There’s no such thing as ruining your life. Life’s a pretty resilient thing, it turns out.

Thank God who gave us relief from ruins of suffering.

Heroes and scholars represent the opposite extremes... The scholar struggles for the benefit of all humanity, sometimes to reduce physical effort, sometimes to reduce pain, and sometimes to postpone death, or at least render it more bearable. In contrast, the patriot sacrifices a rather substantial part of humanity for the sake of his own prestige. His statue is always erected on a pedestal of ruins and corpses... In contrast, all humanity crowns a scholar, love forms the pedestal of his statues, and his triumphs defy the desecration of time and the judgment of history.

The Rusty Ruins were the remains of an old city, a hulking reminder of back when there'd been way too many people, and everyone was incredibly stupid. And ugly.

What I keep in secret, it makes you to get closer as fast you get to the secret and you reveal it. You don't have anymore the "want" or the "will" or the "motivation" which to make you want to like me... It's the truth, the truth ruins, the secret devastate the stuff and the lie just makes corrections in the correction but all in the end is in one place and it's really screw up.

Smoke curls among the ruins of East London. Many of the buildings have burned to the ground or split like exploded rocks. Small lights bloom like a sea of candles. Even this rain will never put them all out.

The ascendancy over men's minds of the ruins of the stupendous past, the past of history, legend and myth, at once factual and fantastic, stretching back and back into ages that can but be surmised, is half-mystical in basis. The intoxication, at once so heady and so devout, is not the romantic melancholy engendered by broken towers and mouldered stones; it is the soaring of the imagination into the high empyrean where huge episodes are tangled with myths and dreams; it is the stunning impact of world history on its amazed heirs.

It seems, in fact, that the more advanced a society is, the greater will be its interest in ruined things, for it will see in them a redemptively sobering reminder of the fragility of its own achievements. Ruins pose a direct challenge to our concern with power and rank, with bustle and fame. They puncture the inflated folly of our exhaustive and frenetic pursuit of wealth.

You will never really get, how really everything works in my world. How the colour of the sky changes every now and then, and how deep the sea gets in there. How volcanoes and rivers flow together, and how demons and angels fall in love in there. How stormy a night can get and how bright a day can be. How ruined the home is, but how vibrant the feelings are in there.

You can't stop a soldier from being frightened but you can give him motivation to help him overcome that fear. I have no such motivation. I can't have. I'm a witcher: an artificially created mutant. I kill monsters for money. I defend children when their parents pay me to. If Nilfgaardian parents pay me, I'll defend Nilfgaardian children. And even if the world lies in ruin - which does not seem likely to me - I'll carry on killing monsters in the ruins of this world until some monster kills me. That is my fate, my reason, my life and my attitude to the world. And it is not what I chose. It was chosen for me.

The world as first seen by the child becomes his lifelong standard of excellence, mindless of the fact he is admiring the ruins of his parents.

Everybody is equally weak on the inside, just that some present their ruins as new castles and become kings –

Elijah is inexplicably moved by the broken columns and fragmented floors. He cannot help but find a meaning and a message in their poverty of stature. This is what remains, he thinks. It seems a valuable lesson on a day when card catalogs are dying, communications are deleted, and buildings crumble under the weight of society’s expectations.

Everything will turn into a ruin, even your beliefs will turn into a ruin! There will be no more believers from your belief, there will be only the viewers around your belief, watching this belief of once upon a time, and now just a ruin!

Zoe let the poetry flow over her, like shadows on water, sunlight against stone: timeworn words shaped like stars, like shells, like the ruins of lost temples, soft as the breaths of mystics.

During the war, I promised the dead I would never forget them. I stared at them, barely able to move myself. Pretended I was one of them. To this day I can recall the light in the ruins.

He used to say that he never felt the hardness of the human struggle or the sadness of history as he felt it among those ruins. He used to say, too, that it made one feel an obligation to do one's best.

I have emotions
that are like newspapers that
read themselves.I go for days at a time
trapped in the want ads.I feel as if I am an ad
for the sale of a haunted house:18 rooms
$37,000
I'm yours
ghosts and all.

Nobody had forgotten anything here. In Berlin, you had to wrestle with the past, you had to build on the ruins, inside them. It wasn't like America where we scraped the earth clean, thinking we could start again every time.

