Roads Go Ever OnRoads go ever ever on,Over rock and under tree,By caves where never sun has shone,By streams that never find the sea;Over snow by winter sown,And through the merry flowers of June,Over grass and over stone,And under mountains in the moon.Roads go ever ever on,Under cloud and under star.Yet feet that wandering have goneTurn at last to home afar.Eyes that fire and sword have seen,And horror in the halls of stoneLook at last on meadows green,And trees and hills they long have known.The Road goes ever on and onDown from the door where it began.Now far ahead the Road has gone,And I must follow, if I can,Pursuing it with eager feet,Until it joins some larger way,Where many paths and errands meet.The Road goes ever on and onDown from the door where it began.Now far ahead the Road has gone,And I must follow, if I can,Pursuing it with weary feet,Until it joins some larger way,Where many paths and errands meet.And whither then? I cannot say.The Road goes ever on and onOut from the door where it began.Now far ahead the Road has gone.Let others follow, if they can!Let them a journey new begin.But I at last with weary feetWill turn towards the lighted inn,My evening-rest and sleep to meet.
When Great Trees FallWhen great trees fall,rocks on distant hills shudder,lions hunker downin tall grasses,and even elephantslumber after safety.When great trees fallin forests,small things recoil into silence,their senseseroded beyond fear.When great souls die,the air around us becomeslight, rare, sterile.We breathe, briefly.Our eyes, briefly,see witha hurtful clarity.Our memory, suddenly sharpened,examines,gnaws on kind wordsunsaid,promised walksnever taken.Great souls die andour reality, bound tothem, takes leave of us.Our souls,dependent upon theirnurture,now shrink, wizened.Our minds, formedand informed by theirradiance,fall away.We are not so much maddenedas reduced to the unutterable ignoranceof dark, coldcaves.And when great souls die,after a period peace blooms,slowly and alwaysirregularly. Spaces fillwith a kind ofsoothing electric vibration.Our senses, restored, neverto be the same, whisper to us.They existed. They existed.We can be. Be and bebetter. For they existed.
Journey’s endIn western lands beneath the SunThe flowers may rise in Spring,The trees may bud, the waters run,The merry finches sing.Or there maybe 'tis cloudless night,And swaying branches bearThe Elven-stars as jewels whiteAmid their branching hair.Though here at journey's end I lieIn darkness buried deep,Beyond all towers strong and high,Beyond all mountains steep,Above all shadows rides the SunAnd Stars for ever dwell:I will not say the Day is done,Nor bid the Stars farewell.J.
What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere, The smallest sprout shows there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceas'd the moment life appear'd. All goes onward and outward, nothing collapses, And to die is different from what any one supposed, and luckier.
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
There's a race of men that don't fit in, A race that can't sit still;So they break the hearts of kith and kin, And they roam the world at will.They range the field and rove the flood, And they climb the mountain's crest; Their's is the curse of the gypsy blood, And they don't know how to rest.
If only you would realize some day, how much have you hurt me,If only your heart ever, craves for me or my presence…If only you feel that love again someday for me,If only you are affected someday by my absence…Only you can end all my suffering and this unbearable pain,If only you would know what you could never procure…If only you go through the memories of past once again,Since the day you left my heart has bled, no one has its cure…If only you would bring that love, those showers and that rain…If only you would come back and see what damage you create,I’ve been waiting for your return since forever more…If only you would see the woman that you have made,You said we cannot sail through, how were you so sure?If only you can feel the old things that can never fade,You may have moved on, but a piece of my heart is still with you…I know how I’ve come so far alone; I know how I’m able to wade,People say that I’m insane and you won’t ever come back again…Maybe you would have never made your separate way,Maybe you would have stayed with me and proved everyone wrong…If only you would know the pain of dying every day,If only you would feel the burden of smiling and being strong…
I think that I shall never seeA poem lovely as a tree.A tree whose hungry mouth is pressedAgainst the earth's sweet flowing breast;A tree that looks at God all dayAnd lifts her leafy arms to pray;A tree that may in summer wearA nest of robins in her hair;Upon whose bosom snow has lain;Who intimately lives with rain.Poems are made by fools like me,But only God can make a tree.
True storyThis morning I jumped on my horseAnd went for a ride,And some wild outlaws chased meAnd shot me in the side.So I crawled into a wildcats caveTo find a place to hideBut some pirates found me sleeping thereAnd soon they had me tiedTo a pole and built a fireUnder me---I almost criedTill a mermaid came and cut me looseAnd begged to be my brideSo I said id come back WednesdayBut I must admit I lied.Then I ran into a jungle swampBut I forgot my guide And I stepped into some quicksandAnd no matter how hard I triedI couldn’t get out, until I metA watersnake named ClydeWho pulled me to some cannibalsWho planned to have me friedBut an eagle came and swooped me upAnd through the air we fliedBut he dropped me in a boiling lakeA thousand miles wideAnd you’ll never guess what I did then---I DIED
Love is a chemical reaction,But it cannot be fully understood or defined by science.And though a body cannot exist without a soul,It too cannot be fully understood or defined by science.Love is the most powerful form of energy,But science cannot decipher its elements.Yet the best cure for a sick soul is love,But even the most advanced physicianCannot prescribe it as medicine.INCOMPLETE SCIENCE by Suzy Kassem
I bargained with Life for a penny,And Life would pay no more, However I begged at eveningWhen I counted my scanty store;For Life is just an employer,He gives you what you ask,But once you have set the wages,Why, you must bear the task.I worked for a menial's hire,Only to learn, dismayed,That any wage I had asked of Life,Life would have paid.
UNDIVIDEDI am for One world undivided. One world without fear and corruption. One world ruled by Truth and Justice. I am forOne peaceful world for all,Where hate has been overcome by love,And everyone is guided only By their conscience.
YOU ARE JUSTYou are not just for the right or left,but for what is right over the wrong.You are not just rich or poor,but always wealthy in the mind and heart.You are not perfect, but flawed.You are flawed, but you are just.You may just be conscious human,but you are also a magnificentreflection of God.
THREE BASIC TRUTHSThree things have a limited threshold: Time, pain, and death.While truth, love, and knowledge –Are boundless.Three things are needed For humanity to co-exist:Truth, peace and basic needs.Everything else -Is irrelevant.
Ô, Wanderess, WanderessWhen did you feel your most euphoric kiss? Was I the source of your greatest bliss?
And now, for something completely the same:Wasted time and wasted breath,'s what I'll make, until my death.Helping people 'd be as good,but I wouldn't, if I could.For the few that help deserve,have no need, or not the nerve,help from strangers to accept,plus from mine a few have wept.Wept from joy, or from despair,or just from my vengeful stare.Ways I have, to look at stupid,make them see I am not Cupid.Make them see they are in error,for of truth I am a bearer.Most decide I'm just a bear,mauling at them, - like I care.
THE THREE LAWS OF ALLYou are never to worship a living soul,Except for three entities:Three - YOUR FATHERTwo - YOUR MOTHERAnd one - HE WHO IS ALL.To begin to study All Things,You must start with only three things:Man,Nature,And the universe.All three are a reflection of each other.So simply study one,To understand the other.All of creation started with JUST three things,And no living thing was created without them:Water,Light,And dust.Know these three basic laws.And you will come to knowHe Who Is All.Forever big, yet sometimes small,He is found in the heartOf everything.Suzy Kassem Poetry, Truth is Crying
I saw the spiders marching through the air,Swimming from tree to tree that mildewed dayIn latter August when the hayCame creaking to the barn. But whereThe wind is westerly,Where gnarled November makes the spiders flyInto the apparitions of the sky,They purpose nothing but their ease and dieUrgently beating east to sunrise and the sea;
REMEMBER YOUR GREATNESSBefore you were born,And were still too tiny forThe human eye to see,You won the race for lifeFrom among 250 million competitors.And yet,How fast you have forgottenYour strength,When your very existenceIs proof of your greatness.You were born a winner,A warrior,One who defied the oddsBy surviving the most gruesomeBattle of them all.And now that you are a giant,Why do you even doubt victoryAgainst smaller numbers,And wider margins?The only walls that exist,Are those you have placed in your mind.And whatever obstacles you conceive,Exist only because you have forgottenWhat you have alreadyAchieved.Poetry by Suzy Kassem
COMING FORTH INTO THE LIGHTI was born the dayI thought:What is?What was?AndWhat if?I was transformed the dayMy ego shattered,And all the superficial, materialThings that matteredTo me before,Suddenly ceasedTo matter.I really came into beingThe day I no longer cared aboutWhat the world thought of me,Only on my thoughts forChanging the world.
MOMWholeheartedly,She loved me-And inspired me-With transcending devotion.It was a blessing-To have been her son,To have been loved-Without conditions.Her words of wisdom-Opened my eyes-To the world-And to myself.By seeing the best in me, She empowered me.By believing in me, She transformed me.She grew old-And floated away,But her love remains standing-Eternally by my side.
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
Ô, Muse of the Heart’s Passion,let me relive my Love’s memory,to remember her body, so brave and so free,and the sound of my Dreameress singing to me,and the scent of my Dreameress sleeping by me,Ô, sing, sweet Muse, my soliloquy!
Es sind tausend Tropfenin einer Weltnur für uns gemachtTausend Tropfenwenn der Himmel weintund man dennoch lacht
I learned from Whitman that the poem is a temple -- or a green field -- a place to enter, and in which to feel. Only in a secondary way is it an intellectual thing -- an artifact, a moment of seemly and robust wordiness --wonderful as that part of it is. I learned that the poem was made not just to exist, but to speak --to be company. It was everything that was needed, when everything was needed.
We thought everything would be forgotten, but I still remember yourclaws running down my back.I wonder if you still think about us,the way I do.How our legs would crash into each other in the middle of the night, and how we endedup creating the moon in the confines of our beds.
Her question was clear-“Father, where does the Loss reside?”In the sighs?Cheeks with tears wiped?A lost appetite?Owning a room confined?Or in the smiles all falsified?Thus, the Father decide,It is no matter to hide, he replied-“I think its deep inside,Probably,In the layers of your soul,Where the body provides it,Ample food to be-Magnified, multiplied, intensified.But once you clarify,That its not to be occupied inside,It starves of supplies,And dies.So child, when there is loss,Make sure you refuse to invite it inward, And absolutely never make it your lifelong parasite.
Love, they said, burns youand builds you.But with you, there’s no ash.Just light.
I am a world of uncertainties disguised as a girl.
A foolish man question: “what is love?” A madman answer: “Love is an omnipresent attribute of human life. Our appetite will always be unfulfilled for love. It is better for us because without it, earth will not rotate, seasons will not change, birds will not sing and life will not exit.” What do you think?
I want a fairytale romance in a make-believe land. Let’s run through the beautiful meadow and pretend the walls aren’t closing in. One trip and the world will consume us but don’t hesitate and don’t look back. This world of make-believe survives solely on your faith.
Here's another poem,like all others before and after,dedicated to you.There isn't anything left to be saidbut I will spend my lifetrying to put you into words.You who is every goodness,every optimismand hope.Your love is a better fate for methan anything I could wish for.If you are a part of me, then you’re the best part.And if you're separate from me, then you are my destination.But I’ve become a weary traveller,so please,let us never be apart.
I don’t know why everyoneis still trying to find out whether heaven and hell exist.Why do we need more evidence?They exist here on this very Earth.Heaven is standing atop Mount Qasiounoverlooking the Damascene sightswith the wind carrying Qabbani’sdulcet words all around you.And hell is only four hours away in Aleppo where children’s cries drown out the explosions of mortar bombsuntil they lose their voice,their families, and their limbs.Yes, hell certainly does existright now, at this moment,as I pen this poem. And all we’re doingto extinguish this hellfireis sighing, shrugging, liking, and sharing.Tell me: what exactly does that makeus? Are we any better than the gatekeepers of hell?
O, weary angels, don’t look at me with those eyes.If that is your state then what of our cries?What can I tell you of goodness that you don’t already know?What can I tell you of faith,of hope and lovethat you yourselves bestow?O, angels, don’t pluck another feather,this isn’t the sky, it’s just the weather.Please, angels, try.We are one all together.Look up and listen, I’ll say it once and then put down my pen:We are sorry for our ignoranceand even though we are worldly,it might happen again.We are sorry for your wearinessand even though you aren’t worldly,we are no more than human.
The real flight of this hawk is impending.Still,this bird is yet to be tested for real.Though I have leaped over the seas,well,the entire sky is still remaining to fly.And make sure that ,i am gonna do it with all my heart and all my soul.#loveyoourlife #liveyourlife #hvFUN
They took one look at me,And hated my black face.They took one look at me,And decided on my fate.They took one look at me,And forced an unknown fear.They took one look at me,And caused the shed of tears.They took one look at me,And decided I was wrong.They took one look at me,And now I'm singing the slave mans song...
18. Your life is before you. Be careful of the choices you make now that you could regret later. This regret is the subject of an old poem whose author has been forgotten. I hope you’ll never have reason to apply it to yourself. Across the fields of yesterday, He sometimes comes to me A little lad just back from play— The boy I used to be. He looks at me so wistfully When once he’s crept within; It is as if he hoped to see The man I might have been.
Hanged"I hung myself today. Hanged? Whatever,the point is I hanged myself today and I’m stillhanging.I feel fine. Just bored. I keep hoping thatsomeone will come home and cut me downbut then I keep remembering that if I knewsomeone like that I wouldn’t be up here. Bitironic, right? Or is that not ironic? I readsomewhere that, like, anything funny is,in some way, ironic. But I don’t know if it'sfunny or not. I don’t think my brain owns“funny”, you know?I feel taller. I like that.I’ve never been away from my shadow forthis long. It had always clung to my feet,parting momentarily for a quick dive intothe swimming pool. But never for fivehours. I like it. There’s three feet of spacebetween my two and the floor.I wanted something this morning. I may bestuck. But at least I’m three feet closer to it.
Through Rohan over fen and field where the long grass growsThe West Wind goes walking, and about the walls it goes.What news from the West, oh wandering wind, do you bring to me tonight?Have you seen Boromir the Tall by moon or by starlight?‘I saw him ride over seven streams, over waters wide and grey;I saw him walk in empty lands, until he passed awayInto the shadows of the North. I saw him then no more.The North Wind may have heard the horn of the son of Denethor.’Oh, Boromir! From the high walls westward I looked afar.But you came not from the empty lands where no men are.From the mouth of the sea the South Wind flies,From the sand hills and the stones;The wailing of the gulls it bears, and at the gate it moansWhat news from the South, oh sighing wind, do you bring to me at eve?Where now is Boromir the Fair? He tarries and I grieve.‘Ask me not where he doth dwell--so many bones there lieOn the white shores and on the black shores under the stormy sky;So many have passed down Anduin to find the flowing sea.Ask of the North Wind news of them the North Wind sends to me!’Oh Boromir! Beyond the gate the Seaward road runs South,But you came not with the wailing gulls from the grey seas mouth.From the Gate of Kings the North Wind rides,And past the roaring fallsAnd loud and cold about the Tower its loud horn calls.What news from the North, oh mighty wind, do you bring to me today?What news of Boromir the Bold? For he is long away.‘Beneath Amon Hen I heard his cry. There many foes he foughtHis cloven shield, his broken sword, they to the water brought.His head so proud, his face so fair, his limbs they laid to rest;And Rauros, Golden Rauros Falls, bore him upon its breast.’Oh Boromir! The Tower of Guard shall ever northward gazeTo Rauros, Golden Rauros Falls until the end of days.
