I’d loved women who were old and who were young; those extra kilos and large rumps, and others so thin there was barely even skin to pinch, and every time I held them, I worried I would snap them in two. But for all of these: where they had merited my love was in their delicious smell. Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour.

Live your life in such a way that you'll be remembered for your kindness, compassion, fairness, character, benevolence, and a force for good who had much respect for life, in general.

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7 keys to getting more things done: 1 start 2 dont make excuses3 celebrate small steps4 ignore critics5 be consistent6 be open7 stay positive

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No one else knows exactly what the future holds for you, no one else knows what obstacles you've overcome to be where you are, so don't expect others to feel as passionate about your dreams as you do.

Ô, the wine of a woman from heaven is sent,more perfect than all that a man can invent.

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If you grow up the type of woman men want to look at,You can let them look at you.But do not mistake eyes for hands,Or windows for mirrors.Let them see what a woman looks like.They may not have ever seen one before.If you grow up the type of woman men want to touch,You can let them touch you.Sometimes it is not you they are reaching for.Sometimes it is a bottle, a door, a sandwich, a Pulitzer, another woman –But their hands found you first.Do not mistake yourself for a guardian, or a muse, or a promise, or a victim or a snack.You are a woman –Skin and bones, veins and nerves, hair and sweatYou are not made of metaphors,Not apologies, not excuses.If you grow up the type of woman men want to hold,You can let them hold you.All day they practice keeping their bodies upright.Even after all this evolving it still feels unnatural,Still strains the muscles, holds firm the arms and spine.Only some men will want to learn what it feels like to curl themselves into a question mark around you,Admit they don’t have the answers they thought they would by now.Some men will want to hold you like the answer.You are not the answer.You are not the problem.You are not the poem, or the punchline, or the riddle, or the joke.Woman, if you grow up the type of woman men want to love,You can let them love you.Being loved is not the same thing as loving.When you fall in love,It is discovering the ocean after years of puddle jumping.It is realising you have hands.It is reaching for the tightrope after the crowds have all gone home.Do not spend time wondering if you are the type of woman men will hurt.If he leaves you with a car alarm heart.You learn to sing along.It is hard to stop loving the ocean,Even after it’s left you gasping, salty.So forgive yourself for the decisions you’ve made,The ones you still call mistakes when you tuck them in at night,And know this.Know you are the type of woman who is searching for a place to call yours.Let the statues crumble.You have always been the place.You are a woman who can build it yourself.You are born to build.

Weston, having been born in Chicago, was raised with typical, well-grounded, mid-western values. On his 16th birthday, his father gave him a Kodak camera with which he started what would become his lifetime vocation. During the summer of 1908, Weston met Flora May Chandler, a schoolteacher who was seven years older than he was. The following year the couple married and in time they had four sons.Weston and his family moved to Southern California and opened a portrait studio on Brand Boulevard, in the artsy section of Glendale, California, called Tropico. His artistic skills soon became apparent and he became well known for his portraits of famous people, such as Carl Sandburg and Max Eastman. In the autumn of 1913, hearing of his work, Margrethe Mather, a photographer from Los Angeles, came to his studio, where Weston asked her to be his studio assistant. It didn’t take long before the two developed a passionate, intimate relationship. Both Weston and Mather became active in the growing bohemian cultural scene in Los Angeles. She was extremely outgoing and artistic in a most flamboyant way. Her bohemian sexual values were new to Weston’s conventional thinking, but Mather excited him and presented him with a new outlook that he found enticing. Mather was beautiful, and being bisexual and having been a high-class prostitute, was delightfully worldly. Mather's uninhibited lifestyle became irresistible to Weston and her photography took him into a new and exciting art form. As Mather worked and overtly played with him, she presented a lifestyle that was in stark contrast to Weston’s conventional home life, and he soon came to see his wife Flora as a person with whom he had little in common.Weston expanded his horizons but tried to keep his affairs with other women a secret. As he immersed himself further into nude photography, it became more difficult to hide his new lifestyle from his wife. Flora became suspicious about this secret life, but apparently suffered in silence. One of the first of many women who agreed to model nude for Weston was Tina Modotti. Although Mather remained with Weston, Tina soon became his primary model and remained so for the next several years. There was an instant attraction between Tina Modotti, Mather and Edward Weston, and although he remained married, Tina became his student, model and lover. Richey soon became aware of the affair, but it didn’t seem to bother him, as they all continued to remain good friends. The relationship Tina had with Weston could definitely be considered “cheating,” since knowledge of the affair was withheld as much as possible from his wife Flora May.Perhaps his wife knew and condoned this new promiscuous relationship, since she had also endured the intense liaison with Margrethe Mather. Tina, Mather and Weston continued working together until Tina and Weston suddenly left for Mexico in 1923.As a group, they were all a part of the cozy, artsy, bohemian society of Los Angeles, which was where they were introduced to the then-fashionable, communistic philosophy.