,Yet its reflection as a whole,Is more beautifulThan the accumulated flawsOf the small.Truth is the only brandWorth breathingAnd believing.So stand for truthIn everything you do,And only thenDoes your life haveMeaning.Poetry by Suzy Kassem
It’s hurtful somehow to admit this thing and anyway that doesn’t mean i’m losing my faith in this beautiful world. But these days now is the time where people have become so much more-excuse me-shallow. When all of the fancy things and outer beauty are demanded, and those who are lost enough to chase and manage to get those things, they will happen to get very nice response from social and able to expand their images and get famous and be seen as someone who has value. Meanwhile those who could see deeper and their souls are insecure of this mad world, they will have smaller space in width but they will dig deeper and deeper into their self, making space in height, finding the true meaning of their souls, the true essential unshakable truth that’s beyond the fragile material worldly things.
...There are also those who inadvertently grant power to another man's words by continuously trying to spite him. If a man gets to the point where he can simply say, 'The sky is blue,' and people indignantly rush up trying to refute him saying, 'No, the sky is light blue,' then, whether they realize it or not, he has become an authority figure even to such adversaries.
The quickest way a person can defame your character is by taking something you said out of context. But Fear Not. Everyone that was ever Anyone always had their words taken out of context. If you can't handle having your words twisted up, then leadership is not for you. Leadership is reserved for the #BRAVE.
Words do less than 10 things, but actions do more than 10 thousand things. Leaders don’t talk in vain; they follow with actions.
We are told that in translation there is no such thing as equivalence. Many times the translator reaches a fork in the translating road where they must make a choice in the interpretation of a word. And each time they make one of these choices, they are taken further from the truth. But what we aren’t told is that this isn’t a shortcoming of translation; it’s a shortcoming of language itself. As soon as we try to put reality into words, we limit it. Words are not reality, they are the cause of reality, and thus reality is always more. Writers aren't alchemists who transmute words into the aurous essence of the human experience. No, they are glassmakers. They create a work of art that enables us to see inside to help us understand. And if they are really good, we can see our own reflections staring back at us.
Poetry isn’t an island, it is the bridge. Poetry isn’t a ship, it is the lifeboat. Poetry isn’t swimming. Poetry is water.
We are all born as storytellers. Our inner voice tells the first story we ever hear.
I love the writers of my thousand books. It pleases me to think how astonished old Homer, whoever he was, would be to find his epics on the shelf of such an unimaginable being as myself, in the middle of an unrumored continent. I love the large minority of the writers on my shelves who have struggled with words and thoughts and, by my lights, have lost the struggle. All together they are my community, the creators of the very idea of books, poetry, and extended narratives, and of the amazing human conversation that has taken place across the millennia, through weal and woe, over the heads of interest and utility.
I realize that people still read books now and some people actually love them, but in 1946 in the Village our feelings about books--I’m talking about my friends and myself--went beyond love. It was as if we didn’t know where we ended and books began. Books were our weather, our environment, our clothing. We didn’t simply read books; we became them. We took them into ourselves and made them into our histories. While it would be easy to say that we escaped into books, it might be truer to say that books escaped into us. Books were to us what drugs were to young men in the sixties.They showed us what was possible. We had been living with whatever was close at hand, whatever was given, and books took us great distances. We had known only domestic emotions and they showed us what happens to emotions when they are homeless. Books gave us balance--the young are so unbalanced that anything can make them fall. Books steadied us; it was as if we carried a heavy bag of them in each hand and they kept us level. They gave us gravity.
Don’t let me get sappy on you, but when you get right down to it, every collection of letters is a magic spell, even if it’s a moronic proclamation by the Emperor. Words have their impact, girl. Mind your manners. I may not know how to fly but I know how to read, and that’s almost the same thing.
In books, that which is most generally interesting is what comes home to the most cherished private experience of the greatest number. It is not the book of him who has travelled the farthest over the surface of the globe, but of him who has lived the deepest and been the most at home.
But I love you, and before you say it words do matter. They're not pointless. If they were pointless then they couldn't start revolutions and they wouldn't change history and they wouldn't be the things that you think about every night before you go to sleep. If they were just words we wouldn't listen to songs, we wouldn't beg to be read to when we're kids. If they were just words, then they'd have no meaning and stories wouldn't have been around since before humans could write. We wouldn't have learned to write. If they were just words then people wouldn't fall in love because of them, feel bad because of them, ache because of them, stop aching because of them, have sex, quite a lot of the time, because of them.
Oh, how scary and wonderful it is that words can change our lives simply by being next to each other.
I think, therefore I am?No, I simply am.I am. I am. I am.I will still be if I didn't think. In fact, it is only then that I would step into a different dimension of consciousness.Yes, I will still be if I didn't think. I will still be if I stopped breathing. I will still be because you still are. My words are written and you are receiving them. We are dancing. We are making love.And when you stop reading them, they will still be because nothing ever truly ceases to exist. There is not a thing that is not. Every thought, energy, and vibration is recycled. I am and I will continue to be because I manifest as the universe, therefore I will continue to manifest as the universe.
Mastery of impulse is achieved through taking pauses during life’s contrasting situations. Mastery of impulse is about developing strong willpower that can be used to redirect the flow of energy in any situation. Mastery of impulse is about responding to the world with a sense of reason and peace.
Your childhood," said Yackle coaxingly, as if she could smell his thoughts. As if she could sniff out those passages he hadn't chosen to retail at drink parties. Her words lulled him. The past, even a bitter past, is usually more pungent than the present, or at least better organized in the mind.
I haven’t written you a poem in years it seems.How can it be my faultwhen the words to describe you have not yet been created?When the alphabet lacks the very letters?How can it be my fault when your loveliness only growsby the time I reach for pen and paper?Tell me how I am at faultwhen I am only a beginner in poemsand you are exquisite poetry?To write you in words is to put a veil upon you.Why must I writewhen I can kiss you instead?
He is deaf, and keen to accept,any economical operation,that will correct his situation.He visited the doctor best,and started talking on subject,like the after-effects, and if any threats.The doctor medically checked,and asked him what he expects?He expressed, he wants to be addressed-in words, and not in signs.And how keen he is, to have his ears listening.He wants to listen the echo of,sun-set over that crimson dawn.He is keen to know, the sound of,a blooming rose.He wants to know what it sounds like,when a seedling grows.But Doctor- if you say: You are incapable,then I better get away,for then there is- nothing worth to be heard,in your seemingly wordy world.
Funny how we do not realize the true value and legacy of a living icon until they suddenly pass away. Truth is, there are many living legends among us, we just do not stop and take time to notice their worth until it's too late.
Believe God for something today. Prayer is the key to connecting with God and allowing Him to speak to your spirit. Open your heart and free your mind.
Words have power, and when you speak you give them life. Speak into the atmosphere. Speak into existence what you believe, desire, dream, and hope.
If a person is not inspiring you positively. There is no reason for you to be around them. You don't need their negativity in your life. There's already too much in the world. Surround yourself with people who are going to uplift you and encourage you to move forward with your dreams and goals.
Peace of Man"Greet each man with words of loveAnd peace,And a dove will be placedOn an olive tree.Leave a man with feelingsOf betrayalOr envy,And a dove gets shotOff the olive tree.Greet each man with peace,And leave each man with love.Ask yourself -One more enemy,Or one more dove?Always choose love.It's time for everybody toSpeak love.Let's fill the trees with doves,And spread the leaves of love.So,Always addAnd never subtractAnother peace of manFrom the olive tree.
She was battered and beaten up, and not smiling this time. Liesel could see it on her face. Blood leaked from her nose and licked at her lips. Her eyes had blackened. Cuts had opened up and a series of wounds were rising to the surface of her skin. All from the words. From Liesel's words.
A thing about poetry is, It takes cuts and pain to bleed words. The deeper the wound is, the more you bleed. And eventually, you will start falling in love with it. But the saddest part is, sometimes there comes a moment when you start to feel that all those wounds on your soul are not enough. And you start cutting yourself deeper, forgetting when to stop.
The forsaking of all others is a keeping of faith, not just with the chosen one, but with the ones forsaken. The marriage vow unites not just a woman and a man with each other; it unites each of them with the community in a vow of sexual responsibility toward all others. The whole community is married, realizes its essential unity, in each of its marriages...Marital fidelity, that is, involves the public or institutional as well as the private aspect of marriage. One is married to marriage as well as to one's spouse. But one is married also to something vital of one's own that does not exist before the marriage: one's given word. It now seems to me that the modern misunderstanding of marriage involves a gross misunderstanding and underestimation of the seriousness of giving one's word, and of the dangers of breaking it once it is given. Adultery and divorce now must be looked upon as instances of that disease of word-breaking, which our age justifies as "realistic" or "practical" or "necessary," but which is tattering the invariably single fabric of speech and trust.(pg.117, "The Body and the Earth")
A poetess is not as selfishas you assume.After months of agonising over her marriage of words—the bride—and spaces—the groom,she knows that as soonas she has penned the poem,it’s yours to consume.So, without giving it a think,she blows on the inkand the letters fly awaylike dandelions on a windy day,landing on hands and lips, on hearts and hips.But more often than not,you can easily spotthem trodden and forgotten,becoming sodden and rotten.Yet, she will continue to makewhat’s others to takebecause selfishness is not the mark of a poetess.
I've written you sixty-seven love poems.Here’s another one for you.But really, for me.These poems are the candles that I light with the fire you have ignited in me.I place this candle here and another thereso even if the stars have argued with the moonand are sulking away in a corner, you can still find your way to me.Sixty-eight poems now. What does the future hold for us?Joy? Disappointment? Gentle caresses? And subtle neglect?I hope the good is more than the bad. Much more. For what is the point of loveif by lighting these candlesour own flame loses its brightness?I know the good is more than the bad. Much more.I cannot wait to write you sixty-nine.
People usually complain that music is so ambiguous, and what they are supposed to think when they hear it is so unclear, while words are understood by everyone. But for me it is exactly the opposite...what the music I love expresses to me are thoughts not to indefinite for words, but rather too definite.
... and I realise the only way to tell the others is through the way my voice can take these broken wordsand turn it into music. Turn it into poetry.And I sing to make myself come alive, but also for you,because I’d like this to mean something.To not disappear with the dark I will enter one day and so now I will tell.If not for you, then for my own heart, because it tells me to,and I'm learning to listen.
We didn’t have words. We didn’t have writing or maps or language, but we had music and in that music, we spoke victory and loss, sadness and rage. We sang fire and water, earth and sky. We wrote the history of the Battle of Lamos and told the story of Selisanae of the Sun and wove the tragedy of the lives and deaths of dragons in every land. It was marvellous.
Music and literature, the two temporal arts, contrive their pattern of sounds in time; or, in other words, of sounds and pauses. Communication may be made in broken words, the business of life be carried on with substantives alone; but that is not what we call literature; and the true business of the literary artist is to plait or weave his meaning, involving it around itself; so that each sentence, by successive phrases, shall first come into a kind of knot, and then, after a moment of suspended meaning, solve and clear itself.-ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE
It does not matter what religion you are, so long as your conscience guides your words and actions. We are all reflections of God means we are all reflections of his image — which is LIGHT. There is only one God and that is the cosmic heart of the universe — whatever you choose to call him or her. The heart within us is what connects us to God (the heart of the universe). This super basic concept is preached in all religions. God is TRUTH and LIGHT, and only through your conscience do you connect to him. Any person who does not use their conscience is very disconnected from God. Because again, the language of light can only be decoded by the heart.
Am I making something worth while?I’m not sure.I write and I sing and I hear words from time to time about my life and choices making ways, into other lives, other hearts,but am I making something worth while?I’m not sure.There was a boy last night who I never spoke to because I was too drunk and still shy, but mostly lonely, and I couldn’t find anything lightly to say,so I simply walked awaybut still wondered what he did with his lifebecause he didn’t even speak to meor look at mebut still made me wonder who he wasand I walked away askingAm I making something worth while?I am not sure.I am a complicated person with a simple lifeand I am the reason for everything that ever happened to me.
When a mother elevates her communication, she naturally elevates the outcomes of her child's life since a mother's words become her child's universe of possibilities.
But in the name of all that is holy, Mosca, of all the people you could have taken up with, why Eponymous Clent?" murmured Kohlrabi.Because I'd been hording words for years, buying them from peddlers and carving them secretly on bits of bark so I wouldn't forget them, and then he turned up using words like "epiphany" and "amaranth." Because I heard him talking in the marketplace, laying out sentences like a merchant rolling out rich silks. Because he made words and ideas dance like flames and something that was damp and dying came alive in my mind, the way it hadn't since they burned my father's books. Because he walked into Chough with stories from exciting places tangled around him like maypole streamers..."Mosca shrugged."He's got a way with words.
In leadership, life and all things it’s far wiser to judge people by their deeds than their speech - their track record rather than their talk” – Rasheed Ogunlaru
When it comes to giving thanks to God, there isn’t a card, a sentiment, a picture, or a word that can adequately express the gratitude in my heart. What can I say to the One who not only saved my life but who also adopted me into His family? How can I possibly express my thankfulness for His riches? How can I express my gratitude for His friendship and His healing touch? How does one find the words to thank Him for His unconditional love, unmerited favour, and forgiveness? Dictionaries and thesauruses can’t help me. All I can say is ‘Thank you, God’ with the hope that those humble words convey all that is in my heart.
My stepfather, John O'Hara, was the goodest man there was. He was not a man of many words, but of carefully chosen ones. He was the one parent who didn't try to fix me. One night I sat on his lap in his chair by the woodstove, sobbing. He just held me quietly and then asked only, "What does it feel like?" It was the first time I was prompted to articulate it. I thought about it, then said, "I feel homesick." That still feels like the most accurate description - I felt homesick, but I was home.
I don’t know why—it’s just that—I don’t know—they’re not kin."—Surprising word, I think to myself never used it before. Not of kin—sounds like hillbilly talk—not of a kind—same root—kindness, too—they can’t have real kindness toward him, they’re not his kin -- . That’s exactly the feeling. Old word, so ancient it’s almost drowned out. What a change through the centuries. Now anybody can be "kind." And everybody’s supposed to be. Except that long ago it was something you were born into and couldn’t help. Now it’s just a faked-up attitude half the time, like teachers the first day of class. But what do they really know about kindness who are not kin.
Stop entertaining two faced people. You know the ones who have split personalities and untrustworthy habits. Nine times out of ten if they telling you stuff about another person, they're going to tell your business to other people. If they say, "You know I heard........." More than likely it's in their character to share false information. Beware of your box, circle, square! Whatever you want to call it.
Thinking of the stars night after night I begin to realize 'The stars are words' and all the innumerable worlds in the Milky Way are words, and so is this world too. And I realize that no matter where I am, whether in a little room full of thought, or in this endless universe of stars and mountains, it’s all in my mind.
But there were too many points at which the other self could invade the self he wanted to preserve, and there were too many forms of invasion: certain words, sounds, lights, actions his hands or feet performed, and if he did nothing at all, heard and saw nothing, the shouting of some triumphant inner voice that shocked him and cowed him.
I try to think of things to say but nothing comes, and if something did come I probably couldn't say it. This is my great obstacle, the biggest of all the boulders littering my path. In my mind I am eloquent; I can climb intricate scaffolds of words to reach the highest cathedral ceilings and paint my thought. But when I open my mouth, everything collapses.
What was a little dark, anyway? Just no sun, [Petra] reminded herself as her sneakers pounded toward the opening. Just dark, all three fine, she whispered to herself again and again, spinning the words outward into a mobile in her mind. They floated into dark-three, all-just-fine and then into all-fine, dark-just-three.
No two persons can learn something and experience it in the same way.
There are certain truths that occurs to us, which we cannot convey in words, but requires a personal experience to grasp more vividly.
Don't live by your thoughts only; live by your words also. Whatever plans you think about, affirm it in your mouth first, declare it and you will succeed in working it out! Words can be powerful!
These bits of paper are covered with lies. They poison your minds. And so long as they exist, you cannot hope to see the world as it truly is.(...)You turn to them for answers and salvation. (...) You rely more upon them than upon yourselves. This makes you weak and stupid. You trust in words. Drops of ink. Do you ever stop to think of who put them there? Or why? No. You simply accept their words without question. And what if those words speak falsely, as they often do? This is dangerous.
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Think about rethinking what you're thinking, before speaking the thought you were thinking, and cause unintended consequences for speaking what you probably shouldn't have been thinking.
It feels like spoken words, this bridge. I want it but fear it. God, I want so desperately to reach the other side - just like I want the words. I want my words to build bridges strong enough to walk on. I want them to tower over the world so I can stand up on them and walk to the other side.
Try telling the boy who’s just had his girlfriend’s namecut into his arm that there’s slippage between the signifierand the signified. Or better yet explain to the girlwho watched in the mirror as the tattoo artist stitchedthe word for her father’s name (on earth as in heaven)across her back that words aren’t made of flesh and blood,that they don’t bite the skin. Language is the animalwe’ve trained to pick up the scent of meaning. It’s whywhen the boy hears his father yelling at the doorhe sends the dog that he’s kept hungry, that he’s kicked,then loved, to attack the man, to show him that every wordhas a consequence, that language, when used right, hurts.
We live in an era where the best way to make a dent on the world may no longer be to write a letter to the editor or publish a book. It may be simply to stand up and say something . . . because both the words and the passion with which they are delivered can now spread across the world at warp speed.
For me,you are fresh waterthat falls from treeswhen it has stopped raining. For me, you are cinnamon that lingers on the tongue and givesbitter wordssweetening.For me, you are the scent of violins and visionof valleys smiling.And still,for me, your loveliness never ends.It traverses the worldand finds its way back to me.Only me.
Simple minded people do things like gossip, lie, spread rumors, and cause troubles. But, I know you're more intelligent.
I search his eyes for the slightest sign of anything, fear, remorse, anger. But there's only the same look of amusement that ended our last conversation. It's as if he's speaking the words again. "Oh, my dear Miss Everdeen. I thought we had agreed not to lie to each other."He's right. We did.The point of my arrow shifts upward. I release the string. And President Coin collapses over the side of the balcony and plunges to the ground. Dead.
Come back to me.Where have you gone?And why so long?I miss the star below your lip,the constellation on your chest.I miss your ways,how you net butter-flying words and release themfor others to enjoy.I miss your tenderness,the sweetness of your breathand the song of your voice.I miss howyou worship me.Come back to me once more.Why did you go?And whatever for?The heavens plotted against us.The clouds came andpissed on our lives.The smell of charged particlesstill lingers in the air.What will become of you and I?Come back to us.
I left the bankbecause they wouldn’t deposit my cheque of poems.So I went to the store,but they didn’t acceptmy currency of words.So I boxed all my storiesand took them to charity.But they refused my donation and asked me to give blood instead.I opened the notebooks and made them look, 'What do you think I wrote these in?
I want to write something that means something to someone...the reminds them of what a second, a moment, really is...or that assures them that we are just as lost as they are. I want to write an emotion they are too fragile to let loose, so that my words can do the expression for them, the feeling for them. I want to write beyond the basics and the cliches...I want to write you, I want to write a long walk on a starry night, I want to write an exhale or an inhale...or suffocation.I want to write as clear as my voice could be heard...that is, if I had anything to say.
I wear the universe backwards. I imagine putting stars in my coffee, and sugar in the sky. I imagine going fishing in clouds, and watching the sun hide behind lakes. I'm too busy dancing with my imagination to even tip toe with reality for a second. They say I'm going mad. They're right.
Teams that spend a lot of time learning the tricks of the trade will probably never really learn the trade.
And an even worse example, I think, than the cheapening of the word CHARITY is the new newspaper cheapening of the word COURAGE.Any man living in complete luxury and security who chooses to write a play or a novel which causes a flutter and exchange of compliments in Chelsea and Chiswick and a faint thrill in Streatham and Surbiton, is described as "daring," though nobody on earth knows what danger it is that he dares. I speak, of course, of terrestrial dangers; or the only sort of dangers he believes in. To be extravagantly flattered by everybody he considers enlightened, and rather feebly rebuked by everybody he considers dated and dead, does not seem so appalling a peril that a man should be stared at as a heroic warrior and militant martyr because he has had the strength to endure it.
