A steampunk nationBaby pollution rises up then the loving comes arraigning 'causeOur art's official and only partially artificialAnd our heart's in the middle of sharp hardened shards of metal butThere's not where it settlesBecause it's beating to the steaming of God's hottest pot or kettleAnd now we face it, this creation we made toTo save our craving for a synthetic rebelnation it'sOur safeway they make into a pathetic revelationIn our steampunk nationOur steampunk nation
The real flight of this hawk is impending.Still,this bird is yet to be tested for real.Though I have leaped over the seas,well,the entire sky is still remaining to fly.And make sure that ,i am gonna do it with all my heart and all my soul.#loveyoourlife #liveyourlife #hvFUN
... so this is for us.This is for us who sing, write, dance, act, study, run and loveand this is for doing it even if no one will ever knowbecause the beauty is in the act of doing it.Not what it can lead to.This is for the times I lose myself while writing, singing, playingand no one is around and they will never knowbut I will forever rememberand that shines brighter than any praise or fame or glory I will ever have,and this is for you who write or play or read or singby yourself with the light off and door closedwhen the world is asleep and the stars are alignedand maybe no one will ever hear itor read your wordsor know your thoughtsbut it doesn’t make it less glorious.It makes it ethereal. Mysterious.Infinite.For it belongs to you and whatever God or spirit you believe inand only you can decide how much it meantand meansand will forever meanand other people will experience it toothrough you.Through your spirit. Through the way you talk.Through the way you walk and love and laugh and careand I never meant to write this longbut what I want to say is:Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourselfand let your very existence be your song, your poem, your story.Let your very identity be your book.Let the way people say your name sound like the sweetest melody.So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountainwhere no one will ever hearand your very existence will be the most hypnotising scar.Make your life be your artand you will never be forgotten.
Authors can write stories without people assuming that they are autobiographies, but songwriters and poets are often considered to be the characters in their works. I like Michelangelo's vision, 'I saw the angel in the marble and carved until I set him free.
Of course Tucker Crowe was in pain when he made [the record], but he couldn't just march into a recording studio and start howling. He'd have sounded mad and pathetic. He had to calm the rage, tame it and shape it so that it could be contained in the tight-fitting songs. Then he had to dress it up so that it sounded more like itself.
Music written by teams makes the authorship of a piece indistinct. Could it be that when hearing a song written by a team, a listener can sense that they aren't hearing an expression of a solitary individual's pain or joy, but that of a virtual conjoined person? Can we tell that an individual singer might actually represent a collective, that he might have multiple identities? Does that make the sentiments expressed more poetically universal? Dan eliminating some portion of the authorial voice make a piece of music more accessible and the singer more empathetic?
I won't be stuck in traffic 'til I see how rugged my path isAnd right now I'm loving how fast my troubles are fastingNo they don't bother me oh realizing I'm psychopathicA wild beast, baby I'm gladly running afterYes a thing called peace outlasting any madnessThe devil fears me oh he's feelingLike a fragment of a fractionNo he won't come near me'Cause his hat trick's out of practice
You’re going to have people who are going to say ‘Oh, you know like, she just writes songs about her ex-boyfriends’ and I think frankly that’s a very sexist angle to take. No one says that about Ed Sheeran. No one says it about Bruno Mars. They’re all writing songs about their exes, their current girlfriends, their love-life, and no one raises a red flag there.
Astray from a deep sleep chronic as I write by phonics, like insomnia I will always live the onyx night for revealing, and, upon it, still I'll steal the bright light of day right away just to keep building at speeds hypersonic.
Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourselfand let your very existence be your song, your poem, your story.Let your very identity be your book.Let the way people say your name sound like the sweetest melody.
I enjoy poetry where I can talk as bizarre as I please, but theology or philosophy, I always respect the truth by taking it a step further.
... because one day, maybe one day, if I learned how to write clear enough, sing loud enough, be strong enough, I could explain myself in a way that made sense and then maybe one day, one day, someone out there would hear and recognise her or himself and I could let them know that they are not alone. Just like that song I had on repeat for several nights as I walked lonely on empty streets, let me know that I was notaloneand that’s how it starts.
I've played Romeo for Juliet(But in depth)It's vignettes of silhouettes(And then read)And watched Russian roulette, yeah red SovietYet doing it simultaneouslyWhile dropping down shed oubliettesTurned around and took truth to the head thatLove is the ugliest thing too beautiful for death
Unless the object of the singer’s affection is a vampire, surely what Hart means is unphotogenic. Only vampires are unphotographable, but affectionate ‘-enic’ rhymes are hard to come by.
A critic can call any poem 'doggerel.' That is no more than a slur. 'Doggerel' or 'maudlin' or 'sappy' or 'sentimental' is in the ear of the listener. By the by, 'sentimental' is okay as it is defined as 'marked or governed by feeling, sensibility, or emotional idealism.' It is 'sentimentality' that is to be avoided, like the fiddleback spider, being as it is 'the quality or state of being sentimental to excess or in affectation.' Again we are faced with a judgement call and must keep a sharp eye on our outpourings to insure they are not overly gooey.The intellectual elite probably believe that most of the lyrics songwriters create are 'doggerel' of one kind or another--that is to say 'trivial"......the young songwriter has now been warned about the implacable nature of the enemy. Under a rather large umbrella, preferred twentieth-century taste in art of all kinds has been characterized by a kind of detachment, or sangfroid. It is simply not chic to be carried away in one's emotional reaction to a subject. All serious communication or complaint must be carefully wrapped in a protective coating of irony and/or satire.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.