The characters act for reasons that they can’t control and, as readers, we have to believe in their motivations, their sense of choice and in the reality of their suffering, even though, deep down, we know it’s all just puppetry on the part of the writer.

Each form is inadequate, like a graft to be rejected by its intractable and unrelenting host and thus can only serve a brief and momentary purpose coherent to a context rooted in contiguous reason. This unbridled brash Spirit is, to itself, burdensome, yet dynamic, for it sees no flaw in working within the confines of a closed system to achieve ends that extend beyond it. This Spirit is, in fact, self-deceptive for to achieve such ends, it becomes necessary to bound manipulable fragments of the Self with a twine by which these parts can be joined indissolubly and maneuvered adroitly with the skill of a marionettist.