Lovers and madmen have such seething brains,Such shaping fantasies, that apprehendMore than cool reason ever comprehends.The lunatic, the lover and the poetAre of imagination all compact:One sees more devils than vast hell can hold,That is, the madman: the lover, all as frantic,Sees Helen's beauty in a brow of Egypt:The poet's eye, in fine frenzy rolling,Doth glance from heaven to earth, from earth to heaven;And as imagination bodies forthThe forms of things unknown, the poet's penTurns them to shapes and gives to airy nothingA local habitation and a name.

Maybe you could be mine / or maybe we’ll be entwined / aimless in this sexless foreplay.

When Great Trees FallWhen great trees fall,rocks on distant hills shudder,lions hunker downin tall grasses,and even elephantslumber after safety.When great trees fallin forests,small things recoil into silence,their senseseroded beyond fear.When great souls die,the air around us becomeslight, rare, sterile.We breathe, briefly.Our eyes, briefly,see witha hurtful clarity.Our memory, suddenly sharpened,examines,gnaws on kind wordsunsaid,promised walksnever taken.Great souls die andour reality, bound tothem, takes leave of us.Our souls,dependent upon theirnurture,now shrink, wizened.Our minds, formedand informed by theirradiance,fall away.We are not so much maddenedas reduced to the unutterable ignoranceof dark, coldcaves.And when great souls die,after a period peace blooms,slowly and alwaysirregularly. Spaces fillwith a kind ofsoothing electric vibration.Our senses, restored, neverto be the same, whisper to us.They existed. They existed.We can be. Be and bebetter. For they existed.

For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow. Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life. A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail. A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live. When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all. A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother. So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.

Can you remember who you were, before the world told you who you should be?

Because philosophy arises from awe, a philosopher is bound in his way to be a lover of myths and poetic fables. Poets and philosophers are alike in being big with wonder.

True beauty is measured by the number of pearls within you, not those around your neck.

UNDIVIDEDI am for One world undivided. One world without fear and corruption. One world ruled by Truth and Justice. I am forOne peaceful world for all,Where hate has been overcome by love,And everyone is guided only By their conscience.

Without sound,There would be no music.And without music,There would be no life.And without a life force,There would be no matter.But it does not matter -Because what is matter,If there is no light?

I was transformed the dayMy ego shattered,And all the superficial, materialThings that matteredTo me before,Suddenly ceasedTo matter.

YOU ARE JUSTYou are not just for the right or left,but for what is right over the wrong.You are not just rich or poor,but always wealthy in the mind and heart.You are not perfect, but flawed.You are flawed, but you are just.You may just be conscious human,but you are also a magnificentreflection of God.

THREE BASIC TRUTHSThree things have a limited threshold: Time, pain, and death.While truth, love, and knowledge –Are boundless.Three things are needed For humanity to co-exist:Truth, peace and basic needs.Everything else -Is irrelevant.

God takes away the minds of poets, and uses them as his ministers, as he also uses diviners and holy prophets, in order that we who hear them may know them to be speaking not of themselves who utter these priceless words in a state of unconsciousness, but that God himself is the speaker, and that through them he is conversing with us.

There are no lungs like the ones that breathe poetry.

God would seem to indicate to us and not allow us to doubt that these beautiful poems are not human, or the work of man, but divine and the work of God; and that the poets are only the interpreters of the Gods...

O Heavenly Children, do not forget that God is here, there and everywhere. The birds are his eyes and the air is his ears. And as you sleep, your heart and soul rest naked before him. He can drink from the rivers of your thoughts, and even feel the wetness of your tears.

O Heavenly Children, God's messengers are as limitless as the fish in the sea. They come in all colors, regions, languages and creeds. But their message is one and the same, don't you see? He only wishes to unite all His children under one family tree.

I saw the spiders marching through the air,Swimming from tree to tree that mildewed dayIn latter August when the hayCame creaking to the barn. But whereThe wind is westerly,Where gnarled November makes the spiders flyInto the apparitions of the sky,They purpose nothing but their ease and dieUrgently beating east to sunrise and the sea;

When confronted with suffering that won't go away or with even a minor problem, we instinctively focus on what is missing,...not on the Master's hand. Often when you think everything has gone wrong, it's just that you're in the middle of a story. If you watch the stories God is weaving in your life, you... will begin to see the patterns. You'll become a poet, sensitive to your Father's voice.

The world you are in –Is the true hell.The journey to Truth itselfIs what quickens the heart to become lighter.The lighter the heart, the purer it is.The purer the heart, the closer to light it becomes.And the heavier the heart,The more chained to this hellIt will remain.

A poet is simply an artist whose medium is human emotions.  A poet chisels away at our own sensibilities, shaping our vision while molding our hearts.  A poet wraps words around our own feelings and presents them as fresh gifts to humanity.

Don’t be afraid of your struggles, they are making you dangerously strong and wise. They are preparing you for your superpowers. Let them happen, otherwise you’ll stay in the same damn place you’ve always been, and until you know there is so much more awesomeness in the world and within you, you’ll be content in your tiny cocoon, spinning the same circles day in and day out. Your struggles are transforming you.

In darkness, some flowers blossom!

Spirit is a child, the tune of dancing feet its lullaby.

it was dawning on me how uphill a poet's path was, and I confessed to her that if I had to be the choice between being happy or being a poet, I'd choose to be happy.

