He pushed a finger through the surface of the water to trace the outline of her mouth. Ethereal bits of flesh floated loosely about his knuckle and nail. Then, calmly, he pulled her body up out of the tub and into his arms. He placed his lips on hers, now as cold and dead as his own.
The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.
We look before and after, And pine for what is not:Our sincerest laughterWith some pain is fraught;Our sweetest songs are those that tell Of saddest thought.Yet if we could scornHate, and pride, and fear;If we were things bornNot to shed a tear,I know not how thy joy we everShould come near.