Weather is a purely personal matter. There is no such thing as a climate that is cold or hot, good or bad, healthy or unhealthy. People take it upon themselves to create a fantasy in their imagination and call it weather. There's only one climate in the world, but the message that nature sends is interpreted according to strictly personal, non-transferable rules.
O, weary angels, don’t look at me with those eyes.If that is your state then what of our cries?What can I tell you of goodness that you don’t already know?What can I tell you of faith,of hope and lovethat you yourselves bestow?O, angels, don’t pluck another feather,this isn’t the sky, it’s just the weather.Please, angels, try.We are one all together.Look up and listen, I’ll say it once and then put down my pen:We are sorry for our ignoranceand even though we are worldly,it might happen again.We are sorry for your wearinessand even though you aren’t worldly,we are no more than human.
THE WEATHER OF LOVELoveHas a way of wiltingOr blossomingAt the strangest,Most unpredictable hour.This is how love is,An uncontrollable beastIn the form of a flower.The sun does not always shine on it.Nor does the rain always pour on itNor should it always get beaten by a storm.Love does not always emit the sweetest scents,And sometimes it can sting with its thorns.Water it.Give it plenty of sunlight.Nurture it,And the flower of love willOutlive you.Neglect it or keep dissecting it,And its petals will quickly curl up and die.This is how love is,Perfection is a delusional vision.So love the person who loves youUnconditionally,And abandon the oneWho only loves youUnder favorableConditions.
Even after the stormiest weather, a true warrior will still reflect the brilliant rays of the magnificent sun through both his or her eyes. You may get hit by sudden lighting or take severe beatings from the cruel wind, but you will always get back up and stand strong on your feet again, soak in the sunlight, and be prepared to get hit by even the most merciless hail - time and time again.
His (Samuel Coleridge) dark senses were constantly in play, the frustration of them bringing illness. Weather and organic nature combined in a synaesthetic multi-media event, and this was the ground of all perception before it was divded up in daily living: the Primary Imagination giving way to the Secondary. Poetry was forever seeking a conscious return to this state, which existed all the time, whether he knew it or not.
As much as I would like to know my path, a part of me is telling me that it is better not too know too many details about the end destination or the obstacles on the journey. If I can only see as much as my headlights will show me, I can travel safely through any kind of weather, knowing that there's life through every sunrise and sunset and when the light is not shining as I'm used to, I can always assure myself that the night sky will show me many fulfilled dreams and hopes portrayed through shining stars, and every now and then reveal me a part of the moon which reflects that everlasting light, whether fully or not, making me aware that the shadow will always have its' mysterious beauty as well in the process of underlying a part of the truth. So let's continue like this, with our eyes set out far away in the galaxy, but with our feet firm in the ground from which we have been raised. Only so will we be able to ground ourselves deeply and reach immeasurable heights, like a tree deeply rooted in mother Earth that stretches its' branches up to the heavens.
There are cities that get by on their good looks, offer climate and scenery, views of mountains or oceans, rockbound or with palm trees; and there are cities like Detroit that have to work for a living, whose reason for being might be geographical but whose growth is based on industry, jobs. Detroit has its natural attractions: lakes all over the place, an abundance of trees and four distinct seasons for those who like variety in their weather, everything but hurricanes and earth-quakes. But it’s never been the kind of city people visit and fall in love with because of its charm or think, gee, wouldn’t this be a nice place to live.
At that time, I well remember whatever could excite - certain accidents of the weather, for instance, were almost dreaded by me, because they woke the being I was always lulling, and stirred up a craving cry I could not satisfy. One night a thunder-storm broke; a sort of hurricane shook us in our beds: the Catholics rose in panic and prayed to their saints. As for me, the tempest took hold of me with tyranny: I was roughly roused and obliged to live. I got up and dressed myself, and creeping outside the basement close by my bed, sat on its ledge, with my feet on the roof of a lower adjoining building. It was wet, it was wild, it was pitch dark. Within the dormitory they gathered round the night-lamp in consternation, praying loud. I could not go in: too resistless was the delight of staying with the wild hour, black and full of thunder, pealing out such an ode as language never delivered to man - too terribly glorious, the spectacle of clouds, split and pierced by white and blinding bolts.
