...were these Essays of mine considerable enough to deserve a critical judgment, it might then, I think, fallout that they would not much take with common and vulgar capacities, nor be very acceptable to the singular and excellent sort of men; the first would not understand them enough, and the last too much; and so they may hover in the middle region.
Truth is not fully explosive, but purely electric. You don't blow the world up with the truth; you shock it into motion.
The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman's sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh.
You maintain hope for humanity as an infinite skeptic of gossip and slander. In all mankind's desires for entertainment and exaggeration and sensationalism, when it comes to gossip, the individual always sounds worse than he really is. This is why adhering to gossip subtly affects the mental state of the listener - he goes on holding shady opinions regardless of where the realities of their lights and darknesses may stand.
Early in 1967 Highsmith's agent told her why her books did not sell in paperback in America. It was, said Patricia Schartle Myrer, because they were 'too subtle', combined with the fact that none of her characters were likeable. 'Perhaps it is because I don't like anyone,' Highsmith replied. 'My last books may be about animals'.
Atmosphere, not action, is the great desideratum of weird fiction. Indeed, all that a wonder story can ever be is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Prime emphasis should be given to subtle suggestion - imperceptible hints and touches of selective associative detail which express shadings of mood and build up a vague illusion of the strange reality of the unreal. Avoid bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and symbolism.
He said that it was very difficult to become an astronaut. I said that I knew. You had to become an officer in the air force and you had to take lots of orders and be prepared to kill other human beings, and I couldn't take orders. Also I didn't have 20/20 vision, which you needed to be a pilot.
When it comes to doing something about what is wrong in the world, Jesus is best known for his fondness for the minute, the invisible, the quiet, the slow – yeast, salt, seeds, light. And manure.
That image of a chessboard — an epic contest between two giant players, carefully nudging their pieces around the globe as part of a grand strategy — has indeed become a familiar metaphor for the Cold War. But it is misleading. Many decisions remembered today for their farsighted, tactical brilliance were denounced in their day as weak-willed. And big, public gestures often made less difference than the small, hidden ones.