I wrote too many poems in a language I did not yet know how to speakBut I know now it doesn't matter how well I say grace if I am sitting at a table where I am offering no bread to eatSo this is my wheat fieldyou can have every acre, Lovethis is my garden songthis is my fist fightwith that bitter frosttonight I begged another stage light to become that back alley street lamp that we danced beneaththe night your warm mouth fell on my timid cheekas i sang maybe i need youoff keybut in tunemaybe i need you the way that big moon needs that open seamaybe i didn't even know i was here til i saw you holding megive me one room to come home togive me the palm of your handevery strand of my hair is a kite stringand I have been blue in the face with your skycrying a flood over Iowa so you mother will wake to Venice Lover, I smashed my glass slipper to build a stained glass window for every wall inside my chestnow my heart is a pressed flower and a tattered bibleit is the one verse you can trustso I'm putting all of my words in the collection plateI am setting the table with bread and gracemy knees are bentlike the corner of a pageI am saving your place
A good writer is also an avid reader. A good reader is also a vivid dreamer. A good dreamer is also a good learner. And a good learner is definitely a good listener. A good listener is always looking to what the heart speaks. A spoken heart talks directly to a silent soul. And a silent soul is most of the time in pace with a peaceful thought. A peaceful thought is also a good writer...
Poetry isn’t an island, it is the bridge. Poetry isn’t a ship, it is the lifeboat. Poetry isn’t swimming. Poetry is water.
The trouble with poetry is it's often written to the sound of a drum only the poet may hear; nonetheless, blessed are those poets who always manage to find unshakeable pleasure in their own works.
I enjoy poetry where I can talk as bizarre as I please, but theology or philosophy, I always respect the truth by taking it a step further.
who did I think we were.who did I thinkI could make you.this is the oldest mistake,to confuse wantingwith magic. silence is the undoingof every spell, and we are expertsin the unsaid. even now, I forgetto put us in past tense. as ifthe air in this city were the same.as if love is anything like its speaking.
A man's words reveal, first, the man. The words are not the man, and yet they reveal him faithfully and are to be identified with him. Out of the abundance of the heart, the man speaks. The foundational nature of all language is therefore metaphorical because every word a man speaks reveals himself—just as God reveals Himself through the Word. Every word spoken ultimately reveals the speaker.
...We claim the present as the pre-sent, as the hereafter. We are unraveling our navels so that we may ingest the sun. We are not afraid of the darkness, we trust that the moon shall guide us.We are determining the future at this very moment. We now know that the heart is the philosophers' stone. Our music is our alchemy. We stand as the manifested equivalent of 3 buckets of water and a hand full of minerals, thus realizing that those very buckets turned upside down supply the percussion factor of forever...
...We claim the present as the pre-sent, as the hereafter. We are unraveling our navels so that we may ingest the sun. We are not afraid of the darkness, we trust that the moon shall guide us. We are determining the future at this very moment. We now know that the heart is the philosophers' stone. Our music is our alchemy...