Writing has become more than just a profession, and hobby…it has become a way to express my feelings and pour my entire soul into the pages of my books. Thank God for the little things in life that makes us feel infinite and tranquil…the little things that make way for us to escape reality and enter new worlds that we create. -Nina Jean Slack
Always write exactly what you’re feeling at the exact moment when writing something like poetry or an emotional novel. Put yourself, pour all emotions into your work…make yourself cry, feel joy if you are writing joyful things, feel lovey if it calls for it…just put your heart and soul into all that you do…then you will be a good writer when you can make whoever reads your work, feel." -Nina Jean Slack
Can you hold a red-hot iron rod in your hand merely because some one wants you to do so? Then, will it be right on your part to ask others to do the same thing just to satisfy your desires? If you cannot tolerate infliction of pain on your body or mind by others' words and actions, what right have you to do the same to others through your words and deeds?Do unto others as you would like to be done by. Injury or violence done by you to any life in any form, animal or human, is as harmful as it would e if caused to your own self.
To say "all that which does not exist" is to introduce, effectively, a new concept, but it does not bring into existence anything more than that very concept which it introduces. That is, a certain entity about which we know nothing except that it bears the name of "all that which does not exist.
Words, no matter whether they are vocalized and made into sounds or remain unspoken as thoughts, can cast an almost hypnotic spell upon you. You easily lose yourself in them, become hypnotized into implicitly believing that when you have attached a word to something, you know what it is. The fact is: You don’t know what it is. You have only covered up the mystery with a label. Everything, a bird, a tree, even a simple stone, and certainly a human being, is ultimately unknowable. This is because it has unfathomable depth. All we can perceive, experience, think about, is the surface layer of reality, less than the tip of an iceberg.
The trouble with poetry is it's often written to the sound of a drum only the poet may hear; nonetheless, blessed are those poets who always manage to find unshakeable pleasure in their own works.
My usual instruction to students when they are preparing to write their examinations is "think before you answer the questions". I am convinced that some multiple choice answers could be so close that you might not know the very one that answers the question correctly! Such is life. To choose your suitable dreams, you must think well!
They say instant communication is not communication at all but merely a frantic, trivial, nerve-wracking bombardment of clichés, threats, fads, fashions, gibberish and advertising. However, who has not hung on a scripture, a quote, a statement, only to stumble upon the key phrase that brought all things to a turning point? The greatest sermons and speeches were pieced together by illuminating thoughts that powered men to surpass their own commonness. It is the sparkling magic of letters forming words, and those words colliding with passion, that makes statements into wisdom.
The cure is as simple as this: Live your words and live your belief system.
Thoughts guide you everyday. They become your choices. If you're not happy with your life, change your thoughts. Think more positive.
I Love You! Three words that mean nothing if not followed through with actions. It seems to be more relevant in the terms of showing verses saying. Anyone can say it, because there are different kinds of love. But, few are willing to actually show it. Saying is one thing. Living proof is another.
Happiness gives you the freedom to enhance your ability to achieve success. Your choices in life are a direct reflection of your level of happiness. It's the sunshine for your soul that you need in order to grow
People need to understand that not everyone is out to hurt you. There are still some great people in this world. Do not allow yourself to believe that everyone is up to no good. Just because you have encountered some rude people along the way, doesn't mean that everyone is that way. When it comes to matters of the heart, Know which bridges to cross and which ones to burn.
Talking is great, but don't ignore the value of listening. Pay attention to the words being spoken. Some people just love the sound of their own voice. And, when another person speaks, they are only anticipating to compete, challenge, or question what is being said. You can miss out on some important wisdom always running your mouth.
Kids use words in ways that release hidden meanings, revel the history buried in sounds. They haven't forgotten that words can be more than signs, that words have magic, the power to be things, to point to themselves and materialize. With their back-formations, archaisms, their tendency to play the music in words--rhythm, rhyme, alliteration, repetition--children peel the skin from language. Words become incantatory. Open Sesame. Abracadabra. Perhaps a child will remember the word and will bring the walls tumbling down.
From time to time I try to imagine this world of which he spoke--a culture in whose mythology words might be that precious, in which words were conceived as vessels for communications from the heart; a society in which words are holy, and the challenge of life is based upon the quest for gentle words, holy words, gentle truths, holy truths. I try to imagine for myself a world in which the words one gives one's children are the shell into which they shall grow, so one chooses one's words carefully, like precious gifts, like magnificent gifts, like magnificent inheritances, for they convey an excess of what we have imagined, they bear gifts beyond imagination, they reveal and revisit the wealth of history. How carefully, how slowly, and how lovingly we might step into our expectations of each other in such a world.
We grow old judging othersAnd ourselvesUntil life humbles usAnd makes scared children of usLonging to hold another’s handTo hear their kind words And witness their kind deeds done on our behalf.But like children,We sabotage everythingFor nothing satisfies usUntil life crumbles usAnd we are no more.
Call me infidel, call me atheist, call me what you will, I intend so to treat my children, that they can come to my grave and truthfully say: 'He who sleeps here never gave us a moment of pain. From his lips, now dust, never came to us an unkind word.
Do we not see the influence we have when we say we believe in one thing, but our children see us living something else? Do we not realize how little we encourage our children to actually decide what they believe, declare what they believe, and then live by it? Whether it’s religion, politics, sports, or societal norms. It is not our place to tell our kids what to think. It is our place to teach our kids to think correctly. If we do this, we need have no fear of what they will decide for themselves and how strongly they’ll stand behind it. A man will follow his own convictions to his death, but he’ll only follow another man’s convictions until he steps in manure.
Dads. Do you honestly expect anybody to believe that you can’t find 20 minutes to step away from your computer or turn off the television to play with your child? It has to happen every single day. Do you not understand that children will hinge their entire facet of trust on whether or not their dad plays with them and how involved he is when he plays with them? Do you know the damage you do by not playing with your children every day?
I am far from a perfect dad. And I always will be. But I’m a damn good dad, and my son will always feel bigger than anything life can throw at him. Why? Because I get it. I get the power a dad has in a child’s life, and in a child’s level of self-belief. I get that everything I ever do and ever say to my son will be absorbed, for good or for bad.
Dads. Do you not realize that your child needs to feel your skin on his? Do you not realize the incredible and powerful bond that skin on skin contact with your daughter will give you? Do you not understand the permanent mental connections that are made when you stroke your son’s bare back or rub your daughter’s bare tummy while you tell bedtime stories? And if any idiot says anything about that being inappropriate, you’re gonna get kicked in the face, first by me, and then by every other good dad out there. Touching your child is your duty as a father.
She had to fight against developing too combative a personality or becoming altogether a misanthrope. She suddenly caught herself. "Misanthrope" is someone who dislikes everybody, not just men.And they certainly had a word for someone who hates women: "misogynist." But the male lexicographers had somehow neglected to coin a word for the dislike of men. They were almost entirely men themselves, she thought, and had been unable to imagine a market for such a word.
Words are things. You must be careful, careful about calling people out of their names, using racial pejoratives and sexual pejoratives and all that ignorance. Don’t do that. Some day we’ll be able to measure the power of words. I think they are things. They get on the walls. They get in your wallpaper. They get in your rugs, in your upholstery, and your clothes, and finally in to you.
It’s true what they say, that words are the true weapons. Those who fight with steel are limited to the strength of their arm, the reach of their blade, and the timing of their strike; but those who fight with persuasion know no limits – not time, nor status, nor chance.
I don't tell her that my grasp on truth, on words, on people, has slipped. I was getting close, so close to normal again, and that's been snatched away. I'm not even back where I started. I'm somewhere else entirely, so far off the map I don't know where to turn next.
Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives.
Was it worth while to lay— with infinite exertion—a roof I can't live under? —All those blueprints, closings of gaps,measurings, calculations? A life I didn't choose chose me: even my tools are the wrong ones for what I have to do. I'm naked, ignorant, a naked man fleeing across the roofs who could with a shade of difference be sitting in the lamplight against the cream wallpaper reading—not with indifference—about a naked man fleeing across the roofs.
Every man walks his own path, and every path has its fair share of locked doors. You never know who holds the key to a door you’ll need to open one day, so you best treat people as if they are all keyholders.
One can talk good and shower down roses, but it's the receiver that has to walk through the thorns, and all its false expectations.
Our personal story has many chapters that reconnoiter universal themes. We each struggle to understand ourselves and aspire to make ourselves known to the world. We struggle to win the love of other people. We seek to pick all the low hanging fruit that we come across in our journey through the corridor of time. We write our story in the Niagara of emotional experiences that flowing watercourse makes us human. We use a profusion of words, symbols, and the nuances pulled from a rich library of language to depict the cascade of our visions, sounds, smells, tastes, feelings, dreams, and infelicitous thoughts. We use logical and dialectal thought processes when communing with our inner self. We use self-speak along with the esemplastic powers of poetic imagination, sprinkled with the fizz of creativity, to cohere disparate chapters of our life into a unified whole and relay the effervescence of our story to other people.
I enjoy poetry where I can talk as bizarre as I please, but theology or philosophy, I always respect the truth by taking it a step further.
Prove to the world that you are alive, let your words breathe life into the nostrils of the universe.
Sometimes paper is only paper," my mothers says. "Words are just words. Ways to capture the real thing. Don't be afraid to remember that."I know what she means. Writing, painting, singing--it cannot stop everything. Cannot halt death in its tracks. But perhaps it can make the pause between death's footsteps sound and look and feel beautiful, can make the space of waiting a place where you can linger without as much fear. For we are all walking each other to our deaths, and the journey there between footsteps makes up our lives.
Words! What power they hold. Once they have rooted in your psyche, it is difficult to escape them. Words can shape the future of a child and destroy the existence of an adult.Words are powerful. Be careful how you use them because once you have pronounced them, you cannot remove the scar they leave behind.
For the merest moment I couldn't breathe. Something inside me quivered, some oud string plucked by his words, and if I breathed it would stop.He did not know the truth of me, yet he had perceived something true about me that no one else had ever noticed. And in spite of that—or perhaps because of it—he believed me good, believed me worth taking seriously, and his belief, for one vertiginous moment, made me want to be better than I was.
When you read a great book, you don’t escape from life, you plunge deeper into it. There may be a superficial escape – into different countries, mores, speech patterns – but what you are essentially doing is furthering your understanding of life’s subtleties, paradoxes, joys, pains and truths. Reading and life are not separate but symbiotic.
But even now, with the crates piled high in the hall, what I see most plainly about the books is that they are beautiful. They take up room? Of course they do: they are an environment; atoms, not bits. My books are not dead weight, they are live weight — matter infused by spirit, every one of them, even the silliest. They do not block the horizon; they draw it. They free me from the prison of contemporaneity: one should not live only in one’s own time. A wall of books is a wall of windows.
Plato laments the decline of the oral tradition and the atrophy of memory which writing induces, I at the other end of the Age of the Written Word am impressed by the sturdiness and reliability of words on paper... The will to record indelibly, to set down stories in permanent words, seems to me akin to the conviction that we are larger than our biologies.
And did the distress I was feeling derive from some internal sickness of the soul, or was it imposed on me by the sickness of society? That someone besides me had suffered from these ambiguities and had seen light on their far side... that I could find company and consolation and hope in an object pulled almost at random from a bookshelf—felt akin to an instance of religious grace.
People are always saying these things about how there's no need to read literature anymore-that it won't help the world. Everyone should apparently learn to speak Mandarin, and learn how to write code for computers. More young people should go into STEM fields: science, technology, engineering, and math. And that all sounds to be true and reasonable. But you can't say that what you learn in English class doesn't matter. That great writing doesn't make a difference. I'm different. It's hard to put into words, but it's true. Words matter.
Through books I discovered everything to be loved, explored, visited, communed with. I was enriched and given all the blueprints to a marvelous life, I was consoled in adversity, I was prepared for both joys and sorrows, I acquired one of the most precious sources of strength of all: an understanding of human beings, insight into their motivations.
Perhaps reading and writing books is one of the last defences human dignity has left, because in the end they remind us of what God once reminded us before He too evaporated in this age of relentless humiliations—that we are more than ourselves; that we have souls.
I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano next to Pope, Dumas next to his son, each one stitched into his own private coat, together forming a low, gigantic chord of language.
Reading literature is a way of reaching back to something bigger and older and different. It can give you the feeling that you belong to the past as well as the present, and it can help you realize that your present will someday be someone else’s past. This may be disheartening, but it can also be strangely consoling at times.
He had some taste for romance reading before he went to the university, where, we must confess, in justice to his college, he was cured of the love of reading in all its shapes; and the cure would have been radical, if disappointment in love, and total solitude, had not conspired to bring on a relapse.
Read sometimes for the story, Bobby. Don't be like the book-snobs who won't do that. Read sometimes for the words - the language. Don't be like the play-it-safers that won't do that. But when you find a book that has both good story and good words, treasure that book.
The slight, the facile and the merely self-glorifying tend to drop away over the centuries, and what we are left with is the bedrock: Homer and Milton, the Greek tragedian and Shakespeare, Chaucer and Cervantes and Swift, Dostoyevsky and Tolstoy and James and Conrad. Time does not make their voices fainter, on the contrary, it reinforces our sense of their truth-telling capacity.
I stress the expansion and elaboration of language. In simplifying it, reducing it, we reduce the power of our expression and our power to communicate. Standardization, the use of worn-out formulas, impedes communication because it does not match the subtlety of our minds or emotions, the multimedia of our unconscious life.
In literature, too, we admire prose in which a small and astutely arranged set of words has been constructed to carry a large consignment of ideas. 'We all have strength enough to bear the misfortunes of others,' writes La Rochefoucauld in an aphorism which transports us with an energy and exactitude comparable to that of Maillard bridge. The Swiss engineer reduces the number of supports just as the French writer compacts into a single line what lesser minds might have taken pages to express. We delight in complexity to which genius has lent an appearance of simplicity. (p 207)
The book was in her lap; she had read no further. The power to change one’s life comes from a paragraph, a lone remark. The lines that penetrate us are slender, like the flukes that live in river water and enter the bodies of swimmers. She was excited, filled with strength. The polished sentences had arrived, it seemed, like so many other things, at just the right time. How can we imagine what our lives should be without the illumination of the lives of others?
It is a great thing to start life with a small number of really good books which are your very own. You may not appreciate them at first. You may pine for your novel of crude and unadulterated adventure. You may, and will, give it the preference when you can. But the dull days come, and the rainy days come, and always you are driven to fill up the chinks of your reading with the worthy books which wait so patiently for your notice. And then suddenly, on a day which marks an epoch in your life, you understand the difference. You see, like a flash, how the one stands for nothing, and the other for literature. From that day onwards you may return to your crudities, but at least you do so with some standard of comparison in your mind. You can never be the same as you were before. Then gradually the good thing becomes more dear to you; it builds itself up with your growing mind; it becomes a part of your better self, and so, at last, you can look, as I do now, at the old covers and love them for all that they have meant in the past.
The Yogic sages say that all the pain of a human life is caused by words, as is all the joy. We create words to define our experience and those words bring attendant emotions that jerk us around like dogs on a leash. We get seduced by our own mantras (I'm a failure... I'm lonely... I'm a failure... I'm lonely...) and we become monuments to them. To stop talking for a while, then, is to attempt to strip away the power of words, to stop choking ourselves with words, to liberate ourselves from our suffocating mantras.
Words could betray you if you chose the wrong ones, or mean less if you used too many. Jokes could be grandly miscalculated, or stories deemed boring, and I'd learned early on that my sense of humor and ideas about what sorts of things were fascinating didn't exactly overlap with my friends'.
A man with a scant vocabulary will almost certainly be a weak thinker. The richer and more copious one's vocabulary and the greater one's awareness of fine distinctions and subtle nuances of meaning, the more fertile and precise is likely to be one's thinking. Knowledge of things and knowledge of the words for them grow together. If you do not know the words, you can hardly know the thing.
What a gulf between impression and expression! That’s our ironic fate—to have Shakespearean feelings and (unless by some billion-to-one chance we happen to be Shakespeare) to talk about them like automobile salesmen or teen-agers or college professors. We practice alchemy in reverse—touch gold and it turns into lead; touch the pure lyrics of experience, and they turn into the verbal equivalents of tripe and hogwash.
I’ve always been a word guy, I like weird words and I like American slang and all that and words that are no longer being used… I like to drag them out of the box and wave them around… this is an interesting one, it’s amazing how in addition to punctuation just a little pause in the wrong place can just completely transform the meaning of something.
Language does have the power to change reality. Therefore, treat your words as the mighty instruments they are - to heal, to bring into being, to remove, as if by magic, the terrible violations of childhood, to nurture, to cherish, to bless, to forgive - to create from the whole cloth of your soul, true love.
The beauty of this idea is that my decision to keep Peeta alive at the expense of my own life is itself an act of defiance. A refusal to play the Hunger Games by the Capitol's rules. My private agenda dovetails completely with my public one. And if I really could save Peeta... in terms of a revolution, this would be ideal. Because I will be more valuable dead. They can turn me into some kind of martyr for the cause and paint my face on banners, and it will do more to rally people than anything I could do if I was living. But Peeta would be more valuable alive, and tragic, because he will be able to turn his pain into words that will transform people.
It doesn't matter if you and everyone else in the room are thinking it. You don't say the words. Words are weapons. They blast big bloody holes in the world. And words are bricks. Say something out loud and it starts turning solid. Say it loud enough and it becomes a wall you can't get through.
There are some words that once spoken will split the world in two. There would be the life before you breathed them and then the altered life after they'd been said. They take a long time to find, words like that. They make you hesitate. Choose with care. Hold on to them unspoken for as long as you can just so your world will stay intact.
The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?
Elodin pointed down the street. "What color is that boy's shirt?""Blue.""What do you mean by blue? Describe it."I struggled for a moment, failed. "So blue is a name?""It is a word. Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts. There are seven words that will make a person love you. There are ten words that will break a strong man's will. But a word is nothing but a painting of a fire. A name is the fire itself."My head was swimming by this point. "I still don't understand."He laid a hand on my shoulder. "Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating." He lifted his hands high above his head as if stretching for the sky. "But there are other ways to understanding!" he shouted, laughing like a child. He threw both arms to the cloudless arch of sky above us, still laughing. "Look!" he shouted tilting his head back. "Blue! Blue! Blue!
I got words in me, Jess, fighting to find a way out. Sometimes there's so many words and they get so crowded in my skull I think my head is gonna explode. I want to write them down. I've tried, but most of the time my thoughts and my feelings are bigger than what I can get on paper.
We have an odd relationship with words. We learn a few when we are small, throughout our lives we collect others through education, conversation, our contact with books, and yet, in comparison, there are only a tiny number about whose meaning, sense, and denotation we would have absolutely no doubts, if one day, we were to ask ourselves seriously what they meant. Thus we affirm and deny, thus we convince and are convinced, thus we argue, deduce, and conclude, wandering fearlessly over the surface of concepts about which we only have the vaguest of ideas, and, despite the false air of confidence that we generally affect as we feel our way along the road in verbal darkness, we manage, more or less, to understand each other and even, sometimes, to find each other.
I will tell these stories...because to do anything else would be something less than human. I speak to these people, and I speak to you because I cannot help it. It gives me strength, almost unbelievable strength, to know that you are there. I covet your eyes, your ears, the collapsible space between us. How blessed are we to have each other? I am alive and you are alive so we must fill the air with our words. I will fill today, tomorrow, every day until I am taken back to God. I will tell stories to people who will listen and to people who don't want to listen, to people who seek me out and to those who run. All the while I will know that you are there. How can I pretend that you do not exist? It would be almost as impossible as you pretending that I do not exist.
Gregorius was never to forget this scene. They were his first Portuguese words in the real world and they worked. That words could cause something in the world, make someone move or stop, laugh or cry: even as a child he had found it enigmatic and it had never stopped impressing him. How did words do that? Wasn't it like magic?But at this moment, the mystery seemed greater than usual, for these were words he hadn't even known yesterday morning.
And there was never a better time to delve for pleasure in language than the sixteenth century, when novelty blew through English like a spring breeze. Some twelve thousand words, a phenomenal number, entered the language between 1500 and 1650, about half of them still in use today, and old words were employed in ways not tried before. Nouns became verbs and adverbs; adverbs became adjectives. Expressions that could not have grammatically existed before - such as 'breathing one's last' and 'backing a horse', both coined by Shakespeare - were suddenly popping up everywhere.