Refusing the false securities of a stable and linear past, such an approach celebrates heterogeneous sensations and surprising associations, random connections, the ongoing construction of meaning and also admits into its orbit the mysterious agency of artifacts, space and non-humans from the past.

They told of dripping stone walls in uninhabited castles and of ivy-clad monastery ruins by moonlight, of locked inner rooms and secret dungeons, dank charnel houses and overgrown graveyards, of footsteps creaking upon staircases and fingers tapping at casements, of howlings and shriekings, groanings and scuttlings and the clanking of chains, of hooded monks and headless horseman, swirling mists and sudden winds, insubstantial specters and sheeted creatures, vampires and bloodhounds, bats and rats and spiders, of men found at dawn and women turned white-haired and raving lunatic, and of vanished corpses and curses upon heirs.

All scornful descriptions of American landscapes with ruined tenements, automobile dumps, polluted rivers, jerry-built ranch houses, abandoned miniature golf links, cinder deserts, ugly hoardings, unsightly oil derricks, diseased elm trees, eroded farmlands, gaudy and fanciful gas stations, unclean motels, candlelit tearooms, and streams paved with beer cans, for these are not, as they might seem to be, the ruins of our civilization but are the temporary encampments and outposts of the civilization that we – you and I – shall build.

They had slept in the shelter of the ruins, though neither of them really got true rest.

He could sleep in the ruins of cities lost for centuries.

Something always attracts us towards the ruins, because ruins remind us our fundamental problem: The problem of impermanence! Amongst the ruins we see the very end of our road! Whatever shows you the simple truth, it is your Master Teacher; whoever repeatedly recalls you of the plain truth, he is your good master!

In the park which surrounded our house were the ruins of the former mansion of Brentwood, a much smaller and less important house than the solid Georgian edifice which we inhabited. The ruins were picturesque, however, and gave importance to the place. Even we, who were but temporary tenants, felt a vague pride in them, as if they somehow reflected a certain consequence upon ourselves. The old building had the remains of a tower, an indistinguishable mass of mason-work, overgrown with ivy, and the shells of walls attached to this were half filled up with soil. I had never examined it closely, I am ashamed to say. There was a large room, or what had been a large room, with the lower part of the windows still existing, on the principal floor, and underneath other windows, which were perfect, though half filled up with fallen soil, and waving with a wild growth of brambles and chance growths of all kinds. This was the oldest part of all. At a little distance were some very commonplace and disjointed fragments of the building, one of them suggesting a certain pathos by its very commonness and the complete wreck which it showed. This was the end of a low gable, a bit of grey wall, all encrusted with lichens, in which was a common doorway. Probably it had been a servants' entrance, a backdoor, or opening into what are called "the offices" in Scotland. No offices remained to be entered-pantry and kitchen had all been swept out of being; but there stood the doorway open and vacant, free to all the winds, to the rabbits, and every wild creature. It struck my eye, the first time I went to Brentwood, like a melancholy comment upon a life that was over. A door that led to nothing - closed once perhaps with anxious care, bolted and guarded, now void of any meaning. It impressed me, I remember, from the first; so perhaps it may be said that my mind was prepared to attach to it an importance, which nothing justified. ("The Open Door")

These are the ruinsI mapped onto my body so I might always be lost.

As I walked over the loose fragments of stone, which lay scattered and surveyed the sublimity and grandeur of the ruins, I recurred, by a natural association of ideas, to the times when these walls stood proudly in their original splendor, when the halls were the scenes of hospitality and festive magnificence, and when they resounded with the voices of those whom death had long since swept from earth. "Thus," said I, "shall the present generation - he who now sink in misery - and he who now swim in pleasure, alike pass away and be forgotten.

He loved the extensive vaults where you could hear the night birds and the sea breeze; he loved the craggy ruins bound together by ivy, those dark halls, and any appearance of death and destruction. Having fallen so far from so high a position, he loved anything that had also fallen from a great height

Love loves anarchy. It loves to wreak havoc. It loves to dance atop the ruins.

My beautiful proof lies all in ruins.

Ah, what sights and sounds and pain lie beneath that mist. And we had thought that our hard climb out of that cruel valley led to some cool, green and peaceful, sunlit place---but it's all jungle here, a wild and savage wilderness that's overrun with ruins. But put on your crown, my Queen, and we will build a New City on these ruins.