Fate would never permit happiness to a man of such talent-a content poet is a mediocre one, a happy poet is insufferable.

He wanted to be a poet,' someone else put in while Maggie hugged Tim and patted his back. 'Said he'd only lacked the words to be one.

Now is not the time for bigots and racists. No time for sexists and homophobes. Now, more than ever, is the time for ARTISTS. It’s time for us to rise above and to create. To show humanity. To spread hope. We must prevent society from destroying itself, from losing its way. Now is the time for love.

Let it shine, the light in you. Oh, and that's delighting me! Various colors shining through. Elated, it fills my soul with ecstasy.

And here face down beneath the sunAnd here upon earth's noonward heightTo feel the always coming onThe always rising of the night

Some writers write to forget. Some forget to write.

Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.

A poet often lives in an enchanted land where he sees things not with his eyes but with his feelings.

A poet is an artist that paints pictures by mixing thought, imagination, and emotion with words.

A poet is not an inventor. A poet is a player that plays with words on the field of human imagination to excite a reader’s mind with the colors of emotion.

I became an artist because I wanted to be an active participant in the conversation about art.

She might not have read many books. But when she reads a book, she swallows the very words. If you open the books on her shelves, you will find that the front and back covers encase white pages.

Passion in every word I wrote, passion in every single thought.

I don't write about you because you don't deserve to be immortalised in my words.I'll leave you to float around in my mind until forgetfulness comes to take you away.

The only way to find art is to lose touch with reality.

If you write then you are reborn because by writing about the moment, you can relive it for a second time.

Through synergy of intellect, artistry and grace came into existence the blessing of a dancer.

Burdened no more is soul for whom life flows through dance and not breath.

Burdened no more is soul for whom life flows through dance like breath.

You might as well ask an artist to explain his art, or ask a poet to explain his poem. It defeats the purpose. The meaning is only clear thorough the search.

If I had a soul I sold itfor pretty wordsIf I had a body I usedit up spurting my essenceAllen Ginsberg warns youdont follow my pathto extinction

Democracy! Bah! When I hear that I reach for my feather boa!

I act as the tongue of you,... tied in your mouth . . . . in mine it begins to be loosened.

She lends her pen,to thoughts of him,that flow from it,in her solitary.For she is his poet,And he is her poetry.

To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotion--a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge.

Writing, then, was a substitute for myself: if you don't love me, love my writing & love me for my writing. It is also much more: a way of ordering and reordering the chaos of experience.

Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and falls again. I am a poet, yes. Surely I am a great poet.

We aren't suggesting that mental instability or unhappiness makes one a better poet, or a poet at all; and contrary to the romantic notion of the artist suffering for his or her work, we think these writers achieved brilliance in spite of their suffering, not because of it.

Every good poem asks a question, and every good poet asks every question.

The aching in my chest isn't because I miss you,it's realizing that you have become someone I no longer know,your fears, your 4 am thoughts, your achievements,are things I no longer have an equivalent to.Who we were and who we are are four different people, and the me from now doesn't relate to the me from then, let alone to the you from now.-Tanzy Sayadi and Jarod Kintz

How to be a Poet (to remind myself)Make a place to sit down. Sit down. Be quiet. You must depend upon affection, reading, knowledge, skill—more of each than you have—inspiration work, growing older, patience, for patience joins time to eternity… Breathe with unconditional breath the unconditioned air. Shun electric wire. Communicate slowly. Live a three-dimensional life; stay away from screens. Stay away from anything that obscures the place it is in. There are no unsacred places; there are only sacred places and desecrated places. Accept what comes from silence. Make the best you can of it. Of the little words that come out of the silence, like prayers prayed back to the one who prays, make a poem that does not disturb the silence from which it came.

Wake! For the Sun, who scatter'd into flightThe Stars before him from the Field of Night,Drives Night along with them from Heav'n,and strikesThe Sultan's Turret with a Shaft of Light

I will meet you on the nape of your neck one day, on the surface of intention, word becoming act.We will breathe into each other the high mountain tales, where the snows come from, where the waters begin.”-In the yellow time of pollen

I do not write to you, but of you,/because the paper that we write on/is our perishable skin.

we want it visible to showwhen even the most visible joy will reveal itselfonly when we have transformed it within.there’s nowhere, my love, the world can existexpect within.

I feel the only thing you can do about life is to preserve it, by art if you're an artist, by children if you're not.

The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time.

Everyone should be forcibly transplanted to another continent from their family at the age of three.

There is bad in all good authors: what a pity the converse isn't true!

Saki says that youth is like hors d'oeuvres: you are so busy thinking of the next courses you don't notice it. When you've had them, you wish you'd had more hors d'oeuvres.

Music resembles poetry, in eachAre nameless graces which no methods teach,And which a master hand alone can reach.

If I knew what to doI'd do more than write a song for you

Good morning, daddy!Ain't you heardThe boogie-woogie rumbleOf a dream deferred?Listen closely:You'll hear their feetBeating out and beating out a -You thinkIt's a happy beat?Listen to it closely:Ain't you heardsomething underneathlike a -What did I say?Sure,I'm happy!Take it away!Dream BoogieHey, pop!Re-bop!Mop!Y-e-a-h!