What is this thing you call substance abuse? All I wanna do is forget and get loose.Drinking and smoking over and overWhat's so great about a life that's sober?There's nothing cool about being youngWhen the monsters of night have stolen the sun.I'm tired of searching for words in the sky.All I wanna do is drink and die. Nothing is real. It's all a big lie. All I wanna do is drink and die. There's nothing cool about being youngWhen the monsters of night have stolen the sun.
as long as there arehuman beings aboutthere is never going to beany peacefor any individualupon this earth (oranywhere elsethey mightescape to).all you can dois maybe grabten lucky minuteshereor maybe an hourthere.somethingis working toward youright now, andI mean youand nobody butyou.
eat, baby.eat.chew.please.I know it hurts. I know it doesn’t feel good.please.I know your hunger is different than mine.I know it doesn’t taste the same as mine.imagine you could grow up all over againand pinpoint the millisecond that you startedcounting calories like casualties of war,mourning each one like it had a family.would you?sometimes I wonder that.sometimes I wonder if you would go backand watch yourself reappear and disappear right in front of your own eyes.and I love you so much.I am going to hold your little hand through the night.just please eat. just a little.you wrote a poem once,about a city of walking skeletons.the teacher called home because youtold her you wished it could be like thathere.let me tell you something about bones, baby.they are not warm or soft.the wind whistles through them like they areholes in a tree.and they break, too. they break right in half.they bruise and splinter like wood.are you hungry?I know. I know how much you hate that question.I will find another way to ask it, someday.please.the voices.I know they are all yelling at you to stretch yourself thinner.l hear them counting, always counting.I wish I had been there when the world made yousnap yourself in half.I would have told you that your body is not a war-zone,that, sometimes,it is okay to leave your plate empty.
If you are a monster, stand up.If you are a monster, a trickster, a fiend,If you’ve built a steam-powered wishing machineIf you have a secret, a dark past, a scheme,If you kidnap maidens or dabble in dreamsCome stand by me.If you have been broken, stand up.If you have been broken, abandoned, aloneIf you have been starving, a creature of boneIf you live in a tower, a dungeon, a throneIf you weep for wanting, to be held, to be known,Come stand by me.If you are a savage, stand up.If you are a witch, a dark queen, a black knight,If you are a mummer, a pixie, a sprite,If you are a pirate, a tomcat, a wright,If you swear by the moon and you fight the hard fight,Come stand by me. If you are a devil, stand up.If you are a villain, a madman, a beast,If you are a strowler, a prowler, a priest,If you are a dragon come sit at our feast,For we all have stripes, and we all have horns, We all have scales, tails, manes, claws and thornsAnd here in the dark is where new worlds are born.Come stand by me.
TO what purpose, April, do you return again? Beauty is not enough. You can no longer quiet me with the redness Of little leaves opening stickily. I know what I know. The sun is hot on my neck as I observe The spikes of the crocus. The smell of the earth is good. It is apparent that there is no death. But what does that signify? Not only under ground are the brains of men Eaten by maggots. Life in itself Is nothing, An empty cup, a flight of uncarpeted stairs. It is not enough that yearly, down this hill, April Comes like an idiot, babbling and strewing flowers.
sometimes when everything seems atits worstwhen all conspiresand gnawsand the hours, days, weeksyearsseem wasted – stretched there upon my bedin the darklooking upward at the ceilingi get what many will consider anobnoxious thought:it’s still nice to beBukowski.
When Hitler marched across the RhineTo take the land of France,La dame de fer decided,‘Let’s make the tyrant dance.’Let him take the land and city,The hills and every flower,One thing he will never have,The elegant Eiffel Tower.The French cut the cables,The elevators stood still,‘If he wants to reach the top,Let him walk it, if he will.’The invaders hung a swastikaThe largest ever seen.But a fresh breeze blewAnd away it flew,Never more to be seen.They hung up a second mark,Smaller than the first,But a patriot climbedWith a thought in mind:‘Never your duty shirk.’Up the iron ladyHe stealthily made his way,Hanging the bright tricolour,He heroically saved the day.Then, for some strange reason,A mystery to this day,Hitler never climbed the tower,On the ground he had to stay.At last he ordered she be razedDown to a twisted pile.A futile attack, for still she standsBeaming her metallic smile.
A JEWELRY STORE NAMED INDIAIf you hold this Dazzling emeraldUp to the sky,It will shine a billion Beautiful miraclesPainted from the tearsOf the Most High.Plucked from the lush gardensOf a yellowish-green paradise,Look inside this hypnotic gemAnd a kaleidoscope of Titillating, Soul-raising Sights and colorsWill tease and seduceYour eyes and mind.Tell me, sir.Have you ever heardA peacock sing?Hold your earTo this mystical stoneAnd you will hearSacred hymns flowingTo the vibrationsOf the perfumedWind.
The Prophecy:"The Chosen one possesses a giftThat Lucempest needs in order to make a shift.To provide pure sacred lifeAs a concession for his land's strife.If the human soloth seizes wrathThis will be the altercation restraining Lucempest fromlaunching on his wicked path.If the Chosen One learns the way,He will prevent his land from having a great debt to pay.When Ira (wrath) vanishes from Lucempest's landHealing will ensue as a component of the great plan.If Lucempest prevails in acquiring his blood as a giftIt will be the beginning of a vast rift.He will offer the Chosen One's blood to the treeWhich will allow him control, and no land to be free.If The Chosen One prevailsThe tree will offer wisdom, and Lucempest will fail.There are sextet other saligias to remove.Avarita (greed), Acedia (sloth), Superbia (pride), Luxuria (lust), Invidia (envy), and Gula (gluttony) in order to improve.These septet saligias must be replaced with septet giftsSapientia (wisdom), Intellectus (understanding), Consilio (council), Fortitudo (fortitude), Scientia (knowledge), Pietas (piety), and Timor Domini (wonder and awe), in order to create vital shifts.
I often repeat repeat myself,I often repeat repeat.I don't don't know why know why,I simply know that I I Iam am inclined to say to saya lot a lot this way this way-I often repeat repeat myself,I often repeat repeat.I often repeat repeat myself,I often repeat repeat.My mom my mom gets mad gets mad,it irritates my dad my dad,it drives them up a tree a tree,that's what they tell they tell me me-I often repeat repeat myself,I often repeat repeat.I often repeat repeat myself,I often repeat repeat.It gets me in a jam a jam,but that's the way I am I am,in fact I think it's neat it's neatto to to to repeat repeat-I often repeat repeat myself,I often repeat repeat.
I don’t think that I’ve been in love as suchAlthough I liked a few folk pretty wellLove must be vaster than my smiles or touchfor brave men died and empires rose and fellFor love, girls follow boys to foreign landsand men have followed women into hellIn plays and poems someone understandsthere’s something makes us more than blood and boneand more than biological demands For me love’s like the wind, unseen, unknownI see the trees are bending where it’s beenI know that it leaves wreckage where it’s blownI really don’t know what "I love you" meansI think it means "don’t leave me here alone
The aching in my chest isn't because I miss you,it's realizing that you have become someone I no longer know,your fears, your 4 am thoughts, your achievements,are things I no longer have an equivalent to.Who we were and who we are are four different people, and the me from now doesn't relate to the me from then, let alone to the you from now.-Tanzy Sayadi and Jarod Kintz
What makes us leave what we love best?What is it inside us that keeps erasing itselfWhen we need it most,That sends us into uncertainty for its own sakeAnd holds us flush there until we begin to love itAnd have to begin again?What is it within our own lives we decline to liveWhenever we find it, making our days unendurable,And nights almost visionless?I still don't know yet, but I do it.
I am not a finished poem, and I am not the song you’ve turned me into. I am a detached human being, making my way in a world that is constantly trying to push me aside, and you who send me letters and emails and beautiful gifts wouldn’t even recognise me if you saw me walking down the street where I live tomorrowfor I am not a poem. I am tired and worn out and the eyes you would see would not be painted or inspiredbut empty and weary from drinking too much at all timesand I am not the life of your party who sings and has glorious words to speakfor I don’t speak muchat alland my voice is raspy and unsteady from unhealthy living and not much sleep and I only use it when I sing and I always sing too muchor not at alland never when people are around because they expect poems and symphonies and I am nota poembut an elegyat my bestbut unedited and uncut and not a lot of people want to work with me because there’s only so much you can do with an audio take, with the plug-ins and EQs and I was born distorted, disordered, and I’m pretty fine with that,but others are not.
The Garden En robe de parade. - SamainLike a skein of loose silk blown against a wallShe walks by the railing of a path in Kensington Gardens,And she is dying piece-mealof a sort of emotional anaemia.And round about there is a rabbleOf the filthy, sturdy, unkillable infants of the very poor.They shall inherit the earth.In her is the end of breeding.Her boredom is exquisite and excessive.She would like some one to speak to her,And is almost afraid that I will commit that indiscretion.
From her thighs, she gives you lifeAnd how you treat she who gives you lifeShows how much you value the life given to you by the Creator.And from seed to dustThere is ONE soul above all others --That you must always show patience, respect, and trustAnd this woman is your mother.And when your soul departs your bodyAnd your deeds are weighed against the featherThere is only one soul who can save yoursAnd this woman is your mother.And when the heart of the universeAsks her hair and mind,Whether you were gentle and kind to herHer heart will be forced to remain silentAnd her hair will speak freely as a separate entity,Very much like the seaweed in the sea --It will reveal all that it has heard and seen.This woman whose heart has seen yours,First before anybody else in the world,And whose womb had opened the doorFor your eyes to experience light and more --Is your very own MOTHER.So, no matter whether your mother has been cruel,Manipulative, abusive, mentally sick, or simply childishHow you treat her is the ultimate test.If she misguides you, forgive her and show her the right wayWith simple wisdom, gentleness, and kindness.And always remember,That the queen in the Creator's kingdom,Who sits on the throne of all existence,Is exactly the same as in yours.And her name is,THE DIVINE MOTHER.
I care for you, darling, I love you,the only reason I fucked L. is because you fuckedZ. and then I fucked R. and you fucked N.and because you fucked N. I had to fuckY. But I think of you constantly, I feel youhere in my belly like a baby, love I'd call it,no matter what happens I'd call it love, and soyou fucked C. and then before I could moveyou fucked W., so I had to fuck D. ButI want you to know that I love you, I think of youconstantly, I don't think I've ever loved anybodylike I love you.
I never have time to write anymore. And when I do I only write about how I never have time. It's work and it's money and I've written more lists than songs lately. I stay up all night to do all these things I need to do, be all these things I want to be, playing with shadows in the darkness that shouldn't be able to exist. Empty bottles and cigarettes while watching the sunrise, why do I complain? I have it all, everything I ever asked for.
. . .because we had survivedsisters and brothers, daughters and sons,we discovered bones that rosefrom the dark earth and sangas white birds in the treesBecause the story of our lifebecomes our lifeBecause each of us tells the same storybut tells it differentlyand none of us tells it the same way twice . . (from, Why We Tell Stories)
Imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic.
Compañera usted sabe que puede contar conmigo no hasta dos o hasta diez sino contar conmigosi alguna vez advierte que la miro a los ojos y una veta de amor reconoce en los míos no alerte sus fusiles ni piense qué delirio a pesar de la veta o tal vez porque existe usted puede contar conmigosi otras veces me encuentra huraño sin motivo no piense qué flojera igual puede contar conmigopero hagamos un trato yo quisiera contar con usted es tan lindo saber que usted existe uno se siente vivo y cuando digo esto quiero decir contar aunque sea hasta dos aunque sea hasta cinco no ya para que acuda presurosa en mi auxilio sino para saber a ciencia cierta que usted sabe que puede contar conmigo
I notice you have the assault proof vest -So it's my fault I guess.So apparently I didn't say 'no' as loud as my clothes could say 'yes.'You see I didn't know that my ‘no’ wasn't enough -I didn't understand that my body became less precious because certain dresses make me look hot.And I guess if I'm wearing the wrong topthen my ‘yes’ is the same as ‘stop.’And you shouldn't have to, just because I begged you to.I'm begging you -Tell me the magic outfit and I'll buy it.Apparently my ‘no’ wasn't heard,even when I screamed.So I need my clothes to be quiet.
The WeaverMy life is but a weavingbetween my Lord and me;I cannot choose the colorsHe worketh steadily.Oft times He weaveth sorrowAnd I, in foolish pride,Forget He sees the upper,And I the underside.Not til the loom is silentAnd the shuttles cease to fly,Shall God unroll the canvasAnd explain the reason why.The dark threads are as needfulIn the Weaver's skillful hand,As the threads of gold and silverIn the pattern He has planned.
When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism.The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them.In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void.Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.
We don’t find Godin temples and cathedrals.We don’t find Himby standing on a prayer rug or sitting in a pew.God appears when welove someone other than ourselves.And we continue to feel His presence when we do good for others.Because God is not foundin mosques and synagogues.He resides in ourhearts.
Take a tram ride today. Recognise a dear friend in everyone around. Speak kindly to yourself. It is only your thoughts that bring you fear. You've been through a lot. There is perfect peace in this moment.
Wonderful YouLove you for being so meaningful, i my meaningless life,Love you for being so true, even when my life was a complete lie,Love you for being so strong, when i was weak within,Love you for being so natural, when i was being artificial,Love you for being an end to my pain ,Love you for being the strength that i regain,Love you for all the colors in life,Love you for all that matters in my life,Love you for being my power,Love you for being my saver,
I spent all nightweaving a poem for you to wear. You look so beautifulwhen you wear my light.
In every possibility of a mind May you travel, yet not blind. As a head filled with imagination, Goes a heart full of gold creation, It's never late to have a dream. Nor is it so far away as it seems, And, like a rearview mirror reveals, Thus a fantasy soon becomes real. It may be closer than it appears. Or at least it will show up clear. Never give up a dream for fear!
WONDERLANDIt is a person's unquenchable thirst for wonderThat sets them on their initial quest for truth.The more doors you open, the smaller you become.The more places you see and the more people you meet,The greater your curiosity grows.The greater your curiosity, the more you will wander.The more you wander, the greater the wonder.The more you quench your thirst for wonder,The more you drink from the cup of life.The more you see and experience, the closer to truth you become.The more languages you learn, the more truths you can unravel.And the more countries you travel, the greater your understanding.And the greater your understanding, the less you see differences.And the more knowledge you gain, the wider your perspective,And the wider your perspective, the lesser your ignorance.Hence, the more wisdom you gain, the smaller you feel.And the smaller you feel, the greater you become.The more you see, the more you love --The more you love, the less walls you see.The more doors you are willing to open,The less close-minded you will be.The more open-minded you are,The more open your heart.And the more open your heart,The more you will be able to Send and receive --Truth and TRUEUnconditionalLOVE.
You are not white,but a rainbow of colors.You are not black,but golden.You are not just a nationality,but a citizen of the world.You are not just for the right or left,but for what is right over the wrong.You are not just rich or poor,but always wealthy in the mind and heart.You are not perfect, but flawed.You are flawed, but you are just.You may just be conscious human,but you are also a magnificentreflection of God.
Katie says, "You can't choose the time and place the when and where with whom you fall in love."She says, "It just happens like that weird feeling you get right before you fall asleep when you gasp in surprise because your muscles just relaxed and you feel like you are falling."She says, "Marcie, you shouldn't worry about it -- give it time to actually happen."I guess --I worry that I won't do it right.That it'll be the wrong time, the wrong place, the wrong person.
Better Associations:If you associate yourself with a change maker,Your life will by all means become better.You will wink at challenges and begin to think.In times of frustrations, you will not sink.If you miss the way to a great destination,Just look for those going to that direction.Mount the shoulders of a giant believerAnd you will become a great achiever.People around you determine your speed.They will influence the growth of your seed.People you are around will decide your strengthAnd also the figure of your success’ lengthI trust you want to become a better you.It matters, what your associates plan to do.It depends, where your companions want to go.It relies on what your friends believe and know.Quit friendships that build you nothingChoose friends who bring out of you somethingOne iron sharpens another ironGo along with great people and ride on.
I did it the hard wayMany of the big dreams I dreamt,I dreamt, when I met a failed attempt.Life taught me to believe thatGreat ideas can start from a wretched hut.Many of the strongest steps I took,I took, when I was given the fiercest look.My passion pokes me to understandThat people’s mockeries, I can withstand.Many of the fastest speeds I gained,I gained when I was bitterly stained.I first thought the only way was to quitAs I tried again, I no longer have guilt.Many of the bravest decisions I made,I made, when my life was about to fade.I was frustrated and ripe to sink.But then I strive to release the ink.Many of the longest journeys I started,I started, having no resource; money partedI relied on God my creator all dawn longAnd at dusk He gave me a new song.Many of the hardest questions I tackled,I tackled, when I was heckled.They were very troublesome to settleBut I make it happen little by littleYet, it was not I, but the Lord JesusThe saviour who gives me success.In Him, through Him and by HimI have the liberty to do everything with vim.I don’t want to enjoy this liberty alone.You too must step out of your comfort zone.It’s not easy, but you can do it anyway.Jesus is the life, the truth and the way.
