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People feeling the need to live inside of Faraday cages is a sad reflection on modern society that humans are devolving into living inside of safe spaces.

Steven Magee
people living sad need safe feeling society reflection humans modern inside faraday cages devolving spaces

A poetess is not as selfishas you assume.After months of agonising over her marriage of words—the bride—and spaces—the groom,she knows that as soonas she has penned the poem,it’s yours to consume.So, without giving it a think,she blows on the inkand the letters fly awaylike dandelions on a windy day,landing on hands and lips, on hearts and hips.But more often than not,you can easily spotthem trodden and forgotten,becoming sodden and rotten.Yet, she will continue to makewhat’s others to takebecause selfishness is not the mark of a poetess.

Kamand Kojouri
marriage poetry heart letter words writing hands selfish letters poet creativity word writer quote fly author selfishness think write creative-writing page ink novelist bride rhyme assume kamand kamand-kojouri kojouri wrote mark quotes-on-writing groom poetess pen lips forgotten erase paper consume written pencil months dandelion rotten silences hips spaces windy cadence agonise agonising penned poems-on-writing sodden trodden

It's a silly argument, and unnecessary. Creativity doesn't happen "in here" or "out there" but in the spaces in between. Creativity is a relationship, one that unfolds at the intersection of person and place.

Eric Weiner , in The Geography of Genius: A Search for the World's Most Creative Places from Ancient Athens to Silicon Valley
relationship creativity genius argument intersection spaces

There is no place more lonelyThan a rich man's home.

Margarita Engle , in The Firefly Letters
wealth loneliness spaces

It is these empty spaces you have to watch out for, as they flood up with feeling before you even realize what's happened.

Aimee Bender , in Willful Creatures
feelings flood spaces

Anyone who has become entranced by the sound of water drops in the darkness of a ruin can attest to the extraordinary capacity of the ear to carve a volume into the void of darkness. The space traced by the ear becomes a cavity sculpted in the interior of the mind.

Steven Holl , in Questions Of Perception: Phenomenology Of Architecture
experiences senses intuition spaces tangibility
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