I wish I could remember the moment when I was a kid and I discovered that the letters linked into words, and that the words linked to real things. What a revelation that must have been. We don't have the words for it, since we hadn't yet learned the words. It must have been astonishing, to be given the key to the kingdom and see it turn in our hands so easily.
She realized that being starved for words was the same as being starved for food, because both left a hollow place inside you, a place you needed filled to make it through another day. Rachel remembered how growing up she’d thought living on a farm with just a father was as lonely as you could be. (130)
Are you watching the boats?" Cornelia guessed. She craned her neck to see if there was any excitement on the river.Heavens no, I'm spying on people," Virginia responded unrepentantly.-Cornelia E and Virginia Somerset
There's a scientific hypothesis that every person's name is a primary suggestive command that contains the entire script of their life in highly concentrated form. . . . According to this point of view, there is only a limited number of names, because society only needs a limited number of human types. Just a few models of worker and warrior ants, if I could put it like that. And everybody's psyche is preprogrammed at a basic level by the associative semantic fields that their first name and surname activate.
Dictionopolis is the place where all the words in the world come from. They're grown right here in our orchards.""I didn't know that words grew on trees," said Milo timidly."Where did you think they grew?" shouted the earl irritably. A small crowd began to gather to see the little boy who didn't know that letters grew on trees."I didn't know they grew at all," admitted Milo even more timidly. Several people shook their heads sadly."Well, money doesn't grow on trees, does it?" demanded the count."I've heard not," said Milo."Then something must. Why not words?" exclaimed the undersecretary triumphantly. The crowd cheered his display of logic and continued about its business.
Talking about one's feelings defeats the purpose of having those feelings. Once you try to put the human experience into words, it becomes little more than a spectator sport. Everything must have a cause, and a name. Every random thought must have a root in something else.
I am often described to my irritation as a 'contrarian' and even had the title inflicted on me by the publisher of one of my early books. (At least on that occasion I lived up to the title by ridiculing the word in my introduction to the book's first chapter.) It is actually a pity that our culture doesn't have a good vernacular word for an oppositionist or even for someone who tries to do his own thinking: the word 'dissident' can't be self-conferred because it is really a title of honor that has to be won or earned, while terms like 'gadfly' or 'maverick' are somehow trivial and condescending as well as over-full of self-regard. And I've lost count of the number of memoirs by old comrades or ex-comrades that have titles like 'Against the Stream,' 'Against the Current,' 'Minority of One,' 'Breaking Ranks' and so forth—all of them lending point to Harold Rosenberg's withering remark about 'the herd of independent minds.' Even when I was quite young I disliked being called a 'rebel': it seemed to make the patronizing suggestion that 'questioning authority' was part of a 'phase' through which I would naturally go. On the contrary, I was a relatively well-behaved and well-mannered boy, and chose my battles with some deliberation rather than just thinking with my hormones.
A single word can brighten the faceof one who knows the value of words.Ripened in silence, a single wordacquires a great energy for work.War is cut short by a word,and a word heals the wounds,and there’s a word that changespoison into butterand honey.Let a word mature inside yourself.Withhold the unripened thought.Come and understand the kind of wordthat reduces money and riches to dust.Know when to speak a wordand when not to speak at all.A single word turns the universe of hellinto eight paradises.Follow the Way. Don’t be fooledby what you already know. Be watchful.Reflect before you speak.A foolish mouth can brand your soul.Yunus, say one last thingabout the power of words –Only the word “I”divides me from God.
Here is the time for the sayable, here is its home.Speak and attest. More than everthe things we can live with are falling away,and ousting them, filling their place, a will with no image.Will beneath crusts which readily crackwhenever the act inside swells and seeks new borders.
[W]e talk about the tyranny of words, but we like to tyrannise over them too; we are fond of having a large superfluous establishment of words to wait upon us on great occasions; we think it looks important, and sounds well. As we are not particular about the meaning of our liveries on state occassions, if they be but fine and numerous enough, so, the meaning or necessity of our words is a secondary consideration, if there be but a great parade of them. And as individuals get into trouble by making too great a show of liveries, or as slaves when they are too numerous rise against their masters, so I think I could mention a nation that has got into many great difficulties, and will get into many greater, from maintaining too large a retinue of words.
The great wheel of fire of ancient wisdom, silence and word engendering the myth of the origin, human action engendering the epic voyage toward the other; historical violence revealing the tragic flaw of the hero who must then return to the land of origin; myth of death and renewal and silence from which new words and images will arise, keeps on turning in spite of the blindness of purely lineal thought.
Our own place is mall perhaps, but when your old man is eaten by his own shadow, you realise that maybe in every house, something so savage and sad and brilliant is standing up, without the world even seeing it.Maybe that's what these pages of words are about:Bringing the world to the window.
For Hood's sake,' the foreigner muttered. 'What's wrong with words?' 'With words,' said Redmask, turning away, 'meanings change.' 'Well,' Anaster Toc said, following as Redmask made his way back to his army's camp,.. 'that is precisely the point. That's their value - their ability to adapt -' 'Grow corrupt, you mean. The Letheri are masters at corrupting words, their meanings. They call war peace, they call tyranny liberty. On which side of the shadow you stand decides a word's meaning. Words are the weapons used by those who see others with contempt. A contempt which only deepens when they how those others are deceived and made into fools because they choose to believe. Because in their naivety they thought the meaning of a word was fixed, immune to abuse.
Our view of man will remain superficial so long as we fail to go back to that origin [of silence], so long as we fail to find, beneath the chatter of words, the primordial silence, and as long as we do not describe the action which breaks this silence. the spoken word is a gesture, and its meaning, a world.
Good words were the difference between Emily eating well and not. And what she had found worked best were not facts or arguments but words that tickled people’s brains for some reason, that just amused them. Puns, and exaggerations, and things that were true and not at the same time.
Around a child, people come and go, objects appear and are taken away, surroundings take shape and disintegrate. And no explanation is given, because how can you explain the world to a child?So she had used the words. Words call forth and secure that which has gone away. With her lists she had ensured that whatever she had once known would come back
He had walked on the beach and wished for icy winds to sweep away everything that sounded like mere linguistic habit, a malicious kind of habit that prevented thinking by producing the illusion that it had already taken place and found its conclusion in the hollow words.
Jacopo, while I could still read, during these past months, I read dictionaries, I studied histories of words, to understand what was happening in my body. I studied like a rabbi. Have you ever reflected that the linguistic term `metathesis' is similar to the oncological term `metastasis'? What is the metathesis? Instead of `clasp' one says `claps.' Instead of `beloved' one says `bevoled.' It's the temurah. The dictionary says that metathesis means the transposition or interchange, while metastasis indicates the change and shifting. How stupid dictionaries are! The root is the same. Either it's the verb metatithemi or the verb methistemi. Metatithemi means I interpose, I shift, I transfer, I substitute, I abrogate a law, I change a meaning. And methistemi? It's the same thing: I move, I transform, I transpose, I switch cliches, I take leave of my senses. And as we sought secret meanings beyond the letter, we all took leave of our senses. And so did my cells, obediently, dutifully. That's why I'm dying, Jacopo, and you know it.
I have tasted words, I have seen them. Never had her hands reached out in darkness and felt the texture of pure marble, never had her forehead bent forward and, as against a stone altar, felt safety. I am now saved. Her mind could not then so specifically have seen it, could not have said, "Now I will reveal myself in words, words may now supercede a scheme of mathematical-biological definition. Words may be my heritage and with words...A lady will be set back in the sky....there was hope in a block of unsubstantiated marble, words could carve and set up solid altars...Thought followed the wing that beat its silver into seven-branched larch boughs.
They're brainless girls, otherwise they wouldn't be seen dead here. They're pretty, with ugly, appealing smiles and conversations we can't hear. They breathe smoke and blow it out, and words drop from their mouths and get crushed to the floor. Or they get discarded, just to glow with warmth for a moment, for someone else to tread on later.
The author recognizes the power of the persecuting tribe referring to members of hers consistently as "snakes" or "roaches". This dehumanizing language, she realizes, seeps into the subconscious and makes it easier to forget that fellow humans were created in God's image.
Cynthia had been on friendly terms with an eccentric librarian called Porlock who in the last years of his dusty life had been engaged in examining old books for miraculous misprints such as the substitution of "1" for the second "h" in the word "hither." Contrary to Cynthia, he cared nothing for the thrill of obscure predictions; all he sought was the freak itself, the chance that mimics choice, the flaw that looks like a flower; and Cynthia, a much more perverse amateur of misshapen or illicitly connected words, puns, logogriphs, and so on, had helped the poor crank to pursue a quest that in the light of the example she cited struck me as statistically insane. ("The Vane Sisters")
It is too sad . I must speak to him- The do you really ?- Sure . How can you expect things to get better , if we do not speak?- Earlier , you talked to Mr. Omochi . Do you feel that things have thus been arranged?- What is certain is that if we do not talk , there is no chance to solve the problem.- What seems more certain is that if we talk, there is serious risk of aggravating the situation.
All words are possible, then, all names. They rain down, all these words, they disintegrate into a powdery avalanche. Belched from the volcano's mouth, they spurt in to the sky, then fall again. In the quivering air, like gelatine, the sounds trace their bubble paths. Can you imagine that?
The Actor, noticing a closed bookshop, dismounted from the horse which he tied to a street lamp. He woke up the bookseller and bought a Spanish grammar and dictionary. He set out again across town marveling at the way that the words of the foreign language were freshly gathered fruits and not old and dry. They touched the senses marvelously, new like young beggars who accost you, not yet words but the every things they designate, happily running naked before being clothed again in abstraction.
...the opposite of every truth is just as true! That is to say, any truth can only be expressed and put into words when it is one-sided. Everything that can be thought with the mind and said with words is one-sided, it's all just the half of it, lacking completeness, roundness, or unity.
Everybody is a writer. Everybody has a hand. Everybody has a story. Everybody writes stories of life from dawn to dusk. Everybody has a pen. Everybody has inks. These are the inks for writing the stories of life: words, thoughts, actions and deeds! The pen is important, but the ink in the pen determines the color of the writing! The pen is important, but the hand that holds the pen determines the style of the writing! Whether we choose our words well or not; whether we choose to think well or not; whether we choose our actions well or not; whether we choose to do good or not, we write a story of life, and we remain accountable to God in the end!
Soon he essentially stopped talking. "I am retreating into silence as a defensive mode," he mentioned. Eventually, he was down to uttering just five words, and only to guards: yes; no; please; thank you. "I am surprised," he wrote, "by the amount of respect this garners me. That silence intimidates puzzles me. Silence is to me normal, comfortable." Later he added, "I will admit to feeling a little contempt for those who can't keep quiet.
Powerful words always travel the whole world!
Close behind us were our friends: Tjaden, a skinny locksmith of our own age, the biggest eater of the company. He sits down to eat as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs.
There’s a larger point to be made here than my own obtuseness, which is the fragility, beauty, and at the same time resilience of any communication. An inchoate impulse forms into a feeling that resembles but can never match the dreamy intensity of the original impulse. This feeling then articulates itself, but the words at best approximate a shadow of the feeling. I speak or write these words, and of course the person who receives them brings to that receiving his or her own connotations: Cinnamon, for example, may conjure different memories and may mean something different for you than for me. These words may then settle into feelings, leading finally, perhaps, to some impulse on your part. With so many layers of interpretation, it's no wonder we so often misunderstand each other. And this is between two people who speak the same language. How much more difficult understanding can be, then, when the people do not share a common cultural background, or native tongue? How much more than this may we misunderstand when we then hear a dog speak, or a tree or stone?
The camera was a hand-held auxiliary of wanting-to-know. It had more than information and accuracy to teach me. I learned in the doing how ready I had to be. Life doesn't hold still. A good snapshot stopped a moment from running away. Photography taught me that to be able to capture transience, by being ready to click the shutter at the crucial moment, was the greatest need I had. Making pictures of people in all sorts of situations, I learned that every feeling waits upon its gesture, and I had to be prepared to recognize this moment when I saw it. These were things a writer needed to know. And I felt the need to hold transient life in words - there's so much more of life that only words can convey - strongly enough to last me as long as I lived. The direction my mind took was a writer's direction from the start, not a photographer's or a recorder's.
Don’t let me get sappy on you, but when you get right down to it, every collection of letters is a magic spell, even if it’s a moronic proclamation by the Emperor. Words have their impact, girl. Mind your manners. I may not know how to fly but I know how to read, and that’s almost the same thing.
When we were leaving London, Dad spent about an hour trying to push his wardrobe through the bedroom door. He turned it on its side. He tried it upside down. He tilted it one way and then the other but it just would not fit. Words like "Mum" and "Affair" and "Dad" and "Drinking" were just like that wardrobe--too big to get out. No matter what I did, I couldn't fit them through the space between my teeth.
I saw a stop sign, and it occurred to me that just as no one expects a stop sign to stop a car, I shouldn’t expect words to substitute for experience. That’s not their job, although words certainly can be misused in that way. The job of words is to direct us toward experience, to round out experience, to facilitate experience, and to give us ways to share at least pale shadows of that experience with those we love. And the job of words is to help us learn to be — and act — human.
Beyond thought I reach a state. I refuse to divide it up into words - and what I cannot and do not want to express ends up being the most secret of my secrets. I know that I'm scared of the moments in which I don't use thought and that's a momentary state that is difficult to reach, and which, entirely secret, no longer uses words with which thoughts are produce. Is not using words to lose your identity? is it getting lost in the harmful essential shadows?
So the earth is shaking Here the word's faking As there's no time for lies. Kiss and dance all nights! In no need of balanceNothing makes sense Get it loose with no excuse. Shake and dance!
Maturity: control your emotions! Maturity: get understanding! Maturity: learn from daily experiences! Maturity: practice what you learn distinctively! Maturity: know when to do what! Maturity: understand silence, actions and words and use them well and appropriately! Maturity: don’t just say anything, don’t just do anything, don’t just act anything, don’t just throw anything and don’t just show anything at all, not even at the most compelling moment, unless you are fully ready to be responsible, without any speck of regret, for the consequences of anything done out of immaturity! Let us get matured whilst we grow and let us grow in maturity
What would a person say to himself in the madness of sincerity? But it would be salvation. Thought the terror of sincerity comes from the part of the shadows that connect me to the world and to the creating unconscious of the world. Today is a night with many stars in the sky. It stopped raining.
You can save hundred words with just one look!
It was my first-year Latin teacher in high school who made me who made me discover I'd fallen in love with it (grammar). It took Latin to thrust me into bona fide alliance with words in their true meaning. Learning Latin fed my love for words upon words in continuation and modification, and the beautiful, sober, accretion of a sentence. I could see the achieved sentence finally standing there, as real, intact, and built to stay as the Mississippi State Capitol at the top of my street.
I think that [William] Faulkner and I each had to escape certain particulars of our lives, and we found salvation through words. I understand the Bible story of Babel so much better now. I think that moments of extremity, desires of escape, lead us to foreign languages--not those learned in schools, but those plucked from the human heart, the searing conditions of isolation. I did not have to be limited to my biography because of words, and I shared this with Faulkner, who invented new words and punctuation and expression and worlds. He utterly reshaped the world.
Subtle voices’ are those positive or negative words that are subtly spoken into our lives. These ‘subtle voices’, although subtle, are too powerful because they tend to shape our thoughts and inform our actions. That is why it is essential that we be selective of what we allow into our thoughts.
Sometimes she would be engaged in a laboratory exercise or a seminar when the instructor would say, "Gentlemen, let's proceed," and sensing Ellie's frown would add, "Sorry, Miss Arroway, but I think of you as one of the boys." The highest compliment they were capable of paying was that in their minds she was not overtly female.
When there's a negative word or expression-immaculate, for example-but the positive is almost never used, and you choose to use it, you become rather amusing. Or pretentious. Or pretentiously amusing, which can sometimes be good. In any case, you are uncovering a buried word.
When I asked if she read poetry anymore, she said no. she had lost her taste for it. That was how she said it, lost her taste. I asked how that could happen, and she said she agreed with Plato, or at least Plato as summarized for her: that there was something dishonest about it and that he was right to want to banish the poets. What she mean't, she told me, was that the only reality was life, real life, and that these beautiful versions were lies and she no longer had patience for it.
Knight seemed to weigh the precision of every word he used, careful as a poet. Even his handwritten letters had gone through at least one draft, he said, mostly to remove unnecessary insults. Only necessary ones remained.
Every evening I sat on the music-stool and wrote down my day, and it was as if I, Anna, were nailing Anna to the page. Every day I shaped Anna, said: Today I got up at seven, cooked breakfast for Janet, sent her to school, etc. etc., and felt as if I had saved that day from chaos. Yet now I read those entries and feel nothing. I am increasingly afflicted by vertigo where words mean nothing. Words mean nothing. They have become, when I think, not the form into which experience is shaped, but a series of meaningless sounds, like nursery talk, and away to one side of experience. Or like the sound track of a film that has slipped its connection with the film. When I am thinking I have only to write a phrase like ‘I walked down the street’, or take a phrase from a newspaper, ‘economic measures which lead to the full use of …’ and immediately the words dissolve, and my minds starts spawning images which have nothing to do with the words, so that every word I see or hear seems like a small raft bobbing about on an enormous sea of images. So I can’t write any longer. Or only when I write fast, without looking back at what I have written. For if I look back, then the words swim and have no sense and I am conscious only of me, Anna, as a pulse in a great darkness, and the words that I, Anna, write down are nothing, or like the secretions of a caterpillar that are forced out in ribbons to harden in the air.
I could have been a priest instead of a prophet. The priest has a book with the words set out. Old words, known words, words of power. Words that are always on the surface. Words for every occasion. The words work. They do what they're supposed to do; comfort and discipline. The prophet has no book. The prophet is a voice that cries in the wilderness, full of sounds that do not always set into meaning. The prophets cry out because they are troubled by demons.
Bigotry lives not just in our words, but in our actions, thoughts, and institutions.
Say something to it, he said.As I looked at the baby, I felt nothing taking shape in mind or mouth. I had no idea what the sort of things were that somebody would say to a baby. I had no idea why anyone would say anything to a baby. I held it carefully, as one would a sack of apples. And then, with him watching me, nodding encouragingly, I began to say to it, for lack of anything else to say, all the words I had ever known, in order.
Now we were standing around holding hands and not much was going on. I began to think of words I had known, just for fun, to fill up the blank space in my head. Couch, I thought. Cuisinart, I thought.The words felt different right now than they had before. They meant a little less, held a little less, but seemed somehow fuller: I had never really noticed how much sound there was in a word. The way it filled your mouth up with emptiness, a sort of loosened emptiness that you could tongue, an emptiness you could suck on like a stone. Stomach, I thought. Variety, I thought. Expectation. Intimation. Infiltration. Infiltration: I tongued that one further. I knew it had a hostile aspect, like someone breaking into your house or posing as someone you should trust. But it also had a lovely sound, a kind of tapered point and a gently ruffled edge, and as I repeated it over and over in my mouth it took on a really great flavor and I thought of water filtering in and out of a piece of fabric, back and forth, moving between, soaking it and washing out, soaking in and taking with it pale tremors of color, memory, resistance, all that stuff, until I felt like one of those pieces of cloth on the television commercials that got washed with the name-brand cleanser and is now not only white, but silky and mountain-scented.
I love your loins, that's all,' Rachel says quietly. 'And now I love the word itself, and how words change, I love that too. And all the parts of you, I love them. That's all. And I'm not sad,' she whispers, gasping a little at the shock of her own tears, hot and extravagant, tears that catch the light in her lashes before they drop and roll across Zach's thighs, sparkling capsules, kaleidoscopic, the flow dynamic.
TO VICTOR HUGO OF MY CROW PLUTO “Even when the bird is walking we know that it has wings.”—VICTOR HUGO Of: my crow Pluto, the true Plato, azzurronegro green-blue rainbow— Victor Hugo, it is true we know that the crow “has wings,” however pigeon-toe- inturned on grass. We do. (adagio) Vivorosso “corvo,” although con dizionario io parlo Italiano— this pseudo Esperanto which, savio ucello you speak too— my vow and motto (botto e totto) io giuro è questo credo: lucro è peso morto. And so dear crow— gioièllo mio— I have to let you go; a bel bosco generoso, tuttuto vagabondo, serafino uvaceo Sunto, oltremarino verecondo Plato, a
TO A GIRAFFE If it is unpermissible, in fact fatal to be personal and undesirable to be literal—detrimental as well if the eye is not innocent-does it mean that one can live only on top leaves that are small reachable only by a beast that is tall?— of which the giraffe is the best example— the unconversational animal. When plagued by the psychological, a creature can be unbearable that could have been irresistible; or to be exact, exceptional since less conversational than some emotionally-tied-in-knots animal. After all consolations of the metaphysical can be profound. In Homer, existence is flawed; transcendence, conditional; “the journey from sin to redemption, perpetual.