When a poet settled down to write a poem, could he foresee the lines he would write? Did his head constantly spin with riddles and rhymes and was his only job to put them down? What if he couldn’t get them to make sense, and no one, not even the person he cared for most, could have pleasure in reading it? What would he do?

A poet dares be just so clear and no clearer... He unzips the veil from beauty, but does not remove it. A poet utterly clear is a trifle glaring.

Without the wetness of your love, the fragrance of your water, or the trickling sounds of your voice ― I shall always feel thirsty.

I wait on my fix:I am a poetry junkie.

If you ask a twenty-one-year-old poet whose poetry he likes, he might say, unblushing, "Nobody's," In his youth, he has not yet understood that poets like poetry, and novelists like novels; he himself likes only the role, the thought of himself in a hat.

An artist is identical with an anarchist,' he cried. 'You might transpose the words anywhere. An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only. If it were not so, the most poetical thing in the world would be the Underground Railway.''So it is,' said Mr. Syme.'Nonsense!' said Gregory, who was very rational when any one else attempted paradox.

The first inkling of this notion had come to him the Christmas before, at his daughter's place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on.He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn't what she had in mind at all. But he couldn't do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn't important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was beginning to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn't say) that he wasn't a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn't have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar. ("Novelty")

ink marks the page/where you execute your will like a doe announcing an/ox-stern mate with a single, bleary blink.

In an age when nations and individuals routinely exchange murder for murder, when the healing grace of authentic spirituality is usurped by the divisive politics of religious organizations, and when broken hearts bleed pain in darkness without the relief of compassion, the voice of an exceptional poet producing exceptional work is not something the world can afford to dismiss.

Writing poems is simply an excuse to remember You.

Live for everything, or die for nothing

Then you are a poet?' she asked, fingering the flyer in her pocket.'No not at all,' he waved his hand. 'I am merely a character in a poem.

No thought is a stupid thought, those who are thoughtless are thought of as stupid.

Humans have the ability to rewrite history. Within a few decades it is not even questioned. Stories of the past become as real as the world you walk through today. Wars are waged over false history. Sins are denied. All for mankind to move forward and feel comfortable about its past. Your true history is written in the stars. Look up, breathe in, and be humbled by the ones who came before you. The ones who have suffered, who have endured, who have overcome. Their blood is alive in you. Their spirits roam freely in the heavens above.

Poetry is not an art, it's a symptom.

Poetry is the whispering of a truth by the shouting of the best possible lies

Any hand can condem, but it takes a helping hand to build.

God doesn't listen to me too, but people have their suspicions. सुनता तो रब हमारी भी नहीं,पर लोगों को अल्लाह पे शक बेशक है

I am nothing but a ripped fabric stitched together by God's grace.

When a poet digs himself into a hole, he doesn't climb out. He digs deeper, enjoys the scenery, and comes out the other side enlightened.

Use all the ugliness you’re feeling to make something beautiful

If I’m writing, at least I don’t feel as paralyzed.

Because there are hundreds of different ways to say one thing, I, being a writer, songwriter, and poet, speak childishly and incoherently. In speech there is so much to decide in so little time.

For the poet is a light and winged and holy thing, and there is no invention in him until he has been inspired and is out of his senses, and the mind is no longer in him: when he has not attained to this state, he is powerless and is unable to utter his oracles.

A poet, you see, is a light thing, and winged and holy, and cannot compose before he gets inspiration and loses control of his senses and his reason has deserted him.

If I woke up one morning and realized that all I ever was going to be was a business man, I'd probably die. All my dreams would be shattered. Early in life I had many dreams. I dreamed of being a great basketball star. I dreamed of being a preacher. I dreamed of saving the world from war and racism. And I dreamed of being a great poet. Today, I dream only of writing.

Old soul. Poet's heart. Warriors mind.

Sometimes, when inspiration runs dry, I drink classical music until my words spill out.

I spent all nightweaving a poem for you to wear. You look so beautifulwhen you wear my light.

WONDERLANDIt is a person's unquenchable thirst for wonderThat sets them on their initial quest for truth.The more doors you open, the smaller you become.The more places you see and the more people you meet,The greater your curiosity grows.The greater your curiosity, the more you will wander.The more you wander, the greater the wonder.The more you quench your thirst for wonder,The more you drink from the cup of life.The more you see and experience, the closer to truth you become.The more languages you learn, the more truths you can unravel.And the more countries you travel, the greater your understanding.And the greater your understanding, the less you see differences.And the more knowledge you gain, the wider your perspective,And the wider your perspective, the lesser your ignorance.Hence, the more wisdom you gain, the smaller you feel.And the smaller you feel, the greater you become.The more you see, the more you love --The more you love, the less walls you see.The more doors you are willing to open,The less close-minded you will be.The more open-minded you are,The more open your heart.And the more open your heart,The more you will be able to Send and receive --Truth and TRUEUnconditionalLOVE.

Everything turns in circles and spirals with the cosmic heart until infinity. Everything has a vibration that spirals inward or outward — and everything turns together in the same direction at the same time. This vibration keeps going: it becomes born and expands or closes and destructs — only to repeat the cycle again in opposite current. Like a lotus, it opens or closes, dies and is born again. Such is also the story of the sun and moon, of me and you. Nothing truly dies. All energy simply transforms.

I write to understand what I know.

Education is liberation, knowledge is power.

