so that it isn't upsetting to anybody. It's something we've always known about fairy tales – they talk about incest, the Oedipus complex, about psychotic mothers, like those of Snow White and Hansel and Gretel, who throw their children out. They tell things about life which children know instinctively, and the pleasure and relief lie in finding these things expressed in language that children can live with. You can't eradicate these feelings – they exist and they're a great source of creative inspiration.
Like almost all of Beefheart's recorded work, it was not even "ahead" of its time in 1969. Then and now, it stands outside time, trends, fads, hypes, the rise and fall of whole genres eclectic as walking Christmas trees, constituting a genre unto itself: truly, a musical Monolith if ever there was one.
Like almost all of Beefheart's recorded work, [Trout Mask Replica] was not even "ahead" of its time in 1969. Then and now, it stands outside time, trends, fads, hypes, the rise and fall of whole genres eclectic as walking Christmas trees, constituting a genre unto itself: truly, a musical Monolith if ever there was one.
SYMPATHY FOR THE DEVILNow please let me introduce myselfI’m the wealthy charming manBeen here on earth for many, many yearsMany hearts, faiths and souls I stoleI was around and watched Jesus ChristHad his faith, doubt and painConned goddamn Pontus PilateTo wash his hands and doom his soulThrilled to meet youDo you guess my nameThought I’m in hell but no I’m right hereThat’s the puzzling nature of my game