I winked and locked my arm in Carter's, and we stood there, watching Dean stroll away."You know the guy's never gonna give up," Carter nudged me, letting out a sigh."We'd have really pretty babies, huh?""Yup. They'd be rad little Brangelinas, running around tearing the place up.""Yeah, you're right. My rejection is such a disservice to the world...
Hey Kate, you coming to our show Friday night?" He leaned in close and touched my shoulder. "The guys would love to see you there.""Yes. Yes, the guys would indeed." Carter rolled his eyes and smirked. I held back my grin, well aware that he was laughing inwardly at the same thing I was. When Dean spoke of 'the guys,' he mostly meant himself. With a body like a Ken doll and hair like Meredith's McDreamy, I couldn't figure out for the life of me what he wanted with me.
When you live in LA and work in the movies, you experience the collapse of some of that fantasy. You know that the eyes glow like that because of lights placed at a specific angle, and you see the actresses up close and, yes, they are beautiful, but they are human size and imperfect like the rest of us.
Uh, got into a fight with the kitchen or something?” he asked, smirking. I ran my hands through my hair and felt remains of the fruit as I did and cringed. Well, this must be attractive. I motioned for him to come into the living room and shut the door behind him.“Something like that,” I replied coolly. He walked past me and went to the kitchen, probably to get a better look. “Well, I see you won. The fruit won’t be going anywhere anytime soon. Maybe the apples. Those look like they need some more killing.
There is a flaw to your plan.” A sly grin crept onto his face once again. My eyebrow arched at him questioningly.“I live across the street,” he told me; and, without another word, he turned around toward his house. Then I realized what he’d meant. I’d told my problems to a stranger I would probably see again.
There is a flaw to your plan.” A sly grin crept onto his face once again. My eyebrow arched at him questioningly. “I live across the street,” he told me; and, without another word, he turned around toward his house and I realized what he meant. I told my problems to a stranger that I would probably see again.
It seems to me that you might create any sort of character in a novel and there would be at least one person in the world just like him. We humans are simply incapable of imagining non-human actions or behavior. It's the writer's fault if we don't believe in his characters as human beings.
The novelist is required to create the illusion of a whole world with believable people in it, and the chief difference between the novelist who is an orthodox Christian and the novelist who is merely a naturalist is that the Christian novelist lives in a larger universe. He believes that the natural world contains the supernatural. And this doesn't mean that his obligation to portray the natural is less; it means it is greater.
Vronsky meanwhile, in spite of the complete fulfilment of what he had so long desired, was not completely happy. He soon felt that the realization of his longing gave him only one grain of the mountain of bliss he had anticipated. That realization showed him the eternal error men make by imagining that happiness consists in the gratification of their wishes. When first he united his life with hers and donned civilian clothes, he felt the delight of freedom in general, such as he had not before known, and also the freedom of love—he was contented then, but not for long. Soon he felt rising in his soul a desire for desires—boredom. Involuntarily he began to snatch at every passing caprice, mistaking it for a desire and a purpose.