I do what I do because I love God, as I love your children, as I love humanity, as I love peace, truth, and justice for all. I may not be a fan of religion, but I am a big fan of God. I choose not to subscribe to any one religion because I recognize truths in them all — both the truths and flaws. For anybody to believe that any father would want to see his children fighting is madness. It does not make the Creator happy to see anybody massacre any of his beautiful creations. If you must know the religion I choose, I choose LOVE. If you must know the name of my god, his name is Truth, or rather 'He Who is One, The One Who is All.

In this storyI am the poetYou're the poetry.

That happens a lot with Shakespeare. The women go after what they want the men wind up suckered into things.

Kiss her gypsy soul and love her for the wild rose she is.

You have that faraway look in your eyes that makes me want to pull you into my dreams, bring you to your knees worshiping me - desperately. You, the nectar and the muse of my poetry.

Don't say it doesn't make sense then tell me you feel your spine curve and chill humps rise all over your skin. That's all the sense it needs to make. That's what it's supposed to do. That's poetry darling; you feel it in your noes, it chills your skin-- poetry speaks to your soul, it burns within.

When she bites my lips,I see stars dancing right next to the sun.

Do you see how the sky holds the sun?In a powerful but effortless way that shows off her beauty and strength?That's how a King holds his Queen.

I wonderif you ever read my poemsand wish they were writtenfor you.

I did it the hard wayMany of the big dreams I dreamt,I dreamt, when I met a failed attempt.Life taught me to believe thatGreat ideas can start from a wretched hut.Many of the strongest steps I took,I took, when I was given the fiercest look.My passion pokes me to understandThat people’s mockeries, I can withstand.Many of the fastest speeds I gained,I gained when I was bitterly stained.I first thought the only way was to quitAs I tried again, I no longer have guilt.Many of the bravest decisions I made,I made, when my life was about to fade.I was frustrated and ripe to sink.But then I strive to release the ink.Many of the longest journeys I started,I started, having no resource; money partedI relied on God my creator all dawn longAnd at dusk He gave me a new song.Many of the hardest questions I tackled,I tackled, when I was heckled.They were very troublesome to settleBut I make it happen little by littleYet, it was not I, but the Lord JesusThe saviour who gives me success.In Him, through Him and by HimI have the liberty to do everything with vim.I don’t want to enjoy this liberty alone.You too must step out of your comfort zone.It’s not easy, but you can do it anyway.Jesus is the life, the truth and the way.

Don’t pack out!To some people, you make life brightWhen you decide to dim your lightTheir lives will be full of darknessDo shine your light in kindnessTo some people, you bring out a joyWith their emotions, never ever toyWith your smiles, grease them with oilAnd make them glad when their lives boilTo other people, you are the warmthThat kills coldness and brings strengthDon’t do it; don’t pack outElse, they will have blackoutYou’re on earth to do two things hereWake up and do them now; this yearFirst, dare to grow and become betterSecond, help others to also become greaterNever in any of the four seasonsShould you neglect your gifts for any reasonsThe world needs you to make it a better placeDon’t pack out; run your race.

Break out to go out:The birds dare to break the egg shellIt does so in order to get out of that HellWhen it finally succeeds, it’ll then flyTo its comfort zone it’ll say byeAre you being confined in a small spaceHow long will you remain at that place?Before you can explore more territories,Break away from the former glories.Yesterday’s excellence is today’s averageYou must strive to be better age after ageNever accept the available mediocrityAs the only preferable opportunityDecide to grow from below to heroAnd make it a point to vacate level zeroReach out and arise with powerGod’s blessings on you, will showerAgree to grow, never attempt to be slowBe not afraid. Never doubt. You’ll flowThe grace of God will be your guideTaking you along, side by side.

You call me at 12am or 3am I will pick up your call. Once I make a commitment, I don't go back!

A poet is someone whose words can grasp & pull the thread of a person's soul & make them unravel with delight.

One may never get to know how fast the time travels till the one gets in that position to race against the time.

Go for it because for all those moments that you would make up your mind the other might have already rushed for it.

Time is the real emperor and there is no space for any pride since time flies and blows away anything.

Till the time you realize your conquest you already reach that stage when you start losing the grip.

They say copying is a form of flattery, I say it's lack of originality.

There is no such thing as a moral or an immoral book.Books are well written, or badly written. That is all.

You'll find magic everywhere, even in dark, dusty corners, if you stop searching with your limited human eyes and instead feel with your naked soul.

I get into beatific cornucopia when I delve into books, coffee, and wanderings!

Poetry is jealous of you tonight, for as soon as I come to pen a few words, your perfume attacks me in the most civilised manner and I forget myself. I forget the poem. I forget the ...

I only wrote prose before I met you. My musings were superfluous and serious as well. But now the words dance with me. I sing with them and we create poetry.

For sometime now I have believed that it is our own force, all our own force that is still too great for us. It is true that we do not know it; but is it not just that which is most our own of which we know the least?

The moon is my fear.The sun is my heart afire.The stars, my love songs.

Music does not need language of words for it has movements of dance to do its translation.

When the melody plays, footsteps move, heart sings and spirit begin to dance.

World seems like a void of silence every time footsteps are deprived of dancing shoes.

Dance resides within us all. Some find it when joy conquers sorrow, others express it through celebration of movements; and then there are those... whose existence is dance,

You cannot free someonewho is caged intheir own self.

Destruction wasn't when you chose to destroy me.It was when i let you.