ROSEMARY Beauty and Beauty’s son and rosemary— Venus and Love, her son, to speak plainly— born of the sea supposedly, at Christmas each, in company, braids a garland of festivity. Not always rosemary— since the flight to Egypt, blooming differently. With lancelike leaf, green but silver underneath, its flowers—white originally— turned blue. The herb of memory, imitating the blue robe of Mary, is not too legendary to flower both as symbol and as pungency. Springing from stones beside the sea, the height of Christ when thirty-three— it feeds on dew and to the bee “hath a dumb language”; is in reality a kind of Christmas-tree.
Curses. Jesus. It took all kinds. There wasn't anything to a curse but words. Just like blessings and prayers and all the rest of it. People used words to try to change what they should be changing with their own two hands. And if the problem was too big to fix, no words called up into the air would make a lick of difference.
In the days of Prismatic Colornot in the days of Adam and Eve, but when Adam was alone; when there was no smoke and color was fine, not with the refinement of early civilization art, but because of its originality; with nothing to modify it but the mist that went up, obliqueness was a variation of the perpendicular, plain to see and to account for: it is no longer that; nor did the blue-red-yellow band of incandescence that was color keep its stripe
Words, Natasha thinks, should behave more like units of measure. A meter is a meter is a meter. Words shouldn't be allowed to change meanings. Who decides that the meaning has changed, and when? Is there an in-between time when the word means both things? Or a time when the word doesn't mean anything at all?
Do not give much of your fears to the knife that cuts to bring out blood. Instead, fear the unseen knife that cuts deeper than the knife you see! The unseen knife that inflicts pain in the heart and leaves its indelible footprints on our minds! The unseen knife that is sharper enough to either unite or make all things fall apart. Fear this knife: words! It can make or mar you greatly or badly!
Christmas is conceptualized with solidarity. That's nice! But let us at least be aware that it does not solve the problem. However, doing your part, it's a start. It does not have to be material help, start with a sincere and cozy hug in your loved ones.A gesture, worth more than thousand words!
Many words and expressions which only a matter of decades ago were considered so distastefully explicit that, were they merely to be breathed in public, the perpetrator would be shunned, barred from polite society, and in some extreme cases shot through the lungs, are now thought to be very healthy and proper, and their use in everyday speech and writing is seen as evidence of a well-adjusted, relaxed and totally un****ed-up personality
I don't have kids or even that many friends, but if I did, I'd want my lasting impression on them to be this: Every life matters, but never one more than another. Sometimes silence holds more meaning than words. And love ... it's infinitely impossible to define, but unequivocally, without any doubt, the reason we are here.
Sleeping in the simple small cottage rather than hotels... and under the billion stars is one of the breathtaking experience... pause, breath, nothingness moment is what gives meaning to my busy existence, that life is felt in silence, in that moment when what you see before you can no longer be conveyed with words...
Seek not the favours of menFor man is fickleHis favours come at a priceAnd always changeChoose carefully your friendsFor a friend today could be a foe tomorrowFor such is the way of the worldTest your friends and if they pass the musterKeep them close to youFor they will be shield to you and you themKhoiSan Book of Wisdom
Why must we be so restricted by language, these ruined tongues! These twenty-six letters- how can that explain this agony? How could we ever endeavor to prove what we are here for- through such combinations? Death is just a word someone invented for what happens at the end of a person’s life. It’s only a word: if there was no word for it we wouldn’t be so worried!
That (labyrinth)...became a world whose rules I lived by, and I understood the moral of mazes: sometimes you have to turn your back on your goal to get there, sometimes you're farthest away when you're closest, sometimes the only way is the long one. After that careful walking and looking down, the stillness was deeply moving...It was breathtaking to realize that in the labyrinth, metaphors and meanings could be conveyed spatially. That when you seem farthest from your destination is when you suddenly arrive is a very pat truth in words, but a profound one to find with your feet.
Normally, words are sentfrom the brain towards the mouth, and somewhere along the line you take a moment to checkthem, see that they are actually the ones you ordered and that they’re nicely wrapped, beforeyou bundle them on their way towards your palate and out into the fresh air.But when you’re caught up in the flow of things, the checking part of your mind can falldown on the job.
An addition that takes time to depart, and sometimes, never leaves at all. A smell, a touch, thoughts, moments, feelings, movements, words left unsaid, words barely spoken; they all have a distinct sense, distinct fragrances! .... A pungent of cinnamon, an aroma of a rose, a summer breeze, a sweet smile like a per-fume that lingers on and on... endlessly.
And the people who would burn the words, the people who would take the books from the shelves, the firemen and the ignorant, the ones afraid of tales and words and dreams and Hallowe'en and people who have tattooed themselves with stories and Boys! You Can Grow Mushrooms in Your Cellar! and as long as your words which are people which are days which are my life, as long as your words survive, then you lived and you mattered and you changed the world and I cannot remember your name.I learned your books. Burned them into my mind. In case the firemen come to town.
It is only too evident that the invisible agitations of the kingdoms within us are arbitrarily set on foot by the thoughts we shelter. Our myriad intuitions are the veiled queens who steer our course through life, though we have no words in which to speak of them. How strangely do we diminish a thing as soon as we try to express it in words!
Words are not cubicles for truth telling. Words do not allow us to touch the face of God or define the contours of the soul. Words are imprecise and cannot capture all aspects of reality or replicate all facets of a person’s emotional mélange. Language allows for limited explorations of reality and minimal probing of the human mind. I accept that the only possible relation between language and the world is the image displayed in each person’s head by the picture invoking ability of language. Select word pictures might accurately portray what I perceive and still be vague, blatantly inaccurate, completely meaningless, misleading, distorted, or incomprehensible in other persons’ minds.
The man who writes has an oppressive and unhappy fate. This is because the nature of his work obliges him to use words; that is, to convert his inner surge into immobility. Every word is an adamantine shell which encloses a great explosive force. To discover the meaning you must let it burst inside you like a bomb and in this way liberate the soul which it imprisons. (Report to Greco)
Kitai blinked slowly. "Why would you use the same word for these things? That is ridiculous.""We have a lot of words like that," Tavi said. "They can mean more than one thing.""That is stupid," Kitai said. "It is difficult enough to communicate without making it more complicated with words that mean more than one thing.
To doubt the literal meaning of the words of Jesus or Moses incurs hostility from most people, but it’s just a fact that if Jesus or Moses were to appear today, unidentified, with the same message he spoke many years ago, his mental stability would be challenged. This isn’t because what Jesus or Moses said was untrue or because modern society is in error but simply because the route they chose to reveal to others has lost relevance and comprehensibility. "Heaven above" fades from meaning when space-age consciousness asks, Where is "above"? But the fact that the old routes have tended, because of language rigidity, to lose their everyday meaning and become almost closed doesn’t mean that the mountain is no longer there. It’s there and will be there as long as consciousness exists.
The only thing I can recall is that it rained all day and all night, and that when I asked my father whether heaven was crying, he couldn't bring himself to reply. Six years later my mother's absence remained in the air around us, a deafening silence that I had not yet learned to stifle with words.
In many a case, the phrase ‘I’d like to get to know you better’ is a euphemism for ‘I want us to fuck.
In politics no permanent friends, no permanent enemies but permanent interest.
That's very important about stories. They touch something that is human in us and is probably unchanging. Perhaps this is why the important knowledge is passed through stories. It's what holds a culture together. Culture has a story, and every person in it participates in that story. They world is made up of stories; it's not made up of facts.
Mr. Treadstone believed that there was always an apposite word. The English language, after all, was the richest in the world. If you couldn’t find the apposite word, if you found your language slipping into the mire of vagueness and obscurity, this meant that you needed to work on your vocabulary. Because the apposite word certainly existed – and it was very eager to make your acquaintance.
What do you understand under positive??I understand a gentle move of a ball against the wall and it comes slow... so in other words slow it will happen what you will do in positive... The negative works fast it's fast and mad throwing the ball against the wall it will come fast. (That's how it works as for me!)
In that moment, I realized that no matter what words I chose and no matter how much time I spent in telling, I would never be able to express my full experience...There are some experiences that only you can enter, that only you can truly hold. They are too vast to be imparted. You cannot even hold them wholly in your arms: they spill over into the dark beyond you, brimming, shooting out in ropes of light that make you ache with loneliness and yet yoke you to the world at the same time, because the vast things that have happened to you, however terrible, were always born out of the world, and so perhaps they offer you a place even as they push you out of another, even as they weigh you down with a self that can never fully be conveyed. Though most of us will try. We make bonds, we grow trust, we tell stories; we strive to articulate what it took to become who we are. Sometimes if we're very fortunate, our listeners can catch authentic glimpses of what we mean to say, like sparks in a dark room, but never the whole of it at once, not even with the best of friends or closest lover, because the whole of it at once is beyond speaking. It lives nowhere, absolutely nowhere, except inside your skin. That's where it flares, enormous, hazardous, utterly yours.
When you understand silence, you understand words; when you understand words, you understand silence. When you think of silence, you think of words. Until you mistakenly utter bad words, you shall never appreciate the real essence of silence that can speak better at the most tempting moment. Until you miss the opportunity when you should have spoken whilst you kept silent, you shall never value the real value and the timing of words. A good orator knows the right time and timing to blend words and silence in oration. A good orator is good because of words and silence.
So blue is a name?''It is a word. Words are pale shadows of forgotten names. As humans have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest of hearts. There are seven words that will make a person love you. There are ten words tat will break a strong man's will. But a word is nothing but a painting of a fire. A name is te fire itself.'My head was swimming at this point. 'I still don't understand.'He laid a hand on my shoulder. 'Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating.' He lifted his hands high above his head as if stretching for the sky. 'But there are other ways of understanding!' he shouted, laughing like a child. He threw both arms to the cloudless arch of sky above us, still lauging. 'Look!' he shouted tilting his head back. 'Blue! Blue! Blue!
I try to think of things to say but nothing comes, and if something did come I probably couldn't say it. This is my great obstacle, the biggest of all the boulders littering my path. In my mind I am eloquent; I can climb intricate scaffolds of words to reach the highest cathedral ceilings and paint my thoughts. But when I open my mouth, it all collapses.
My mother's journals are a shadow play with mine. I am a woman wedded to words. Words cast a shadow. Without a shadow there is no depth. Without a shadow there is no substance. If we have no shadow, it means we are invisible. As long as I have a shadow, I am alive.
I like to think of books as lovers; you have to introduce yourself slowly to them, read them one page at a time. Notice them, appreciate them. Respect what they're trying to tell you, let their words caress you, then sink into you, and finally, become a part of you.
I choose to choose few words each day. Yes! few words that count. Few words that can make impact. Few words that talk much. Few words that can make people ponder to wonder. Few words that are indelible. Few words that can leave distinctive footprints on minds. Though we may fail to mind our words, we shall never fail to mind the works of our words.
Be the voice of night and Florida in my ear.Use dusky words and dusky images.Darken your speech.Speak, even, as if I did not hear you speaking,But spoke for you perfectly in my thoughts,Conceiving words,As the night conceives the sea-sounds in silence,And out of their droning sibilants makesA serenade.
The path you create for yourself is the mark you leave behind when you’re gone from this world. All beauty and angst is stopped by the grave. But your words, your laughter, your faith, and spirit, refuse to die with you. They remain in the hearts and minds of those you touched.
I have written all the 406 pages of my book in Swahili words. Even the countries are in Swahili. Instead of 'Nigeria', for example, I have written 'Nijeria'. That is how it is written in the Swahili dictionary. This can seem as a minor detail and that people may find my mission close to ridiculous! However, single letters and commas matter.
I am not sad anymore. I am not weak or tender or quiet like you remember because the second you said those words and closed that door, I sold my soul to the part of myself I had buried in order to love you, to let you touch every inch of my rotten body, for I wanted to be touchable and not so strange. Not so sad and tender, like I’ve always been, they say, so I changed. And then your glances and words throwing knives with no return about my change of habits and ways of living, being, and I nodded and smiled, dying silently a little bit inside.
It is true that words drop away, and that the important things are often left unsaid. The important things are learned in faces, in gestures, not in our locked tongues. The true things are too big or too small, or in any case is always the wrong size to fit in the template called language.
...people would tell you much more than you expected to if you were generically presentable and left silence next to them like a friendly stranger; it was like they were waiting for some friendly silence so they could fill it with words; and words were useful, words were hints and intimations, words were fingers pointed in certain directions, if you listened carefully..
When she thought of the letter beit, it was not of the thickness of lines or the exactitude of spaces. It was of mysteries: the number two, the dual; the house, the house of God on earth. 'They will build me a temple and I will dwell in them.' In them, not in it. He would dwell within her. She would be the house of God. The house of transcendence. Just a single, tiny letter, and in it, such a path to joy.
Cristofer did not write because he feared forgetting something. He never forgot anything, even when he reached old age. For Cristofer, the written word seemed to regulate the world. Stop its fluctuations. Prevent notions from eroding. This is why Cristofer's sphere of interest was so broad. According to the writer's thinking, that sphere should correspond to the world's breadth. Cristofer usually left his writings in the places where he had made them: on the bench, on the stove, on the woodpile. He did not pick them up when the fell to the floor: he vaguely anticipated their discovery, much later, in a cultural stratum. Cristofer understood that the written word would always remain that way. No matter what happened later, once it had been written, the word had already occurred.
O, let my books be then the eloquenceAnd dumb presagers of my speaking breast;Who plead for love, and look for recompense,More than that tongue that more hath more express'd.O, learn to read what silent love hath writ:To hear with eyes belongs to love's fine wit.
The room was filled with smoke, dry worn-out smoke retaining in it like a web the insectile cadavers of dry husks of words which had been spoken and should be gone, the breaths exhaled not to be breathed again. But the words went on, and in those brief interruptions between cigarettes the exhalations were rebreathed.
There are days when everything I see seems to me charged with meaning: messages it would be difficult for me to communicate to others, define, translate into words, but which for this very reason appear to me decisive. They are announcements or presages that concern me and the world at once: for my part, not only the external events of my existence but also what happens inside, in the depths of me; and for the world, not some particular event but the general way of being of all things.
Yes, and words are not deeds, Solanka allowed, moving off fretfully. Though words can become deeds. If said in the right place and at the right time, they can move mountains and change the world. Also, uh-huh, not knowing what you're doing - separating deeds from the words that define them - was apparently becoming an acceptable excuse. To say "I didn't mean it" was to erase meaning from your misdeeds, at least in the opinion of the Beloved ALis of the world. Could that be so? Obviously, no. No, it simply could not. Many people would say that even a genuine act of repentance could not atone for a crime, much less this unexplained blankness - an infinitely lesser excuse, a mere assertion of ignorance that wouldn't even register on any scale of regret.
As he lay there, fragments of past states of emotion, fugitive felicities of thought and sensation, rose and floated on the surface of his thoughts. It was one of those moments when the accumulated impressions of life converge on heart and brain, elucidating, enlacing each other, in a mysterious confusion of beauty. He had had glimpses of such a state before, of such mergings of the personal with the general life that one felt one's self a mere wave on the wild stream of being, yet thrilled with a sharper sense of individuality than can be known within the mere bounds of the actual. But now he knew the sensation in its fulness, and with it came the releasing power of language. Words were flashing like brilliant birds through the boughs overhead; he had but to wave his magic wand to have them flutter down to him. Only they were so beautiful up there, weaving their fantastic flights against the blue, that it was pleasanter, for the moment, to watch them and let the wand lie.
It’s weird how much things can change in only a few minutes. With those three words, “I don’t remember,” our entire futures were changed. Not just for me and Brooklyn, but for the little girl, and Denver, and Jenna and Blaze and – darn, I’m getting ahead of myself again. So much for trying to be dramatic.
There’s a word for the first blush of youthful love free of desire. For longing to be with someone so much you would rather throw yourself to the tides than be without them. For the stale but steady relationship between faithful members of an arranged marriage. For how to feel about someone you thought was everything but ended up never feeling the same way about you. For the poison left over when you love someone and it ends so badly you cannot release the feelings. For the love between a mother and her children, a father and his children, a grandmother and her progeny, the love between two dear friends, the love that is the first building block of a lifelong affair. There’s even a word for a love so devastating nothing before or after is ever seen the same.
Anything you say at this point cannot be trusted. You know I am well and truly angry, so you are in the grip of fear. This means I cannot trust any word you say, as it comes from fear. You are clever, and charming, and a liar. I know you can bend the world with your words. So I will not listen.
Keep this in mind: it is our religion to praise life. The word "life” is the king of words. The kingword surrounded by other grand words. The word "adventure”! The word "future”! And the word "hope”! By the way, do you know the code name for the atomic bomb they dropped on Hiroshima? "Little Boy”! That's a genius, the fellow who invented that code! They couldn't have dreamed up a better one. Little boy, kid, tyke, tot - there's no word that's more tender, more touching, more loaded with future.
... but I could also write about love. How a hand can silence thousands of voices and how someone’s smell can make you feel at home even though you’re a million miles away fromhomeand have you ever hurt someone you love? Because you’re angry. Because you’re disappointed and sad and you just really wanted to love and be loved in returnbut life got in the way and you both said things that should never be said and you’re angry but don’t know how to. Because you still feel this strange love for him, but you’re also fucking angry and you want to hit him, but then hug him because hurting him is hurting yourself, and then hit him again because you’re angry! and so you fall on your knees because you’re hopeless to yourself and your own emotionsand that’s love, my friend.
But without a reader, a story is only half complete. It's like blueprints that never get built; like a swimming pool without water. The foundation's there, but it's useless. Without a reader, the words just sit on the page, waiting to come alive in someone's imagination.
The word is only a representation of the meaning; even at its best, writing almost always falls short of full meaning. Given that, why in God's name would you want to make things words by choosing a word which is only cousin to the one you really wanted to use?
With words one man can make another blessed, or drive him to despair; by words the teacher transfers his knowledge to the pupil; by words the speaker sweeps his audience with him and determines its judgments and decisions. Words call forth effects and are the universal means of influencing human beings.
When a language dies, so much more than words are lost. Language is the dwelling place of ideas that do not exist anywhere else. It is a prism through which to see the world. Tom says that even words as basic as numbers are imbued with layers of meaning. The numbers we use to count plants in the sweetgrass meadow also recall the Creation Story. Én:ska—one. This word invokes the fall of Skywoman from the world above. All alone, én:ska, she fell toward the earth. But she was not alone, for in her womb a second life was growing. Tékeni—there were two. Skywoman gave birth to a daughter, who bore twin sons and so then there were three— áhsen. Every time the Haudenosaunee count to three in their own language, they reaffirm their bond to Creation.
Philosophers call this state of isolation and disconnection “species loneliness”—a deep, unnamed sadness stemming from estrangement from the rest of Creation, from the loss of relationship. As our human dominance of the world has grown, we have become more isolated, more lonely when we can no longer call out to our neighbors. It’s no wonder that naming was the first job the Creator gave Nanabozho.
Swept away with the idea, he said it felt like an awakening to him. More like a remembering, I think. The animacy of the world is something we already know, but the language of animacy teeters on extinction—not just for Native peoples, but for everyone. Our toddlers speak of plants and animals as if they were people, extending to them self and intention and compassion—until we teach them not to. We quickly retrain them and make them forget. When we tell them that the tree is not a who, but an it, we make that maple an object; we put a barrier between us, absolving ourselves of moral responsibility and opening the door to exploitation.
We Americans are reluctant to learn a foreign language of our own species, let alone another species. But imagine the possibilities. Imagine the access we would have to different perspectives, the things we might see through other eyes, the wisdom that surrounds us. We don’t have to figure out everything by ourselves: there are intelligences other than our own, teachers all around us. Imagine how much less lonely the world would be.
He knew, while he spoke, that it was useless, because his words sounded as if they were hitting a vacuum. There was no such person as Mrs. Wayne Wilmot; there was only a shell containing the opinions of her friends, the picture postcards she had seen, the novels of country squires she had read; it was this that he had to address, this immateriality which could not hear him or answer, deaf and impersonal like a wad of cotton.