The ceaseless rain is falling fast,And yonder gilded vane,Immovable for three days past,Points to the misty main,It drives me in upon myselfAnd to the fireside gleams,To pleasant books that crowd my shelf,And still more pleasant dreams,I read whatever bards have sungOf lands beyond the sea,And the bright days when I was youngCome thronging back to me.In fancy I can hear againThe Alpine torrent's roar,The mule-bells on the hills of Spain,The sea at Elsinore.I see the convent's gleaming wallRise from its groves of pine,And towers of old cathedrals tall,And castles by the Rhine.I journey on by park and spire,Beneath centennial trees,Through fields with poppies all on fire,And gleams of distant seas.I fear no more the dust and heat,No more I feel fatigue,While journeying with another's feetO'er many a lengthening league.Let others traverse sea and land,And toil through various climes,I turn the world round with my handReading these poets' rhymes.From them I learn whatever liesBeneath each changing zone,And see, when looking with their eyes,Better than with mine own.
Is not this a true autumn day? Just the still melancholy that I love - that makes life and nature harmonise. The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, and begin to strew the ground, that one's very footsteps may not disturb the repose of earth and air, while they give us a scent that is a perfect anodyne to the restless spirit. Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive aut
There, on the far side of of the Atlantic, would be Maine, but despite the shared ocean, her island and this one were worlds apart. Where Inishmaan was gray and brown, its fragile man-made soil supporting only the hardiest of low-growing plants, the fertile Quinnipeague invited tall pines in droves, not to mention vegetables, flowers, and improbable, irrepressible herbs. Lifting her head, eyes closed now, she breathed in the damp Irish air and the bit of wood smoke that drifted on the cold ocean wind. Quinnipeague smelled of wood smoke, too, since early mornings there could be chilly, even in summer. But the wood smoke would clear by noon, giving way to the smell of lavender, balsam, and grass. If the winds were from the west, there would be fry smells from the Chowder House; if from the south, the earthiness of the clam flats; if from the northeast, the purity of sweet salt air.
I hear the Wind Woman running with soft, soft footsteps over the hill. I shall always think of the wind as a personality. She is a shrew when she blows from the north -- a lonely seeker when she blows from the east -- a laughing girl when she comes from the west -- and tonight from the south a little grey fairy.
The name Alaska is probably an abbreviation of Unalaska, derived from the original Aleut word agunalaksh, which means "the shores where the sea breaks its back." The war between water and land is never-ending. Waves shatter themselves in spent fury against the rocky bulwarks of the coast; giant tides eat away the sand beaches and alter the entire contour of an island overnight; williwaw winds pour down the side of a volcano like snow sliding off a roof, building to a hundred-mile velocity in a matter of minutes and churning the ocean into a maelstrom where the stoutest vessels founder.
It was very damp and misty–which some people from outside the Pacific Northwest consider to be rain, but I do not. This is typical weather for the Pacific Northwest and Olympia. It is often wet in Olympia, but we have an average of only 49.95 inches a year of actual precipitation. That’s less than in Denver. In Olympia, the air is damp, and water collects and drips from everywhere. We do not get big downpours, but we get damp and spongy. I don’t care. It helps the trees grow, and I climb the trees.
First, the wind would rumble in the distance like an approaching river, then he would see grass bend, pressed by a great invisible hand. The dull rumble would rise in pitch to a swishing, lashing exultation, causing stalks to lie flat against the ground while the tougher branches of shrubs held themselves up and shrieked their defiance in the gusts. Then the first drops, cold and heavy, would plummet from the sky and burst on the ground.
The true test of a warrior is how your 'stance' holds up after any 'circumstance'. Meaning, even after the stormiest weather, a true warrior will still reflect the brilliant rays of the magnificent sun through both his or her eyes. You may get hit by sudden lightning or take severe beatings from the cruel wind, but you will always get back up and stand strong on your feet again, soak in the sunlight, and be prepared to get hit by even the most merciless hail - time and time again.
Dr. Morris soon recognized that the difference between successful and unsuccessful marriages can often be traced to how well couples are able to "bond" during the courtship period. By bonding he referred to the process by which a man and woman become cemented together emotionally. It describes the chemistry that permits two previous strangers to become intensely valuable to one another. It helps them weather the storms of life and remain committed in sickness and health, for richer or poorer, for better or worse, forsaking all others until they are parted in death. It is a phenomenal experience that almost defies description.