I was lost for too longbut when i found you,i could feel it in my bones.You were my home.

Take me to your darkest cornersand watch your demonssurrender to mine..

Master the art of selfloveand you will never have to seekvalidationever again.

I am no one's to be claimed,I belong to me.

I stopped losing my sleep over you...Now i lie awakein search of me!!

It's okay darling,creative people are called crazyall the time.

She asks me silly questions. Like how much do I love her?I smile and look at the sky for how do I tell her that it is she who gives me my existence...

If we learn to love someone for their imperfections that reflect our own, we eventually appreciate the thought that even the most beautiful things are damaged

And then it dawned on me that the greatest love stories in the world never have happy endings.

You made a poet fall in love with the world.

Tickle my heart with your pen. Write me for all to read. Bind our love inside a book. Make me your poetry.

I loved you for a thousand years and missed you in all of them.

You can't break up with a soul mate.

I write because the security of your love allows me to develop my craft without concerning myself with trivialities — as if your love could be any more complete. But I write, in the first place,because of you, my muse. I write for your green eyes to glance at my humble words and for the pleasure of hearing you utter them.

I celebrate myself, I paint and dance and sing myself, and what I assume you will assume, for every atom as of me as good belongs to dreamy You. I am a song. I am a poem. I am the soil and a gem. I am a stargate and a voyage. I am the ocean and your soul.

You can run from the truth. You can run and hide from the truth.You can deny and avoid the truth. But you cannot destroy the truth. Nor can you make the lie true. You must know that love will always uncover the truth.

My wife is a thief...She takes the last cookieTakes forever to get readyShe takes her time in the showerTakes all of the hot waterShe takes my favorite seat on the couchTakes the high road when I lose controlMy wife is a thief...She took my last nameTook the time to get to know me, love meShe took the back seat and let me leadTook on motherhood and the emotional toll that it bringsShe took care of me the many times that I've gotten sickTook on the pain of pregnancy so that the Jackson legacy would live onMy wife takes, and takes, and takes...I'm so proud of my perpetual thief who stole my heart and won't give it back.

As I read you I fell in love with the holes between your words and I loved you most on the days you could not love yourself.

A POCKET-SIZED GIRLHe keeps me in his pocket for a rainy day; he swears I'm not an object as he yo-yo's me away.A friend is what we'll call it,but my friend, he does not know,each time it rains I love him— so to his pocket, I must go.He thinks he's being clever,but I am not a fool;his love ain't worth a penny,so to my heart I must be cruel.

MY MOONI'll always wonder what time it is there; if you're dreaming, or awake. My moon is your sun; my darkness, your light. I'm in the future, you'd jokingly say.And I know where you are, because I'm watching you from the past.

Pay to go inside Neruda's homeA body lies there with no dome.But right there in the front hallLean a fairy against the icy wall.Oh Endless enigmas had the bard!Nice and large and calm backyardEnds In the middle of a rare roomRare portrait of revelishing gloom.Up climbing at the weird snail stairDoes make you grasp for some air.And there's a room with bric-a-brac:Old and precious books all in a pack.Dare saying what I liked most of all?Enjoyed seeing visitors having a ball!

I'll always be the yearning poet bleeding ink chasing stars drunk on dreams.

You're back where you swore yourself you wouldn't beThe familiar shackles you can't tell from your own skinYour head's under water when you learned to swimOn a road to hell, congratulations, you're free...

What do you do when you cannot see any light? Where do you go when you cannot see any path? So I became the wanderer and wandering became my destiny!

I wake up in strange beds and in unknown rooms. I wander in dark alleys and crooked roads. Some days I don't even see the sun. Some nights the moon hides from me. I am the wanderer and wandering is my destiny!

Poets, you always write about women worth dying for. Write, for a change, something about the ones worth living for!

This poem was meant to be unwritten. But I am writing it now and have thereby changed destiny.

Think not of the fragility of life, but of the power of books, when mere words have the ability to change our lives simply by being next to each other.

Think not of the fragility of life, but of the power of books, when mere words can change our lives simply by being next to each other.

I wonder what became of you, your JohnnyRotten skin, no Emerald City eyes.You'd have been a beauty if you let inferiority steam your glasses with its candor, sans laughter.

John O’Donohue gave voice to the connection between beauty and those edges of life—thresholds was the word he loved—where the fullness of reality becomes more stark and more clear. If you go back to the etymology of the word “threshold,” it comes from “threshing,” which is to separate the grain from the husk. So the threshold, in a way, is a place where you move into more critical and challenging and worthy fullness. There are huge thresholds in every life. You know that, for instance, if you are in the middle of your life in a busy evening, fifty things to do and you get a phone call that somebody you love is suddenly dying, it takes ten seconds to communicate that information. But when you put the phone down, you are already standing in a different world. Suddenly everything that seems so important before is all gone and now you are thinking of this. So the given world that we think is there and the solid ground we are on is so tentative. And a threshold is a line which separates two territories of spirit, and very often how we cross is the key thing.

Be calm...calm as a calm lagoon, then you will look beautiful as a beautiful calm lagoon crowned by the Moon and sheltered by the brilliance of the stars reclaiming your royalty of regal life...

A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.