Don’t pack out!To some people, you make life brightWhen you decide to dim your lightTheir lives will be full of darknessDo shine your light in kindnessTo some people, you bring out a joyWith their emotions, never ever toyWith your smiles, grease them with oilAnd make them glad when their lives boilTo other people, you are the warmthThat kills coldness and brings strengthDon’t do it; don’t pack outElse, they will have blackoutYou’re on earth to do two things hereWake up and do them now; this yearFirst, dare to grow and become betterSecond, help others to also become greaterNever in any of the four seasonsShould you neglect your gifts for any reasonsThe world needs you to make it a better placeDon’t pack out; run your race.
Break out to go out:The birds dare to break the egg shellIt does so in order to get out of that HellWhen it finally succeeds, it’ll then flyTo its comfort zone it’ll say byeAre you being confined in a small spaceHow long will you remain at that place?Before you can explore more territories,Break away from the former glories.Yesterday’s excellence is today’s averageYou must strive to be better age after ageNever accept the available mediocrityAs the only preferable opportunityDecide to grow from below to heroAnd make it a point to vacate level zeroReach out and arise with powerGod’s blessings on you, will showerAgree to grow, never attempt to be slowBe not afraid. Never doubt. You’ll flowThe grace of God will be your guideTaking you along, side by side.
TEDDY DAY POEM:A bear hug for you,and I would make you forget your sorrows!I’ll be there with you forever,in your today and all tomorrows!!..The moment I am not there..Close your eyes and you'll see me..You're there in my heart, and yours, I always would be;so just be fine!..O girl, O girl, O.. O.. girl.. you be mine..You're my buddy and I am your teddy..O sweety, you be my.. Valentine...Just be mine.. O O.. be my Valentine!!!
VALENTINE'S DAY POEM:What earth is to sky.. on the horizon..What moon is to night.. no matter start studded ocean!What Love is to life.. above all give and take..that you are to me.. a rhythm that soulful music would make!*Let's surrender to each other..for a dream to be woven together!!You're my weakness and my strength..wanna live with you till the end!! .. and beyond.. ;)!!!*Even a dent in the universe..can't express my Love for you!My life is yours forever.. O girl, O girl..O girl.. you be mine!!Not just for this time..Everyday beyond.. Valentine,O O my heart, be my.. Valentine!
KISS DAY POEM:To start with a kiss..I'll mark first .. on the top of your head.. just to say that.. I'll be with you.. forever!*Next two on the eyes..just to say that.. the world is so beautiful..as I see with you.. whatever!!*Then three.. on the nose and cheek..just to say that.. I am myself..As I walk with you wherever!!!*Then a peck on the neck..just to say that.. you are perfect.and then.. Final one on the lips..just to say that.. just to say that..just to say nothing.Because our love is beyond the skyline!My life is yours forever.. O girl, O girl..O you be my.. Valentine!!!!
HUG DAY POEM:Wrap me in your hug..make me feel happy!Hold me tight and close..not like a pillow or a teddy!!My heart needs you..for you touched my soul, believe me things shall go fine.Walk me to my Dreams..and take me to divine!!My life is yours forever.. O girl, O girl, O.. O.. girl.. you be mine.Let the hearts embrace..Sugar you be my.. Valentine.Just be mine..O O.. my Valentine!
PROMISE DAY POEM:I don't promise that I will bring the moon for you, but.. I shall stand by you in sun!I don't promise that I will not fight with you ever, but.. We shall be together, forever; and distances or differences shall be none!!I don't promise that life will be so easy, and cheesy, but.. when you are with me, I'll make sure it's always fun!!!I just promise one thing; I'll never make you cry, I'll never let you go, so all I need is you to be with me..Let's make it happen.. and let our destiny shine.My life is yours forever.... O girl, O girl, O.. O.. girl.. you be mine..Love is more than just promises..Hey honey you be my.. Valentine.Just be mine..O O.. my Valentine!
CHOCOLATE DAY POEM:"Chocolate, dark or light..Makes me smile bright.Chocolate, whether speak or not..If it’s love, it conveys a lot.But when you’re.. not there with me..It’s just a piece.. of sugar candy.It’s you, who makes it sweeter..I love it with you, even if it’s bitter.So be there always.. stay forever..I can’t think of life.. without you ever...O girl, O girl, O.. O.. girl.. you be mine..You are my choco-life..You be my.. Valentine...Just be mine.. O O.. Valentine!!!
ROSE DAY POEM:Rose.. if it is..for the one whom you miss..and you want to say a lot..till now that you have not!-Then just go and dare to say..for that moment is today..beyond the earth and sky above..Give it to the one whom you love!!-And sing your heart out..to the universe aloud..-O girl, O girl, O.. O.. girl.. you be mine..You are more than this rose to me..You be my.. Valentine.Just be mine.. O O.. Valentine!!!
PROPOSE DAY POEM:Austerity..If.. I were to define..it’s you.. yoo hoo!-Happiness is what.. that makes me feel divine.. smiling you.. yoo hoo!!-What rose is in flowers..What moon is in stars..That you are to me..You and I will be we..You’re my life.. I.. I..You’re my life.. I.. I..I love you.. yoo hooI love you.. yoo hoo-O girl, O girl, O.. O.. girl.. you be mine..I love you.. I love you.. I love you.. yoo hoo.. You be my.. Valentine.-Just be mine.. I love you..O O Valentine!!!
I cannot go to school today"Said little Peggy Ann McKay."I have the measles and the mumps,A gash, a rash and purple bumps.My mouth is wet, my throat is dry.I'm going blind in my right eye.My tonsils are as big as rocks,I've counted sixteen chicken pox.And there's one more - that's seventeen,And don't you think my face looks green?My leg is cut, my eyes are blue,It might be the instamatic flu.I cough and sneeze and gasp and choke,I'm sure that my left leg is broke.My hip hurts when I move my chin,My belly button's caving in.My back is wrenched, my ankle's sprained,My 'pendix pains each time it rains.My toes are cold, my toes are numb,I have a sliver in my thumb.My neck is stiff, my voice is weak,I hardly whisper when I speak.My tongue is filling up my mouth,I think my hair is falling out.My elbow's bent, my spine ain't straight,My temperature is one-o-eight.My brain is shrunk, I cannot hear,There's a hole inside my ear.I have a hangnail, and my heart is ...What? What's that? What's that you say?You say today is .............. Saturday?G'bye, I'm going out to play!
Larry’s such a liar---He tells outrageous lies.He says he’s ninety-nine years oldInstead of only five.He says he lives up on the moon,He says that he once flew.He says he’s really six feet fourInstead of three feet two.He says he has a billion dollars‘Stead of just a dime.He says he rode a dinosaurBack in some distant time.He says his mother is the moonWho taught him magic spells.He says his father is the windThat rings the morning bells.He says he can take stones and rocksAnd turn them into gold.He says he can take burnin’ fireAnd turn it freezin’ cold.He said he’d send me seven elvesTo help me with my chores.But Larry’s such a liar---He only sent me four.
I am who I say I am,I'm not some fantasyof how you think you think you knowor who I ought to be.I am a girl who is growing up in my own sweet time,I am a girl who knows enoughto know this life is mine.I am this and I am that andI am everything in-between.I'm a dreamer, I'm a dancer,I'm a part-time drama queen.I'm a worrier, I'm a warrior,I'm a loner and a friend,I'm an outspoken defenderof justice to the end.I'm the girl in the mirror who likes the girl she sees,I'm the girl in the gypsy shawlwith music in her knees.I'm a singer and a scholar,I'm a girl who has been kissed.I'm a solver of equationswearing bangles on my wrist.I am bigger than i ever knew,I am stronger than before,I am every girl I have ever been,and all that are in store.I am who I say I am.I'm not some fantasy.I am the me I am inside.I am whoI choseto be.
Poetry is jealous of you tonight, for as soon as I come to pen a few words, your perfume attacks me in the most civilised manner and I forget myself. I forget the poem. I forget the ...
You whom my body longs for,where are you?In the stars, in the river, over the rainbow?Perhaps you hide in the shadows of the mountains,whistling in the wind through mighty peaksJust maybe you are in every corner of my beingawaiting invocationÔ Manna Breathfill my life with your infinite power
Every second, every minute, every hourour bodies breathe in the manna of Heaven.Our bodies resonate with the love and powerof creative cosmic rhythmsdancing through every cell in our beautiful beingness.Heaven is the heart of our atomic structure.Only with realisation of God manna within can the external cosmic energy fuse and ignite eternal bliss.Manna from Heaven.
My whole life has been spent walking by the side of a bottomless chasm, jumping from stone to stone. Sometimes I try to leave my narrow path and join the swirling mainstream of life, but I always find myself drawn inexorably back towards the chasm's edge, and there I shall walk until the day I finally fall into the abyss.
A flower blossoms when there is sunlight,It closes itself in the absence of light..But I am a tree..I keep expanding even at night,I blossom even in the absence of sunlight!Because I trust myself more than anything else,I rely on myself more than anybody else!Self-confidence is indeed my power,Don’t forget..I am a tree..not a flower!
This life belongs to you dear,Don’t live under any fear..You are an independent soul..you can do anything,You are a free soul..you can refuse to do a particular thing..You are different from them..you are a different soul,And you cannot get dominated by any other soul!Don’t be rude..be generous …be kind,But THIS IS YOUR LIFE AND NOT THEIRS..keep this in mind!
A no hurts but a broken promise hurts more, Listening to a no is not easy but a shattered wish stabs more! Don't ever promise anything that you will not be able to give, BECAUSE THE HEART BREAKS INTO A ZILLION PIECES WHEN PEOPLE PROMISE BUT DON'T GIVE .
You cannot free someonewho is caged intheir own self.
Master the art of selfloveand you will never have to seekvalidationever again.
I am no one's to be claimed,I belong to me.
It's okay darling,creative people are called crazyall the time.
If I can’t be your love, then let me be a simple brooch so I may rest a while against your chest. If I can’t be your love, then let me be a forgotten coin so I may rest a while against your thigh. If I can’t be your love, then let me be an unlit cigarette so I may rest a while in between your lips. If I can’t be your love, then let me at least remain in these words so I may rest a while in your thoughts.
Like a child who saves their favourite food on the plate for last, I try to save all thoughts of you for the end of the day so I can dream with the taste of you on my tongue.
I fell in loveand then I became love.
I was mistaken when I said you live in my heart. How absurd I was when you live in my fingertips so that everything I touch is you. How foolish I was when you live in my toes so that everywhere I go there's you. How senseless of me to say you live in my heart when you breathe in my lungs, walk on my mind, and drink in my mouth. I came to pen another poem for you, but even every unwritten poem is you.
I write because the security of your love allows me to develop my craft without concerning myself with trivialities — as if your love could be any more complete. But I write, in the first place,because of you, my muse. I write for your green eyes to glance at my humble words and for the pleasure of hearing you utter them.
I came to pen another poem for you, but even every unwritten poem is you.
If you wake with a change of direction, deciding you hate who you've been,Remember, I loved you every yesterday as I will continue to love you then.Whomever person you become I shall worship and whatever path you pave I will follow,Because I loved you every yesterday and I will love you every tomorrow.
Night after night on starry wingsNight lovers soared so highMiles apart, across the oceansTheir love forgot to sighIn heavenly flight’s timelessnessThat highest height treasuredInto the deepest of all bluesTheir depth of love measured.From the poem 'The Ballad of Night Lovers
There isn’t a word for walking out of the grocery storewith a gallon jug of milk in a plastic sackthat should have been bagged in double layers—so that before you are even out the dooryou feel the weight of the jug draggingthe bag down, stretching the thinplastic handles longer and longerand you know it’s only a matter of time untilbottom suddenly splits.There is no single, unimpeachable wordfor that vague sensation of somethingmoving away from youas it exceeds its elastic capacity —which is too bad, because that is the wordI would like to use to describe standing on the streetchatting with an old friendas the awareness grows in me that he isno longer a friend, but only an acquaintance,a person with whom I never made the effort—until this moment, when as we say goodbyeI think we share a feeling of relief, a recognition that we have reachedthe end of a pretense, though to tell the truthwhat I already am thinking aboutis my gratitude for language—how it will stretch just so much and no farther;how there are some holes it will not cover up;how it will move, if not inside, thenaround the circumference of almost anything—how, over the years, it has given meback all the hours and days, all theplodding love and faith, all themisunderstandings and secretsI have willingly poured into it.
Better associations. If you associate yourself with a change maker,Your life will by all means become better.You will wink at challenges and begin to think.In times of frustrations, you will not sink.If you miss the way to a great destination,Just look for those going to that direction.Mount the shoulders of a giant believerAnd you will become a great achiever.People around you determine your speed.They will influence the growth of your seed.People you are around will decide your strengthAnd also the figure of your success’ lengthI trust you want to become a better you.It matters, what your associates plan to do.It depends, where your companions want to go.It relies on what your friends believe and know.Quit friendships that build you nothingChoose friends who bring out of you somethingOne iron sharpens another ironGo along with great people and ride on.
Pay to go inside Neruda's homeA body lies there with no dome.But right there in the front hallLean a fairy against the icy wall.Oh Endless enigmas had the bard!Nice and large and calm backyardEnds In the middle of a rare roomRare portrait of revelishing gloom.Up climbing at the weird snail stairDoes make you grasp for some air.And there's a room with bric-a-brac:Old and precious books all in a pack.Dare saying what I liked most of all?Enjoyed seeing visitors having a ball!
Don’t pack out______________To some people, you make life brightWhen you decide to dim your lightTheir lives will be full of darknessDo shine your light in kindnessTo some people, you bring out a joyWith their emotions, never ever toyWith your smiles, grease them with oilAnd make them glad when their lives boilTo other people, you are the warmthThat kills coldness and brings strengthDon’t do it; don’t pack outElse, they will have blackoutYou’re on earth to do two things hereWake up and do them now; this yearFirst, dare to grow and become betterSecond, help others to also become greaterNever in any of the four seasonsShould you neglect your gifts for any reasonsThe world needs you to make it a better placeDon’t pack out; run your race
From the bonny bells of heather,They brewed a drink long syne,Was sweeter far than honey,Was stronger far than wine.They brewed it and they drank it,And lay in blessed swound,For days and days together,In their dwellings underground.There rose a King in Scotland,A fell man to his foes,He smote the Picts in battle,He hunted them like roes.Over miles of the red mountainHe hunted as they fled,And strewed the dwarfish bodiesOf the dying and the dead.Summer came in the country,Red was the heather bell,But the manner of the brewing,Was none alive to tell.In graves that were like children’sOn many a mountain’s head,The Brewsters of the HeatherLay numbered with the dead.The king in the red moorlandRode on a summer’s day;And the bees hummed and the curlewsCried beside the way.The King rode and was angry,Black was his brow and pale,To rule in a land of heather,And lack the Heather Ale.It fortuned that his vassals,Riding free upon the heath,Came on a stone that was fallenAnd vermin hid beneath.Roughly plucked from their hiding,Never a word they spoke:A son and his aged father –Last of the dwarfish folk.The king sat high on his charger,He looked down on the little men;And the dwarfish and swarthy coupleLooked at the king again.Down by the shore he had them:And there on the giddy brink –“I will give thee life ye vermin,For the secret of the drink.”There stood the son and fatherAnd they looked high and low;The heather was red around them,The sea rumbled below.And up spoke the father,Shrill was his voice to hear:“I have a word in private,A word for the royal ear.“Life is dear to the aged,And honour a little thing;I would gladly sell the secret”,Quoth the Pict to the King.His voice was small as a sparrow’s,And shrill and wonderful clear:“I would gladly sell my secret,Only my son I fear.“For life is a little matter,And death is nought to the young;And I dare not sell my honour,Under the eye of my son.Take him, O king, and bind him,And cast him far in the deep;And it’s I will tell the secretThat I have sworn to keep.”They took the son and bound him,Neck and heels in a thong,And a lad took him and swung him,And flung him far and strongAnd the sea swallowed his body,Like that of a child of ten;And there on the cliff stood the father,Last of the dwarfish men.“True was the word I told you:Only my son I feared;For I doubt the sapling courage,That goes without the beard.But now in vain is the torture,Fire shall not avail:Here dies in my bosomThe secret of the Heather Ale.
