Nobody played poker with Mike Walsh--at least, not twice--but people fought to get aboard Constellation. Her command record since Mike took her was almost the equal of Enterprise's for danger, daring, and success not only snatched from the jaws of failure, but afterward used to beat failure over the head.
The president has listened to some people, the so-called Vulcans in the White House, the ideologues. But you know, unlike the Vulcans of Star Trek who made the decisions based on logic and fact, these guys make it on ideology. These aren't Vulcans. There are Klingons in the White House. But unlike the real Klingons of Star Trek, these Klingons have never fought a battle of their own. Don't let faux Klingons send real Americans to war.
we roar along the rust belts——the great red spot——the polar vortex——the caress of solar flares——ruffle the molten methane and ammonia oceans of me——the storm-riven non-surface of me and mine——that which you call skin——a threadbare term to describe where I stop and others begin——
This is a new land, this is a new place, this is a new world, this is unknown. This is uncharted, this is all there is. We don't have any other place to go. I always quote Gene as saying "Why are we now going into space? Well, why did we trouble to look past the next mountain? Our prime obligation to ourselves is to make the unknown known. We are on a journey to keep an appointment with whatever we are." And that was his whole philosophy of Star Trek, of life, of everything else.
Some people view Gene as a man with a wild futuristic utopian fantasy, but that’s too simple. Star Trek did not promise that people would magically become inherently “better,” but that they would progress, always reaching for their highest potential and noblest goals, even if it took centuries of taking two steps forward and one step back. Ideally, humankind would be guided in its quest by reason and justice. The ultimate futility of armed conflict, terrorism, dictatorial rule, prejudice, disregard for the environment, and exercising power for its own sake was demonstrated time and again
As I approach a new project, my process always begins with the question: what is it about? Here’s one answer that might apply to a Star Trek movie... I want it to be about the most horrible, treacherous aliens ever known to man who are about to destroy life as we know it, leading to the most spectacular thrill ride of an adventure with fantastic space battles and huge explosions and great special effects -- a white knuckle ride for the movie audience. Yeah, but what’s it about?I can write space battles with the best of them, but what makes that space battle interesting to me is: why are they fighting? What are the stakes? What does the hero lose if he loses? And what does he win if he wins? Why should we care? I'm talking about the second level of story-telling. The level that examines what's going on inside the characters — their moral and ethical dilemmas, their doubts, fears, inner conflicts, how they change as the story progresses. These are the things that make us, as members of an audience, get emotionally involved.
We combine our three packs of pasta for dinner – pesto. We tip the dried stuff into a pan, add water and simmer. We try it, looking at each other with disbelief as it hits the tastebuds. ‘It’s pesto, Jim, but not as we know it,’ I say.‘Fascinating,’ says Lou, unsmiling humouring my Star Trek reference, while wincing at the foul food. (And what made me say that? Is there such a thing as a dad-joke vacuum that needs to be filled, even in the wild?)
Hope replaced fear. Light subsumed darkness. Strength, born of the power of this presence, mingled with Kathryn's own determination and reordered the last of her mangled body and soul, realigning them into all that she had once been.What she would now be was once again an open question.
We’re all in outer space, Jerry, and we’re in color. NBC claims to be the first full- color network, so let’s prove it for them. When you light the sets, throw wild colors in—magenta, red, green, any color you can find—especially behind the actors when they’re in a close shot. Be dramatic. In fact, go overboard. Backlight the women and make them more beautiful. Take some chances. No one can tell you that’s not the way the future will look.
Not that he wanted to say that. It would make it sound as if he wanted to blame her..Women were very complicated creatures. He suddenly realised he was running through his head a list of everything he considered preferable to women. It was a long and most impressive imaginary document.
The first duty of every Starfleet officer is to the truth, whether it's scientific truth or historical truth or personal truth! It is the guiding principle on which Starfleet is based! If you can't find it within yourself to stand up and tell the truth about what happened, you don't deserve to wear that uniform!
Were genuine aliens to find us… the chances were fairly good they would appear in a form beyond reckoning, shaped by the requirements of their environment. It was only for the convenience of the costume department of Star Trek that people believed in humanoid aliens.
If Captain Jean-Luc Picard asked you to serve him aboard the starship Enterprise, you'd likely be happy to. You would recognise him as a great leader and a good man, and so you wouldn't have any problem following his orders. This is basically the relationship God wants with us - not slaves, not pets, not possessions, we would be co-workers and friends.
Star Trek was an attempt to say that humanity will reach maturity and wisdom on the day that it begins not just to tolerate, but take a special delight in differences in ideas and differences in life forms. […] If we cannot learn to actually enjoy those small differences, to take a positive delight in those small differences between our own kind, here on this planet, then we do not deserve to go out into space and meet the diversity that is almost certainly out there.
Wesley Crusher: Say goodbye, Data. Lt. Cmdr. Data: Goodbye, Data. [crew laughs] Lt. Cmdr. Data: Was that funny? Wesley Crusher: [laughs] Lt. Cmdr. Data: Accessing. Ah! Burns and Allen, Roxy Theater, New York City, 1932. It still works. [pauses] Lt. Cmdr. Data: Then there was the one about the girl in the nudist colony, that nothing looked good on? Lieutenant Worf: We're ready to get under way, sir. Lt. Cmdr. Data: Take my Worf, please. Commander William T. Riker: [to Captain Picard] Warp speed, sir? Captain Jean-Luc Picard: Please.
He grumbles incoherently, opens the window a fraction and continues to smoke away. It’s like every time Sidney Drake enters a new location he has to readjust the atmosphere, akin to one of those sci-fi shows where they oxygenate the planet, but for my dad it’s in a suffocating reverse. He replaces the clean wholesome air with a non-stop puff of toxic poison.
In those days, men proved their strength and manliness by being well mannered, helpful, and gentle. Just how gentle they could be under trying circumstances, how civilised they could be in a harsh world, that was the measure of a man.