I have often noticed that these things, which obsess me, neither bother nor impress other people even slightly. I am horribly apt to approach some innocent at a gathering, and like the ancient mariner, fix him with a wild, glitt’ring eye and say, “Do you know that in the head of the caterpillar of the ordinary goat moth there are two hundred twenty-eight separate muscles?” The poor wretch flees. I am not making chatter; I mean to change his life.

All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.

Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.

In the forty minutes I watched the muskrat, he never saw me, smelled me, or heard me at all. When he was in full view of course I never moved except to breathe. My eyes would move, too, following his, but he never noticed. Only once, when he was feeding from the opposite bank about eight feet away did he suddenly rise upright, all alert- and then he immediately resumed foraging. But he never knew I was there.I never knew I was there, either. For that forty minutes last night I was as purely sensitive and mute as a photographic plate; I received impressions, but I did not print out captions. My own self-awareness had disappeared; it seems now almost as though, had I been wired to electrodes, my EEG would have been flat. I have done this sort of thing so often that I have lost self-consciousness about moving slowly and halting suddenly. And I have often noticed that even a few minutes of this self-forgetfulness is tremendously invigorating. I wonder if we do not waste most of our energy just by spending every waking minute saying hello to ourselves. Martin Buber quotes an old Hasid master who said, “When you walk across the field with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their souls come out and cling to you, and then they are purified and become a holy fire in you.

The color-patches of vision part, shift, and reform as I move through space in time. The present is the object of vision, and what I see before me at any given second is a full field of color patches scattered just so. The configuration will never be repeated. Living is moving; time is a live creek bearing changing lights. As I move, or as the world moves around me, the fullness of what I see shatters. “Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. But there is more to the present than a series of snapshots. We are not merely sensitized film; we have feelings, a memory for information and an eidetic memory for the imagery of our pasts. Our layered consciousness is a tiered track for an unmatched assortment of concentrically wound reels. Each one plays out for all of life its dazzle and blur of translucent shadow-pictures; each one hums at every moment its own secret melody in its own unique key. We tune in and out. But moments are not lost. Time out of mind is time nevertheless, cumulative, informing the present. From even the deepest slumber you wake with a jolt- older, closer to death, and wiser, grateful for breath. But time is the one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can’t recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees.

Xerxes, I read, ‘halted his unwieldy army for days that he might contemplate to his satisfaction’ the beauty of a single sycamore. You are Xerxes in Persia. Your army spreads on a vast and arid peneplain…you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven’t you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered…there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse…and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe. “He had its form wrought upon a medal of gold to help him remember it the rest of his life.” We all ought to have a goldsmith following us around. But it goes without saying, doesn’t it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don’t know what Pascal saw. I saw a cedar. Xerxes saw a sycamore.

And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?

I want to think about trees. Trees have a curious relationship to the subject of the present moment. There are many created things in the universe that outlive us, that outlive the sun, even, but I can’t think about them. I live with trees. There are creatures under our feet, creatures that live over our heads, but trees live quite convincingly in the same filament of air we inhabit, and in addition, they extend impressively in both directions, up and down, shearing rock and fanning air, doing their real business just out of reach.

You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?

Shadow is the blue patch where the light doesn’t hit. It is mystery itself, and mystery is the ancients’ ultima Thule, the modern explorer’s Point of Relative Inaccessibility, that boreal point most distant from all known lands. There the twin oceans of beauty and horror meet. The great glaciers are calving. Ice that sifted to earth as snow in the time of Christ shears from the pack with a roar and crumbles to water. It could be that our instruments have not looked deeply enough. The RNA deep in the mantis’s jaw is a beautiful ribbon. Did the crawling Polyphemus moth have in its watery heart one cell, and in that cell one special molecule, and that molecule one hydrogen atom, and round that atom’s nucleus one wild, distant electron that split showed a forest, swaying?

I was in no tent under leaves, sleepless and glad. There was no moon at all; along the world’s coasts the sea tides would be springing strong. The air itself also has lunar tides; I lay still. Could I feel in the air an invisible sweep and surge, and an answering knock in the lungs? Or could I feel the starlight? Every minute on a square mile of this land one ten thousandth of an ounce of starlight spatters to earth. What percentage of an ounce did that make on my eyes and cheeks and arms, tapping and nudging as particles, pulsing and stroking as waves?

It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of the hardwoods from here to Hudson’s Bay. It was as if the season’s colors were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarch butterflies had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.

Those people who shoot endless time-lapse films of unfurling roses and tulips have the wrong idea. They should train their cameras instead on the melting of pack ice, the green filling of ponds, the tidal swings…They should film the glaciers of Greenland, some of which creak along at such a fast clip that even the dogs bark at them. They should film the invasion of the southernmost Canadian tundra by the northernmost spruce-fir forest, which is happening right now at the rate of a mile every 10 years. When the last ice sheet receded from the North American continent, the earth rebounded 10 feet. Wouldn’t that have been a sight to see?

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.

Were the earth as smooth as a ball bearing, it might be beautiful seen from another planet, as the rings of Saturn are. But here we live and move; we wander up and down the banks of the creek, we ride a railway through the Alps, and the landscape shifts and changes. Were the earth smooth, our brains would be smooth as well; we would wake, blink, walk two steps to get the whole picture and lapse into dreamless sleep. Because we are living people, and because we are on the receiving end of beauty, another element necessarily enters the question. The texture of space is a condition of time. Time is the warp and matter the weft of woven texture of beauty in space, and death is the hurtling shuttle… What I want to do, then, is add time to the texture, paint the landscape on an unrolling scroll, and set the giant relief globe spinning on it stand.