Let my silence grow with noise as pregnant mothers grow with life. Let my silence permeate these walls as sunlight permeates a home. Let the silence rise from unwatered graves and craters left by bombs. Let the silence rise from empty bellies and surge from broken hearts. The silence of the hidden and forgotten. The silence of the abused and tortured. The silence of the persecuted and imprisoned. The silence of the hanged and massacred. Loud as all the sounds can be, let my silence be loud so the hungry may eat my words and the poor may wear my words. Loud as all the sounds can be, let my silence be loud so I may resurrect the dead and give voice to the oppressed. My silence speaks.
For all these stars,nothing is new.They’ve seen all kinds of warsand miracles, too.They know the messengers with their holy bookswill smile and wash their hands in blood.They know the politicians with their good lookswill make the poor eat pies of mud.They’ve seen the Earth freeze and then burn with greed.They’ve seen the treesand the seas emptied.Yet, you won’t hear their sneerswhen a man arrivesand, having experienced a number of years,proclaims: 'I have lived!'Because nothing is new under these stars:the lies, the love, the memories and scars, the ruin, the revolution, the fakes and true,the families, the friends, none of it is new.All of it—even the me and you.
With the rumble of the waterfall in the distance, I slipped into sleep and dreamed of a red-haired girl holding a posy of white flowers. The words of Mr. Noyes's poem crept from the pages of my picture book and tiptoed into my mind. "Then you blow your magic vial, / Shape it like a crescent moon, / Set it up and make your trial, / Singing, 'Fairies, ah, come soon!
We march through snow and we march through rain With naught to lose and naught to gain Sun and moon and sun again One day’s dawn is another day’s end We come by day and we go by night We fall and rise again to fight Sword and spear and bow the same One man’s life is another man’s game They fell like lightning and they raged like fire They lit the blaze on the funeral pyre Picked and chose the paths they trod One man’s will is another man’s blood We live forever and we die todayWe’ve seen the end of eternity Time and fate outwit us all One man’s rise is another man’s fall
I don’t know why we fight.It takes much too effort to stay mad at you.To dodge your skin in the hallwayand leave the kitchen without bringing you a treat.It takes much too effort to stare at the sinkso my eyes don’t smile at you in the mirror.It takes much too effort to look away as we undressand lie apart in the now bigger bed.It takes much too effort to stiffen my bodybecause sleepy limbs forget fightsand pride is always lost in dreams.It takes much too effort to awaken every hour to make sure we are islands with a gulf of white sheets separating us.I dread the light peeking through the parted curtainsand empathise with your groans —I didn’t get any sleep either.I really don’t know why we fight.It takes much too effort to stay mad at one anotherwhen it’s so easy for us to love.
Standing on the roof at night, beside the golden shipI look across the city and I dream a wild trip.The waves are high, the wind is strong, the moon is white and full.I smell the salt upon the sea, a strong magnetic pull.I shout into the endless dark, awaiting the reply:'Away! Away' It says: 'Away! Now spread your wings and fly.
She was an echo masquerading as a shadow and she followed me just the same. The night and its moon were her favor while the sunrise and sunlight the daggers that sliced her to ribbons. She looked through half closed eyes at a blind world filled with wide eyes staring at walls. She felt pity with no care while around here steamed a burden too dense to bear. In the hours before dawn her tears slide to her jaw as a soft song escapes from between her cracked lips. A barbed song of glory and woe that hugs her tight and steals her breath, each line a quiver, every word a bind. A cage in her image meant to be broken. Destroy and recreate, scar after scar shallow and deep, her dreams were her life and the nightmares her sleep. Dark circles under eyes that truly see, time while awake moves more slowly. It trickles past her, eroding her being and pulling on her delicate seams. She unravels a little each day, tucking the threads back in every which way. In the night she is flawless and clear, the moonlight dancing in swirls, throwing half formed monograms against her wall. She traces these curves and whispers her story, an imprint in an ocean of churning shadows. Her imagination plays a scene of a teary-eyed embrace on the shores of a former dream, where droplets of her soul fell wildly below, where they and her became a part of a much larger whole. A smile rips her taunt and clenched face, the memory of the feeling of an unreal embrace. She holds herself tightly in a corner with no light and shudders with every pinprick of the downpour of night. Though muffled by the glass of her self imposed flask, she hears the birds singing their song, the natural alarm of impending light. She waits patiently for the sun, counting the half seconds and making time slow, her grey eyes less than aimless and staring at the clouds. With half closed eyes now shining a golden haloed blue, she watches the sky change colors from soft to brilliant hue. The flood of life and color takes her by surprise every day and which way. The rip cuts a little more, her restless thoughts take note and pause. She just wants to scream. To swallow the vibrant light and flood her veins with all the color ever seen, a strange desire to fix what is broken and yet wanting to break. She loses count of the seconds in the wrinkles of her palms, mere dust to wind, ashes to gale. She recites the deadly seven and stops at lust, how different from love while still the same in a twisted way. Her knees press against the worn, wooden floor with no intent to pray, she just wants the numbness and the pain. There are some things right and a few that are wrong, feeling the breath of freedom tapered against the need to belong, The sun now vomits its light across the cragged horizon, illuminating manmade lines and verdurous fuzz, her rip widens in distaste and her mind frowns in disgust. Her heart hangs limp as a shattered mirror reflecting its own cracks, each inaudible beat a glimmer of a glimpse of something more than her created deceit. This is hope. In a fragile and faceted way, the reflects are abyss and ascension portrayed intertwined with no ties holding them together. She is the half second of the transition of the beat, the moment her heart begins to flex and show more than bones and maneuverable meat. She wonders about the subtle difference between spirit and soul and whether she needs only one or both to be whole. Shaking her head as if to dislodge her thoughts, they steer from the tracks and tumble and crash, destruction and turmoil birthing creation and a new path. She thinks about the way she thinks and comes full triangle, it feels right to be so jagged rather than unburdened as a circle. With a sigh and a breath, she stands against the weight of her shoulders and the unbalance of her feet. Her half closed eyes slowly fade to grey as the light and color in the sky changes and decays. She is the moments before the sun rises and sets-1-2-3
...4-5-6: when time escapes the day in its most beautiful way. She starves for that beauty, she longs to quench her limitless thirst, but those moments are so fleeting and their limit is her unrest. Her bones are hollow and heavy as she takes a single step, and in that instant she is gone, blinded by the flash of a stray ray of light, her eyes close in that moment and stars flood her night. She falls forward slow, counting the half seconds of her descent. Her eyes stay closed, her thoughts are spent.
What do you do when your words aren't enough? What do you do when your actions have no effect? What do you do when all the fibers of your existence scream just to be heard? And yet, only the most deafening silence returns the echoes of your screams. Is there something beyond words and action?
She was a mimicry of a facade fashioned from the half-truths of her life. She was a beautiful abomination, patched together from the most pristine and terrible parts she could find. She was a black crystal of many cuts and facets whose dark glow suffocated and entranced those it washed over. There was a pointlessness in her eyes and apathy in her stature, and further in, past the symphonies of nightmarish screams was a blinding light. All the capability she could ever ask for kept in a place she would never reach. She chose the ice rather than the fire, shivering and hard with heat sparse, for while a flicker can exist in freeze's cold, it's heat will not radiate, no matter how bold. She took my face in hands that would make ice seem warm and whispered a blizzard into my ear, a cascading song of fear after fear. The lies she spilled, mixed with regrets and appeal, were cloaked in the inferno of her rage, the anger, the only thing that really made her real. This was her one semblance of life, a bottomless and endless void of proportions vast with a calamity of fusion and fission streaking through, a mindless hue, an emotion with a face, a darling of her race. The cracks spew darkness from within her ever so pale skin. They congregated on her curves and flesh in black and churning rivers and streams. They flooded every dip with blackness. They filled every hollow with unstable curiosity, this is her release, this is when she is free. The faces of deceit always laugh, they never wallow for their lies are a pleasure tool, her insides are contorted in laughter the same way, just as slick, just as cruel. A crude combination of fascination, of animation, of the darkest demons of them all. She was poetry written in pen, scratched and scribbled again and again. Ink splattered across the page, and within those scrawled words, those small, sharp incisions, an image can be seen, and you're left to wonder what, in the end, this all could mean...
If I tear the sun from the sky and bring all the stars cascading down, would that line of your lips curve to a smile or a frown? With my hands burnt to a crisp and prosthetics in their place, would you hold me close and allow comfort in your embrace? If I fashioned a band from that sun and those stars, would you kiss these lines on my flesh? These irrevocable scars? I've fashioned for you this band of infinite light! Yet upon your finger it is not nearly so bright... You are my stars, sun and light. You are blazing fire in hopeless night. You are a reflection of perfection if my soul stood a mirror. Your affection is my infection, if only you could be nearer. You stand as a darling of your race, while I lay as an emotion with a face. What I sought and seek is not easily found, Yet from your lips escapes the perfect sound. My name and yours, yours and mine, Not even softest silk could be so fine. And yet, I see you standing there, Indecisive and fiddling with your hair. Your eyes are downward cast and your tears and my tears flow, What I would do to see them glow…and for you to know.
I gave her the world, the moon, the sun, the stars, the planets... I gave her my breath, my voice, my sight, my life... I gave her memories, dreams, happiness... I gave her care and compassion... I gave her everything... and with sickly curved words, venom dripping from her fingers, she whispered in a way that would shatter glass... between her poisonous lips and her barbed teeth, she told me a story of blackness and catastrophe... from her mind a story of corruption and infamy sprang, her first touch an eternal perversion of my vision of life, an absolute seduction from the face of unbearable desire herself... the chills of a dead soul are frosty, a clouded layer of ash fills my insides, specks of dust fill my veins, empty thoughts smother my mind... and in the final steps of our pitifully destructive dance, I will dip you low, caress you so closely, feel the softness of your neck with the skin of my lips and, for that single moment, lost in the promise in your eyes and the intoxicating scent of your taunt body, I saw a sort of perfection that in any other place and light I would only hopelessly attempt to imagine... a horribly curious vividly creative swirl of chaos and flesh eating light, a specter of glow, paint and sound whose first inhalation is the slow quiver of last exhale, my exhale, my final whisper... I only wish I could have done more... but so impossible was it to resist what made her, her...
Stop the bleeding! Gauze the wound!" And his voice became much softer, "Those are the words... I've yet to write." He died with that exhale. He died in a steaming carmine pool of unwritten stories that incredibly cold night. He always thought his work would take the form of ink, pen and paper, but as the last glow dimmed in his eyes, he realized his most meaningful words were sloppily spilled and patched together using blood, bullet holes and concrete.
He was a musician of the best nature, with guitar string fingertips and soft flute lips that could tighten in a trumpet's purse. Every movement was perfect, every breath filled with purpose. Whether close or open, his eyes seeped ambition and his body burned with chaotic passion. I was his instrument and he played me so well. His fingers fashioned a tune of ecstasy while his lips felt the reed shudders of my skin. He stole my breath and made it his own, using my lips to create his climactic song. A symphony of electricity and orgasmic bliss, he played me so well his fingers never did miss. Half-circles and hooks with my parted lips as his speaker, I never knew another musician so ruthlessly eager. To finish his song, to hit every note, elongating the melody of every sound from the depths of my throat. He was ambitious, pushing my limits, tearing my reservations and destroying my thresholds, all I could do was phase in and out, my ears ringing from the ballad I was made to produce.
She had the blood of the sun running through her veins and the dust of stars at her fingertips. Her every breath birthed new cosmos and her thoughts were the super moon of the darkest night. Every word was a supernova and every step an inescapable singularity. Her touch though...it was soft.
Spare parts lay scattered, every turn wrought with twisted dread, all over the ground, the rooftops, and they were still. Some moving, twitching, enough to almost see. Half cracked and shattered, but still visible and eerie, smiles spread wide and thin, teeth decayed and not, paralleled by hollowed, some missing or in other places, eyes of shades green and blue and some brown with red, but no white, just color portrayed, even if it may be dampened in every way. The beauty in the frivolity, the polished shining gears and cracked glass illuminated so brightly, create a portrait of terror and wonder, significance of a different sort, that only human eyes can see and human minds can feel, but all this is something only dreams, the ethereal concepts that fuse and mince chaos and order into a more paradoxical state, can create and fathom and fashion and make. And yet, doubts upon anxious contradictions, my fingers can feel the brokenness of what can be witnessed, an abyss within a void where deeper within the still lies a glow, a half pulse of a flutter, a vein of mimicry of the reverse of all I see, with concave eyes lost in the magnitude of image whole. Massive and monumental, my feet dragged behind me, cuts in the dirt and spiraling tracks. And then I awoke, half my world disappeared. So much empty within the whole, holes of sizes big and small and all between, the loss of, what it was to be called, my dream. And then my life ended, the holes and tears and cracks complete, empty eyes can still see so clearly, the nothingness that everything has become, shadow and matte a combination of dark on black, in the nothingness that all has become, it is all complete in a way opposite of what I know, a world different in every way and stretch I see, vision upon view of different and strange, only when empty eyes, longing for purpose dreading its meaning, gaze upon their own reflection will the last piece fall into place, a round puzzle of pieces triangular and square, the completeness in the nothingness can be seen, mind flooded with wonder, envisioning the antonym of a dream, and what, in this new beginning, this all could mean. With a blink it all changes, incomplete images appear, holes are wide and seen because you are back now, between death and dream, interwoven as an integral part of this necessary in between seam, and when you touch, worry creases the brow, their faces, half real and the other untouchable, your hand passes through their skin, penetration of the most intimate sort, holding their hearts as if for sport. The warmth, the beating, the crimson piercing blood, so beautiful, the engine that we run, pumping and pumping only to cause the most dreaded flood. Now I drown, and I see you drown too. Together, we are, for split seconds few, we are torn apart and disappear in this vast blood red hue.
Woven words are little conviction when I present myself as a man of fiction. And you a woman of lies and deceit, stumbling forward on two left feet. You are an exquisite figurine of an incomprehensible place, While I, a soldier of my cause, my race. A single sip of you would satiate thirst, hunger and empty. Yet, you stand unmoved, comfortable knowing you could stave desires plenty. To my heart, you are known as 'shatter.' Between saint and sin, you are the latter. End, not even my finest words will matter. The still, the silence, even then, you are famine to my soul. My chest lacks certain weight now; I simply wish to be whole. Now, I stand before you broken, humbled and so bare, Only to see your infinite eyes brimming with no care. Your heart is a cauldron that burns darkest fuel. And I a remnant of smog, the overly-bitter fool. The man of fiction stumbles forward on two left feet, The woman of lies weaves words of conviction and deceit.
An outline, my body, no mass or feeling, A dark reflection spread from floor to ceiling, The faceless copycat stalks me day after day, A personal eclipse of the sun never going astray, Each movement mine in a world of its own, Whispering shades unseen of a different home, A skewed yet comparable story occurs every day, Removed, though not far, less than halfway, The whiter the glow the blacker the stain, An ethereal cachet remaining midst the acidic rain, A trust and intimacy of a curious nature, I follow, it follows, we follow a stranger.
They flew to avoid the horrors of land and sea, Daedalus and Icarus were for few moments free. Though the sun was Icarus' ultimate bane, we came to always remember his name. For he felt the sun's burn, a lesson Daedalus would never learn. When he found his son's corpse and looked upon his face, he saw a smile there fastened in place. He continued his life wondering what his son had seen, hoping it was worth it since his dead smile was so serene. The sun always seemed to mock him after, shining, brilliant, blinding laughter. Daedalus grew withered and haunted by light, preferring the sea's air in the depths of night. He watched lunar birds soar through the stars and away, forever regretting his decision to take flight during the day. He had lost his son to the sun in a twist of anomaly, he wondered which of them truly escaped that day, in all honesty.
