Music does not need language of words for it has movements of dance to do its translation.
When the melody plays, footsteps move, heart sings and spirit begin to dance.
Dance resides within us all. Some find it when joy conquers sorrow, others express it through celebration of movements; and then there are those... whose existence is dance,
I want to learn how to speak to anyone at any time and make us both feel a little bit better, lighter, richer, with no commitments of ever meeting again. I want to learn how to stand wherever with whoever and still feel stable. I want to learn how to unlock the locks to our minds, my mind, so that when I hear opinions or views that don’t match up with mine, I can still listen and understand. I want to burn up lifeless habits of following maps and to-do lists, concentrated liquids to burn my mind and throatand I want to go back to the way nature shaped me. I want to learn to go on well with whatever I have in my hands at the momentin a natural state of mind,certain like the sea.I will find comfort in the rhythm of the sea.
Don’t let anybody to ruin your inner joy or to interfere in your marvellous rhythm!
Instead of breaking or cherry-picking the rules, many just follow the inner rules, which have been instilled during their lifetime and have subtly permeated their thinking. They value rules, as it offers the ravishment of a securing, ceremonial rhythm in life and it prevents them from breaking free from their cocoon, all the more because freedom can be so scaring and exhausting. ("When forgetting the rules of the game" )
Now I am going to reveal to you something which is very pure, a totally white thought. It is always in my heart; it blooms at each of my steps... The Dance is love, it is only love, it alone, and that is enough... I, then, it is amorously that I dance: to poems, to music but now I would like to no longer dance to anything but the rhythm of my soul.
If you study the rhythm of life on this planet, you will find that everything moves in perfect symphony with everything else — by grand divine design. The earth has the ability to heal and regenerate itself, just as our oceans have the ability to replenish themselves by turning over their debris with the waves to wash them ashore. This perfect orchestration of the cycle of life is one of the Creator's greatest and most beautiful miracles. The earth will continue to exist with or without us. So the real concern should be, will we be able to continue to co-exist with each other?
She observed the dumb-show by which her neighbour was expressing her passion for music, but she refrained from copying it. This was not to say that, for once that she had consented to spend a few minutes in Mme. de Saint-Euverte's house, the Princesse des Laumes would not have wished (so that the act of politeness to her hostess which she had performed by coming might, so to speak, 'count double') to shew herself as friendly and obliging as possible. But she had a natural horror of what she called 'exaggerating,' and always made a point of letting people see that she 'simply must not' indulge in any display of emotion that was not in keeping with the tone of the circle in which she moved, although such displays never failed to make an impression upon her, by virtue of that spirit of imitation, akin to timidity, which is developed in the most self-confident persons, by contact with an unfamiliar environment, even though it be inferior to their own. She began to ask herself whether these gesticulations might not, perhaps, be a necessary concomitant of the piece of music that was being played, a piece which, it might be, was in a different category from all the music that she had ever heard before; and whether to abstain from them was not a sign of her own inability to understand the music, and of discourtesy towards the lady of the house; with the result that, in order to express by a compromise both of her contradictory inclinations in turn, at one moment she would merely straighten her shoulder-straps or feel in her golden hair for the little balls of coral or of pink enamel, frosted with tiny diamonds, which formed its simple but effective ornament, studying, with a cold interest, her impassioned neighbour, while at another she would beat time for a few bars with her fan, but, so as not to forfeit her independence, she would beat a different time from the pianist's.
There are mornings when, from the first ray of light seized upon by the eye, and the first simple sounds that get inside the head, the heart is convinced that it is existing in rhythm to a kind of unheard music, familiar but forgotten because long ago it was interrupted and only now has suddenly resumed playing. The silent melodies pass through the fabric of the consciousness like the wind through the meshes of a net, without moving it, but at the same time unmistakably there, all around it. For one who has never lived such a morning, its advent can be a paralyzing experience.
The red-jacketed band stirred to life. The first musician raised his trumpet. The trombone dipped. The drumstick rose. Lea lowered her clarinet. It had been Brent's idea not to have their insturments rise and fall in unison. The staggered motion gave it a more exciting rhythm.