Our life is a faint tracing on the surface of mystery. The surface of mystery is not smooth, any more than the planet is smooth; not even a single hydrogen atom is smooth, let alone a pine. Nor does it fit together; not even the chlorophyll and hemoglobin molecules are a perfect match, for, even after the atom of iron replaces the magnesium, long streamers of disparate atoms trail disjointedly from the rims of the molecule’s loops. Freedom cuts both ways. Mystery itself is as fringed and intricate at the shape of the air at times. Forays into mystery cut bays and fine fjords, but the forested mainland itself is implacable both in its bulk and in its most filigreed fringe of detail.

I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are. I am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems. So I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one…The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world.

The Child Christ lives on from generation to generation in the poets, very often the frailest of men but men whose frailty is redeemed by a child's unworldliness, by a child's delight in loveliness, by the spirit of wonder.Christ was a poet, and all through His life the Child remains perfect in Him. It was the poet, the unworldly poet, who was King of the invisible kingdom; the priests and rulers could not understand that. The poets understand it, and they, too, are kings of the invisible kingdom, vassal kings of the Lord of Love, and their crowns are crowns of thorns indeed.

What broke your heart so badThat you had to close every door, That you say you have a dark soulAnd can't utter the word 'love' anymore?

Songs of myselfI am the poet of the Body and I am the poet of the Soul, The pleasures of heaven are with me and the pains of hell are with me, The first I graft and increase upon myself, the latter I translate into new tongue. I am the poet of the woman the same as the man, And I say it is as great to be a woman as to be a man,..

You just wait.Soon, lovers all over the worldwill be reciting poems dedicated to you.This is my promise.

When in love, every soul becomes a poet.

I breathe in... The sights and smells Of this city I’ve come to know... So well I gaze... Across the turquoise ocean Where the waves Liberate my spirit... From its shell I breathe in... The brilliant sky line Where the birds Emerge shyly From the dappled sunshine I breathe in... The gently... Blowing winds That soothe me Like a mother, around her child I breathe in... The sounds of laughter Pure and pretty Like the golden-green butterfly I’m always after I breathe in... The closeness, I have always shared With people, Who almost knew me, Almost cared I breathe in... The comfort Of my home, The safe walls, The scents of childhood On the pillows I breathe in...the silence Of my own heart Aching with tenderness... With memories.. Of home I breathe... in... The fragrance Of love, and moist sand The one... His roses left... On both my hands And I just keep on breathing Every moment As much as I can Preserving it, in my body For the day It can’t So I breathe in.. Once again.. Feeling life's energy Fizzing through my cells Never knowing What awaits me Or what's going to happen to me.. Next I breathe in This moment... Knowing it's either life Or it's death I close my eyes, And breathe in Just believing in myself.

To a poet, his works aren't just a reflection of life itself, but an entire life in the boundless invisible. Isn't the heavenly oasis of all human emotions - the soul - invisible? I reaped: We cannot see the wind, but we can feel it, we cannot see the warmth of the sun, but we can also feel it. This bond between nature and humans is the best proof of the Creator’s existence.

Maybe you are a poet and a dreamer, but don't you realize that those two species are extinct now?

After all, what is art? Art is the creative process and it goes through all fields. Einstein’s theory of relativity – now that is a work of art! Einstein was more of an artist in physics than on his violin.Art is this: art is the solution of a problem which cannot be expressed explicitly until it is solved.

It starts off like climbing a tree or solving a puzzle - poetry, if nothing else, is just fun to write. But deeper into each and every piece, you no longer hesitate to call it work. It's passion. A poet's sense of lyrical accomplishment is then his food and water, his means of survival.

An artist is like a handicaphe needs his art to carry himself.

Poetry isn’t an island, it is the bridge. Poetry isn’t a ship, it is the lifeboat. Poetry isn’t swimming. Poetry is water.

It is a dangerous thing to substitute reading or writing for living. Live first, then write.

There is no revelation in my words. I am merely stating what others have forgotten to write down.

These poems are cupsthat I pour my life into.Here, Drink!

We are all born as storytellers. Our inner voice tells the first story we ever hear.

The serenity of the lulling ocean is a wondrous thing to behold..more precious than the gems coveted and covered in platinum or gold...

Poetry is a storm asking peace to dance with her.

To see things as the poet sees them I must share his consciousness and not attend to it; I must look where he looks and not turn round to face him; I must make of him not a spectacle but a pair of spectacles; in fine, as Professor Alexander would say, I must enjoy him and not contemplate him.

Sit here, so I may writeyou into a poem and make you eternal.

For what was it about books that once finished left the reader in a bit of a haze and made them reread the last few sentences in order to continue the ringing in their hearts a while longer, so as not to let the silence illumine the fact that reading, they had gained something — distance, a lesson, a companion, a new world — but now, after the last full stop, they had lost something palpable and felt a little emptier than before.

They say that history is going on somewhere.They say it won't stop. I have heldOne picture still for a long time and waited.

The history of time is captured by poet, artist, writer, photographer…!

I don’t want to be remembered for my work. I want to be remembered for my love.

There is a property in the horizon which no man has but he whose eye can integrate all parts, that is, the poet.