Truly edifying words are words that reveal the character and the promises and the activity of God. They're cross-centered words. They're words rooted in and derived from Scripture, words that identify the active presence of God, and words that communicate the evidences of grace that you observe in others. They're words that flow from a humble heart.
A bay is a noun only if water is dead. When bay is a noun, it is defined by humans, trapped between its shores and contained by the word. But the verb wiikwegamaa—to be a bay—releases the water from bondage and lets it live. “To be a bay” holds the wonder that, for this moment, the living water has decided to shelter itself between these shores, conversing with cedar roots and a flock of baby mergansers. Because it could do otherwise—become a stream or an ocean or a waterfall, and there are verbs for that, too. To be a hill, to be a sandy beach, to be a Saturday, all are possible verbs in a world where everything is alive. Water, land, and even a day, the language a mirror for seeing the animacy of the world, the life that pulses through all things, through pines and nuthatches and mushrooms. This is the language I hear in the woods; this is the language that lets us speak of what wells up all around us.[…]This is the grammar of animacy.
The more deeper you think, the more silent you become. You understand the reasons behind the reason. It may not necessarily mean you are short of words. You however know what ignorance can trigger and how to deal with ignorance and purpose. The timeliness of your word is surely on point.
Writing's much more romantic when its pen and ink and paper. It's... More timeless. and worthwhile. Think about it. There are so many words gushing out into the universe these days. All digitally. All in Comic Sans or Times New Roman. Silly Websites. Stupid news stories digitally uploaded to a 24-hour channel. Where's all this writing going? Who's keeping a note of it all? Who's in charge of deciding what's worthwhile and what isn't? But back then... Back then, if someone wanted to write something they had to buy paper. Buy it! And ink. And a pen. And they couldn't waste too many sheets cos it was expensive. So when people wrote, they wrote because it was worthwhile... not just because they had some half-baked idea and they wanted to pointlessly prove their existence by sharing it on some bloody social networking site.
The word is always a word for others. Words need to be heard. When we give words to what we are living, these words need to be received and responded to. A speaker needs a listener. A writer needs a reader.When the flesh – the lived human experience – becomes word, communitycan develop. When we say, 'Let me tell you what we saw. Come and listento what we did. Sit down and let me explain to you what happened to us.Wait until you hear whom we met,' we call people together and make ourlives into lives for others. The word brings us together and calls usinto community. When the flesh becomes word, our bodies become part ofa body of people.
But only a fool claims there is no such thing as love. When you see two young ones taring at each other with dewy eyes, there it is. So thick you can spread it on your brread and eat it. When you see a mother with her child, you see love. When you feel it roil in your belly, you know what it is. Even if you cannot give voice to it in words.
The moon was up now and the trees were dark against it, and he passed the frame houses with their narrow yards, light coming from the shuttered windows; the unpaved alleys, with their double rows of houses; Conch town, where all was starched, well-shuttered, virtue, failure, grit and boiled grunts, under-nourishment, prejudice, righteousness, inter-breeding and the comforts of religion; the open-doored, lighted Cuban boilto houses, shacks whose only romance was their names
The more deeper you think, the more silence you become. You understand the reasons behind the reason. It may not necessarily mean you are short of words. You however know what ignorance can trigger and how to deal with ignorance and purpose. The timeliness of your word is surely on point
Thoreau and Huxley calmly state what I have spent years trying to articulate, and never found the words for doing so. To read the words of these great men is to read the highest expression of my very self which is inexpressible due to the shortcomings of my particular nature.
Quotes tell a story. A stringing together of a few words can leave you with an idea that changes the course of your life, and can direct you toward reaching your highest potential as a human. The story they tell is derived from the experience which inspired them, and it is our sharing that experience that allows for the quote to resonate so deeply within our being.
Intentionally, or unintentionally, Kat had spoken with her eyes; tenderly and lovingly conveying a message to Freya that her tongue wouldn't let her speak. It was glaringly obvious they both felt it. The words were not important. The pauses, gazes, and drawn out breaths were what mattered.
Heart beats are marching like thousands of drums,Birds find their flight, thrown out of nest,We win some battles, then we lose some,Truth is no more than illusion at best.What has been said under veil of the night,Under the veil it will ever remain,But may it ever be in my right,I know i have never said it in vain.
Never trust the translation or interpretation of something without first trusting its interpreter. One word absent from a sentence can drastically change the true intended meaning of the entire sentence. For instance, if the word love is intentionally or accidentally replaced with hate in a sentence, its effect could trigger a war or false dogma.
Can we only speak when we are fully living what we are saying? If all our words had to cover all our actions, we would be doomed to permanent silence! Sometimes we are called to proclaim God’s love even when we are not yet fully able to live it. Does that mean we are hypocrites? Only when our own words no longer call us to conversion. Nobody completely lives up to his or her own ideals and visions. But by proclaiming our ideals and visions with great conviction and great humility, we may gradually grow into the truth we speak. As long as we know that our lives always will speak louder than our words, we can trust that our words will remain humble.
The most important legacy you will ever leave is your vision planted in the minds of your disciples and a passion as strong as a storm in their hearts.
Words are harsh mistresses, to be sure. Like petulant divas, they want only those parts that play to their talents and mask their blemishes, and only when complete companies of players who love their parts are assembled will they sing in harmony. I am your director for this stage production and will employ my best wiles to create a performance both truthful, and beautiful. I know that words are tricksters who show one face to you and another to me, so I am never certain you’ll hear in your head what I hear in my head. Since I deliver even this little truth with words, I acknowledge the irony.
Half of me is filled with bursting words and half of me is painfully shy. I crave solitude yet also crave people. I want to pour life and love into everything yet also nurture my self-care and go gently. I want to live within the rush of primal, intuitive decision, yet also wish to sit and contemplate. This is the messiness of life - that we all carry multitudes, so must sit with the shifts. We are complicated creatures, and ultimately, the balance comes from this understanding. Be water. Flowing, flexible and soft. Subtly powerful and open. Wild and serene. Able to accept all changes, yet still led by the pull of steady tides. It is enough.
I read everything in that dusty little library. I read the prologues and the epilogues until I could tell you how many times Stephen King thanked his wife, Tabitha. I could tell you how the Columbia Indians made their long-houses, or how to make a solar toilet, or how to dry bear meat in the sun. I could tell you all of this if I could talk, but instead the words stayed inside of me and marveled. This I could accept, or so I told myself for a long time. Because the words were there, and they carried me to another place.
Some things should never be said. Not out loud in clear, simple words. You talk around them. You leave gaps and blanks. You use other words and talk in curves and arcs for the worst things because you need to keep them like mist. Words are dangerous. Like a spell, if you name the mist, call out all of the words that describe it sharp and clear, you turn it solid, into something that no one should ever hold in their hands. Better that it stays like water, slipping between your fingers.
We say no more on the matter and she asks me to help her find a word, an adjective to qualify something that falls on mankind, although not necessarily something of a meteorological nature, like rain, but a word associated with the apocalypse of the human soul and heart, but not in any direct way, more indirectly, like rain in the soul and nature oozing tears, she explains to me. Something like the smell of a birch tree in the rain, just one word. The obstetrician claims that no word could encompass that much, no single word could ever be that big.
Kipster is a perfectly valid word,” Wendy argued, about to write down her score on the little notepad that had come with the game. “Okay, so what does it mean?” Mandy wanted to know. Wendy struggled to come up with an answer, and finally just changed the subject with school gossip. Mandy found herself just ignoring it… it always sounded the same, the same events, same rumors, same secrets, same affairs, but never anything of interest to her.“Well Sarah’s on drugs again and that’s why she did it in Mario’s backseat, but now she might be pregnant, oh, and that messed-up Seth kid’s been cutting himself again so he was sent away to Halifax last week, and there’s a festival in Wolfville but Kathy won’t go because Audrey-Rose is going to be there and they hate each other, and….”Mandy had learned two years ago to detach herself from gossip; she’d learned it from Jud’s death. Wendy may have been eighteen years old but she could be immature on the best of days.
Be less generous with your advice: live it instead. It is a bad situation when someone with a coughing fit attempts to sell a cough mixture. After all, action speaks far louder than words; living the example is the best advice you can ever give. Only examples have children.
It is more blessed to give than to receive”, the Bible advocates. When it comes to advice, I humbly submit that it is more blessed to avail yourself of it, utilise it, apply it yourself, before you give it. Put it to use first before suggesting it to someone else.
You don't realize how language actually interferes with communication until you don't have it, how it gets in the way like an overdominant sense. You have to pay much more attention to everything else when you can't understand the words. Once comprehension comes, so much else falls away. You then rely on their words, and words aren't always the most reliable thing.
When you don’t cover up the world with words and labels, a sense of the miraculous returns to your life that was lost a long time ago when humanity, instead of using thought, became possessed by thought. A depth returns to your life. Things regain their newness, their freshness. And the greatest miracle is the experiencing of your essential self as prior to any words, thoughts, mental labels and images.
For a long time, she sat and saw.She had seen her brother die with one eye open, on still in a dream. She had said goodbye to her mother and imagined her lonely wait for a train back home to oblivion. A woman of wire had laid herself down, her scream traveling the street, till it fell sideways like a rolling coin starved of momentum. A young man was hung by a rope made of Stalingrad snow. She had watched a bomber pilot die in a metal case. She had seen a Jewish man who had twice given her the most beautiful pages of her life marched to a concentration camp. And at the center of all of it, she saw the Fuhrer shouting his words and passing them around.Those images were the world, and it stewed in her as she sat with the lovely books and their manicured titles. It brewed in her as she eyed the pages full to the brims of their bellies with paragraphs and words.
Sometimes I go to the beach and stand facing the wind, which I wish were icy, colder than we know it in these parts. I wish it would blow all the hackneyed words, all the insipid habits of language out of me so that I could come back with a cleansed mind, cleansed of the banalities of the same talk.
I often feel an aversion, even disgust at the same words written and spoken over and over – at the same expressions, phrases, and metaphors repeated. And the worst is, when I listen to myself I have to admit that I too endlessly repeat the same things. They’re so horribly frayed and threadbare, these words, worn out by constant overuse. Do they still have any meaning?
We want words to do more than they can. We try to do with them what comes to very much like trying to mend a watch with a pickaxe or to paint a miniature with a mop; we expect them to help us to grip and dissect that which in ultimate essence is as ungrippable as shadow. Nevertheless there they are; we have got to live with them, and the wise course is to treat them as we do our neighbours, and make the best and not the worst of them.
I belong to clever words and bedtime storieseven a good riddle or twoI belong to the sound of musicand dance to my own rhythmI belong to the sunlight on a chilly autumn daywhen the world awaits a new beginningI belong by the shore under a star-filled skywith the ocean caressing my feetI belong everywhere.And anyway I please.
This is what is called speaking. I believe that is the term. When words come out, fly into the air, live for a moment, and die. Strange, is it not? I myself have no opinion. No and no again. But still, there are words you will need to have. There are many of them. Many millions, I think. Perhaps only three or four. Excuse me. But I am doing well today. So much better than usual. If I can give you the words you need to have, it will be a great victory. Thank you. Thank you a million times over.
I wanted to tell the book thief many things, about beauty and brutality. But what couldI tell her about those things that she didn't already know? I wanted to explain that I am constantly overestimating and underestimating the human race - that rarely do I ever simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant.None of those things, however, came out of my mouth.All I was able to do was turn to Liesel Meminger and tell her the only truth I truly know. I said it to the book thief and I say it now to you.I am haunted by humans.
It's funny how that works. Sometimes not speaking says more than all the words in the world. Sometimes my silence is saying, I don't know how to speak to you. I don't know what you're thinking. Talk to me. Tell me everything you've ever said. All the words. Starting from your very first one.
Jackson," he mused. "Not a name either one of you was born to."Lizzie answered, "No. But beyond a certain point, names become accessories. We swap them out as needed, for the sake of peace. You understand?""I understand. Though I disagree. Names aren't hats to change a look, or a suit to be swapped at a whim. Words mean things.""Then we must agree to disagree.
Music had stirred him like that. Music had troubled him many times. But music was not articulate. It was not a new world, but rather an other chaos, that it created in us. Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?
Words, then, are born of worlds. But they also take us places we can’t go: Constantinople and Mars, Valhalla, the Planet of the Apes. Language comes from what we’ve seen, touched, loved, lost. And it uses knowable things to give us glimpses of what’s not. The Word, after all, is God.
Words don’t always work. Sometimes they come up short. Conversations can lead to conflict. There are failures of diplomacy. Some differences, for all the talk in the world, remain irreconcilable. People make empty promises, go back on their word, say things they don’t believe. But connection, with ourselves and others, is the only way we can live.
Language may have limits. But it isn’t just a dim likeness in a mirror. Yes, gestures, glances, touches, taps on walls mean something. So do silences. But sometimes the word is the thing. The bridge. Sometimes we only know what we feel once it’s been said. Words may be daughters of the earth instead of heaven. But they’re not dim. And even in the faintest shimmer, there is light.
The weakest link in any chain of security is not the technology itself, but the person operating it; iron gates have no compassion to appeal to, nor fears to exploit, nor insecurities to use to one’s advantage. They are, however, operated by us – by beings of unlimited vulnerability and limited energy. Why waste time brute-forcing what can be easily circumvented by a clever façade and a crimson tongue?
Perhaps then one reason why we have no great poet, novelist or critic writing today is that we refuse to allow words their liberty. We pin them down to one meaning, their useful meaning: the meaning which makes us catch the train, the meaning which makes us pass the examination.
With hand gestures, you can fill in a lot of gaps, and the words thing and stuff and -ness also help: patientness instead of patience, fastness instead of speed, honestness instead of honesty. With these choices, many words can be indicated, and pointing or gesticulating usually works.
Good communication has just a little to do with eloquence. It's character that makes it more successful. Harsh words nicely articulated are sharp enough to kill your brand!
We see then how far the monuments of wit and learning are more durable than the monuments of power, or of the hands. For have not some books continued twenty-five hundred years or more, without the loss of a syllable or letter; during which time infinite palaces, temples, castles, and cities have been decayed and demolished?
When the person you love can't see your love for them beneath the painful things you say when they reject you, remember this: Love is blind.
Words alone can effect great good as well as evil. A few apt words have swept candidates into office, ended as well as started wars, paved the way for peace and carried with them both hope as well as despair. Words alone have ruined lives, but have also brought forth healing. It is well known the harm words can cause, but the good they can bring is equally impressive.
How can we know something that surpasses or is beyond knowledge? How can we know something that is beyond words?... We can and do use words to point to all of our human experiences. However, the experience of "God as Agape" is beyond words, beyond the limitations of our minds.
To animals they were just the weather, just part of everything. But humans arose and gave them names, just as people filled the starry sky with heroes and monsters, because this turned them into stories. And humans loved stories, because once you'd turned things into stories, you could change the stories.
Our words are often only vague, inadequate descriptions of our thoughts. Something gets lost in translation every time we try to express our thoughts in words. And when the other person hears our words, something gets lost in translation again, because words mean different things to different people. "A long time" may mean 10 hours to one person, but 10 days to another. So when a thought is formed in my brain, and my mouth expresses it in words, and your ears hear it, and your brain processes it, your brain and my brain never truly see exactly the same thing. Communication is always just an approximation.
Just let the words fly from your lips and your pen. Give them rhythm and depth and height and silliness. Give them filth and form and noble stupidity. Words are free and all words, light and frothy, firm and sculpted as they may be, bear the history of their passage from lip to lip over thousands of years. How they feel to us now tells us whole stories of our ancestors.
'You can't stop me. Your word voodoo, it doesn't work on me. Right? So how do you think you're going to-' Eliot produced a pistol. He didn't seem to pull it from anywhere. He just suddenly had it. Wil's eyes stung. 'See?' Eliot put away the gun. 'There are all kinds of persuasion.'
A person’s words reflect the image of his character and the amount of truth and lies in it is always visible to the human heart than ordinary eyes.
I love words. I thank you for hearing my words. I want to tell you something about words that I think is important. Words are my work, they’re my play. They’re my passion. Words are all we have really. We have thoughts, but thoughts are fluid. And, then we assign a word to a thought and we’re stuck with that word for that thought. So be careful with words. The same words that hurt can heal.
And she looked upon the mirror that was given as a gift. She hated everything about it, from the circular size of it, to the color, and the wooden frame that held it in place. But mostly, she hated looking at herself. Especially into this one that had a scratch on its glass surface, which would reflect back to her face. And as she looked, it would cut her as the words her father would often say, in telling her she was ugly.
Finally, we entered Chetaube County, my imaginary birthplace, where the names of the little winding roads and minuscule mountain communities never failed to inspire me: Yardscrabble, Big Log, Upper, Middle and Lower Pigsty, Chicken Scratch, Cooterville, Felchville, Dust Rag, Dough Bag, Uranus Ridge, Big Bottom, Hooter Holler, Quickskillet, Buck Wallow, Possum Strut ... We always say a picture speaks a thousand words, but isn’t the opposite equally true?
But isn't this a dance? Isn't all of this a dance? Isn't that what we do with words? Isn't that what we do when we talk, when we spar, when we make plans or leave them to chance? Some of it's choreographed. Some of the steps have been done for ages. And the rest--the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.
Sometimes, silence speaks louder than words. Just because it is peaceful, it doesn’t mean it is still and void, as a few may think. It is insightful, powerful and full of meaning. It is when one can’t lie to oneself. You have to learn to listen to what she is not saying. Listen to her silence. And listen to yours, too.
Focus your attention on the quality of your words, and not the quantity, because few sensible talks attracts millions of listeners more than a thousand gibberish.
I kept always two books in my pocket, one to read, one to write in. As I walked, my mind was busy fitting what I saw with appropriate words; when I sat by the roadside, I would either read or a pencil and a penny version-book would be in my hand, to note the features of the scene or commemorate some halting stanzas. Thus I lived with words.
Words written fifty years ago, a hundred years ago, a thousand years ago, can have as much of this power today as ever they had it then to come alive for us and in us and to make us more alive within ourselves. That, I suppose, is the final mystery as well as the final power of words: That not even across great distances of time and space do they ever lose their capacity for becoming incarnate. And when these words tell of virtue and nobility, when they move closer to that truth and gentleness of spirit by which we become fully human, the reading of them is sacramental; and a library is as holy a place as any temple is holy because through the words which are treasured in it the Word itself becomes flesh again and again and dwells among us and within us, full of grace and truth.Frederick Buechner, A Room Called Remember, in an essay called The Speaking and Writing of Words.
Not enough youths fighting windmills. And the old are fearful, jaded or dead. Do not ask me what to do. I am just as cowardly as you. And do not tell me it is enough to speak the truth; that it is bravery enough. Every mountain leveled to the ground, every forest burned, every man, woman, and child who lost their shanties to arsonist fires were defended to the heavens—with words.
Words are little houses, each with its cellar and garret. Common-sense lives on the ground floor, always ready to engage in "foreign commerce" on the same level as the others, as the passers-by, who are never dreamers. To go upstairs in the word house, is to withdraw, step by step; while to go down to the cellar is to dream, it is losing oneself in the distant corridors of an obscure etymology, looking for treasures that cannot be found in words. To mount and descend in the words themselves - this is a poet's life. To mount too high or descend too low, is allowed in the case of poets, who bring earth and sky together.
I remember, for instance, the first time I went to the great palace of Versailles outside Paris and how, as I wandered around among all those gardens and fountains and statues, I had a sense that the place was alive with ghosts which I was just barely able to see, that somewhere just beneath the surface of all that was going on around me at that moment, the past was going on around me too with such reality and such poignance that I had to have somebody else to tell about it if only to reassure myself that I wasn’t losing my mind. I wanted and sorely needed to name to another human being the sights that I was seeing and the thoughts and feelings they were giving rise to. I thought that in a way I could not even surely know what I was seeing physically until I could speak of it to someone else, could not come to terms with what I was feeling as either real or unreal until I could put it into words and speak those words and hear other words in response to mine. But there was nobody to speak to, as it happened, and I can still remember the frustration of it: the sense I had of something trying to be born in me that could not be born without the midwifery of expressing it; the sense, it might not be too much to say, of my self trying to be born, of a threshold I had to cross in order to move on into the next room of who I had it in me just then to become. “in the beginning was the Word,” John writes, and perhaps part of what that means is that until there is a word, there can be no beginning. Frederick Buechner, A Room Called Remember, in an essay called The Speaking and Writing of Words.