Storm WarningsThe glass has been falling all the afternoon, And knowing better than the instrument What winds are walking overhead, what zone Of grey unrest is moving across the land, I leave the book upon a pillowed chair And walk from window to closed window, watching Boughs strain against the skyAnd think again, as often when the air Moves inward toward a silent core of waiting, How with a single purpose time has traveled By secret currents of the undiscerned Into this polar realm. Weather abroad And weather in the heart alike come on Regardless of prediction.Between foreseeing and averting change Lies all the mastery of elements Which clocks and weatherglasses cannot alter. Time in the hand is not control of time, Nor shattered fragments of an instrument A proof against the wind; the wind will rise, We can only close the shutters.I draw the curtains as the sky goes black And set a match to candles sheathed in glass Against the keyhole draught, the insistent whine Of weather through the unsealed aperture. This is our sole defense against the season; These are the things we have learned to do Who live in troubled regions.
Friends are like the stars that glow in the sky... you don't always see them, but you know they're always there overhead, and even when it's cloudy, snowy or stormy, even when the power goes out and you're trapped in darkness, they'll always find a way to shine through to you.
She wishes her grandmother had not been so protective, and that she understood better what passes between a man and woman. As it is, she simply enjoys the feelings and wonders if they are what lightning is made of, for everything comes back to the weather. Tears like rain. Smiles like the sun. Hair as dry as sand and fear like the dark ocean.
People always say that digital cameras are much more stable than film cameras, but the truth is that digital cameras, or any kind of digital technology, is one of the most unstable things in the world. A film camera can last decades if you know how to look after it, but digital things can break down instantly. A violent storm, a nuclear bomb, even something as minor as a cracked screen or the releasing of newer models, can make a digital product just a block of useless metal.
I’ve found that it’s of some help to think of one’s moods and feelings about the world as being similar to weather. Here are some obvious things about the weather:It's real. You can't change it by wishing it away.If it's dark and rainy, it really is dark and rainy, and you can't alter it.It might be dark and rainy for two weeks in a row.BUTit will be sunny one day.It isn't under one's control when the sun comes out, but come out it will.One day.It really is the same with one's moods, I think. The wrong approach is to believe that they are illusions. Depression, anxiety, listlessness - these are all are real as the weather - AND EQUALLY NOT UNDER ONE'S CONTROL. Not one's fault.BUTThey will pass: really they will.In the same way that one really has to accept the weather, one has to accept how one feels about life sometimes, "Today is a really crap day," is a perfectly realistic approach. It's all about finding a kind of mental umbrella. "Hey-ho, it's raining inside; it isn't my fault and there's nothing I can do about it, but sit it out. But the sun may well come out tomorrow, and when it does I shall take full advantage.
That year, when the trees burned the fire of late summer into their leaves and the ground mist was a ghost of the river, long and wet and cold, the aunt looked from her windows to the walls around her and imagined another winter inside them. She began to see the world as a bird sees bars, and she scratched her arms beneath her sleeves.
The sun rises with a surprising intensity, a sign that June Gloom has cleared the runway and July is on approach. We are both tired, and it would've been to return to our bed after our morning walk, read from a book maybe, drift lazily in and out of sleep. But the sun beckons with a blazingly confrontational message: There is darkness, but there is also light. To stay in bed would be to embrace the darkness, the seizures, the octopus. To go outside is to embrace the light.
Although it was autumn and not summer the dark-gold sunlight and the inky shadows, long and slender in the shape of felled cypresses, were the same, and there was the same sense of everything drenched and jewelled and the same ultramarine glitter on the sea. I felt inexplicably lightened; it was as if the evening, in all the drench and drip of its fallacious pathos, had temporarily taken over from me the burden of grieving.
Like the weather or bonds between lovers, transformations can never be predicted. All energy transmutes one day or another, in one way or another. Either in its form or composition, or in its position or disposition.
The economy of your country shall never determine the size of your three square meals if you know you can rise against and above all limitations! The climatic emergencies in the weather shall never determine your survival rates if you know you are above their standards!