WHO AM I?I have seven heavenly panelsLeading up to a pointed sphereI’m multidimensional like a crystalAnd my center is never clear.I’m an inventor and pioneer.A mentor to my peers.But I'm not as sound as my shell reveals,Because I’m tormented by my fears -That may appear to be groundedBut my insides are filled with tears.And the sadness is well-founded,From years and yearsOf traumatic experiencesCompoundedIn the most dementedAtmospheres.I talk but feel like nobody hears.Has reason disappeared?And, God, are you near?This is Giza’s 7th light forceAnd I'm asking you to interfere.I can no longer walk amongst the blind and deadWith open eyes and ears.I’m trying to maintain my sanityAnd to straighten up my veneerAs I roll amongst the growing calamitiesFlowing on Earth’s severely trashedFrontier.Suzy Kassem, Rise Up and Salute the Sun (2010)

A poet adds the awe factor to our ordinary perceptions.

Poetry keeps my heart neat, even when incomplete, I find peace.

This empty shell holds nothing but the echoes of what was.

I have these knives in my chest that can't become words.

You ask me to write you a poem,I pen you an empty ocean,You run away.You ask me who I am,I paint you a breaking sky,You weep in the rain.

All I need to dois place my pen against paperand your lovewrites for me.

A poetess is not as selfishas you assume.After months of agonising over her marriage of words—the bride—and spaces—the groom,she knows that as soonas she has penned the poem,it’s yours to consume.So, without giving it a think,she blows on the inkand the letters fly awaylike dandelions on a windy day,landing on hands and lips, on hearts and hips.But more often than not,you can easily spotthem trodden and forgotten,becoming sodden and rotten.Yet, she will continue to makewhat’s others to takebecause selfishness is not the mark of a poetess.

I've written you sixty-seven love poems.Here’s another one for you.But really, for me.These poems are the candles that I light with the fire you have ignited in me.I place this candle here and another thereso even if the stars have argued with the moonand are sulking away in a corner, you can still find your way to me.Sixty-eight poems now. What does the future hold for us?Joy? Disappointment? Gentle caresses? And subtle neglect?I hope the good is more than the bad. Much more. For what is the point of loveif by lighting these candlesour own flame loses its brightness?I know the good is more than the bad. Much more.I cannot wait to write you sixty-nine.

If movements were a spark every dancer would desire to light up in flames.

Show me a person who found love in his life and did not celebrate it with a dance.

... and I realise the only way to tell the others is through the way my voice can take these broken wordsand turn it into music. Turn it into poetry.And I sing to make myself come alive, but also for you,because I’d like this to mean something.To not disappear with the dark I will enter one day and so now I will tell.If not for you, then for my own heart, because it tells me to,and I'm learning to listen.

Who has not sat before his own heart's curtain? It lifts: and the scenery is falling apart.

A torpid heart in agony needs a pen to bleed

She placed her hand on her chest and thought, 'So this is what the poets write about'.

When your heart starts to feel full again. I love FREE refills, and if a restaurant tries to double charge me, I refuse to write a love poem on their Yelp page.-Karen Quan and Jarod Kintz

Take a shower. Wash away every trace of yesterday. Of smells. Of weary skin. Get dressed. Make coffee, windows open, the sun shining through. Hold the cup with two hands and notice that you feel the feeling of warmth. 
 You still feel warmth.
Now sit down and get to work. Keep your mind sharp, head on, eyes on the page and if small thoughts of worries fight their ways into your consciousness: threw them off like fires in the night and keep your eyes on the track. Nothing but the task in front of you. Get off your chair in the middle of the day. Put on your shoes and take a long walk on open streets around people. Notice how they’re all walking, in a hurry, or slowly. Smiling, laughing, or eyes straight forward, hurried to get to wherever they’re going. And notice how you’re just one of them. Not more, not less. Find comfort in the way you’re just one in the crowd. Your worries: no more, no less.Go back home. Take the long way just to not pass the liquor store. Don’t buy the cigarettes. Go straight home. Take off your shoes. Wash your hands. Your face. Notice the silence. Notice your heart. It’s still beating. Still fighting. Now get back to work.
Work with your mind sharp and eyes focused and if any thoughts of worries or hate or sadness creep their ways around, shake them off like a runner in the night for you own your mind, and you need to tame it. Focus. Keep it sharp on track, nothing but the task in front of you.Work until your eyes are tired and head is heavy, and keep working even after that. Then take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes.
Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more. 
You’re doing just fine.
You’re doing fine.I’m doing just fine.

Poetry contains few words but tells much. Its beauty is that by being condensed it is rich in meaning and open to various interpretations. Unlike prose, there is no boundary to poetry. There is nothing concrete or black and white. Poetry is mutable; it is transformative. Poetry is the alchemy of hearts. And what cannot be said in prose can sometimes be only said through poetry.

Loveis not leaning on each other, adjusting to fit a different size.Loveis simply two hands reached out in the darkness,saying; I’ll be your light, if you’ll be mine.

I know that touching you will be understanding my fingers for the first time.

The most magical thing I have come across is a beautiful face with a beautiful heart and it's you❤ ❤

I looked at an angel today, but the angel could not see me. The angel was more amazing than beautiful, like the best forgotten dream.

A good woman comes in all shapes and colors.When you find her, adore her.

Honor a good woman because she is virtuous and honorable.