You will feel more responsible for your own words when you notice how your words can affect lives of other people. You will feel touched when you really see how your words have made their life so much better. Those are kind of words that make you known to the inhabitants of eternity.
And now the measure of my song is done: The work has reached its end; the book is mine, None shall unwrite these words: nor angry Jove, Nor war, nor fire, nor flood, Nor venomous time that eats our lives away. Then let that morning come, as come it will, When this disguise I carry shall be no more, And all the treacherous years of life undone, And yet my name shall rise to heavenly music, The deathless music of the circling stars. As long as Rome is the Eternal City These lines shall echo from the lips of men, As long as poetry speaks truth on earth, That immortality is mine to wear.
Miri took genuine comfort in studying Mathematics that day. She could sort numbers into two simple ideas: true and not true. Unlike numbers, words were rarely just one thing. They moved and changed, camouflaging and leaping out unexpectedly. Words were slippery and alive; words wrestled out of her grip and became something new. Words were dangerous.
FV: Annandale defines 'definition' as "an explanation of the signification of a term." Yet Oxford, on the other hand, defines it as "a statement of the precise meaning of a word." A small, perhaps negligible difference you might think. And neither, would you say, is necessarily more correct than the other? But now look up each of the words comprising each definition, and then the definitions of those definitions, and so on. Some still may only differ slightly, while others may differ quite a lot. Yet any discrepancy, large or small, only compounds that initial difference further and further, pushing each 'definition' farther apart. How similar are they then at the end of this process...assuming it ever would end? Could we possibly even be referring to the same word by this point? And we still haven't considered what Collins here...or Gage, or Funk and Wagnalls might have to say about it. Off on enough tangents and you're eventually led completely off track.ML: Or around in circles.FV: Precisely!ML: Oxford, though, is generally considered the authority, isn't it?FV: Well, it's certainly the biggest...the most complete. But then, that truly is your vicious circle - every word defined...every word in every definition defined...around and around in an infinite loop. Truly a book that never ends. A concise or abridged dictionary may, at least, have an out...ML: I wonder, then, what the smallest possible "complete dictionary" would be? Completely self-contained, that is, with every word in every definition accounted for. How many would that be, do you suppose? Or, I guess more importantly, which ones?FV: Well, that brings to mind another problem. You know that Russell riddle about naming numbers?
One can simply never take back the words he spoke.And when you know you unintentionally did hurt someone, instead of letting it go or keeping a distance from that person, you can actually do something to mend the broken. That's the least we can do, when circumstances never are on our side; we can stick to our words and promises even if people change and fate ruins..
I am a confused Musician who got sidetracked into this goddamn Word business for so long that I never got back to music - except maybe when I find myself oddly alone in a quiet room with only a typewriter to strum on and a yen to write a song. Who knows why? Maybe I just feel like singing - so I type.These quick electric keys are my Instrument, my harp, my RCA glass-tube microphone, and my fine soprano saxophone all at once. That is my music, for good or ill, and on some nights it will make me feel like a god. Veni, Vidi, Vici... That is when the fun starts...
The children are in love but do not know with what. They talk in gibberish, muse themselves into an indefinable pallor, and when they are completely at a loss they invent a language that maddens them. My fish. My hook. My fox. My snare. My fire. You my water. You my current. My earth. You my if. And you my but. Either. Or. My everything...my everything...They push one another, go for each other with their fists and scuffle over a counter-word that doesn't exist.
... Our language, tiger, our language: hundreds of thousands of available words, frillions of legitimate new ideas... And yet, oh, and yet, we, all of us, spend all our days saying to each other the same things time after weary time: "I love you," "Don't go in there," "Get out," "You have no right to say that," "Stop it," "Why should I," "That hurt," "Help," "Marjorie is dead.
The greatest book is one written by your pen, but not exactly from your mind.
But she went to tell the bees. She felt like an idiot doing it, but she'd promised. She remembered that it wasn't enough just to think at them: you had to say the words out loud. Bees were the messengers between this world and the other worlds, Pilar had said. Between the living and the dead. They carried the Word made air.
One of the most common platitudes we heard was that “words failed.” But words were not failing us at all. It was not true that there was no way to describe our experience. We had plenty of language to talk to each other about the horror of what was happening, and talk we did. If there was a communication problem it was that there were too many words; they were far too heavy and too specific to be inflicted upon others. If something was failing it was the functionality of routine, platitudinous language—the comforting clichés were now inapplicable and perfectly useless. We instinctively protected other people from the knowledge we possessed; we let them think that words failed, because we knew they didn’t want to be familiar with the vocabulary we used daily. We were sure they didn’t want to know what we did; we didn’t want to know it either.
... it's all words and only words, and beyond the words there's nothing... a word, which, like all the others, can only be explained by more words, but since the words we use to explain things, successfully or not, will, in turn, have to be explained, our conversation will lead nowhere, the mistaken and the true will alternate, like some kind of curse, and we'll never know what's right and what's wrong. - subhro, the mahout, Pg. 49
It is doubtful whether a supreme master of style could pack all the elements of truth that complete justice would demand into a hundred word account of what had happened in Korea during the course of several months. For language is by no means a perfect vehicle of meanings. Words, like currency, are turned over and over again, to evoke one set of images to-day, another to-morrow. There is no certainty whatever that the same word will call out exactly the same idea in the reader's mind as it did in the reporter's. Theoretically, if each fact and each relation had a name that was unique, and if everyone had agreed on the names, it would be possible to communicate without misunderstanding. In the exact sciences there is an approach to this ideal, and that is part of the reason why of all forms of world-wide cooperation, scientific inquiry is the most effective.
Family. It was just a word…Could see its letters all strung together. But it was a symbol, too. And people thought they knew what it meant…It was a thing everyone had an opinion about—that it was all you had when you didn’t have anything else, that family was there, that blood was thicker than water, whatever. But when Nailer thought about it, most of these words and ideas just seemed like good excuses for people to behave badly and get away with it. Family wasn’t more reliable than marriages or friendships…maybe less…The blood bond was nothing. It was the people that mattered. If they covered your back, and you covered theirs, then maybe that was worth calling family.
You can lead and motivate people without a certificate or title, what you need to do is to tell people a compelling secret that was only known to you.
A word is used "correctly" when the average hearer will be affected by it in the way intended. This is a psychological, not a literary, definition of "correctness". The literary definition would substitute, for the average hearer, a person of high education living a long time ago; the purpose of this definition is to make it difficult to speak or write correctly.
He taught me that language was rubbery, plastic. It wasn't, as I thought, something you just use, but something you can play with. Words were made up of little bits that could be shuffled, turned back to front, remixed. They could be tucked and folded into other words to produce unexpected things. It was like cookery, like alchemy. Language hid more than it revealed.
I'd developed an inability to demonstrate much negative emotion at all. It was another thing that made me seem like a dick - my stomach could be all oiled eels, and you would get nothing from my face and less from my words. It was a constant problem: too much control or no control at all.
It would be much better if I could only stop thinking. Thoughts are the dullest things. Duller than flesh. They stretch out and there's no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns...It goes, it goes ... and there's no end to it. It's worse than the rest because I feel responsible and have complicity in it. For example, this sort of painful rumination: I exist, I am the one who keeps it up. I.
Remembrance is acknowledging that a life was lived ...My father finally wrote out his memories for a reason. I took on a year of reading books for a reason. Because words are witness to life: they record what has happened, and they make it all real.Words create the stories that become history and become unforgettable. Even fiction portrays truth: good fiction is truth. Stories about lives remembered bring us backward while allowing us to move forward.
A librarian had found the baby sitting abandoned on the sheer edge of the world; the librarians kept her. That proved shrewd. Nepenthe had drooled on words, talked at them, and tried to eat them until she learned to take them into her eyes instead of her mouth.
Be the one whose Lord is Jesus and who takes His words as a final authority without any thought of controversy. True believers follow Jehovah, not only for what He does, but specially for who He is.
The Master doesn't try to be powerful;thus he is truly powerful.The ordinary man keeps reaching for power;thus he never has enough.The Master does nothing,yet he leaves nothing undone.The ordinary man is always ding things,yet many more are left to be done.[…]Therefore the Master concerns himselfWith the depths and not the surface,With the fruit and not the flower.[…]Teaching without words,Performing without actions:That is the Master’s way.[…]The Master arrives without leaving,Sees the light without looking,Achieves without doing a thing.[…]The Master is above the people,And no one feels oppressed.She goes ahead of the people,And no feels manipulated.The whole world is grateful to her.Because she completes with no one,No one can complete with her.
The spoken word has come to dominate many Protestant forms of worship: the words of prayers, responsive readings, Scripture, the sermon, and so forth. Yet the spoken word is perhaps the least effective way of reaching the heart; one must constantly pay attention with one’s mind. The spoken word tends to go to our heads, not our hearts.
It’s just words. How can words be dangerous?”“You have a lot to learn about the world, baby girl. Nothing is more dangerous than words.”“That’s stupid. What about a gun? A gun can kill you dead.”“Only your body,” Billy said. “It can’t kill your soul. Words can kill your soul.
That our words are, as a general rule, filled by the people to whom we address them with a meaning which those people desire from their own substance, a meaning widely different from that which we had put into the same words when we uttered them, is a fact which is perpetually demonstrated in daily life.
I will write in words of fire.I will write them on your skin.I will write about desire.Write beginnings, write of sin.You’re the book I love the best,your skin only holds my truth, you will be a palimpsest lines of age rewriting youth. You will not burn upon the pyre. Or be buried on the shelf. You’re my letter to desire: And you’ll never read yourself. I will trace each word and comma As the final dusk descends, You’re my tale of dreams and drama, Let us find out how it ends.
Today I acknowledge that I am not in position to judge what mistakes anyone is making or what lessons anyone needs to learn. I don’t know how far someone has come or when that person will have a breakthrough, I simply don’t know what other people should be doing. But when I think I do know, I clearly am not doing what I should be doing, which is taking responsibility for my own life.
We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse; we carry a museum inside our heads, each day we commemorate people of whom we have never heard. More than that, we speak volumes – our language is the language of everything we have read. Shakespeare and the Authorised Version surface in supermarkets, on buses, chatter on radio and television. I find this miraculous. I never cease to wonder at it. That words are more durable than anything, that they blow with the wind, hibernate and reawaken, shelter parasitic on the most unlikely hosts, survive and survive and survive.
Words have power, you understand? It is in the nature of our universe. Our library itself distorts time and space on quite a grand scale. Well, when the Post Office started accumulating letters, it was storing words. In fact, what was being created was what we call a 'gevaisa', a tomb of living words.
I had many things to say, I did not have the words to say them. Painfully aware of my limitations, I watched helplessly and language became an obstacle. It became clear that it would be necessary to invent a new language... I would pause at every sentence, and start over and over again. I would conjure up other verbs, other images, other silent cries. It still was not right. But what exactly was “it”? “It” was something elusive, darkly shrouded for fear of being usurped, profaned. All the dictionary had to offer seemed meager, pale, lifeless.
To be read. To be heard. To be seen. I want to be read, I want to be heard. I don't need to be seen. To write requires an ego, a belief that what you say matters. Writing also requires an aching curiosity leading you to discover, uncover, what is gnawing at your bones. Words have a weight to them. How you choose to present them and to whom is a matter of style and choice.
The pressure disappeared with the first word he put on paper. He thought--while his hand moved rapidly--what a power there was in words; later, for those who heard them, but first for the one who found them; a healing power, a solution, like the breaking of a barrier. He thought, perhaps the basic secret the scientists have not discovered, the first fount of life, is that which happens when a thought takes shape in words.
That night two lovers whispering under the lead canopy of the church were killed by their own passion. Their effusion of words, unable to escape through the Saturnian discipline of lead, so filled the spaces of the loft that the air was all driven away. The lovers suffocated, but when the sacristan opened the tiny door the words tumbled him over in their desire to be free, and were seen flying across the city in the shape of doves.
It wasn't supposed to. It was just supposed to stop you from hurting yourself.” “It helps—” “No it doesn't. It just pushes it away temporarily. Just like the booze.” “But I need—” “You need to let yourself feel. Feel it, own it. Then move on.” “You make it sound so easy.” Bitterness drips from each syllable. “It’s not. It’s the fucking hardest thing a person can do.” I smooth a damp strand out of her face and away from my mouth. “It’s the hardest fucking thing. It’s why we drink and do drugs and fight. It’s why I play music and build engines.
The savage rushing of the river seemed to be inside her head, inside her body. Even when the oarswomen, their guides, were speaking to her, she had the impression she couldn't quite hear them because of the roar. Not of the river that did indeed roar, just behind them, close to the simple shelter they'd made for her, but because of an internal roar as of the sound of a massive accumulation of words, spoken all at once, but collected over a lifetime, now trying to leave her body. As they rose to her lips, and in response to the question: Do you want to go home? she leaned over a patch of yellow grass near her elbow and threw up. All the words from decades of her life filled her throat. Words she had said or had imagined saying or had swallowed before saying to her father, dead these many years. All the words to her mother. To her husbands. Children. Lovers. The words shouted back at the television set, spreading its virus of mental confusion. Once begun, the retching went on and on. She would stop, gasping for breath, rest a minute, and be off again. Draining her body of precious fluid... Soon, exhausted, she was done. No, she had said weakly, I don't want to go home. I'll be all right now.
Where everything is words, you'd think I'd have some mastery and know my way around, but all this churning hatred, each man a verbal firing squad, immeasurable suspicions, a flood of mocking, angry talk, all of life a vicious debate, conversations in which there is nothing that cannot be said...no, I'd be better off in the jungle, I thought, where a roar's a roar and no one is hard put to miss its meaning.
I don’t know: perhaps it’s a dream, all a dream. (That would surprise me.) I’ll wake, in the silence, and never sleep again. (It will be I?) Or dream (dream again), dream of a silence, a dream silence, full of murmurs (I don’t know, that’s all words), never wake (all words, there’s nothing else).You must go on, that’s all I know.They’re going to stop, I know that well: I can feel it. They’re going to abandon me. It will be the silence, for a moment (a good few moments). Or it will be mine? The lasting one, that didn’t last, that still lasts? It will be I?You must go on.I can’t go on.You must go on.I’ll go on. You must say words, as long as there are any - until they find me, until they say me. (Strange pain, strange sin!) You must go on. Perhaps it’s done already. Perhaps they have said me already. Perhaps they have carried me to the threshold of my story, before the door that opens on my story. (That would surprise me, if it opens.)It will be I? It will be the silence, where I am? I don’t know, I’ll never know: in the silence you don’t know.You must go on.I can’t go on.I’ll go on.
We no longer have a sufficiently high estimate of ourselves when we communicate. Our true experiences are not garrulous. They could not communicate themselves if they wanted to: they lack words. We have already grown beyond whatever we have words for. In all talking there lies a grain of contempt. Speech, it seems, was devised only for the average medium, communicable. The speaker has already vulgarized himself by speaking.
The keeping of lists was for November an exercise kin to repeating of a rosary. She considered it neither obsessive nor compulsive, but a ritual, an essential ordering of the world into tall, thin jars containing perfect nouns. Enough nouns connected one to the other create a verb, and verbs had created everything, had skittered across the face of the void like pebbles across a frozen pond. She had not created a verb herself, but the cherry-wood cabinet in the hall contained book after book, jar after jar, vessel upon vessel, all brown as branches, and she had faith.
More than anything, more than anything she had with him, she missed the language they had invented, the likes of which she had never had nor would again. The thoughts and ideas he had birthed in her, his golden touch, and the words that erupted from her and became sparks of light to him.
And you can glance out the window for a moment, distracted by the sound of small kids playing a made-up game in a neighbor's yard, some kind of kickball maybe, and they speak in your voice, or piggyback races on the weedy lawn, and it's your voice you hear, essentially, under the glimmerglass sky, and you look at the things in the room, offscreen, unwebbed, the tissued grain of the deskwood alive in light, the thick lived tenor of things, the argument of things to be seen and eaten, the apple core going sepia in the lunch tray, and the dense measures of experience in a random glance, the monk's candle reflected in the slope of the phone, hours marked in Roman numerals, and the glaze of the wax, and the curl of the braided wick, and the chipped rim of the mug that holds your yellow pencils, skewed all crazy, and the plied lives of the simplest surface, the slabbed butter melting on the crumbled bun, and the yellow of the yellow of the pencils, and you try to imagine the word on the screen becoming a thing in the world, taking all its meanings, its sense of serenities and contentments out into the streets somehow, its whisper of reconciliation, a word extending itself ever outward, the tone of agreement or treaty, the tone of repose, the sense of mollifying silence, the tone of hail and farewell, a word that carries the sunlit ardor of an object deep in drenching noon, the argument of binding touch, but it's only a sequence of pulses on a dullish screen and all it can do is make you pensive--a word that spreads a longing through the raw sprawl of the city and out across the dreaming bournes and orchards to the solitary hills.Peace.
He falls quiet again and tries to understand how he can be saying these things, how it can be that his dark words are coming out into the light and yet he is still alive. At once he storms the doorway that has suddenly opened for him in the endless corridor in which he has been bumping around for years; words spill out, cut off, confused, ashamed, squeezing out.
Do you know that even when you look at a tree and say, `That is an oak tree', or `that is a banyan tree', the naming of the tree, which is botanical knowledge, has so conditioned your mind that the word comes between you and actually seeing the tree? To come in contact with the tree you have to put your hand on it and the word will not help you to touch it.
Maybe I was praying for him then, in my own way. Does God have a set way of prayer, a way that He expects each of us to follow? I doubt it. I believe some people-- lots of people-- pray through the witness of their lives, through the work they do, the friendships they have, the love they offer people and receive from people. Since when are words the only acceptable form of prayer?
Hungry for beautiful words, the fox comes rooting around in the hedge, almost too close to the fire. He reads my mind with one glance and is gone. All my poetry is now trotting around the bushes inside him, maybe some day to be partly eaten or left to rot. He understands being alive for as long as he can be, and does not worry about why, or what might happen afterwards.
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A. The last words I ever carved into myself, sixteen years after I started: vanish. Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck. Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist. Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving.For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
It sometimes seems to me that a pestilence has struck the human race in its most distinctive faculty - that is, the use of words. It is a plague afflicting language, revealing itself as a loss of cognition and immediacy, an automatism that tends to level out all expression into the most generic, anonymous, and abstract formulas, to dilute meaning, to blunt the edge of expressiveness, extinguishing the sparks that shoots out from the collision of words and new circumstances.
As a result of these news stories, millions of people must have become aware of "niggardly," who otherwise would never have heard it, let alone thought to use it. If this is right, and the word has a new currency, it is probably not the currency I would wish for. The word's new lease of life is probably among manufacturers and retailers of sophomoric humor. I bet that even as I write, some adolescent boys, in the stairwell of some high school somewhere in America, are accusing each other of being niggardly, and sniggering at their own outrageous wit. I bet … Wait a minute. Sniggering? Oh, my God …
I don’t know what message to send to Bran. Help him Tyrion.”“What help could I give him? I am no maester, to ease his pain. I have no spell to give him back his legs.”“You gave me help when I needed it” Jon Snow said.“I gave you nothing,” Tyrion said. “Words.”“Then give your words to Bran too.
To say exactly what one means, even to one's own private satisfaction, is difficult. To say exactly what one means and to involve another person is harder still. Communication between you and me relies on assumptions, associations, commonalities and a kind of agreed shorthand, which no-one could precisely define but which everyone would admit exists. That is one reason why it is an effort to have a proper conversation in a foreign language. Even if I am quite fluent, even if I understand the dictionary definitions of words and phrases, I cannot rely on a shorthand with the other party, whose habit of mind is subtly different from my own. Nevertheless, all of us know of times when we have not been able to communicate in words a deep emotion and yet we know we have been understood. This can happen in the most foreign of foreign parts and it can happen in our own homes. It would seem that for most of us, most of the time, communication depends on more than words.