If you lose your integrity, you will also lose your identity, your sensitivity and your dignity. Integrity is honesty, modesty and security in all kinds of weather. It should be our priority!
It's not the weather that's bad or good, it's whether you have good or bad mood. It's cloudy and cold, I feel happy and bold, As the storm unfolds, I turn silver in gold!
No sun—no moon! No morn—no noon—No dawn— No sky—no earthly view— No distance looking blue—No road—no street—no "t'other side the way"— No end to any Row— No indications where the Crescents go— No top to any steeple—No recognitions of familiar people— No courtesies for showing 'em— No knowing 'em!No traveling at all—no locomotion,No inkling of the way—no notion— "No go"—by land or ocean— No mail—no post— No news from any foreign coast—No park—no ring—no afternoon gentility— No company—no nobility—No warmth, no cheerfulness, no healthful ease, No comfortable feel in any member—No shade, no shine, no butterflies, no bees,No fruits, no flowers, no leaves, no birds, November!
Every feeling I ever knew was up in that sky: Twinkling joyous sunlight; airy, giggling cloud wisps; blinding columns of sun. Orbs of gold, pink, flesh, utterly cheesy in their luminosity. Gigantic puffy clouds, welcoming, forgiving, repeating infinitely across the horizon as if between mirrors; and slices of rain, pounding wet misery in the distance now, but soon on us, and in another part of the sky, a black stain, rainless.
October air, complete with dancing leaves and sighing winds greeted him as he stepped from the bus onto the dusty highway. Coolness embraced. The scent of burning wood hung crisp in the air from somewhere far in the distance. His backpack dropped in a flutter of dust. He surveyed dying cornfields from the gas station bus stop. Seeing this place, for the first time in over twenty years, brought back a flood of memories, long buried and forgotten.
You have a long history," he said, when Lanya indicated her story was finished. "Ah, Harrier, were I to tell you a long story, we should be here for a sennight, perhaps more. Long stories are best saved for deep winter, when the days are short and time grows heavy." Lanya glanced at the sky.
Many rulers would have spent the morning complaining loudly about the cold and the discomfort, as if their complaints would actually serve to alleviate the situation and as if their attendants should be able to do something about it. Not the emperor. He accepted the situation knowing that he could do nothing to change the weather. Best to endure it without making life more difficult for those around him.
Religion should be subject to commonsense appraisal and rational review, as openly discussible as, say, politics, art and the weather. The First Amendment, we should recall, forbids Congress both from establishing laws designating a state religion and from abridging freedom of speech. There is no reason why we should shy away from speaking freely about religion, no reason why it should be thought impolite to debate it, especially when, as so often happens, religious folk bring it up on their own and try to impose it on others.
The Farmer’s Almanac promised a cold winter. The coldest in decades. Andrew grinned, unaware of how hideously ugly it made him. Let the winter be record breaking. The year would be marked in infamy and not for the weather alone. He could imagine the headlines, mentioning it as the winter of death, as his spree was just beginning. It would put the town on the map.
It was our first time really talking to one another. We talked about the weather. Now, I dont like surface conversations about the weather. It seems to just be a way to have a polite conversation because there isn't really much else to say. Sometimes it's a way to buffer an awkward situation, or light enough of a topic to carry in passing and quickly abandon without anything left hanging. But this particular weather discussion was far from that. It was so eloquent. We talked about how the weather can inspire certain longings. It was laced with romantic intonations. You could sense the magnitude of how powerful this energy transfer between us in the climate we were existing in, already was and could be.
The dark hills, with the darker spruces marching over them, looked grim on early falling nights, but Ingleside bloomed with firelight and laughter, though the winds come in from the Atlantic singing of mournful things. "Why isn't the wind happy, Mummy?" asked Walter one night. "Because it is remembering all the sorrow of the world since it began," answered Anne.
