O my brave Almighty Human, with the ever-effulgent flow of courage, conscience and compassion, turn yourself into a vivacious humanizer, and start walking with bold footsteps while eliminating racism, terminating misogyny, destroying homophobia and all other primitiveness that have turned humanity into the most inhuman species on earth.
A nation with a thousand awakened citizens and a corrupt leader, is much more alive than a nation with an awakened leader and a thousand corrupt citizens.
Sacrifice everything that is yours, to call up the humans in others.
O my mighty sisters and brothers, forget not that the ideal of humanity is the search of truth. In this pursuit, countless souls have sacrificed themselves in the past. And in this pursuit, countless more shall need to sacrifice themselves.
Arise O lion-heart! Awake, O great soldier! Misery has come upon the world. It is wailing for help. It is wailing for redemption. Won’t you do anything, my friend!
Accepting evil is worse than committing evil.
Accepting evil is worse than committing evil. You must – I repeat – you must, as a human being, stand up on the side of humanism, against barbarian inhumanism, for it is your action, that shall determine whether your children shall live in a world of peace and harmony or a world of chaos and discriminations.
Acceptance does not mean accepting those who disregard humans on the basis of race, religion and sexual orientation.
Contemporary attitudes toward urban parks fall into three levels of sophistication. The first, the most naive assumption, is that parks are just plots of land preserved in their original state. If asked to discuss the issue at all, many laymen have maintained this much, that parks are bits of nature created only in the sense that some decision was made not to build on the land. Many are surprised to learn that parks that an artifact conceived and deliberated as carefully as public buildings, with both physical shape and social usage taken into account. The second, a little more informed, is that parks are aesthetic objects and that their history can be understood in terms of an evolution of artistic styles independent of societal considerations. The third is the view that each of the elements of the urban park represents part of planners' strategy for moral and social reform, so that today, as in the past, the citizen visiting a park is subject to an accumulated set of intended moral lessons.