I spill my emotions and hopes on pieces of paper and pixels of screens, combining and creating, merging traditional methods with artificial means.Words carved in ink and electricity to facilitate simplicity and eradicate toxicity. No matter what fashion, form, font, method or avenue, the simplest and most meaningful words remain ever so true; I choose and love, only forever you.
The storm only grew stronger. Walls of facets became flooded with cracks, the tumultuous gale escaped through the smallest crevice. With her arms spread wide and all her muscles hard and taunt, she broke free from the chrysalis, letting loose her new wings and that mighty storm. I thought it was over, but I was wrong. She spread her wings and sang her song. She rode upon the howl of wind until she was gone.
I always deemed myself a one chance person, if you hurt me or betray me, then I'm done with you. As I grew older and the scars of wisdom imprinted on my soul and chest, I realized a second chance took a monumental amount of strength and some people deserve a chance to right their wrongs. Now, I would gladly allow another the opportunity to cauterize their wounds at the risk of ripping open my tight-knit scars. I would bleed for you and feel alive rather than watch with cold eyes as you decay.
Her words were slickly lacquered, dripping with venom that singed the air as they fell. She traced her tongue up my neck and whispered in a way that would shatter glass. "It's the words inbetween," she said, "those are the ones I truly mean." Then, her toes curled with the release of the truth she kept hidden.
She was the sort of girl who flooded my five senses. Her voice was melody to my ears, her taste gave birth to an eternal thirst, her scent sprouted goosebumps along the length of my body, her touch riveted with electricity that would've been static with any other... all these things considered, it was impossible for me not to stare. I began to see her everywhere, in everything.
My body held on though I held snapped threads in my hands and patches of my flesh were missing entirely. I was proud of my little mess... all the mistakes, every scar and every tear, told a story of a life I was strong enough to bear. I wear a patch of pride upon my chest, showing all my self-glory of the good times and the rest.
In time, he began to see the details that held us like invisible stitches together. The scars we held within, the tears despite our dry faces. He saw the little sigh that came with the song. The way our breathing became labored even though nothing seemed wrong. He peeked into the aimless gaze of daydreamers, reliving their worst moments, commending them on being so strong.
Hoping fast that my arrow's flight is steady and true, I need this, I need my arrow to find you, To pierce your skin and enter your undecided heart, Please, oh please, this can be our brand new start, Maybe it's not meant to be, Maybe my arrow will miss and strike a tree, But my love for you is strong, it guides my arrow, I cannot miss, the window to your heart is very narrow, It slams shut igniting embers and sparking fury spatter, To my heart and your window, we are known as 'shatter.
His eyes are covered by impermeable marble, a solidity that can never be breached. You think there is gold and warmth behind the facade of cold, but if only you could see your reflection in the marble. You would see how you burn, how brightly you glow, enough to incinerate anyone else whole.
My scars show you I've been strong enough to endure the trauma of the world. My heart has no scars, my heart hangs in tatters only visible to those who see with more than their eyes. And my soul, well, my soul is comprised of pristine shatter, held together only because each individual piece is falling apart. They fall apart the right way though, that's why I still play this facade of being one and whole.
The scribbles in my notebook are a reflection of you. Every line holds your name. Every paragraph a feature of yours I love. Each page is a memory of moments that took my breath away. Of times when I laughed more than my lungs would allow. My notebook is full, but I always knew only one would hardly contain all of you.
I think I feel it The nimble, fleeting emotion That novels and authors desperately Try to convey in ink and heart blood Whose shadow festers in the loins Of teenagers and their insatiability The hidden thing none of us can see Yet we all disagree what it looks like If only it were love... simple, infinite love But this was more, this was bloodshot madness.
She was small. Her shadow moved in the dance of chaos before her as the inferno blazed behind her and licked the sky with its many tongues. She clutched an indistinguishable toy with both arms tightly. Her face was serene. Her eyes shone with courage more immense than the surrounding flames. She was small, but at that moment, I've never seen a bigger person.
She was beauty and intelligence stitched together with no seams She lived in a world with no difference between reality and dreams Excellence as habit, she was much more than simple flesh and bone She walked in the way that forced her presence to be known If I viewed the world in melody, she is the only one I would see She could conquer that world in a day and still have time for tea Soft lips curved in confidence spilling sweetness with every breath Ideas remaining and growing even after the revolving dance of death Fingers curled with the power of creation and the ease with which it came She sat upon a throne as a queen playing the world like a simple game She was fire, and laughter, and the warmth both of them brought She made the idea of perfection appear as a simple afterthought Her body danced with the tidal currents of marvelous desire She could reach the sky in a day and then push on even higher She was the best getting better, the absolute antonym of threshold The words she wrote were gilded, laid heavy with amber glow gold She was one of very many, and yet, she was the only one of them all Her taste made my mouth water, her effect hit me harder than alcohol She was quality, and substance, an actual angel in every way real Her word was solid, it was a better guarantee than a devil with a deal She was better than just human, more like power that has taken shape and form And I the lucky one who holds her close, feels her heartbeat quicken like a storm
In learning a language, when from mere words we reach the laws of words, we have gained a great deal. But if we stop at that point and concern ourselves only with the marvels of the formation of a language, seeking the hidden reason of all its apparent caprices, we do not reach that end, for grammar is not literature… When we come to literature, we find that, though it conforms to the rules of grammar, it is yet a thing of joy; it is freedom itself. The beauty of a poem is bound by strict laws, yet it transcends them. The laws are its wings. They do not keep it weighed down. They carry it to freedom. Its form is in law, but its spirit is in beauty. Law is the first step toward freedom, and beauty is the complete liberation which stands on the pedestal of law. Beauty harmonizes in itself the limit and the beyond – the law and the liberty.
You're back where you swore yourself you wouldn't beThe familiar shackles you can't tell from your own skinYour head's under water when you learned to swimOn a road to hell, congratulations, you're free...
O woman, father says natural is beautifulso why do you redden your cheeks and blacken your eyes?Why do you remove the hair on your legsand draw them into your brows?Why do you hold your breathlest your stomach showand hold your fartlest they knowthat you’re a human? O woman, father says natural is beautifulso why do you straighten your hairto curl it nextand pretend to orgasm so they think you enjoyed the sex?Why do you dumb yourself downand push your breasts up?Why do you smile when you’re told toand love when you don’t want to?When? When will you stop, woman? Father says natural is beautifulbut that is doubtfulfor what does father knowhe’s only a fellow.
Not every day is awful.Not every day is good.Despite the way the hours passI’m living like I should.Not every day is all wrong.Not every day is right.At least I’m not a spider trying to scamper out of sight.Not every day is ideal.Not every day is bad.At any rate I have my senseseven if they’re mad.Not every day is happy.Not every day is glum.When sadness drags me in the dumpsA simple tune I hum.Not every day I smile.Not every day I frown.With effort, I can take a scowland turn it upside down.Not every day is crazy.Not every day is sane.If consequence nips at my heelsI don’t pass on the blame.Not every day is giddy.Not every day is blah.Yet I can still appreciatea giggle and guffaw.Not every day is timid.Not every day is proud.I may not be a dragonbut I roar about as loud.Not every day has rainbows.Not every day has rain.Despite the fact I’m stiff and sore,I’m not in chronic pain.On every day the sun shines,so every night I praythat I might see the morning lightand live another day.
That's old Twoflower, Rincewind thought. It’s not that he doesn’t appreciate beauty, he just appreciates it in his own way. I mean, if a poet sees a daffodil he stares at it and writes a long poem about it, but Twoflower wanders off to find a book on botany. He just looks at things, but nothing he looks at is ever the same again. Including me, I suspect.
Let us remember to always rediscover one anotherbecause we are forever changing.
I write our names on the page.What of it, if the paper will be burned?I write our names in the sand.What of it, if the shore will be washed by waves?I write our names on trees that will be cutand benches that will be painted,but what of it?I will keep on writing our namesbecause in this world of ephemera, You and I are the only constant.
Knowing you,I became mindless.Having wasted previous wishes,I'm riddled with regretsFeeling you,I became hopeless.Adrift in chasms,I surrender to a caress.Loving you,I became love.My universe became love.Planets rotate on love's axes andapples fall to be near their beloveds.No longer a rationalist, I assert my existence with love. I love, therefore I exist,therefore I love.
I have no use for these other loves.Seal them shut in jarsand place them in the pantry. A reserve of love.Thank them for their love.They are so kind.Perhaps store them in the fridgeFor others to take.They say love is a panacea. I know it is not.Flakes of snow,no two are alike.When I am down on my knees, hopeless and angry,for the world no longer makes sense,I won't look in the pantry or fridge.It is your hand pressing on my shoulderthat makes me whole,makes me forget.What trouble? What world?
Think not of the fragility of life, but of the power of books, when mere words can change our lives simply by being next to each other.
What can I tell you about the alchemy of twins?Twins are two bodies that dance to each other’s joy.Two minds that drownin each other’s despair.Two spirits that flywith each other’s love.Twins are two separate beingsconjoined at the heart!
How is it that there was never youuntil there wasand then all was you?
What is this lovethat makes me see beauty,and makes every beautiful thing bring you back to me?What is this lovethat makes me declare 'I love you'even though I uttered itonly a moment ago?What is this love that keeps growing even when my chest is soreand it hurts to love you any more?Tell me:How am I to find what this love iswhen it was the one to find you, me, this verse, and this universe?
I can sense your love,why leave me in darkness?Beguile me for your amusement,stealing my soul without kisses. You are the sun and I, the moon. Your beauty is reflected in my eyes.When we are apart, I am extinguishedin the blackness of these skies.
Does God knowthe number of kissesbefore we fall in love?Yesterday, I was nobodyand I believed myself important.Today,I feel my worth in you.You, with your emerald eyes and ebony hair,even your heartbeat is beautiful.You, who is my greatest joy,all other concerns vanish in your presence.You swallow timeand consume space,inspiring all my passionwith a single embrace.I love your existence.
Make no mistake about it. We are born blind, deaf, and mute. It is neither these eyes that give us sight, nor these ears that give us sound. It is not even these lips that give us voice. It is only love. Love makes us seek beauty and truth. Love yearns to connect. To experience. To understand. So close your eyes at once. Don’t utter a word. Perk up your ears and listen to that silent sound inside you where all this is found.
Come into my world. I will show you the phenomenon that Stendhal experienced. I will help you feel the cascading arpeggios of Wagner's overture. I will dance to Doga’s waltzes with you. A day spent without appreciating the beauty surrounding us is a waste. Let me appreciate you
John O’Donohue gave voice to the connection between beauty and those edges of life—thresholds was the word he loved—where the fullness of reality becomes more stark and more clear. If you go back to the etymology of the word “threshold,” it comes from “threshing,” which is to separate the grain from the husk. So the threshold, in a way, is a place where you move into more critical and challenging and worthy fullness. There are huge thresholds in every life. You know that, for instance, if you are in the middle of your life in a busy evening, fifty things to do and you get a phone call that somebody you love is suddenly dying, it takes ten seconds to communicate that information. But when you put the phone down, you are already standing in a different world. Suddenly everything that seems so important before is all gone and now you are thinking of this. So the given world that we think is there and the solid ground we are on is so tentative. And a threshold is a line which separates two territories of spirit, and very often how we cross is the key thing.
A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.
I have often noticed that these things, which obsess me, neither bother nor impress other people even slightly. I am horribly apt to approach some innocent at a gathering, and like the ancient mariner, fix him with a wild, glitt’ring eye and say, “Do you know that in the head of the caterpillar of the ordinary goat moth there are two hundred twenty-eight separate muscles?” The poor wretch flees. I am not making chatter; I mean to change his life.
All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.
Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.
In the forty minutes I watched the muskrat, he never saw me, smelled me, or heard me at all. When he was in full view of course I never moved except to breathe. My eyes would move, too, following his, but he never noticed. Only once, when he was feeding from the opposite bank about eight feet away did he suddenly rise upright, all alert- and then he immediately resumed foraging. But he never knew I was there.I never knew I was there, either. For that forty minutes last night I was as purely sensitive and mute as a photographic plate; I received impressions, but I did not print out captions. My own self-awareness had disappeared; it seems now almost as though, had I been wired to electrodes, my EEG would have been flat. I have done this sort of thing so often that I have lost self-consciousness about moving slowly and halting suddenly. And I have often noticed that even a few minutes of this self-forgetfulness is tremendously invigorating. I wonder if we do not waste most of our energy just by spending every waking minute saying hello to ourselves. Martin Buber quotes an old Hasid master who said, “When you walk across the field with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their souls come out and cling to you, and then they are purified and become a holy fire in you.
The color-patches of vision part, shift, and reform as I move through space in time. The present is the object of vision, and what I see before me at any given second is a full field of color patches scattered just so. The configuration will never be repeated. Living is moving; time is a live creek bearing changing lights. As I move, or as the world moves around me, the fullness of what I see shatters. “Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. But there is more to the present than a series of snapshots. We are not merely sensitized film; we have feelings, a memory for information and an eidetic memory for the imagery of our pasts. Our layered consciousness is a tiered track for an unmatched assortment of concentrically wound reels. Each one plays out for all of life its dazzle and blur of translucent shadow-pictures; each one hums at every moment its own secret melody in its own unique key. We tune in and out. But moments are not lost. Time out of mind is time nevertheless, cumulative, informing the present. From even the deepest slumber you wake with a jolt- older, closer to death, and wiser, grateful for breath. But time is the one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can’t recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees.
Xerxes, I read, ‘halted his unwieldy army for days that he might contemplate to his satisfaction’ the beauty of a single sycamore. You are Xerxes in Persia. Your army spreads on a vast and arid peneplain…you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven’t you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered…there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse…and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe. “He had its form wrought upon a medal of gold to help him remember it the rest of his life.” We all ought to have a goldsmith following us around. But it goes without saying, doesn’t it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don’t know what Pascal saw. I saw a cedar. Xerxes saw a sycamore.
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
I want to think about trees. Trees have a curious relationship to the subject of the present moment. There are many created things in the universe that outlive us, that outlive the sun, even, but I can’t think about them. I live with trees. There are creatures under our feet, creatures that live over our heads, but trees live quite convincingly in the same filament of air we inhabit, and in addition, they extend impressively in both directions, up and down, shearing rock and fanning air, doing their real business just out of reach.
You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?
Shadow is the blue patch where the light doesn’t hit. It is mystery itself, and mystery is the ancients’ ultima Thule, the modern explorer’s Point of Relative Inaccessibility, that boreal point most distant from all known lands. There the twin oceans of beauty and horror meet. The great glaciers are calving. Ice that sifted to earth as snow in the time of Christ shears from the pack with a roar and crumbles to water. It could be that our instruments have not looked deeply enough. The RNA deep in the mantis’s jaw is a beautiful ribbon. Did the crawling Polyphemus moth have in its watery heart one cell, and in that cell one special molecule, and that molecule one hydrogen atom, and round that atom’s nucleus one wild, distant electron that split showed a forest, swaying?
I was in no tent under leaves, sleepless and glad. There was no moon at all; along the world’s coasts the sea tides would be springing strong. The air itself also has lunar tides; I lay still. Could I feel in the air an invisible sweep and surge, and an answering knock in the lungs? Or could I feel the starlight? Every minute on a square mile of this land one ten thousandth of an ounce of starlight spatters to earth. What percentage of an ounce did that make on my eyes and cheeks and arms, tapping and nudging as particles, pulsing and stroking as waves?
It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of the hardwoods from here to Hudson’s Bay. It was as if the season’s colors were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarch butterflies had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.
Those people who shoot endless time-lapse films of unfurling roses and tulips have the wrong idea. They should train their cameras instead on the melting of pack ice, the green filling of ponds, the tidal swings…They should film the glaciers of Greenland, some of which creak along at such a fast clip that even the dogs bark at them. They should film the invasion of the southernmost Canadian tundra by the northernmost spruce-fir forest, which is happening right now at the rate of a mile every 10 years. When the last ice sheet receded from the North American continent, the earth rebounded 10 feet. Wouldn’t that have been a sight to see?
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.
