I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of.But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone.Take it from me: If you hear the past speaking to you, feel it tugging at your back and running its fingers up your spine, the best thing to do—the only thing— is run.
A JEWELRY STORE NAMED INDIAIf you hold this Dazzling emeraldUp to the sky,It will shine a billion Beautiful miraclesPainted from the tearsOf the Most High.Plucked from the lush gardensOf a yellowish-green paradise,Look inside this hypnotic gemAnd a kaleidoscope of Titillating, Soul-raising Sights and colorsWill tease and seduceYour eyes and mind.Tell me, sir.Have you ever heardA peacock sing?Hold your earTo this mystical stoneAnd you will hearSacred hymns flowingTo the vibrationsOf the perfumedWind.
Stone-cutters fighting time with marble, you fore defeated Challengers of oblivion Eat cynical earnings, knowing rock splits, records fall down, The square-limbed Roman letters Scale in the thaws, wear in the rain. The poet as well Builds his monument mockingly; For man will be blotted out, the blithe earth die, the brave sun Die blind and blacken to the heart: Yet stones have stood for a thousand years, and pained thoughts found The honey of peace in old poems.
There are very few things that live in both this world and the world of dreams. Most are gods, angels and demons. The Stone you hold was made by Vlad Valkire the son of an angel and a demon. By the divine blood that ran in his veins, Valkire could see the light and hear the song of creation -- if only as glimmerings and whispers. "Over time, he became aware of the light and the music and as he grew so did his understanding of it. At the age of twenty two, he began his greatest labor -- the making of the Wyrd Stones. In them he captured the light and song of creation and by them some of the powers of gods, angels and demons fell into the hands of elves and men. A sorcerer who knows its secret may -- like a god, angel, or demon -- stand with one foot in this world and another within the world of dreams. "Your Stone is a gateway into the world of dreams, Luthiel. When you sing, it opens and you are, in part, taken there. Others who hold a Wyrd Stone like yours may know when someone crosses into dream. When you sang, I could hear you quite clearly.
The greater the fruit a trees bears, the greater the number of stones thrown at it.
The greater the fruit a tree bears, the greater the number of stones thrown at it.
When a rock transforms into a diamond, lesser stones will not speak of its beauty, but speak of its unpolishedness.
I crawled over the mountain of death, Watching the corpses roll down like the stones. Searching for the light which everyone always spoke of. I fought the wolves and also the death, and knocked the door, which already had a thousand handprints, soaked with blood. The door opened finally and I saw the light, which hit me in the heart and pushed me down the steep. I fell into the never ending pit, watching others crawl up the mountain in the search of light.
I took him to the river and said “let’s watch something drown,” So he took a stoneand I took my necklaceand we threw it all together,the way I always think I will get better in July. Things will change and sounds won’t acheand I gave my heart to uncertainty so many times, and so I took him to the river,threw the necklace in the river to slowly watch it drown, or burn, or fade awaylike I’ve done so many times.
Words, no matter whether they are vocalized and made into sounds or remain unspoken as thoughts, can cast an almost hypnotic spell upon you. You easily lose yourself in them, become hypnotized into implicitly believing that when you have attached a word to something, you know what it is. The fact is: You don’t know what it is. You have only covered up the mystery with a label. Everything, a bird, a tree, even a simple stone, and certainly a human being, is ultimately unknowable. This is because it has unfathomable depth. All we can perceive, experience, think about, is the surface layer of reality, less than the tip of an iceberg.
I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think.
Anna was, Livia is, Plurabelle's to be. Northmen's thing made southfolk's place but howmulty plurators made eachone in per-son? Latin me that, my trinity scholard, out of eure sanscreed intooure eryan! Hircus Civis Eblanensis! He had buckgoat paps on him, soft ones for orphans. Ho, Lord! Twins of his bosom. Lord save us! And ho! Hey? What all men. Hot? His tittering daugh-ters of. Whawk? Can't hear with the waters of. The chittering waters of. Flitter-ing bats, fieldmice bawk talk. Ho! Are you not gone ahome?What Thom Malone? Can't hear with bawk of bats, all thim liffey-ing waters of. Ho, talk save us! My foos won't moos. I feel as old as yonder elm. A tale told of Shaun or Shem? All Livia's daughter-sons. Dark hawks hear us. Night! Night! My ho head halls. I feel as heavy as yonder stone. Tell me of John or Shaun? Who wereShem and Shaun the living sons or daughters of? Night now!Tell me, tell me, tell me, elm! Night night! Telmetale of stem or stone. Beside the rivering waters of, hitherandthithering waters of. Night!
Gray.The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me.Gray...
He pulled his hand back, aware now that sweat beaded on his forehead and that Rale watched him, his eyes dark, intense. Errol licked his lips. Did he want a drink? He hadn't gone more than two days in a row without a drink since he was...since...Warrel...the quarry...stone.
They fought because they loved the dance, and the weight of a sword in their hands. The clash and spark of metal and hiss of flame was like music written just for them. They fought for glory, but not for blood. They were Weirlind, heirs of the warrior's stone. And they always slept better with blades beneath their beds.
Going by Dr. Marriott's description, Zoe imagined it to be small and elegant as she peered into dozens of shelves, rummaging through the contents. There were globes and charts and atlases, pocket watches and hand-painted Indian silk, gold-plated cutlery, litter coffers of spice, inlaid combs, silver fasteners, trinket boxes, blown-glass figurines, turn-of-the-century postcards with foreign stamps, and portraits of Victorian authors in elaborate frames. But nowhere did she discover a stone of any kind, with or without runes.