Casting a curious gaze down on planet Earth, extra-terrestrial beings could well be forgiven for assuming that we humans are programmed in every move we make, by a palm-sized, oblong, slab of glass. More perplexing than that, who on earth could convince them otherwise ?
It is precisely, if paradoxically, because reversal is in the service of repetition (so as to ensure, alongside its companion strategies, a dizzying proliferation of citations) that it gains a subversive power rather than remain a mere dependent (and thus conservative) form of social discourse. Reversal plays a double role in this novel (MONSIEUR VENUS), for it is not only a formal strategy bearing on citation, but itself a citation as well; one more cliché mobilized from the fin-de-siecle reserve.
Moments later, Sona Kilroy, heading for the open doorway, stepped over the sergeant’s body. With an old auto-rifle in his left hand and his favorite sword in the other, and the sharp melodic din of bolts and bullets ringing in his ears, ‘the Hammer’ grinned an evil grin to himself, well pleased. He wished he could’ve seen the look on the face of Indomitable’s captain when he realized the tables had just been turned on him! The thought amused him. It was bloody hilarious. He cackled, reveling in this complete reversal of fortune. Then he stalked onward with conviction, a grim smile on his lips – intent on taking the ship for himself. * * *