Were the earth as smooth as a ball bearing, it might be beautiful seen from another planet, as the rings of Saturn are. But here we live and move; we wander up and down the banks of the creek, we ride a railway through the Alps, and the landscape shifts and changes. Were the earth smooth, our brains would be smooth as well; we would wake, blink, walk two steps to get the whole picture and lapse into dreamless sleep. Because we are living people, and because we are on the receiving end of beauty, another element necessarily enters the question. The texture of space is a condition of time. Time is the warp and matter the weft of woven texture of beauty in space, and death is the hurtling shuttle… What I want to do, then, is add time to the texture, paint the landscape on an unrolling scroll, and set the giant relief globe spinning on it stand.
Our life is a faint tracing on the surface of mystery. The surface of mystery is not smooth, any more than the planet is smooth; not even a single hydrogen atom is smooth, let alone a pine. Nor does it fit together; not even the chlorophyll and hemoglobin molecules are a perfect match, for, even after the atom of iron replaces the magnesium, long streamers of disparate atoms trail disjointedly from the rims of the molecule’s loops. Freedom cuts both ways. Mystery itself is as fringed and intricate at the shape of the air at times. Forays into mystery cut bays and fine fjords, but the forested mainland itself is implacable both in its bulk and in its most filigreed fringe of detail.
I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are. I am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems. So I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one…The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world.
The heavens declare the glory of God.The heavens declare the majesty King.The heavens declare the marvellous Lord.The heavens declare the mighty Saviour.
Some of us cover to protect our bodiessome of us cover to protect our soulsin both cases,respect their choices.
Why this candle?Why this cake?The day of my birth is not today.I was born when you said, 'Hey.
A silent velvet footstep filled me, unwelcome yet so needed. You finally found my hidden shore with grains of time and ocean of the most secret secrets, violet and red; left a trail of deep blue footsteps on my glowing beach of soul, and no matter how many times tides wash the golden sand anew, your prints can never be erased. Each one a shining star in my quiet Universe...
Just one caress became a symphony of passion, insatiable longing, an unquenchable desire to possess.... Gasps... The sparkling touch, embrace make hard to breathe... A mere short burst of brilliance, explosive need...forbidden sweet... Beneath the warmth of a dancing rainbow summer sunset, slowly tuning into the magic night with the stars flooding the sapphire skies...the sacred emerald island wildlife listens to our song, played with loving fingertips, reflected in diving deep into each other's ocean eyes...
Tipani flower skies blazing rapture of color laced tree crowns silhouettes along the ocean diamond necklaced beach...of my heart in fragrance of love spilled by caressing kisses of the sun opening the gates to dive deep through away to horizons with no return...
I breathe in... The sights and smells Of this city I’ve come to know... So well I gaze... Across the turquoise ocean Where the waves Liberate my spirit... From its shell I breathe in... The brilliant sky line Where the birds Emerge shyly From the dappled sunshine I breathe in... The gently... Blowing winds That soothe me Like a mother, around her child I breathe in... The sounds of laughter Pure and pretty Like the golden-green butterfly I’m always after I breathe in... The closeness, I have always shared With people, Who almost knew me, Almost cared I breathe in... The comfort Of my home, The safe walls, The scents of childhood On the pillows I breathe in...the silence Of my own heart Aching with tenderness... With memories.. Of home I breathe... in... The fragrance Of love, and moist sand The one... His roses left... On both my hands And I just keep on breathing Every moment As much as I can Preserving it, in my body For the day It can’t So I breathe in.. Once again.. Feeling life's energy Fizzing through my cells Never knowing What awaits me Or what's going to happen to me.. Next I breathe in This moment... Knowing it's either life Or it's death I close my eyes, And breathe in Just believing in myself.
Poetry isn’t an island, it is the bridge. Poetry isn’t a ship, it is the lifeboat. Poetry isn’t swimming. Poetry is water.
We are all born as storytellers. Our inner voice tells the first story we ever hear.
Infatuated painted clouds, enamored of our silky bed-lagoon, reflect with silent tremors your sweetest of the kisses...whispers...then lightly consume its shining sunset skin with loving smiles greeting the lacy starry night ahead...making our senses dance so softly stepping on to the adorn petals of the place no one else knows...
The sky blue strengthens slowly, the dawn light rosy and pale the summer song of our romance begin to unveil...with every heart beat and the waves' breath...the time stood in harmony still. Your morning kiss my hands could feel...by your lips soft, so warm, so very gentle, nice and full of life...
Echo of the waves appears in the sky, their lights reflected in your eyes. I'm back in our world and happy again. The sound of your voice, compassionate embrace... The power in your touch, serenity of stride... The beating of your heart calms down my presence, gracing with eternal peace of mind... Bathing in the sunshine of your arms I'm deeply aware of the melodic stream that has no language...gliding beneath the quiet Heaven of your eyes...
Sit here, so I may writeyou into a poem and make you eternal.
For what was it about books that once finished left the reader in a bit of a haze and made them reread the last few sentences in order to continue the ringing in their hearts a while longer, so as not to let the silence illumine the fact that reading, they had gained something — distance, a lesson, a companion, a new world — but now, after the last full stop, they had lost something palpable and felt a little emptier than before.
Our contempt for any particular poem must be perfect, be total, because only a ruthless reading that allows us to measure the gap between the actual and the virtual will enable to to experience, if not a genuine poem—no such thing—a place for the genuine, whatever that might mean.
Worry notif you are in darknessand the void sucks you in further.This is not the place we go to die.It’s where we are bornand our stories begin.
I haven’t written you a poem in years it seems.How can it be my faultwhen the words to describe you have not yet been created?When the alphabet lacks the very letters?How can it be my fault when your loveliness only growsby the time I reach for pen and paper?Tell me how I am at faultwhen I am only a beginner in poemsand you are exquisite poetry?To write you in words is to put a veil upon you.Why must I writewhen I can kiss you instead?
He is deaf, and keen to accept,any economical operation,that will correct his situation.He visited the doctor best,and started talking on subject,like the after-effects, and if any threats.The doctor medically checked,and asked him what he expects?He expressed, he wants to be addressed-in words, and not in signs.And how keen he is, to have his ears listening.He wants to listen the echo of,sun-set over that crimson dawn.He is keen to know, the sound of,a blooming rose.He wants to know what it sounds like,when a seedling grows.But Doctor- if you say: You are incapable,then I better get away,for then there is- nothing worth to be heard,in your seemingly wordy world.
A verse from a short poem - 'Philosophy is Forestry's Child' - in my Foreword:Ask not which came first, the acorn or the oak.We came as children of the forest;First our wooden cradle, then our kindling for industry.Instead think forward –– trees will shelter us from ourselves.
WHO AM I?I have seven heavenly panelsLeading up to a pointed sphereI’m multidimensional like a crystalAnd my center is never clear.I’m an inventor and pioneer.A mentor to my peers.But I'm not as sound as my shell reveals,Because I’m tormented by my fears -That may appear to be groundedBut my insides are filled with tears.And the sadness is well-founded,From years and yearsOf traumatic experiencesCompoundedIn the most dementedAtmospheres.I talk but feel like nobody hears.Has reason disappeared?And, God, are you near?This is Giza’s 7th light forceAnd I'm asking you to interfere.I can no longer walk amongst the blind and deadWith open eyes and ears.I’m trying to maintain my sanityAnd to straighten up my veneerAs I roll amongst the growing calamitiesFlowing on Earth’s severely trashedFrontier.Suzy Kassem, Rise Up and Salute the Sun (2010)
The sun rises bright and beautiful as if it feels no pain.It must not see, it must not hear, it can't possibly or it would not be able to overcome so defiantly.My bed creaks and whines when I leave it behind.I don't know why it tries so hard to hold onto me but yet I continue to try and overcome.I put on my shirt, my pants that fit me, find my socks and glue my heel back to my boot.My gloves are lost, my coat is torn but my scarf still keeps me warm and so I continue to try and overcome.Work has no pride, no place for me but I have no other place to be.My broken dreams continue to rise, my hopes continue to fade but still I try to overcome.A broken window and a gas tank on E, it's not Friday so I have to walk each day for at least another three.And so I walk while the world cries and pleas and tries to swallow me but still I continue and try to overcome.My lock on my door only turns halfway, but I don't have anything to steal anyway.My fridge is bare but my cabinet still holds three so I continue to try and overcome.The news haunts me, the weather threatens to rain down on me but another day has gone by.And I have overcome, I have overcome … I have overcome - the sun has nothing on me.
You see herand ascend into love. You become enchanted, a found madman. In your love,you lose yourself and become her. You were once without her, now with her. You still feel her and descend into love. You become enraptured, a lost madman. In your love,you lost yourself and her. You were once with her, nowwithout her.
MOTHER IS WATERI wish I couldShower your head with flowersAnd anoint your feet with my tears,For I know I have caused youSo much heartache, frustration and despair –Throughout my youthful years.I wish I could give youThe remainder of my lifeTo add to yours,Or simply eraseThe lines on your face,And mend all that has been torn.For next to God,You are the fireThat has given lightTo the flame in each of my eyes.You are the fountainThat nourished my growth,And from your chalice –Gave me life.Without the wetness of your love,The fragrance of your water,Or the trickling sounds ofYour voice,I shall always feelthirsty.
Thy husband is thy lord, thy life, thy keeper,Thy head, thy sovereign, one that cares for thee,And for thy maintenance; commits his bodyTo painful labor, both by sea and land;To watch the night in storms, the day in cold,Whilst thou li’st warm at home, secure and safe;And craves no other tribute at thy handsBut love, fair looks, and true obedience-Too little payment for so great a debt.Such duty as the subject owes the prince,Even such a woman oweth to her husband;And when she is froward, peevish, sullen, sour,And no obedient to his honest will,What is she but a foul contending rebel,And graceless traitor to her loving lord?I asham’d that women are so simple‘To offer war where they should kneel for peace,Or seek for rule, supremacy, and sway,When they are bound to serve, love, and obey.Why are our bodies soft, and weak, and smooth,Unapt to toil and trouble in the world,But that our soft conditions, and our hearts,Should well agree with our external parts?
Mental illness People assume you aren’t sick unless they see the sickness on your skin like scars forming a map of all the ways you’re hurting. My heart is a prison of Have you tried?s Have you tried exercising? Have you tried eating better? Have you tried not being sad, not being sick? Have you tried being more like me? Have you tried shutting up? Yes, I have tried. Yes, I am still trying, and yes, I am still sick. Sometimes monsters are invisible, and sometimes demons attack you from the inside. Just because you cannot see the claws and the teeth does not mean they aren’t ripping through me. Pain does not need to be seen to be felt. Telling me there is no problem won’t solve the problem. This is not how miracles are born. This is not how sickness works.
All I need to dois place my pen against paperand your lovewrites for me.
Whenever you keep score in love, you lose.
Why didn't you write all this time?Did you not remember us in a song?A dance?In the skies littered with stars?Did you not get drunk?Why didn’t you write all this time?Did you not remember us in a film?A book?In idyllic dusks and dawns?Did you not get high?It is good that you didn't.For all is well. I am drunk and dazed.I have already forgotten youand your bewitching ways.
Like a pair of old slippers,I feel comfort andwarmth as I slip into you.No, that is too crude.Like the match to the wick,I ignite when we touch.My counterpart andlife's purpose.Yes, as though I've known you my whole life.Every scar, every failurehas become an affirmationof what should be:You.Yes, as though I've loved you my whole life.
I've written you sixty-seven love poems.Here’s another one for you.But really, for me.These poems are the candles that I light with the fire you have ignited in me.I place this candle here and another thereso even if the stars have argued with the moonand are sulking away in a corner, you can still find your way to me.Sixty-eight poems now. What does the future hold for us?Joy? Disappointment? Gentle caresses? And subtle neglect?I hope the good is more than the bad. Much more. For what is the point of loveif by lighting these candlesour own flame loses its brightness?I know the good is more than the bad. Much more.I cannot wait to write you sixty-nine.
I sit on a rock and watch children playingin the park belowThey don't see meOr know my thoughtsOr that you haven't calledBut I forgive them their indifference todayAbove me a crow cawsPerhaps he smells the crumbs on my dressOr my angerBut he flits away over the treesProbably has a homeProbably has a wifeProbably knew to callThe children leaveThe coffee in my can turns coldThe wind nips at meSome street lights flicker onBut I won't moveNot yetI will wait for the night to chase meBack where I came fromUp the empty streetTo a quiet house
tone of colour in a room or a morning sky, a particular perfume that you had once loved and that brings subtle memories with it, a line from a forgotten poem that you had come across again, a cadence from a piece of music that you had ceased to play— I tell you, Dorian, that it is on things like these that our lives depend.
Sharply the menacing wind sweeps overThe bending poplars, newly bare,And the dark ribbons of the chimneysVeer downward; flicked by whips of air.Torn posters flutter; coldly soundThe boom of trams and the rattle of hooves,And the clerks who hurry to the stationLook, shuddering, over the eastern rooves,Thinking, each one, "Here comes the winter!"Please God I keep my job this year!"And bleakly, as the cold strikes throughTheir entrails like an icy spear,They think of rent, rates, season tickets,Insurance, coal, the skivvy's wages,Boots, school-bills and the next installmentUpon the two twin beds from Drage's.For if in careless summer daysIn groves of Ashtaroth we whored,Repentant now, when winds blow cold,We kneel before our rightful lord;The lord of all, the money-god,Who rules us blood and hand and brain,Who gives the roof that stops the wind,And, giving, takes away again;Who spies with jealous, watchful care,Our thoughts, our dreams, our secret ways,Who picks our words and cuts our clothes,And maps the pattern of our days;Who chills our anger, curbs our hope.And buys our lives and pays with toys,Who claims as tribute broken faith,Accepted insults, muted joys;Who binds with chains the poet's wit,The navvy's strength, the soldier's pride,And lays the sleek, estranging shieldBetween the lover and his bride.
I did it the hard way (a poem)___________________Many of the big dreams I dreamt,I dreamt, when I met a failed attempt.Life taught me to believe thatGreat ideas can start from a wretched hut.Many of the strongest steps I took,I took, when I was given the fiercest look.My passion pokes me to understandThat people’s mockeries, I can withstand.Many of the fastest speeds I gained,I gained when I was bitterly stained.I first thought the only way was to quitAs I tried again, I no longer have guilt.Many of the bravest decisions I made,I made, when my life was about to fade.I was frustrated and ripe to sink.But then I strive to release the ink.Many of the longest journeys I started,I started, having no resource; money partedI relied on God my creator all dawn longAnd at dusk He gave me a new song.Many of the hardest questions I tackled,I tackled, when I was heckled.They were very troublesome to settleBut I make it happen little by littleYet, it was not I, but the Lord JesusThe saviour who gives me success.In Him, through Him and by HimI have the liberty to do everything with vim.I don’t want to enjoy this liberty alone.You too must step out of your comfort zone.It’s not easy, but you can do it anyway.Jesus is the life, the truth and the way.
I did it the hard way ( a poem)_________________________Many of the big dreams I dreamt,I dreamt, when I met a failed attempt.Life taught me to believe thatGreat ideas can start from a wretched hut.Many of the strongest steps I took,I took, when I was given the fiercest look.My passion pokes me to understandThat people’s mockeries, I can withstand.Many of the fastest speeds I gained,I gained when I was bitterly stained.I first thought the only way was to quitAs I tried again, I no longer have guilt.Many of the bravest decisions I made,I made, when my life was about to fade.I was frustrated and ripe to sink.But then I strive to release the ink.Many of the longest journeys I started,I started, having no resource; money partedI relied on God my creator all dawn longAnd at dusk He gave me a new song.Many of the hardest questions I tackled,I tackled, when I was heckled.They were very troublesome to settleBut I make it happen little by littleYet, it was not I, but the Lord JesusThe saviour who gives me success.In Him, through Him and by HimI have the liberty to do everything with vim.I don’t want to enjoy this liberty alone.You too must step out of your comfort zone.It’s not easy, but you can do it anyway.Jesus is the life, the truth and the way.___________________________Israelmore Ayivor
I was stressed and scared and I had to hurry to be someone, become something, do something. I was running and talking and cursed myself when I wasted my time on things that wouldn’t get me anywhere. It was work and it was money and I was never where I was, always somewhere else in my head far, far away.