We may achieve climate, but weather is thrust upon us. Santone, then, cannot be blamed for this cold gray fog that came and kissed the lips of the three thousand, and then delivered them to the cross. That night the tubercles, whose ravages hope holds in check, multiplied. The writhing fingers of the pale mist did not go thence bloodless. Many of the wooers of ozone capitulated with the enemy that night, turning their faces to the wall in that dumb, isolated apathy that so terrifies their watchers. On the red stream of Hemorrhagia a few souls drifted away, leaving behind pathetic heaps, white and chill as the fog itself. Two or three came to view this atmospheric wraith as the ghost of impossible joys, sent to whisper to them of the egregious folly it is to inhale breath into the lungs, only to exhale it again, and these used whatever came handy to their relief, pistols, gas or the beneficent muriate. - A Fog in Santone (1898-1901)
It was Friday, so the farmers' market was in full autumnal swing, a sea of potted chrysanthemums and bushel after bushel of apples, pears, Fauvist gourds, and pumpkins with erotically fanciful stems. On one table stood galvanized buckets of the year's final roses; on another, skeins of yarn in muted, soulful purples and reds. Walter loved this part of the season- and not just because it was the time of year his restaurant flourished, when people felt the first yearnings to sit by a fire, to eat stew and bread pudding and meatloaf, drink cider and toddies and cocoa. He loved the season's transient intensity, its gaudy colors and tempestuous skies.
We have, as a nation, made choices that by all reasonable expectations should have put us in harm's way. There is little doubt that we continue to make choices that are likely to make the danger even greater. And yet, by dint of an accident of geography and economics, we have so far been spared the worst consequences of our actions. And even as those consequences begin to take hold in other places, here, in the parts of America where most of us live, at least for the moment, we can hear the winds roaring over our heads like that coal train, but somehow the worst of the danger still seems removed. What is our responsibility? (164)
Gray clouds were charging across tissues of white, which stretched and shredded and tore slowly, until through their final layers there gleamed a hint of the disappearing blue. Summer was retreating. The wind roared, the trees groaned, yet the noise seemed insufficient for those vast operations in heaven. The weather was breaking up, breaking, broken, and it is a sense of the fit rather than of the supernatural that equips such crises with the salvos of angelic artillery.
Before heading back up the road, she had turned for a moment toward the sea. In the late afternoon light, the water was gray wrinkled with orange. Tiger water, she called it when it looked like that. Rhino water was smooth and leaden, dull as smoke. But her favorite was polar bear water, when the moon hung low and large, as if too heavy to rise very high, and scattered great radiant patches, like ice floes, across a dark blue ocean.
The fruition of the year had come and the night should have been fine with a moon in the sky and the crisp sharp promise of frost in the air, but it wasn't that way. It rained and little puddles of water shone under the street lamps on Main Street. In the woods in the darkness beyond the Fair Ground water dripped from the black trees.
A small and sinister snow seems to be coming down relentlessly at present. The radio says it is eventually going to be sleet and rain, but I don't think so; I think it is just going to go on and on, coming down, until the whole world...etc. It has that look.
There’s a passage in John Steinbeck’s “East of Eden” that does a pretty good job describing California’s rainfall patterns:The water came in a 30-year cycle. There would be five to six wet and wonderful years when there might be 19 to 25 inches of rain, and the land would shout with grass. Then would come six or seven pretty good years of 12 to 16 inches of rain. And then the dry years would come ...
Rain in the Northwest is not the pounding, flashing performance enjoyed by the eastern part of the nation. Nor is it the festive annual soaking I'd been used to in Southern California. Rather, it's a seven-month drizzle that darkens the sky, mildews the bath towels, and propels those already prone to depression into the dim comforts of antihistamines and a flask.
At that instant a dazzling claw of lightning streaked down the length of the sky. The hedge and the distant trees seemed to leap forward in the brilliance of the flash. Immediately upon it came the thunder: a high, tearing noise, as though some huge thing were being ripped to pieces close above, which deepened and turned to enormous blows of dissolution. Then the rain fell like a waterfall. In a few seconds the ground was covered with water and over it, to a height of inches, rose a haze formed of a myriad minute splashes. Stupefied with the shock, unable even to move, the sodden rabbits crouched inert, almost pinned to the earth by the rain.
It was pretty miserable wretches that minded at all whether they were wet or dry. He could not understand why such people had been born. "It's nothing but damned eccentricity to want to be dry" he would say. "I've been wet more than half my life and never been a whit the worse for it.
The wind has shifted to the East. A storm isn't far off. I can smell the moisture in the air, a fetid, living thing. Isolated drops fall, licking at my hands, my face, my dress. The quests squawk in surprise, turn their palms up to the sky as if questioning it, and dash for cover.
