It starts so young, and I'm angry about that. The garbage we're taught. About love, about what's "romantic." Look at so many of the so-called romantic figures in books and movies. Do we ever stop and think how many of them would cause serious and drastic unhappiness after The End? Why are sick and dangerous personality types so often shown a passionate and tragic and something to be longed for when those are the very ones you should run for your life from? Think about it. Heathcliff. Romeo. Don Juan. Jay Gatsby. Rochester. Mr. Darcy. From the rigid control freak in The Sound of Music to all the bad boys some woman goes running to the airport to catch in the last minute of every romantic comedy. She should let him leave. Your time is so valuable, and look at these guys--depressive and moody and violent and immature and self-centered. And what about the big daddy of them all, Prince Charming? What was his secret life? We dont know anything about him, other then he looks good and comes to the rescue.
When I was twelve, my sixth-grade English class went on a field trip to see Franco Zeffirelli’s film adaptation of Shakespeare’s Romeo and Juliet. From that moment forward I dreamed that someday I’d meet my own Juliet. I’d marry her and I would love her with the same passion and intensity as Romeo. The factthat their marriage lasted fewer than three days before they both were deaddidn’t seem to affect my fantasy. Even if they had lived, I don’t think theirrelationship could have survived. Let’s face it, being that emotionally aflame, sexually charged, and transcendentally eloquent every single second can really start to grate on a person’s nerves. However, if I could find someone to love just a fraction of the way that Montague loved his Capulet, then marrying her would be worth it.
Lovers tend to be philosophical, achievers are practical.
Pragmatism is good prevention for problems.
We'll go down to the stream behind the house with a bottle of wine and none of our clothes and remind each other that--even in the midst of so much goodness--there are delightful ways to be wicked. And we'll swim and laugh and kiss, and the stars will shine, beautiful and bright, but Ariel will always shine brighter.At least for me.
It’s only sixteen ninety-five," I say with a flutter of my lashes."You’re serious."I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don’t I look serious?"She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says."Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be—" I spin and strike another pose. "An inspiration."She sniffs and swipes at her eyes. "The real Dylan would die before he’d be seen in public in something like that.""The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he’s not one fourth the kisser I am.""Is that right?" Her lips quirk."You know it is."Her smile melts, and her breath comes faster. "Yeah. I do.
He waved to me to be quiet, as if I were annoying background noise. "Look, whatever your name is..."Benvolio Montague."Right. Look, Benvolio, why don't we go outside and get a taxi? My label has a New York office. We can go there and get you a money order or something." He smile, thinking himself clever. "Come on, what do you say?"Benvolio raised an eyebrow. "I am begining to believe that you are insane.
Oh, she doth teach the torches to burn bright!It seems she hangs upon the cheek of nightLike a rich jewel in an Ethiope’s ear,Beauty too rich for use, for earth too dear.So shows a snowy dove trooping with crowsAs yonder lady o'er her fellows shows.The measure done, I’ll watch her place of stand,And, touching hers, make blessèd my rude hand.Did my heart love till now? Forswear it, sight!For I ne'er saw true beauty till this night.