Such a nasty bruise,” he says, staring straight into my eyes. I am stunned he can see it. Delicate to the touch and tender on every side, the bruise is deeper than days. My hand automatically moves to my chest.Science taught me with valid assurance that my heart was fixed in my rib cage, but life has since shown me otherwise. My heart in fact dangles from a tangle of strings. The ends are grasped tight by numerous people who yank and release, having caused many painful bruises over time. I cry because they are invisible to most.“Such a nasty bruise,” he repeats, tugging on my poor heart. His kind eyes fall away from mine as I feel a squeeze on my arm. He twists it enough to show me a small, round patch of purple surrounded by a sickly yellowish corona. “Oh. My elbow.” I let the air exhale from my lungs. Another bruise forms where my heart has hit the floor. It is jerked up again. “Can I do anything for you?” I see in his eyes the mirror image of a finger—his finger—wrapped in one of the dangling strings. He tugs and I feel it.“No,” I reply to his question. But it is a lie. There is something he could do, along with all who grasp a portion of the web entangling my heart. I wish they would mercifully let go.
BLESSINGS ARE IMMEASURABLEYou canLose a childOr a parent,The love of your life,A good job,A game,A deal,A bet,An idea,Your favorite thing,Money,Your best friend,A moment,An opportunity,A chance,Your keys,Your mind,Your health,Your identity,Your virginity,Your religion,Your shirt,Your license,ID or Passport,Phone or phone number,Hope,Faith,Luck,Your pride,Or your house,And feel likeYou've lost everything,And keep on losing.StopCounting lossesAnd start counting your blessings.Only then,Will you discover that lossesAre easier to point outAnd countThan blessings,And that blessingsOutnumber your lossesFor they are trulyImmeasurable.It is only normal thatPeople count losses withTheir minds,And ignoreTo count blessingsWith the graciousnessOf their hearts.
Violinists wear the imprint on their necks with prideFor they are the players of harmony.Pilgrims, too, wear the imprint on their foreheads with prideFor they are the conductors of unity.And Lovers? Why, they are made humble by the imprint on their heartsFor they are merely the instruments of rhapsody.
Believe me when I say: 'Out of all those around, she’s the best locksmith in town.' Her stethoscope ears know when the dials of your heart click into place.She’s been cutting keys for years.You don’t stand a chance with that flimsy case.Alas, no matter how you lock your heart— bolt, fixture, and key— she’s got nimble fingersthat pick locks for free.Padlocks and deadboltsare all in vain.Why do you even botherwith that chain?She’s way too smart. Along with ours, she’ll have your heart. And you will see that the best locksmith in town is she.
Take a shower. Wash away every trace of yesterday. Of smells. Of weary skin. Get dressed. Make coffee, windows open, the sun shining through. Hold the cup with two hands and notice that you feel the feeling of warmth. You still feel warmth. Now sit down and get to work. Keep your mind sharp, head on, eyes on the page and if small thoughts of worries fight their ways into your consciousness: threw them off like fires in the night and keep your eyes on the track. Nothing but the task in front of you. Get off your chair in the middle of the day. Put on your shoes and take a long walk on open streets around people. Notice how they’re all walking, in a hurry, or slowly. Smiling, laughing, or eyes straight forward, hurried to get to wherever they’re going. And notice how you’re just one of them. Not more, not less. Find comfort in the way you’re just one in the crowd. Your worries: no more, no less.Go back home. Take the long way just to not pass the liquor store. Don’t buy the cigarettes. Go straight home. Take off your shoes. Wash your hands. Your face. Notice the silence. Notice your heart. It’s still beating. Still fighting. Now get back to work. Work with your mind sharp and eyes focused and if any thoughts of worries or hate or sadness creep their ways around, shake them off like a runner in the night for you own your mind, and you need to tame it. Focus. Keep it sharp on track, nothing but the task in front of you.Work until your eyes are tired and head is heavy, and keep working even after that. Then take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes. Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more. You’re doing just fine. You’re doing fine.I’m doing just fine.
Poetry contains few words but tells much. Its beauty is that by being condensed it is rich in meaning and open to various interpretations. Unlike prose, there is no boundary to poetry. There is nothing concrete or black and white. Poetry is mutable; it is transformative. Poetry is the alchemy of hearts. And what cannot be said in prose can sometimes be only said through poetry.
I am clumsy, drop glasses and get drunk on Monday afternoons. I read Seneca and can recite Shakespeare by heart, but I mess up the laundry, don’t answer my phone and blame the world when something goes wrong. I think I have a dream, but most of the days I’m still sleeping. The grass is cut. It smells like strawberries. Today I finished four books and cleaned my drawers. Do you believe in a God? Can I tell you about Icarus? How he flew too close to the sun?I want to make coming home your favourite part of the day. I want to leave tiny little words lingering in your mind, on nights when you’re far away and can’t sleep. I want to make everything around us beautiful; make small things mean a little more. Make you feel a little more. A little better, a little lighter. The coffee is warm, this cup is yours. I want to be someone you can’t live without.I want to be someone you can’t live without.
Get out of my head,You've overstayed your stay,This head no longer can spare more thoughts,Leave my aching heart alone,You weaved your web all over my heart,Captured what was never yours,The aching in my chest can't bare more,Get out of here,My soul is no longer a safe place.
It's been awhile since I have heard from you,To me it felt like it was only yesterday that all we could do was talk to each otherTo me it felt like it was only yesterday that I'd fall asleep with you on my mind and be awakened with a smile from your morning messagesTo me it felt like it was only yesterday that you started to back away, when I was in a dark placeTo me it felt like it was only yesterday when you left my mind and heart in a million pieces
Storm WarningsThe glass has been falling all the afternoon, And knowing better than the instrument What winds are walking overhead, what zone Of grey unrest is moving across the land, I leave the book upon a pillowed chair And walk from window to closed window, watching Boughs strain against the skyAnd think again, as often when the air Moves inward toward a silent core of waiting, How with a single purpose time has traveled By secret currents of the undiscerned Into this polar realm. Weather abroad And weather in the heart alike come on Regardless of prediction.Between foreseeing and averting change Lies all the mastery of elements Which clocks and weatherglasses cannot alter. Time in the hand is not control of time, Nor shattered fragments of an instrument A proof against the wind; the wind will rise, We can only close the shutters.I draw the curtains as the sky goes black And set a match to candles sheathed in glass Against the keyhole draught, the insistent whine Of weather through the unsealed aperture. This is our sole defense against the season; These are the things we have learned to do Who live in troubled regions.
I am in Love with you, it’s me who is in love with you not you,I am in love with you.Not in a way I wanted to but yeah the way I am fond toHey I am in love with you,not treating you like I wanted to but just being the one that thought of toyeah I am in love with you,Loving you was the secrete I wanted to keepand buried deep inside my emotional heap,Doing everything possible what I had toBut baby it hurts as it hurts you too,but yeah still I am in love with you,Pulled myself million times because I got the wrong vibes all the time,But the truth remains the samebaby hear me as I am in love with you,Waiting on you I could see people were laughing on meI knew all the while you weren't near me.But you should know that I am in love with youThere were some days I missed you a lot and scared to tell you how i feel cold and hotfor you as I am in love with you is the only dreamAnd then I am in love with youI remember I have cried to sleepand bagged myself to keep you awayfrom the highest steepthe voice that said from within me I am in love with youJust I LOVE YOU was the only words I wanna hear from youeven while knowing, you don’t mean toBecause simply I feel the way I wanted toLoving to say I am in love with you.wake up in the morning with only you in my mind till I sleep at deep way in the nightI know its all silly things for your kindbut its perfect to me as clearly - deeply in love with youWhen you being nice to me that scares me sometimesbut bottom in my heart it feels so nice because during that timeI am in love with you,Doesn't matter whatever I do with you even things i have never done beforeand i enjoyed them all because simply as I am in love with you.In the first waiting on you was the favorite thing in my dayweather it s a call or just a look from you from the farthest bayI asked myself why and the voice within me said that I am in love with you.
How crazy it would be if the moon did spin and the earth stood still and the sun went dim!How absolutely ludicrous if snakes could walk and kids could fly and mimes did talk!How silly it would be if the nights were tan and the mornings green and the sun cyan!How totally ridiculous if horses chirped and spiders sang and ladies burped!How shocking it would be if the dragons ruled and the knights were daft but the fish were schooled!How utterly preposterous if rain were dry and snowflakes warm and real men cried!I love to just imagineall the lows as heights,and the salty, sweet,and our lefts as rights.Perhaps it is incredibleand off the hook,but it all makes sensein a storybook!
Little Maiden Encounters FearDeepest regions walked she therelittle maiden sweet and fairventured far from the pathnever a whispernever a laugh...
Choices! Choices!! Choices!!! I have chosen love over hate.I have chosen faith over fears.I have chosen courage over cowardice.I have chosen strength over weakness.I have chosen positive thinking over negative thoughts.
I remember our childhood dayswhen life was easyand math problems hard.Mom would help us with our homeworkand dad was not at home but at work.After our chores, we’d go to the old fort museum with clips in our hair and pure joy in our hearts.You, sister, wore the bangles thatyou, brother, got as a prize from the Dentist.“Why the bangles?” the Dentist asked, surprised, for boys picked the stickers of cars instead.“They’re for my sisters,” you said.Mom would treat us to a bottle of Coke,a few sips each. Then,we’d buy the sweet smelling bread from the same white vanand hand-in-hand,we’d walk to our small flat above the restaurant.I remember our childhood days.Do you remember them too?
Butterfly KissesAged imperfectionsstitched upon my faceyears and years of wisdomearned by His holy grace.Quiet solitude in a humble homeall the family scattered nowlike nomads do they roam.Then a giftsent from abovea memorypure and tangiblewrapped in innocence andunquestioning love.A butterfly kisslands gently upon my cheekfrom an unseen childa kiss most sweet.Heaven grants graceand tears followas youth revisitsthis empty hollow.
ArtifactAs long as I can remember you kept the rifle--your grandfather's an antique you called it-in your study, propped against the tall shelvesthat held your many books. Upright,beside those hard-worn spins, it was anotherbackbone of your pas, a remnant I studiedas if it might unlock-- like the skeleton keyits long body resembled-- some door i had yetto find. Peering into the dark muzzle, I imagined a bulletas you described: spiraling through the boreand spinning straight for its target. It did not hit methen: the rifle I'd inherited showing mehow one life is bound to another, that hardshipendures. For years I admired its slender profile,until-- late one night, somber with drink--you told meit still worked, that you kept it loaded just in case,and I saw the rifle for what it is; a relicsharp as sorrow, the barrel hollow as regret.
A short poem from my new book, The Lost Journal of my Second Trip to Pergatory, Thorny CrownsOf course the gold one was for special occasions, weddings, etc,silver for family reunions, office-casual type affairs.Bronze was a everyday choice; during yard work its burnished surface shone in sunlight.There were various colors and holiday appropriate ones.I could never find the hatboxes they were stored in.But the wooden one was reserved for the long suffering caused by family.Stevie’s funeral, my hospital trips and sister’s rebellion rated real wood. One tip filed extra sharp produced a fine and dramatic line of blood droplets on her brow.
Scenes from the PlayroomNow Lucy with her family of dolls Disfigures Mother with an emery board, While Charles, with match and rubbing alcohol, Readies the struggling cat, for Chuck is bored. The young ones pour more ink into the water Through which the latest goldfish gamely swims, Laughing, pointing at naked, neutered Father. The toy chest is a Buchenwald of limbs. Mother is so lovely; Father, so late. The cook is off, yet dinner must go on With onions as her only cause for tears She hacks the red meat from the slippery bone, Setting the table, where the children wait, Her grinning babies, clean behind the ears.
If your mind can move mountainsand swallow gods,Why does it worry with helpless yesterdays and unborn tomorrows?If it can vomit starsand walk on split hairs,Why must it follow the samepath to despair?Everyone will tell you:'An orgasm here is just as good.
Gone are the summer daysand my mind along with them.No longer will I indulgein hopes of getting you back.It is hope that makes these chains heavierand autumnal nights longer.I will merely serve as a memory to you:the lover that recited love poems.I must go nowand I urge you not to look back.
unaccountably we are aloneforever aloneand it was meant to bethat way,it was never meantto be any other way–and when the death strugglebeginsthe last thing I wish to seeisa ring of human faceshovering over me–better just my old friends,the walls of my self,let only them be there.I have been alone but seldomlonely.I have satisfied my thirstat the wellof my selfand that wine was good,the best I ever had,and tonightsittingstaring into the darkI now finally understandthe dark and thelight and everythingin between.peace of mind and heartarriveswhen we accept whatis:having beenborn into thisstrange lifewe must acceptthe wasted gamble of ourdaysand take some satisfaction inthe pleasure ofleaving it allbehind.cry not for me.grieve not for me.readwhat I’ve writtenthenforget itall.drink from the wellof your selfand beginagain.Mind and Heart
When thinking is overrated And friends are easy to make, Check if it's too complicated Knowing yourself somehow... Inner peace's not hard to take, Never lost or underestimated. Get out of social media... NOW!
Break out to go out___________________The birds dare to break the egg shellIt does so in order to get out of that HellWhen it finally succeeds, it’ll then flyTo its comfort zone it’ll say byeAre you being confined in a small spaceHow long will you remain at that place?Before you can explore more territories,Break away from the former glories.Yesterday’s excellence is today’s averageYou must strive to be better age after ageNever accept the available mediocrityAs the only preferable opportunityDecide to grow from below to heroAnd make it a point to vacate level zeroReach out and arise with powerGod’s blessings on you, will showerAgree to grow, never attempt to be slowBe not afraid. Never doubt. You’ll flowThe grace of God will be your guideTaking you along, side by side.
Maybe we can help. Where are you from? I've never seen you around here before. And, how did you get that cut? Where are you staying?” He shook his head and giggled. “Are you the police? You ask a lot of questions Phoenix.” “No. I just ... never mind.” I wanted to know more about him. The way those sparkly green eyes gazed at me. The way his dimples sunk deep into his cheeks, as he smiled and said my name with his deep voice.
Poetry arises from the desire to get beyond the finite and the historical—the human world of violence and difference—and to reach the transcendent or divine. You're moved to write a poem, you feel called upon to sing, because of that transcendent impulse. But as soon as you move from that impulse to the actual poem, the song of the infinite is compromised by the finitude of its terms.
It was uncontrollable, overpowered by others, these colors within me, staring out at a black and white world; without spurning about, wanting to rule, too much negligence, they left me no choice, but to surrender. It was time, had to crash the lightning, and bow to the rain, where promises have broken, and pain still reigns. Had to give up myself and bring life to the world, had to. Dye
For me,you are fresh waterthat falls from treeswhen it has stopped raining. For me, you are cinnamon that lingers on the tongue and givesbitter wordssweetening.For me, you are the scent of violins and visionof valleys smiling.And still,for me, your loveliness never ends.It traverses the worldand finds its way back to me.Only me.
I fought for you, I fought for usI fought for the memories and the laughter that came upon us,Now here we are, we have become unknown people to each other,Worlds apart in an instant, for what once was is now goneSo tell me what your secret is to letting go like you did.
I think can sit here for hours,Arguing with the world as to why I can't give up,Tell everyone around me what a blessing you are,Laugh at all the times that you've brought sun into my life,I can tell everyone how passionate you are and how much you bring into this world,But right now I'm sitting here for hours,Trying to keep myself together because I'm trying to figure out how to tell the world that the man I love,Is the reason why I'm so broken.
all theorieslike clichesshot to hell,all these small faceslooking upbeautiful and believing;I wish to weepbut sorrow isstupid.I wish to believe but believe is agraveyard. we have narrowed it down tothe butcherknife and themockingbird wish usluck.
All this waiting.Waiting for the rain to stop. Waiting in traffic. Waiting for the bill. Waiting at the airport for an old friend.Waiting to depart. Then, there’s the big waiting: waiting to grow up. Waiting for love. Waiting to show youryour parents that when you have kids you’ll be different. Waiting to retire. Waiting for death. Why do we think waitingis the antithesis of lifewhen it is almostall of it?
