The terms that Sforza Cesarini offered Rossini, 400 Roman Scudi, were not ungenerous, though it must have been galling for Rossini to see the Figaro, Luigi Zamboni, getting almost twice as much, and the Almaviva, Manuel Garcia, being offered three times the amount. Of the first-night cast, only the 'altro buffo', Bartolomeo Botticelli, who played Bartolo, and the 'seconda donna', Elisabetta Lowselet, who played Berta, were paid less than the composer.

Wagner thought Rossini unserious; Rossini thought Wagner 'lacked sun'. Wagner also became the butt of a phrase Rossini had used down the years to describe musicians about whom he had certain reservations - "He has some beautiful moments but some bad quarters of an hour!

In 1829 Rossini was at an age which has often proven critical in the lives of musicians, painters and writers. Lapses into silence far more complete than Rossini's, creative failures, suicides, and unanticipated deaths have been common in the middle to late 30s. As Charles Rosen has noted, 'It is the age when the most fluent composer begins to lose the ease of inspiration he once possessed, when even Mozart had to make sketches and to revise'.

The (extremely lavish set) was created by a transparency, a fine gauze, finely painted. According to the theatre accounts, it cost 241 ducats, 91 ducats more than Rossini was paid for the music.