The two qualities essential to a good man were honesty and compassion, Malin felt. His father lived his life as if he had rejected these qualities. Saviman Kabalana reasoned that loving kindness and compassion were weaknesses. Therefore he hid behind a mask that concealed his innate human qualities of love and kindness, both in his office and at home.
It did not occur to Kabalana that the behaviour of these two young men was not a consequence of their education and experiences in England. Kabalana did not have the objectivity in thinking to acknowledge this. What they acquired in England was an education that encouraged independent thought. The social environment encouraged independent thought, but also the expression of such thoughts without fear. The English people have no unchanging past. Scientific knowledge, the Arts and social conventions change even in a matter of weeks and months.
There's curd, but is it alright to eat curd after eating meat?" asked Weligama Hamine, placing the dish of vegetables in her hands on the table. "Our parents never allowed us to eat curd after meat.""There's no harm in eating curd, Amma," Aravinda said. "It may be a little harmful to eat curd after too much meat. Meats contains essential elements that take time to digest. This is also true of milk. That's why this belief would have grown. If we eat a large quantity of meat without rice, and follow with curd, there is a possibility of indigestion."Weligama Hamine accepted the professional knowledge of her son who had qualified in England. She however, did not abandon her own view completely.
Why was Malin deliberately trying to hurt the feelings of his parents? Aravinda could not find an answer. Hurting his own parents' feelings was something alien to Aravinda. He lived among rural folk who encouraged children not to flout the wishes of parents and elders.
Malin listened to Wickramanayake's gossip dispassionately. He did not accept Wickramanayake's opinion that it was the influence of Western customs and attitudes that prompted Savulugala, in his straitened economic circumstances, to allow his wife to befriend and exploit wealthy men. There were poor people in both town and village who exploited even their daughters to get money. Did these poor parents degrade themselves because they were enslaved by Western culture? It was the prevailing economic and social order that brought them to this.
Chamari: "Aravinda, have you been to Kataragama?"Aravinda: "No, I've never been there."Chamari: "What? That's unbelievable for someone born in Deniyaya!"Aravinda: "Going to Kataragama is not a custom of the rural folk. It is the middle class and wealthy urban people, not the villagers, who venerate the Kataragama god. He is the god of the urbanities. The villagers have now started to imitate the urban people."Chamari:"I thought even villagers used to go to Kataragama long ago."Aravinda: "No, It came from the rich urban Sinhalese of the towns who followed the rich Hindus.
A woman anticipates danger by instinct, rather than inductive reasoning. Due to this, when faced with danger due to passionate feelings related to their basic needs, women are impelled by reasoning, conditioned by instincts acquired from family traditions and the conventions of her social stratum, much more than men are.
A village woman from a poor family may violate the code of propriety, not because of poverty, but because she has been the victim of the menace of male predators. A woman from a family of the gentry, would never be the victim of such intimidation. Moreover the women of the gentry were bonded to follow their code of conduct and not to transgress, by generations of breeding.
Malin had been born and bred in an upper-class family. Was that the cause of his dissillusionment and bitterness with that way of life? The way he could have peace of mind therefore, was by detaching himself from that way of life and battling against it. Would Prince Siddharta have renounced the world if he had been born into poverty?
Primitive veddhas moulded images of women with full-blown breasts and legs. This was not to evoke sensuous pleasure, but as symbolic images related to their faith in religious fertility rites with the aim of increasing their return from harvesting and hunting. The modern artist magnifies the breasts of the woman in a painting in order to derive and to evoke erotic pleasure. That is how vulgarity enters their art.