The perpetual movement of the water, rolling from and to unknown destinations, the voices of the sea shield us from the raging furies and shrieking sounds of dystopian surroundings, creating an unwinding veil for stilled happiness, acquainting us with the gentle, cosmic rhythms of an extraneous world. They are a soothing relief and let us listen to the voices of our inner world. ("Voices of the sea" )
The trouble with poetry is it's often written to the sound of a drum only the poet may hear; nonetheless, blessed are those poets who always manage to find unshakeable pleasure in their own works.
A disruption of the circadian cycle—the metabolic and glandular rhythms that are central to our workaday life—seems to be involved in many, if not most, cases of depression; this is why brutal insomnia so often occurs and is most likely why each day’s pattern of distress exhibits fairly predictable alternating periods of intensity and relief.
Energy is the language spoken by your body. You probably already know that your brain sends bioelectric signals to your organs and muscles through the nerve pathways in your body. But did you ever consider how your brain talks to your cells?
Observe the rhythm of passers-by on the street, at work, everywhere. Summon loving acceptance and let their tempos move you emotionally and corporeally. Try to assimilate new ideas by trying out the rhythms of those you encounter.
Sometimes it’s only in the ecstasy of unrepressed movement that we may enter the stillness of our authentic selves. In such sacred moments, the world seems to be in step. This is why the idea of finding love across the dance floor endure — symbolizing that, when we know the true rhythm of our heart, we know the other.
A couple of hours after Sunset Michael Robartes returned and told me that I would have to learn the steps of an exceedingly antique dance, because before my initiation could be perfected I had to join three times in a magical dance, for rhythm was the wheel of Eternity, on which alone the transient and accidental could be broken, and the spirit set free.
When we step in the name of love, we cannot rhyme if we don't have the same RHYTHM, and we cannot have the same rhythm if we are not listening to the same BEAT.It takes someone who understands the rhythm and melody of your "heartbeat" to dance to it.
DADDYYou do not do, you do not doAny more, black shoeIn which I have lived like a footFor thirty years, poor and white,Barely daring to breathe or Achoo.Daddy, I have had to kill you.You died before I had time―Marble-heavy, a bag full of God,Ghastly statue with one grey toeBig as a Frisco sealAnd a head in the freakish AtlanticWhen it pours bean green over blueIn the waters of beautiful Nauset.I used to pray to recover you.Ach, du.In the German tongue, in the Polish townScraped flat by the rollerOf wars, wars, wars.But the name of the town is common.My Polack friendSays there are a dozen or two.So I never could tell where youPut your foot, your root,I never could talk to you.The tongue stuck in my jaw.It stuck in a barb wire snare.Ich, ich, ich, ich,I could hardly speak.I thought every German was you.And the language obsceneAn engine, an engineChuffing me off like a Jew.A Jew to Dachau, Auschwitz, Belsen.I began to talk like a Jew.I think I may well be a Jew.The snows of the Tyrol, the clear beer of ViennaAre not very pure or true.With my gypsy ancestress and my weird luckAnd my Taroc pack and my Taroc packI may be a bit of a Jew.I have always been scared of you,With your Luftwaffe, your gobbledygoo.And your neat mustacheAnd your Aryan eye, bright blue.Panzer-man, panzer-man, O You―Not God but a swastikaSo black no sky could squeak through.Every woman adores a Fascist,The boot in the face, the bruteBrute heart of a brute like you.You stand at the blackboard, daddy,In the picture I have of you,A cleft in your chin instead of your footBut no less a devil for that, no notAnd less the black man whoBit my pretty red heart in two.I was ten when they buried you.At twenty I tried to dieAnd get back, back, back to you.I thought even the bones would do.But they pulled me out of the sack,And they stuck me together with glue.And then I knew what to do.I made a model of you,A man in black with a Meinkampf lookAnd a love of the rack and the screw.And I said I do, I do.So daddy, I’m finally through.The black telephone’s off at the root,The voices just can’t worm through.If I’ve killed one man, I’ve killed two―The vampire who said he was youAnd drank my blood for a year,Seven years, if you want to know.Daddy, you can lie back now.There’s a stake in your fat black heartAnd the villagers never like you.They are dancing and stamping on you.They always knew it was you.Daddy, daddy, you bastard, I’m through.
Our point of departure must be the conception of an almost childlike play-sense expressing itself in various play-forms, some serious, some playful, but all rooted in ritual and productive of culture by allowing the innate human need of rhythm, harmony, change, alternation, contrast and climax, etc., to unfold in full richness.