I wish I could run away,” Rudger told Jersey as they both rushed in and out of various patients’ rooms, darting around like little ants. “I can’t leave and be on my own though, not right now, anyway.”“Why?” asked Jersey, waving her flashlight in mid-air.Rudger froze for a second, a regretful haze emanating from his eyes. “It’d break her heart if I left.”“Ain’t that normal? For parents to have mixed feelings about their kids growin’ up?”“Not for me, it isn’t.”Jersey made a pitying face in his direction. “So, you wanna keep bein’ towed around with your mom, livin’ in a gross town like Danvers?”“Is there a choice?”“Yeah, there sure is. You can run away and try to be a whole person before it’s too late, or you can live with mommy dearest forever and turn into Norman Bates.
Being bigheaded can be as irritating and as dangerous as being small-minded.
Alford, Massachusetts: Mandy stood there with her old Nikon film camera, snapping photo after photo of the rural landscape. It was difficult to describe the wonderful feeling of there not being a single cell phone in sight; the only modern technology around was the faint blue glow of a cathode ray tube television in the window of a nearby house, and a few cars and trucks parked in crumbling gravel driveways. She was allowed to see this place, one that would likely be ruined by the 21st century as time went on… places like these were extremely hard to find these days. A world of wood-burning cookstoves and the waxy smell of Paraffin, laundry hung out to dry, rusty steel bridges over streams that reflected the bright blue skies, apple pies left out on windowsills… a world of hard work with very little to show for it aside from the sunlight beaming down on a proud community. And Mandy wanted to trap it all in her Kodak film rolls and rescue it from the future.
It’s an immense night out there, wheeling and windy. The lights on the street and in the houses against the black wetness, little unilluminating glints that might be painted on it. The town seems huddled together, cowering on a high tiny perch, afraid to move lest it topple into the wind.
This was a normal town once, and we were normal people. Most of us worked at the plastics factory on the outskirts of town. Then one day there was an accident... something escaped from the factory, a yellow gas. It floated over the town so fast that we didn't see it, didn't realize... and then it was too late, and Dark Falls wasn't a normal town anymore.
Doubt filled her eyes. “What are we betting for, anyway?”He hadn’t thought about that, but it took his brain all of three seconds to come up with an answer. He knew damn well what he wanted from her. Had for years.“A kiss.” The words slipped from his lips before he could stop them, but once out, he didn’t want to take them back. “One kiss after you come back and see she’s all right.
It's one thing to develop a nostalgia for home while you're boozing with Yankee writers in Martha's Vineyard or being chased by the bulls in Pamplona. It's something else to go home and visit with the folks in Reed's drugstore on the square and actually listen to them. The reason you can't go home again is not because the down-home folks are mad at you--they're not, don't flatter yourself, they couldn't care less--but because once you're in orbit and you return to Reed's drugstore on the square, you can stand no more than fifteen minutes of the conversation before you head for the woods, head for the liquor store, or head back to Martha's Vineyard, where at least you can put a tolerable and saving distance between you and home. Home may be where the heart is but it's no place to spend Wednesday afternoon.
She was halfway through the revolving door when the thought hit her; she was the one who had seen Junior and Luther fighting before the banquet. She was the one had told Detective Sullivan. Overcome with guilt, she grabbed Ted’s arm and faced him. “It’s because of me,” she said. “Junior was arrested because of me!
Fruit of the Poisonous Tree, The True Story of Murder in a Small Town, begins on a steamy August night with two teenagers, brother and sister, on an evil mission deep in a rural Michigan forest. For one desperate moment headlights appear on the lonely access road. Will they be found out? Thus the story of one of state’s strangest criminal cases unfolds. Girl breaks up with boyfriend. He turns violent. She disappears without a trace. Then state police investigators set out on what at first looks like a fool’s journey. The story is colored by a bizarre Ouija board death prophesy and the roles of two psychics, a former practicing witch and a handsome young artist who is suspected of Satanism. The canny and elusive suspect taunts police and seems always to be one step ahead of them. When a key witness is daunted by uncharacteristic injuries, a mysterious medium tells him he is the victim of black magic practiced by the suspect’s grandmother. And when, after eight years, the suspect finally is brought to trial, he is represented by a Roman Catholic priest.
A scattering of pinpoint lights shows up in the blackness ahead. A town or village straddling the highway. The indicator on the speedometer begins to lose ground. The man glances in his mirror at the girl, a little anxiously as if this oncoming town were some kind of test to be met.An illuminated road sign flashes by: CAUTION! MAIN STREET AHEAD - SLOW UP The man nods grimly, as if agreeing with that first word. But not in the way it is meant.The lights grow bigger, spread out on either side. Street lights peer out here and there among the trees. The highway suddenly sprouts a plank sidewalk on each side of it. Dark store-windows glide by.With an instinctive gesture, the man dims his lights from blinding platinum to just a pale wash. A lunch-room window drifts by. ("Jane Brown's Body")
Comely was the town by the curving river that they dismantled in a year's time. Beautiful was Colleton in her last spring as she flung azaleas like a girl throwing rice at a desperate wedding. In dazzling profusion, Colleton ripened in a gauze of sweet gardens and the town ached beneath a canopy of promissory fragrance.
Wendy’s house, unlike many in Cape Breton, had three floors, along with a basement and attic. Aside from Wendy’s bedroom, there was a laundry room. The dirty water in the sink would rush from the washer hose, bubbling up, threatening to overflow, but it never did. Next-door was a motel with a neon sign that read in turquoise and pink, “We have the best rates in town!”, but the ‘E’ in ‘rates’ kept flickering on and off day and night so that every few seconds it would switch to, “We have the best rats in town!
In the great cities we see so little of the world, we drift into our minority. In the little towns and villages there are no minorities; people are not numerous enough. You must see the world there, perforce. Every man is himself a class; every hour carries its new challenge. When you pass the inn at the end of the village you leave your favourite whimsy behind you; for you will meet no one who can share it. We listen to eloquent speaking, read books and write them, settle all the affairs of the universe. The dumb village multitudes pass on unchanging; the feel of the spade in the hand is no different for all our talk: good seasons and bad follow each other as of old. The dumb multitudes are no more concerned with us than is the old horse peering through the rusty gate of the village pound. The ancient map-makers wrote across unexplored regions, 'Here are lions.' Across the villages of fishermen and turners of the earth, so different are these from us, we can write but one line that is certain, 'Here are ghosts.' ("Village Ghosts")
Maycomb was a tired old town, even in 1932 when I first knew it. Somehow, it was hotter then. Men's stiff collars wilted by nine in the morning. Ladies bathed before noon after their three o'clock naps. And by nightfall were like soft teacakes with frosting from sweating and sweet talcum. The day was twenty-four hours long, but it seemed longer. There's no hurry, for there's nowhere to go and nothing to buy...and no money to buy it with.
The young of the town, preoccupied with their own germinating angst, which each possessed in varying degree (though few were ever fully aware of its existence), felt no particular connection to the land, its people, its structures, or its history. As such, they had no inclination to defend its invisible borders from declared enemies within or without. They desired only escape from this small village, which each viewed as an existential prison built upon the antiquated expectations of their parents and their parents’ parents. And because of their invisible bondage, the young of this town were possessed by a quiet rage. But this rage laid torpid and inert within them, dulled to sleep by the tired repetition of nothing happening over and over and over again, day after day after day.This is the story of one of those young people, and the terrible things that happened to her, and the terrible things she did as a result.