There's no question winter here can take a chunk out of you. Not like the extreme cold of the upper Midwest or the round-the-clock darkness of Alaska might, but rather the opposite. Here, it's a general lack of severity - monotonous flat gray skies and the constant drip-drip of misty rain - that erodes the spirit.
The coast is an edgy place. Living on the coast presents certain stark realities and a wild, rare beauty. Continent confronts ocean. Weather intensifies. It's a place of tide and tantrum; of flirtations among fresh- and saltwaters, forests and shores; of tense negotiations with an ocean that gives much but demands more. Every year the raw rim that is this coast gets hammered and reshaped like molten bronze. This place roils with power and a sometimes terrible beauty. The coast remains youthful, daring, uncertain about tomorrow. The guessing, the risk; in a way, we're all thrill seekers here.
With all this snow, with the sun not there, with the cold and dreariness, this place doesn't look like my America, doesn't even look real. It's like we are in a terrible story, like we're in the crazy parts of the Bible, there where God is busy punishing people for their sins and is making them miserable with all the weather. The sky, for example, has stayed white all this time I have been here, which tells you that something is not right. Even the stones know that a sky is supposed to be blue, like our sky back home, which is blue, so blue you can spray Clorox on it and wipe it with a paper towel and it wouldn't even come off.
There were, in Feo's experience, five kinds of cold. There was wind cold, which Feo barely felt. It was fussy and loud and turned your cheeks as red as if you'd been slapped, but couldn't kill you even if it tried. There was snow cold, which plucked at your arms and chapped your lips, but brought real rewards. It was Feo's favorite weather: The snow was soft and good for making snow wolves. There was ice cold, which might take the skin off your palm if you let it, but probably wouldn't if you were careful. Ice cold smelled sharp and knowing. It often came with blue skies and was good for skating. Feo had respect for ice cold. Then there was hard cold, which was when the ice cold got deeper and deeper until at the end of a month you couldn't remember if the summer had ever really existed. Hard cold could be cruel. Birds died in midflight. It was the kind of cold that you booted and kicked your way through.And then there was blind cold. Blind cold smelled of metal and granite. It took all the sense out of your brain and blew the snow into your eyes until they were glued shut and you had to rub spit into them before they would blink. Blind cold was forty degrees below zero. This was the kind of cold that you didn't sit down to think in, unless you wanted to be found dead in the same place in May or June.Feo had felt blind cold only once.
As a kid, snow served the useful purpose of closing schools. As an adult—it shuts down any activity a decent, suntanned person over the age of thirty-five enjoys. I don’t do snow forts, snowballs, snow angels, snowmen, snowmobiles, or snowshoes. I don’t like to walk in it, drive in it, ski on it, or sled on it. Other than that, snow is just ducky.
These marvels were great and comfortable ones, but in the old England there was a greater still. The weather behaved itself.In the spring all the little flowers came out obediently in the meads, and the dew sparkled, and the birds sang; in the summer it was beautifully hot for no less than four months, and, if it did rain just enough for agricultural purposes, they managed to arrange it so that it rained while you were in bed; in the autumn the leaves flamed and rattled before the west winds, tempering their sad adieu with glory; and in the winter, which was confined by statute to two months, the snow lay evenly, three feet thick, but never turned into slush.
It was snowing when I got off the bus at Flax Hill. Not quite regular snowfall, not exactly a blizzard. This is how it was: The snow came down heavily, settled for about a minute, then the wind moved it - more rolled it, really - onto another target. One minute you were covered in snow, then it sped off sideways, as if a brisk, invisible giant had taken pity and brushed you down.
Then, just at the peak of complacency, when it was assumed that the climate of the world had changed forever, when the conductor of the philharmonic played Vivaldi’s Four Seasons and left out an entire movement, and when to children of a young age stories of winter were told as if they were fairy tales, New York was hit by a cataclysmic freeze, and, once again, people huddled together to talk fearfully of the millennium.
I knew by the signs it would be a hard winter. The hollies bore a heavy crop of berries and birds stripped them bare. Crows quarreled in reaped fields and owls cried in the mountains, mournful as widows. Fur and moss grew thicker than usual. Cold rains came, driven sideways through the trees by north winds, and snows followed.