I'm all these words, all these strangers, this dust of words, with no ground for their settling, no sky for their dispersing, coming together to say, fleeing one another to say, that I am they, all of them, those that merge, those that part, those that never meet, and nothing else, yes, something else, that I'm something quite different, a quite different thing, a wordless thing in an empty place, a hard shut dry cold black place, where nothing stirs, nothing speaks, and that I listen, and that I seek, like a caged beast born of caged beasts born of caged beasts born of caged beasts born in a cage and dead in a cage, born and then dead, born in a cage and then dead in a cage, in a word like a beast, in one of their words, like such a beast, and that I seek, like such a beast, with my little strength, such a beast, with nothing of its species left but fear and fury, no, the fury is past, nothing but fear, nothing of all its due but fear centupled, fear of its shadow, no, blind from birth, of sound then, if you like, we'll have that, one must have something, it's a pity, but there it is, fear of sound, fear of sounds, the sounds of beasts, the sounds of men, sounds in the daytime and sounds at night, that's enough, fear of sounds all sounds, more or less, more or less fear, all sounds, there's only one, continuous, day and night, what is it, it's steps coming and going, it's voices speaking for a moment, it's bodies groping their way, it's the air, it's things, it's the air among the things, that's enough, that I seek, like it, no, not like it, like me, in my own way, what am I saying, after my fashion, that I seek, what do I seek now, what it is, it must be that, it can only be that, what it is, what it can be, what what can be, what I seek, no, what I hear, I hear them, now it comes back to me, they say I seek what it is I hear, I hear them, now it comes back to me, what it can possibly be, and where it can possibly come from, since all is silent here, and the walls thick, and how I manage, without feeling an ear on me, or a head, or a body, or a soul, how I manage, to do what, how I manage, it's not clear, dear dear, you say it's not clear, something is wanting to make it clear, I'll seek, what is wanting, to make everything clear, I'm always seeking something, it's tiring in the end, and it's only the beginning.
From her dubious tone alone, I could see how Karin had no idea how terrifying words spoken quietly could be. How words chosen precisely to wreak maximum damage ticked like a bomb in your head, but exploded in your heart hours later, leaving you scarred and changed.
Words.I’m surrounded by thousands of words. Maybe millions. Cathedral. Mayonnaise. Pomegranate.Mississippi. Neapolitan. Hippopotamus.Silky. Terrifying. Iridescent.Tickle. Sneeze. Wish. Worry.Words have always swirled around me like snowflakes—each one delicate and different, each one melting untouched in my hands.Deep within me, words pile up in huge drifts. Mountains of phrases and sentences and connected ideas. Clever expressions. Jokes. Love songs.From the time I was really little—maybe just a few months old—words were like sweet, liquid gifts, and I drank them like lemonade. I could almost taste them. They made my jumbled thoughts and feelings have substance. My parents have always blanketed me with conversation. They chattered and babbled. They verbalized and vocalized. My father sang to me. My mother whispered her strength into my ear.Every word my parents spoke to me or about me I absorbed and kept and remembered. All of them.I have no idea how I untangled the complicated process of words and thought, but it happened quickly and naturally. By the time I was two, all my memories had words, and all my words had meanings.But only in my head.I have never spoken one single word. I am almost eleven years old.
Gods? Don't let that impress you. Anyone can be a god if they have enough worshippers. You don't even have to have powers anymore. In my time I've seen theatre gods, gladiator gods, even storyteller gods - you people see gods everywhere. Gives you an excuse for not thinking for yourselves.God is just a word. Like Fury. like demon, Just words people use for things they don't understand. Reverse it and you get dog. It's just as appropriate.
At first, that's who I was. I wanted to know more about this boy who lives among us, but who never truly speaks... But now I feel like finding out about him is one of the ways I found out about myself. I did not expect to love his words. I did no expect to find myself in the.
She walked rather quickly; she liked to be active, though at times she gave an impression of repose that was at once static and evocative. This was because she knew few words and believed in none, and in the world she was rather silent, contributing just her share of urbane humor with a precision that approached meagreness. But at the moment when strangers tended to grow uncomfortable in the presence of this economy she would seize the topic and rush off with it, feverishly surprised with herself-- then bring it back and relinquish it abruptly, almost timidly, like an obedient retriever, having been adequate and something more.
As a writer, you must truly possess a love for words.""Yes, that's right," I agreed."I've noticed that some authors favor particular words, making frequent use of them. Do you have a favorite?"I nodded assuredly and shared my answer. "BECAUSE."My interviewer looked surprised, as though he'd expected an impressive adjective or some rare verb. "That's your favorite word? Why?"I tried not to smirk. "Because.
Then you must tell them that love isn't something like a grindstone that's the same thing everywhere and do the same thing to everything it touches. Love is like the sea. It is a moving thing, but still and all, it takes its shape from the shore it meets, and its different with every shore." (written properly and not in slang)
Contrary to what is generally believed, meaning and sense were never the same thing, meaning shows itself at once, direct, literal, explicit, enclosed in itself, univocal, if you like, while sense cannot stay still, it seethes with second, third and fourth senses, radiating out in different directions that divide and subdivide into branches and branchlets, until they disappear from view, the sense of every word is like a star hurling spring tides out into space, cosmic winds, magnetic perturbations, afflictions.
What do you think was the first sound to become a word, a meaning?...I imagined two people without words, unable to speak to each other. I imagined the need: The color of the sky that meant 'storm.' The smell of fire taht meant 'Flee.' The sound of a tiger about to pounce. Who would worry about these things?And then I realized what the first word must have been: ma, the sound of a baby smacking its lips in search of her mother's breast. For a long time, that was the only word the baby needed. Ma, ma, ma. Then the mother decided that was her name and she began to speak, too. She taught the baby to be careful: sky, fire, tiger. A mother is always the beginning. She is how things begin.
From time to time I try to imagine this world of which he spoke--a culture in whose mythology words might be that precious, in which words were conceived as vessels for communications from the heart; a society in which words are holy, and the challenge of life is based upon the quest for gentle words, holy words, gentle truths, holy truths.I try to imagine for myself a world in which the words one gives one's children are the shell into which they shall grow, so one chooses one's children are the shell into which they shall grow, so one chooses one's words carefully, like precious gifts, like magnificent gifts, like magnificent inheritances, for they convey an excess of what we have imagined, they bear gifts beyond imagination, they reveal and revisit the wealth of history.How carefully, how slowly, and how lovingly we might step into our expectations of each other in such a world.
Words are instruments, they are tools that, in their different ways, are as effective as any sharp edge or violate chemical. They are, like coins, items of great value, but they represent a currency that, well spent, returns ever greater riches.
[Words] cling to the very core of our memories and lie there in silence until a new desire reawakens them and recharges them with loving energy. That is one of the qualities of love that moves me most, their capacity for transmitting love. Like water, words are a wonderful conductor of energy. And the most powerful, transforming energy is the energy of love.
Every one has experienced how learning an appropriate name for what was dim and vague cleared up and crystallized the whole matter. Some meaning seems distinct almost within reach, but is elusive; it refuses to condense into definite form; the attaching of a word somehow (just how, it is almost impossible to say) puts limits around the meaning, draws it out from the void, makes it stand out as an entity on its own account.
who did I think we were.who did I thinkI could make you.this is the oldest mistake,to confuse wantingwith magic. silence is the undoingof every spell, and we are expertsin the unsaid. even now, I forgetto put us in past tense. as ifthe air in this city were the same.as if love is anything like its speaking.
I don't want the words to be naked the way they are in faxes or in the computer. I want them to be covered by an envelope that you have to rip open in order to get at. I want there to be a waiting time -a pause between the writing and the reading. I want us to be careful about what we say to each other. I want the miles between us to be real and long. This will be our law -that we write our dailiness and our suffering very, very carefully.
All we are, all we can be, are the stories we tell," he says, and he is talking as if he is talking only to me. "Long after we are gone, our words will be all that is left, and who is to say what really happened or even what reality is? Our stories, our fiction, our words will be as close to truth as can be. And no one can take that away from you.
The complex human eye harvests light. It perceives seven to ten million colors through a synaptic flash: one-tenth of a second from retina to brain. Homo sapiens gangs up to 70 percent of its sense receptors solely for vision, to anticipate danger and recognize reward, but also—more so—for beauty.
Words never fail. We hear them, we read them; they enter into the mind and become part of us for as long as we shall live. Who speaks reason to his fellowmen bestows it upon them. Who mouths inanity disorders thought for all who listen. There must be some minimum allowable dose of inanity beyond which the mind cannot remain reasonable. Irrationality, like buried chemical waste, sooner or later must seep into all the tissues of thought.
That's how ideas and the institutions they generate come to be in the first place. It is in strings of words that we make ideas. The words, however, can say anything that the language permits, which, in our case, is quite a lot, so a string of words can just as easily express inanities as ideas. When inanities are expressed, we can discover them just by paying attention to the words.
Pareidolia describes the human tendency to find meaning where there is none. Take the man in the moon, for example; we raise our eyes, and there, in lifeless markings of bedrock and basalt, we find a human face. We’re hardwired to look for patterns in the Rorschach of the natural world: a woman’s reclining form in the curve of a mountain range, the Virgin Mary in a water stain on a concrete wall. We want the world to be both known and mysterious. We’re looking for evidence of God, or maybe just for company. (53)
For example. But I cannot give you an example. It was not so much any one example, any one event, which I recollected which was important, but the flow, the texture of the events, for meaning is never in the event but in the motion through event. Otherwise we could isolate an instant in the event and say that this is the event itself. The meaning. But we cannot do that. For it is the motion which is important. And I was moving. I was moving West at seventy-five miles an hour, through a blur of million-dollar landscape and heroic history, and I was moving back through time into my memory. They say the drowning man re-lives his life as he drowns. Well, I was not drowning in water, but I was drowning in West. I drowned westward through the hot brass days and black velvet nights. It took me seventy-eight hours to drown. For my body to sink down to the very bottom of West and lie in the motionless ooze of History, naked on a hotel bed in Long Beach, California.
Words exist only in theory. And then one ordinary day you run into a word that exists only in theory. And you meet it face to face. And then that word becomes someone you know. That word becomes someone you hate. And you take that word with you wherever you go. And you can't pretend it isn't there.
If words are to be uttered, they would be from behind the partition. Unaccountable is distance, time to transport from this present minute.If words are to be sounded, impress through the partition in ever slight measure to the other side the other signature the other hearing the other speech the other grasp.
He paid me to discover ways to express the unnameable; to get to the bottom of an utterance; to find words for the things for which there were no words yet, thereby bringing them into existence, committing them to paper, projecting them into the future. The work was part drudgery, part deity.
I might not say it, but I obviously show you how I feel,” she says. “Why do the words have to be so important?”“They just are,” he says, standing up and brushing off the back of his jeans. “Not because you’re saying them, but because you’re not.
I keep thinking about the fragmented quality of human awareness: You take your blindness for granted most of the time then suddenly it stuns you: how little you see as you plunge ahead from minute to minute, day to day, year to year - vision cut down to the arc of a flickering flashlight, never sure how your words and acts are affecting someone else because you never really see that someone as he is. I know we should find even the most serene life unendurable were we to possess to any real degree those extrasensory perceptions which our grandmothers believed in...
The most important questions are the ones we can't hope to answer with words. Words are like toys : they amuse and educate us for a time, but when we come to manhood, we should give them up.'Sunmer shakes his head.' The words are all we have,' he says.' If we give them up, we are no better than the beasts.'Otto smiles at Sunmer's wrong headedness.' Then you must find out the explanations on your own, if that is what you truly think.
I've never subscribed to the "words can never hurt me" point of view. Because if words can't hurt, then neither can they help or heal or inspire. Yes, words can brutalize. They can shame and scar. But people must be free to say them anyway. We protect free speech not because words are harmless, but because they are powerful.
Though words are arbitrary in their primitive institution, yet when once their signification is fixed, we are no more entitled to alter it than to call a tree an elephant; for, being no man's private possession, but the common measures of commerce and communication, it is not for any one at pleasure to change the stamp they are current in; at least where there is a necessity to do so, notice of it should be given.
Tongue on your words to taste you thereCouldn’t read what youhad never written therePlayed your message overfeeling badPlayed your message over it was all I hadTo tell me what and whereforethis is what it said:I’m tired of you asking me whyI’m tired of words like the chatter of birdsGive me a pass, let me just get by
Sticks and stones may break my bones, but words can also hurt me. Stones and sticks break only skin, while words are ghosts that haunt me. Slant and curved the word-swords fall, it pierces and sticks inside me. Bats and bricks may ache through bones, but words can mortify me. Pain from words has left its' scar, on mind and hear that's tender. Cuts and bruises have not healed, it's words that I remember.
Things are set up as contraries that are not even in the same category. Listen to me: the opposite of radical is superficial; the opposite of liberal is stingy; the opposite of conservative is destructive. Thus I will describe myself as a radical conservative liberal; but certain of the tainted red fish will swear that there can be no such fish as that. Beware of those who use words to mean their opposites. At the same time have pity on them, for usually this trick is their only stock in trade. But do not pity them overly, it is your own death and your soul's death that they work by their deception.
If a separate personal Paradise exists for each of us, mine must be irreparably planted with trees of words which the wind silvers like poplars, by people who see their confiscated justice given back, and by birds that even in the midst of truth of death insist on singing in Greek and saying eros, eros, eros.
There, you see," said the carpenter. "And now may I give the little lady a piece of advice? She has learned to use her eyes well. She can tell the babies apart better than anyone else. But she must still learn to tell the truth from gossip. Words are like the nails I use to build my houses. You can either hammer them straight or crooked. It all depends on the sort of house you are trying to build.
Having all these lies so that you could feel special. It’s time to let go of fantasy and imagined problems. It’s time to embrace the crude and harsh truths.That the existents, the discourses, the frameworks, your words, your meanings, and your definitions, all begin to fade, away, again
Perhaps I have misjudged you, Christopher,” Erienne commented as he whirled her about in a wide sweep of the ballroom. “How so, my love?” He searched her face for some hint of her meaning. “You watch over me as closely as Stuart,” she stated and grew thoughtful. “Perhaps more so.” “I have not given up hope that you will someday become mine, madam, and I choose to safeguard against those who would take you from me.” “What of Stuart?” She raised a lovely brow as she awaited his answer. It was a long moment before he gave a reply. “In the ways of love, I do not consider Stuart as much a threat as an inconvenience.” “An inconvenience?” she queried. “I shall have to deal with him in time, and that will be the difficult part. I cannot dismiss the man without rousing your hatred again. ’Tis a most perplexing problem.” “You amaze me, Christopher.” Erienne shook her head, somewhat shocked by his casual disregard of her husband. “You truly amaze me.” “The feeling is mutual, my love.” His voice came as a soft caress and sent an eddy of sensations spiraling down through the core of her being.-Erienne & Christopher
The names of minerals and the minerals themselves do not differ from each other, because at the bottom of both the material and the print is the beginning of an abysmal number of fissures. Words and rocks contain a language that follows a syntax of splits and ruptures. Look at any word long enough and you will see it open up into a series of faults, into a terrain of particles each containing its own void.
Aisling tumbled out, his gold eyes going wild about the room to take in all of them. His beak clicked as he worked it in silence. Then, as the breaking of ice may bring a cascade of water from winter’s falls, the griffin’s voice—no longer that small shrill copy of Taryn’s, but his own true voice—poured plaintively from him. “Mom!”Taryn jerked around, her mouth dropping open.Aisling bounded toward her and she swept him up into a tight embrace. He clutched at her shoulders with his talons, burying his head under her chin, and cried, “Mom! Yoo…rrrrr…oh…kay!”“Great gods,” Antilles heard himself say and he shot Tonka a startled glance. “He cannot be speaking?!”The horseman merely smiled. “And why not?” he murmured, resettling himself on his padded bolster. “For has he not been a miracle from the very first?”“You’re talking,” Taryn cried, true delight painting itself over the grief that had seemed to mask her since the dawning of this terrible day. She was radiant once more, burning with a joy and a healing light all its own as she hugged her griffin close. “Oh, my fierce prince! My big boy!”“Yoo…rrrr…Ai-sing,” whispered the griffin. His raptor’s eyes flicked to Antilles and his naked wings fluttered. “Tilly. Yoo…rrrr…sun-shy?”Taryn giggled, her face pressed to fur.“Aye, lad,” Antilles said, tossing his broken horn. “My sun and my moon and all my starry skies.
My friend Oscar is one of those princes without kingdom who wander around hoping you'll kiss them so they won't turn into frogs. He gets everything back to front and that's why I like him. People who think they get everything right do things wrong, and this, coming from a left-handed person, says it all. He looks at me and thinks I don't see him. he imagines I'll evaporate if he touches me and if he doesn't touch me, then he'll evaporate. He's got me on such a high pedestal he doesn't know how to get up there. He thinks my lips are door to paradise, but doesn't know they are poisoned. I am such a coward that I don't tell him so as not to lose him. I pretend I don't see him, and that I am, indeed, going to evaporate...My friend Oscar is one of those princes who would be well advised to stay away from fairy tales and the princesses who inhabit them. He doesn't know he's really Prince Charming who must kiss Sleeping Beauty in order to wake her from her eternal sleep, but that's because Oscar doesn't know that fairy tales are lies, although not all lies are fairy tales. Princes aren't charming, and sleeping beauties, however beautiful, never wake up from their sleep. He's the best friend I've ever had and if I ever come across Merlin, I'll thank him for having placed him in my path.
I am demonstrating to you how tasty I think words are. I’m having sex with words in front of you. I’m playing around with them. I’m getting off. I’m trying to titillate you. There’s this magical substance, language, that I’m laying out for you. Then you’re going to fondle it.
Love is a funny word. We use it so much that we seem to forget its meaning. We say we love objects, seasons, times of day, movies, TV shows, and everything. And we use this same word to describe people. We say we love our parents, our friends, our family. It's one of the most used words in the English language, but it remains special. Love is different like that. You can use it to talk about anything, but when you find that one person that you know you want to spend the rest of your life with, love is completely new. And saying, "I love you" becomes the best sound you could ever say or hear. Love grows and changes with us, it is just as alive as those who use it. So love as much as you want! Because love will always find a way to be new.
In one sense the whole process of development consists of the formation of habits; for knowledge itself, and the powers of thought, as well as the higher elements in the will, all depend upon the establishment of fixed ways of reacting to given stimuli. Consequently, the general laws of habituation underlie the whole of education. But the term habit is more commonly restricted to those established reactions that act with little or no participation of consciousness, or, in other words, mechanically or automatically. Such habits as these begin to form very early, and constitute a kind of supporting framework for the higher elements of character.
It was more than a string of letters put togetherit was a thick cloak in the coldand a strong defense against an enemyIt was more than the naked heart on paperit was a way to undress sadness … and sinsand an olive branch for the desperateWriting was her prayer and the words were felt.
The real trouble is this: giving expression to thought by the observable medium of words is like the work of the silkworm. In being made into silk, the material achieves its value. But in the light of day it stiffens; it becomes something alien, no longer malleable. True, we can then more easily and freely recall the same thought, but perhaps we can never experience it again in its original freshness.
Words, one may argue, are such a drag, useless - don't think it too much, just do it. And no - I agree - over-thinking is a curse, but it is without words when I over-think, when I over-burn neurons. With words, things find their place. I've said this to myself a million times.
Never write when you are not in the mood; when you are not feeling it. If the words do not flow freely, and come to you almost magically, then put it down and do not force yourself to write in the book, or it will reflect in your writing and it will be terribly obvious.
Each word, as someone once wrote, contains the universe.The visible carries all the invisible on its back. Tonight, in the unconditional, what moves in the long-limbed grasses, what touches me As though I didn’t exist? What is it that keeps on moving, a tiny pillar of smoke Erect on its hind legs, loose in the hollow grasses? A word I don’t know yet, a little word, containing infinity, Noiseless and unrepentant, in sift through the dry grass.
Words are great, but even I can admit they have certain short-comings. No word can ever give justice to a smile from a man who never smiled or to an old woman who gives up her seat on the bus to a soldier who lost his leg. And I’m still convinced there’s no word out there for the feeling you get the first time you ever hit home plate or bury your first dog or muster up enough courage to tell a girl you love her.
One of the difficulties of thinking clearly about anything is that it is almost impossible not to form our ideas in words which have some previous association for us; with the result that our thought is already shaped along certain lines before we have begun to follow it out. Again, a word may have various meanings, and our use of it in one sense may deceive our readers (or even ourselves) into supposing that we were using it in some other sense.
Drop a pebble in the water: just a splash, and it is gone;But there's half-a-hundred ripples circling on and on and on, Spreading, spreading from the center, flowing on out to the sea. And there is no way of telling where the end is going to be.Drop a pebble in the water: in a minute you forget,But there's little waves a-flowing, and there's ripples circling yet, And those little waves a-flowing to a great big wave have grown; You've disturbed a mighty river just by dropping in a stone.Drop an unkind word, or careless: in a minute it is gone;But there's half-a-hundred ripples circling on and on and on. They keep spreading, spreading, spreading from the center as they go, And there is no way to stop them, once you've started them to flow.Drop an unkind word, or careless: in a minute you forget,But there's little waves a-flowing, and there's ripples circling yet, And perhaps in some sad heart a mighty wave of tears you've stirred, And disturbed a life was happy ere you dropped that unkind word.Drop a word of cheer and kindness: just a flash and it is gone; But there's half-a-hundred ripples circling on and on and on, Bearing hope and joy and comfort on each splashing, dashing wave Till you wouldn't believe the volume of the one kind word you gave.Drop a word of cheer and kindness: in a minute you forget;But there's gladness still a-swelling, and there's joy a-circling yet, And you've rolled a wave of comfort whose sweet music can be heard Over miles and miles of water just by dropping one kind word.
It pleases him how Spell is how the word is made but also, in the hands of the magician, how the world is changed. One letter separates Word from World, and that letter is like the number one, or an 'I', or a shaft of light between almost closed curtains. There is an old letter called a thorn, which jags and tears at the throat as it's uttered. Later he learns that Grammar and Glamour share the same deeper root, which is further magic, and there can be neither magic without that root, nor plant. He's lost in it like Chid in Child, or God reversed into Dog. Somewhere inside him is a colon. A sentence can last for life.
I don't even like the word ‘indoors’. It doesn’t make sense. According to you right now, by stepping through the doorway I’d be indoors. Yet I wouldn’t actually be standing in the doorway. If it’s supposed to refer to being inside a building, then they shouldn’t have used the word ‘door,’ since last time I checked, doors don’t make up every square inch of a building! And I’d assume that now, since I’m not indoors, you’d say I’m ‘out of doors’, right? But, shouldn’t out of doors just be everywhere that’s not directly under a door? You know what, from now on I insist that everyone refer to being in a building as being ‘under-roof’.
If you are tempted to revealA tale to you someone has toldAbout another, make it pass,Before you speak, three gates of gold;These narrow gates. First, "Is it true?"Then, "Is it needful?" In your mindGive truthful answer. And the nextIs last and narrowest, "Is it kind?"And if to reach your lips at lastIt passes through these gateways three,Then you may tell the tale, nor fearWhat the result of speech may be.
A man's words reveal, first, the man. The words are not the man, and yet they reveal him faithfully and are to be identified with him. Out of the abundance of the heart, the man speaks. The foundational nature of all language is therefore metaphorical because every word a man speaks reveals himself—just as God reveals Himself through the Word. Every word spoken ultimately reveals the speaker.
They say a picture is worth a thousand words, but a word is worth a million pictures. A billion. As many as there are people who know the word. Each has their own picture, their own meaning of it, in their heads. It's theirs. It's unique. And yet they share it with everyone else. And every time they use a word, a single word, they contribute to the creation of the soul of us all.
The Temperature is RisingThe heartbeat quickens my breath is controlled,my senses are illuminated like a mother to her young. This feeling I have I've know it before, when the gates are opened I'll remember the beginning. Awaiting, dreaming imagining the endless possibilities of moments together as I give into my desires. My body reacts it has a mind of its own leaving little clues yet I continue on. Poised and professional I cross my origin the passion that awaits it stirs like a simmer. The sweet aroma a treat being made just for him I know he will like, the hunger in his eyes his mouth soft and strong it only took me a moment as he continued to look on. I didn't even recognize my sound as I was in a sphere all alone I hoped and imagined it would be but my mind was left in awe like sweet chocolate after a meal.
Word-banning seems to be a trend of late. It's become fashionable to try to ban words we're uncomfortable with, which you really can't do in the first place. You can no more ban a word than you can ban the air. In fact, language is a lot like air – ban it all you want, it's still there.
Whatever characterization one may choose to place on Satan, "imbecile message maker" doesn't fit. This was no third-ranking demon out there in the wilderness throwing lines at Christ. This was the manic master who understood the power of words. He spun what he hoped would be a strike. He failed; Christ succeeded. They both used words.
Symptoms of Love...The quickening of my heart I can hear my breath as it passes through my body like wind through branches of a tree.The sensation in my chest the dreams in my head my body reacts as if exposed to a sudden change in the elements.My mind wanders not focused on one particular thing like an innocent long ago in his youth. Oh how I desire to be with you when our bodies will meet and become one.
I know now that the poem in my head, the one that pushed me to the page, begged me - or dared me to be born is almost never the poem that comes out. I suppose it’s like anything born of/with free will and the will to live: once I’ve given the seed, once the juices flow through any sort of birth canal and make it to the ambient air there will, at that point, be forces that come into play that are no longer entirely mine. To forget that each word is a life unto itself is to strangle it dead before it can even take a step.
Very quickly, very suddenly, words fell through my mind. They landed on the floor of my thoughts, an in there, down there, I started to pick the words up. They were excerpts of truth gathered from inside me. Even in the night, in bed, they woke me.They painted themselves onto the ceiling.They burned themselves onto the sheets of memory laid out in my mind.When I woke up the next day, I wrote the words down , on a torn-up piece of paper. And to me, the world changed color that morning.
As individuals, great writers from Villon to Diderot to Voltaire toRousseau to Byron or Shelley have often shown themselves to beirresponsible, selfish, mean or sometimes even cowardly people. Their lives were drab or self destructive or reckless.We read them for their Words, not for their deeds.
The way he said her name made my heart cramp. In all my years of word collecting, I've learned this to be a tried and true fact: I can very often tell how much a person loves another person by the way they say their name. I think that's one of the best feelings in the world, when you know your name is safe in another person's mouth. When you know they'll never shout it out like a cuss word, but say it or whisper it like a once-upon-a-time.
Now, standing here, it is clear as day: more than anything else, you want to find words for what you feel and think and everything that is dark. And then this terrifying thought hits you: Yes, your father wrote poetry to find a language for his wounds. Yes, you in your own way have become your father.
Conversations are like dances. Two people effortlessly move in step with one another, usually anticipating the other person's next move. If one of the dancers moves in an unexpected direction, the other typically adapts and builds on the new approach. As with dancing, it is often difficult to tell who is leading and who is following in that the two people are constantly affecting each other. And once the dance begins, it is almost impossible for one person to singly dictate the couple's movement.
Have you ever wondered What happens to all the poems people write?The poems they neverlet anyone else read?Perhaps they are Too private and personalPerhaps they are just not good enough.Perhaps the prospect of such a heartfeltexpression being seen as clumsyshallow sillypretentious saccharineunoriginal sentimentaltrite boringoverwrought obscure stupidpointless or simply embarrassingis enough to give any aspiringpoet good reason to hide their work frompublic view.forever.Naturally many poems are IMMEDIATELY DESTROYED.Burnt shredded flushed awayOccasionally they are folded Into little squaresAnd wedged under the corner of An unstable piece of furniture(So actually quite useful)Others are hidden behind a loose brickor drainpipe or sealed into the back of an old alarm clockor put between the pages of AN OBSCURE BOOKthat is unlikely to ever be opened.someone might find them one day, BUT PROBABLY NOTThe truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia.wellAlmost always.On rare occasions,Some especially insistentpieces of writing will escapeinto a backyard or a lanewaybe blown along a roadside embankmentand finally cometo rest in a shopping centerparking lotas so many things doIt is here that something quite Remarkabletakes placetwo or more pieces of poetry drift toward each otherthrough a strange force of attractionunknown to scienceand ever so slowlycling togetherto form a tiny, shapeless ball.Left undisturbed,this ball graduallybecomes larger and rounder as otherfree versesconfessions secrets stray musings wishes and unsentlove lettersattach themselvesone by one.Such a ball creeps through the streetsLike a tumbleweed for months even yearsIf it comes out only at night it has a goodChance of surviving traffic and childrenand through a slow rolling motionAVOIDS SNAILS(its number one predator)At a certain size, it instinctivelyshelters from bad weather, unnoticedbut otherwise roams the streetssearching for scraps of forgottenthought and feeling.Given time and luckthe poetry ball becomes large HUGE ENORMOUS:A vast accumulation of papery bitsThat ultimately take to the air, levitating byThe sheer force of so much unspoken emotion.It floats gentlyabove suburban rooftops when everybody is asleepinspiring lonely dogsto bark in the middle of the night.Sadlya big ball of papernot matter how large and buoyant, is still a fragile thing.Sooner or LATERit will be surprised bya suddengust of windBeaten by driving rainand REDUCEDin a matter of minutesto a billionsoggy shreds.One morningeveryone will wake upto find a pulpy messcovering front lawnsclogging up guttersand plastering carwindscreens.Traffic will be delayedchildren delightedadults baffledunable to figure outwhere it all came fromStranger stillWill be the Discovery that Every lump of Wet paperContains variousfaded words pressed into accidentalverse.Barely visiblebut undeniably presentTo each reader they will whisper something different something joyfulsomething sadtruthful absurdhilarious profound and perfectNo one will be able to explain the Strange feeling of weightlessnessor the private smilethat remainsLong after the street sweepers have come and gone.
Look into words for the tomb of spacewhere beauties & stones & eternities untangle.(...)In them is the flood which bothers the seaand the songs which need no music.Say these words that evolve into silence,whose language survives not being understood.Pronounce those which are unpalatable &untangle from all the world wants to hear.
Rhythm. Life is full of it; words should have it, too. But you have to train your ear. Listen to the waves on a quiet night; you’ll pick up the cadence. Look at the patterns the wind makes in dry sand and you’ll see how syllables in a sentence should fall. Arthur Gordon
Words. Just little black marks on paper. Just sounds in the empty air. But think of the power they have! They can make you laugh or cry, love or hate, fight or run away. They can heal or hurt. They even come to look and sound like what they mean. Angry looks angry on the page. Ugly sounds ugly when you say it.
It is very difficult to understand man. It is also very difficult to understand what a man does. If he is able to give an explanation, it may be easier. Even then everything can not be understood. Words have their limitation and comprehension, its limits. So if we are able to understand 25% of what is being said, even that should be deemed, as good communication skills are very good. Beyond this one should not even aspire for.
Once your words fly out of your mouth, you sometimes can't control whether they fly straight or crooked, Grandma Augustine says. "They can get bent in the strangest ways." Grandma Augustine says that the only way to straighten out bad words is to keep making good ones until you say what you need to say to who you need to say it to.
My cheeks are red hot,my lip still trembles,because I sent my heartto speak; every word of itdelusional and awkward,an exuberance, an abrupt sound.That's how I spoke, oh, it stillshows on my hot cheeksI'm now carrying home.I look down at the snowand walk past many houses,past many hedges, many trees,the snow adorns hedge, tree and house.I walk on, staring downat the snow, on my cheeksnothing but red-hot memoryreminding me of my wild talk.
People can go on telling themselves things like “Think before you speak!” or “You don’t believe that yourself” or “Forget it!” But they can also say, “Oh, what lovely flowers!” or “Are you a phone freak or something?” or “Suit yourself,” or “This record makes me feel so happy!’ Wonderful! Words are delightful little gifts we exchange like the Easter eggs we paint and hide for others to find and enjoy. I’d forgotten that, but you reminded me of it.
I had a cousin once who lived in your dictionary, inside the binding, and there was a tiny hole which he used for a door, and it led out between trichotomy and trick. Now what do you think of that? It was only a few minutes walk to trigger, then over the page to trinity, trinket and trional, and there my cousin used to fall asleep.
I like words. I like fat buttery words, such as ooze, turpitude, glutinous, toady. I like solemn, angular, creaky words, such as straitlaced, cantankerous, pecunious, valedictory. I like spurious, black-is-white words, such as mortician, liquidate, tonsorial, demi-monde. I like suave “V” words, such as Svengali, svelte, bravura, verve. I like crunchy, brittle, crackly words, such as splinter, grapple, jostle, crusty. I like sullen, crabbed, scowling words, such as skulk, glower, scabby, churl. I like Oh-Heavens, my-gracious, land’s-sake words, such as tricksy, tucker, genteel, horrid. I like elegant, flowery words, such as estivate, peregrinate, elysium, halcyon. I like wormy, squirmy, mealy words, such as crawl, blubber, squeal, drip. I like sniggly, chuckling words, such as cowlick, gurgle, bubble and burp.
People from context cultures tend to view personal bonds and informal agreements as far more binding than any formal contract. People from content cultures don't believe the deal is finalized until everyone has signed on the dotted line. And therein lies the potential for conflict.
Cordelia loved his explanations. She loved knowing words that belonged to things she'd never seen, even to things you couldn't see at all. She remembered those words carefully. "Magic," George had said, "is something unnatural, something that doesn't really exist. If I snap my fingers and Othello suddenly turns white, that's magic. If I fetch a bucket of paint and paint him white, it isn't." He laughed, and for a moment it looked as if he felt like snapping his fingers or fetching that bucket. Then he went on, "Everything that looks like magic is really a trick. There's no such thing as magic." Cordelia grazed with relish. "Magic" was her favorite word - for something that didn't exist at all.
Look, words are like the air: they belong to everybody. Words are not the problem; it's the tone, the context, where those words are aimed, and in whose company they are uttered. Of course murderers and victims use the same words, but I never read the words utopia, or beauty, or tenderness in police descriptions. Do you know that the Argentinean dictatorship burnt The Little Prince ? And I think they were right to do so, not because I do not love The Little Prince , but because the book is so full of tenderness that it would harm any dictatorship.
If toes had eyes,then I could seehow my feet know where to go,but toes are blind.And how is it that my tonguespeaks words it cannot hear?Because for all its eloquence,the tongue itself is deaf,and flaps in soundlessness.
No critic and advocate of immutability has ever once managed properly or even marginally to outwit the English language's capacity for foxy and relentlessly slippery flexibility. For English is a language that simply cannot be fixed, not can its use ever be absolutely laid down. It changes constantly; it grows with an almost exponential joy. It evolves eternally; its words alter their senses and their meanings subtly, slowly, or speedily according to fashion and need.
What’s more amazing is how we habitually take the power ofour voice for granted. When we bring our awareness to our voiceand learn to express it in new ways—with impeccability—werediscover our true message. Your voice is the key to unlockingthe power and magnificence of your message. This work isn’tabout singing on key, finding the right words, leaving out ‘ums’and ‘uhs’ and articulating clearly. This is about allowing andaccepting your Magical Self. Let’s talk about how words createyou.
When you draw, you copy the world don't you? You remake it on paper, but it isn't the same. It's yours. No one else could have created it just like that. When I make poems, I use the words we all use, but the order and the sound create a new power. This wood is someone's creation. We stumble through it's tendrils, as if we're crawling through the synapses of his mind.
You ask me what it feels like to have wings. I can only tell you the feeling with words. And words have neither feelings nor wings. Words are leaky vessels into which a cargo of meaning and emotion are placed, and when they leave you and reach the farther shore of another mind a considerable portion of that cargo has been lost at sea. Fallen overboard, gone to rot, consumed by vermin, decayed to a state unlike its original form.
:Paintings are easy to see," he said after a moment. "Open, presented flat to the eye. Words are not easy. Words have to be discovered, deep in their pages, deciphered, translated, read. Words are symbols to be encoded, their letters trees in a forest, enmeshed, their tangled meanings never finally picked apart.
When you're having an asthma attack, you don't have any breath. When you don't have any breath, it's hard to speak. You're limited by the amount of air you can spend from your lungs. That's not much, something between three to six words. It gives the word a meaning. You're searching through the piles of words in your head, picking the most important ones. And they have a cost. It's not like the healthy people that take out every word that has accumulated in their head like garbage. When someone, while having an asthma attack, says "I love you" or "I really love you", there's a difference. A word difference. And a word is a lot, because that word could have been "sit", "Ventolin" or even "ambulance".
And after that, and also for each word, there should be sentences that show the twists and turns of meanings—the way almost every word slips in its silvery, fishlike way, weaving this way and that, adding subtleties of nuance to itself, and then perhaps shedding them as public mood dictates.
Words - take her with youlet her rest in your rhymesWords - take her awaysomewhere beyond timeWords - ease her breathinglay her softly on the floorthere - let her lingerand listen like ever beforeLeave her windows uncovered at nightand fill her room with the citylightsas they illuminate the skyit reminds her of the people outsidecause she won't sleep unless she heals her lonelinessWalk with her beneath the treetopscreate new paths and memoriesshow her how the sunlightglances through the gaps between the leavesWords - help her change the worldin only one versetell her to reach for the starsand to always put love firstLeave her windows uncovered at nightand fill her rooms with the citylightsas they illuminate the skyit reminds her of the people outsideit reminds her of the peopleit reminds her of the peopleit reminds her of the people outside.
Words form the sinew and muscle that hold societies upright, he argued. Consider the Koran, the Bible, the American Constitution, but also letters from fathers to sons, last wills, blessings, curses. Thousands upon thousands of words infused with the full spectrum of emotions fill in the nooks and corners of human life.
I liked old time music but what i meant by that was the period from the 1930s through the 60s, nothing before and little after. Performers like fats waller, Sinatra, billie holiday, louis armstrong, rosemary clooney, ella, sammy Davis Jr, dean martin... If the lyrics weren't stupid. Words were important.
Every poet knows that the gift of the gods is not fire but language. “Man dwells poetically on this earth,” Hölderin wrote. Language is the essence of being human. We can think, thanks to language, for thought exists only by the grace of words. Our experiences and emotions are molded by language. It is language that allows us to name and know the world. We ourselves are known by language, through prayer, confession, poetry. Language gives us a world that reaches beyond the reality of the moment, to a past (there was…) and a future (there shall be…). It is through language that eternity has a space and that the dead continue to speak: “Defunctus adhuc loquitur” (Hebrews 11:4). Thanks to language, there is meaning, there is truth.
... but I love language. It is a living, breathing, evolving thing, and language has power. Whether in a song lyric, a poem, a speech, or a simple conversation, we’ve all experienced words that resonate with us. They may make us recall a powerful moment, inspire us, move us, or perhaps, comfort us…. But at the same time, we don’t think in words. We think in pictures. If I say the word ‘dog’ to you, you aren’t picturing the letters, d-o-g, you’re picturing a dog from your memory...
I know that sentence is long and has too many joining words in it but sometimes, when I'm angry, words burst out of me like a shout, or, if I'm sad, they spill out of me like tears, and if I'm happy my words are like a song. If that happens it's one of my rules not to change them because they're coming out of my heart and not my head, and that's the way they're meant to be.
Words are Hamlet's constant companions, his weapons, and his defenses. ...And yet, words also serve as Hamlet's prison. He analyzes and examines every nuance of his situation until he has exhausted every angle. They cause him to be indecisive. He dallies in his own wit, intoxicated by the mix of words he can concoct; he frustrates his own burning desire to be more like his father, the Hyperion. When he says that Claudius is "... no more like my father than I to Hercules" he recognizes his enslavement to words, his inability to thrust home his sword of truth. No mythic character is Hamlet. He is stuck, unable to avenge his father's death because words control him.
In the process, what must be spoken meets what cannot be said. Each word is a catalyst, requiring the writer to break out forcefully from another story, from the primitive camp where history, society, and politics converge, to touch upon that 'what' and that 'who.' At that touch, one finds the unlimited boundaries of man, concealed by words.
Each word's evocative value or virtue, its individual power of touching springs in the mind and of initiating visions, becomes a treasure to revel in. Besides this hold on affection a word may well have about it the glamorous prestige of high adventures in great company. Think of that the plain word "dust" calls to mind. "Then shall the dust return to the earth as it was." "Dust hath closed Helen's eye." "All follow this and come to dust." "The way to dusty death." So, to the lover of words, each word may be not a precious stone only, but one that has shone on Solomon's temple or in Cleopatra's hair.
'When I use a word ' Humpty Dumpty said in rather a scornful tone 'it means just what I choose it to mean - neither more nor less.' 'The question is ' said Alice 'whether you can make words mean so many different things.' 'The question is ' said Humpty Dumpty 'which is to be master - that's all.'