Kamand, die every dayso you rememberto live.
Tell me where the swans go in the winterI need to know if the mute ones can sing.Tell me why stars fall from the skyI need to know if it is luck they bring.Tell me why feathers land near youI need to know if you've injured your wing.Now, tell me where you end, my angelFor I no longer know where I begin.
They tell us the only way to move on is to forget.“Forgive,” they say.Realise that you deserve better.That maybe they deserve better.You can't fight fire with fire.Extinguish it once and for all."Do not look back," they say.They don't tell you that only one thing is needed. Only one:love.When you are filled to the brim with love,you only emanate love.You become lover and love itself.Only then will you love even the very people you wish to hate.
Do the lovers know that when they whisper these poems they are commemorating our love?Do they ever think of you and meor only of themselves?Do they know that I once found a strand of your hairand wore it around my necklike a necklace?That I kiss your handsmore than I kiss your lips?Do they realise that our love and their love are drops in the universe’s ocean of loveand that without any of these drops, the ocean would be less?
Can we share my eyes so you can see what I see?Can we share my ears so you can hear what I hear?Can you perch on my shouldersso you can go where I go?Always in my heart, I don’t experience anything separate from you.This shared wonderment becomes doubled.This shared love becomes infinite.
Come back to me.Where have you gone?And why so long?I miss the star below your lip,the constellation on your chest.I miss your ways,how you net butter-flying words and release themfor others to enjoy.I miss your tenderness,the sweetness of your breathand the song of your voice.I miss howyou worship me.Come back to me once more.Why did you go?And whatever for?The heavens plotted against us.The clouds came andpissed on our lives.The smell of charged particlesstill lingers in the air.What will become of you and I?Come back to us.
Lovers dream of one more embrace.One more kiss.One act of love, no matter how small.For in loving, lover and belovedemptied themselves.Now, they look for their oasislike men engulfed in flames.Even filled to the brim, they will never satiate. For they continue to leak, thesecracked vessels.How else did love seep through?
I left the bankbecause they wouldn’t deposit my cheque of poems.So I went to the store,but they didn’t acceptmy currency of words.So I boxed all my storiesand took them to charity.But they refused my donation and asked me to give blood instead.I opened the notebooks and made them look, 'What do you think I wrote these in?
I wear the universe backwards. I imagine putting stars in my coffee, and sugar in the sky. I imagine going fishing in clouds, and watching the sun hide behind lakes. I'm too busy dancing with my imagination to even tip toe with reality for a second. They say I'm going mad. They're right.
The universe on your skin is emptyfrom all the silence on your tongue.Forgive yourself. Let your body healfrom all the wounds you did not inflicton yourself. Drop the sword you carryon your shoulder for self-defense.Lower the armor you hold high upfor protection. Those who harmed youare not going to come back. Those whohave left never intended to return.
Courage brought me here.I desperately tried to dress myself with words.Yet excuses can no longer defend my walls.So here I am.Clueless.Defenseless.But I will tell you this,for this is all you have to know.I love you.Nothing in this life is more worthfighting for than that.
LET’S GO BACK HOMEI can't think about you,Without smiling.What I wouldn’t give,To go back there,Take you in my arms,Kiss you, And tell you,"I still love you."It's been three decades now,And still your smile's with me,Your wave goodbye, The love in your eyes, And everything else you gave me,Before that highway fog swept in,And stole your spirit away.Oh- to return by your side again, Fish beside the Pleasant Hill Dam,Hike through the Mayer's woods, Hang out on your big hill,Sleep naked in your twin bed,Fill your room with laughter- And marijuana smoke.You returned home-And I traveled on down the road,Found new loves,Safely took them under my wing,And deeply into my heart.But you know, as I do-This wasn’t always possible.I didn’t always have the fire- The courage to stand tall,The joy to expand, Nor the love to give deeply.These were all your gifts--To me.Someday-When I close my eyes for good,And cry out- "Lord- forgive me for I have sinned-"I'll joyously return by your side,Take you into my arms, Kiss you, And tell you,"I still love you.
Bright star, would I were stedfast as thou art--Not in lone splendour hung aloft the nightAnd watching, with eternal lids apart,Like nature's patient, sleepless Eremite,The moving waters at their priestlike taskOf pure ablution round earth's human shores,Or gazing on the new soft-fallen maskOf snow upon the mountains and the moors--No--yet still stedfast, still unchangeable,Pillow'd upon my fair love's ripening breast,To feel for ever its soft fall and swell,Awake for ever in a sweet unrest,Still, still to hear her tender-taken breath,And so live ever--or else swoon to death. Glanzvoller Stern! wär ich so stet wie du,Nicht hing ich nachts in einsam stolzer Pracht!SchautŽ nicht mit ewigem Blick beiseite zu,Einsiedler der Natur, auf hoher WachtBeim Priesterwerk der Reinigung, das die See,Die wogende, vollbringt am Meeresstrand;Noch starrt ich auf die Maske, die der SchneeSanft fallend frisch um Berg und Moore band.Nein, doch unwandelbar und unentwegtMöchtŽ ruhn ich an der Liebsten weicher Brust,Zu fühlen, wie es wogend dort sich regt,Zu wachen ewig in unruhiger Lust,Zu lauschen auf des Atems sanftes Wehen -So ewig leben - sonst im Tod vergehen!
Always write exactly what you’re feeling at the exact moment when writing something like poetry or an emotional novel. Put yourself, pour all emotions into your work…make yourself cry, feel joy if you are writing joyful things, feel lovey if it calls for it…just put your heart and soul into all that you do…then you will be a good writer when you can make whoever reads your work, feel." -Nina Jean Slack
The sea loved the moonWhen she was supposed to love the shore.The moon knewAnd hence made his intentions known. That she should love the shoreWho was destined for her.Yet his protests seemed weak. And even when he pushed her towards the shore-She always retreated back.To want, to need, to love the moonFor all she's worth.Everyone said, it wasn't meant to happen.Yet, the Tsunami rose that night for their union.
Strike, with hand of fire, O weird musician, thy harp strung with Apollo's golden hair; fill the vast cathedral aisles with symphonies sweet and dim, deft toucher of the organ keys; blow, bugler, blow, until thy silver notes do touch and kiss the moonlit waves, and charm the lovers wandering 'mid the vine-clad hills. But know, your sweetest strains are discords all, compared with childhood's happy laugh—the laugh that fills the eyes with light and every heart with joy. O rippling river of laughter, thou art the blessed boundary line between the beasts and men; and every wayward wave of thine doth drown some fretful fiend of care. O Laughter, rose-lipped daughter of Joy, there are dimples enough in thy cheeks to catch and hold and glorify all the tears of grief.
I won't be stuck in traffic 'til I see how rugged my path isAnd right now I'm loving how fast my troubles are fastingNo they don't bother me oh realizing I'm psychopathicA wild beast, baby I'm gladly running afterYes a thing called peace outlasting any madnessThe devil fears me oh he's feelingLike a fragment of a fractionNo he won't come near me'Cause his hat trick's out of practice
Dance,' they told me, and I stood still,and while I stood quiet in line at the gate of the Kingdom, I danced.'Pray,' they said, and I laughed,covering myself in the earth's brightnesses,and then stole off gray into the midst of a revel,and prayed like an orphan.
Sometimes what’s dead must be burned away to make room for new life. Sometimes you just have to step back and let the brittle bits ignite - but once those flames begin to dance their caustic dance, don’t you dare look the other way. Don’t close your eyes. Watch closely and let that image seer itself forever on your mind. Remember what it looked like in the midst of the soot, the smoke, and the haze. Remember, so you don’t repeat the same conditions that required such a blaze.
We grow old judging othersAnd ourselvesUntil life humbles usAnd makes scared children of usLonging to hold another’s handTo hear their kind words And witness their kind deeds done on our behalf.But like children,We sabotage everythingFor nothing satisfies usUntil life crumbles usAnd we are no more.
...as we are endowed. ...with rhetorics. ...none will deny. ...of innocence. ...towards scribbling. ...of love lines. ...and of lust. ...to what seems like male. ...to what seems like female. ...in those days. ...I mean nothing. ...but in high school.....even me. ...I can't deny.
Let’s appreciate and welcome the arrival of a new prophet The one who can be Reasonable and rational Realistic and democratThe one who respects the rights of women and childrenAnd does not make everyone slave of his nationLet’s do not whip some virgin pregnant womenThey may have Christ in their belly Let’s arrange a new miracle That can be little rationale and less awkward Maybe an application (software) or a gadget That can make us smile Or let’s build a green park that children could play and be happy And let’s bring a little educated prophetNot like the old one Illiterate! Marrying 10 to 12 women and waging warMaybe someone who does not blind the world by his Eye to eye policy and manifestation A little kind and a little rational
We made the choice, right there in our local coffee shop, that we were going to do things differently. We were going to put the story first, no matter where that led us. We’d open ourselves up to all genres, all forms. We’d publish works that stayed with us in an intangible way, long after that last page is turned.
I stand in my own power now, the questions of permission that I used to choke on for my every meal now dead in a fallen heap, and when they tell me that I will fall, I nod. I will fall, I reply, and my words are a whispermy words are a howlI will fall , I say, and the tumbling will be all my own. The skinned palms and oozing knees are holy wounds, stigmata of my She. I will catch my own spilled blood, and not a drop will be wasted.
If you can't tell from my rap lyrics already, yes I am a feminist. And when I'm saying "hoe" or "bitch" I am actually referring to men. ...That sounded bad, in someway. But at the end of the day, I'm sick of rappers using "bitches" and "hoes" as terms towards women. Feminists are NOT a hate group. Feminists are not all female. Nor has it got an anti-male agenda. It's about equality! I've had a weird, special bond with women since I was a kid. And it's just a shame really that I'm gay.
it is so dark now with the sadness ofpeoplethey were tricked, they were taught to expect theultimate when nothing ispromisednow young girls weep alone in small roomsold men angrily swing their canes atvisions asladies comb their hair asants search for survivalhistory surrounds usand our livesslink awayinshame.
we are burning like a chicken wing left on the grill of an outdoor barbecuewe are unwanted and burning we are burning and unwanted we arean unwantedburningas we sizzle and fryto the bonethe coals of Dante's 'Inferno' spit and sputter beneathus andabove the sky is an open hand andthe words of wise men are uselessit's not a nice world, a nice world it's not ...
Almighty Freedom! give my venturous songThe force, the charm that to thy voice belong;Tis thine to shape my course, to light my way,To nerve my country with the patriot lay,To teach all men where all their interest lies,How rulers may be just and nations wise:Strong in thy strength I bend no suppliant knee,Invoke no miracle, no Muse but thee.
THE SILENT PEOPLESome people are so rude,Living their lives with no concern for others,Or possibly just intent on pissing other people off-Annoying everyone around them.The silent people-Want to kill them-And drive forks into their skulls-Create weapons of extreme torture-And scream from the top of their lungs-"SHUT UP."But words are not spoken-And attention is not given.Though annoyance is apparent,The annoying keep on living.
As writers we live life twice, like a cow that eats its food once and then regurgitates it to chew and digest it again. We have a second chance at biting into our experience and examining it. ...This is our life and it's not going to last forever. There isn't time to talk about someday writing that short story or poem or novel. Slow down now, touch what is around you, and out of care and compassion for each moment and detail, put pen to paper and begin to write.
Loving you is no more a beautiful memory, but now just a pain,I cry and weep every time I walk down the memory lane,Your love always completed me in every sense as a whole,But now it’s just emptiness and sorrow in my heart that drains,Of all the people in the world, you choose me to be hurt,Of all the hearts in the world, you choose mine to break…Why did you leave me I ask myself every morning and dawn?Why my love was incomplete tell me why you were gone?A silence surrounds my heart and fills it again with despair,Oh this pain is just too much, and the damage beyond repair,Please come back baby, just come back and bring that old smile,Or just come to see me every once in a while,So my heart no more bleeds, and no more my soul aches,So I can be peaceful after my death, in my ashes and burnt flakes…
Life shows us all colours, some bright and some shades of grey,Some accept with a smile, while some frown in every wayThoughts and memories never end but life does one day.Whole age passes by in wait of that old time to return,But those old days once gone, will never come back again,Rather we can just cherish them in the memories that burn,In the back of our mind and make us remember,How we used to be so crazy,In those old days…
A feeling struck me one fine day that people call ‘love’,Before that my life was empty, all I had was loneliness and sorrow…I loved the way it felt being with him, for I felt up above,Now everything was complete and nothing remained hollow…That person who cupid made me fall for, was a God descended from heavens,I loved him with all I had, a true heart and a pure soul…I thought I achieved the meaning of life, never did I felt so glad,But when he left me amidst a chaos, I had no one with me to console…I cried, it hurt, I wept and screamed, everyone called me ‘mad’,And still I wonder if in my life, that actually was his role…But a string still binds me to my past of untold vow,Some unsaid promises that linger between us even now,Although I don’t know where he went after that fateful day…I still try to convince myself every day, I know how,Each moment has been tough, each day a new challenge…Each hour passed as if it was my heart that always allowed,One more day to live without him, one more day to cherish…One more day to spend without the love of my life somehow,But he doesn’t know that one day, the girl herself would perish…Who loved him and lived each day of her life in his wait,For the man who never returned, for the man who wasn’t in her fate…
Transcendence is before you should you choose to take a swim.Into your deep blue you dive and all that is within.Referred to as my subconscious so you may understand me clear.But there’s nothing very simple about the message I’m sending here.The colour of your blood, the liquid through your veins, is really just a pathway to the place that feels your pains.The heart is an ocean but within it there’s a sun, submerged beneath the ocean, and all that is but one.
I hear talk of that slippery slope, and my heart catches for a beat. But there is the musky truth I'm standing in that I can't deny, and it tastes of so much holy. That old way, the narrow line, I see now that was a slippery, saccharine surface where my soul could gain no purchase. For the first time, my feet feel sure beneath me, and that sense is twining its way up from my ankles, racing toward my knees, my thighs, my secret places, my heart. It's in my blood now, and I can't deny it. I can't deny it. I open my eyes, because I could see even through my clutched-closed lids that the darkness is light, that the blindness has given way to searing vision. I can't deny it.
The artistic creation of the poet, painter, photographer, and writer is a reflection of the artist’s inner world. The agenda of consciousness that spurs all forms of art is not to represent the outward appearance of things, but to portray its inward significance to the creator. A great poem, painting, photograph, and written composition fully express what the creator feels, in the deepest sense, about the distinctively depicted image that captured their imagination.
Thee, my serenity, one can not bear, Seeing thee befuddled, bereaved,Dimmed like the midnight, secluded, darkened,Thee, my serenity,A window to my eyes, A window to laughter, and peace of mind,Thee, my serenity, one can not bear,Seeing thee wail, whine, cry,Like a gloomy, mourning brume,Thee, my serenity,Soared through fervor and delight,To the crown of heavens, the Almighty Myth,One can not bear, Seeing thee prostrate, razed, demure,Upon the dimmed streets, crawling, for a sight of the lune,Thee, my birdy in love, What befall to thy song, The very chant of my life, Cut short, stopped, along with all I gasp,Thee, my serenity, one can not bear,Seeing thee, caged in thy own night, Encumbered, through thy own heart,Lean on my shoulders now,My beautiful, wonderful Lily,That thee shall not fear, the sorrow of,Of being lonely, apart, not having a peer,As I promise, to my most dear,The girl to my heart, always near,Come what may, don’t age a year,That I will be, forever here,
TO VICTOR HUGO OF MY CROW PLUTO “Even when the bird is walking we know that it has wings.”—VICTOR HUGO Of: my crow Pluto, the true Plato, azzurronegro green-blue rainbow— Victor Hugo, it is true we know that the crow “has wings,” however pigeon-toe- inturned on grass. We do. (adagio) Vivorosso “corvo,” although con dizionario io parlo Italiano— this pseudo Esperanto which, savio ucello you speak too— my vow and motto (botto e totto) io giuro è questo credo: lucro è peso morto. And so dear crow— gioièllo mio— I have to let you go; a bel bosco generoso, tuttuto vagabondo, serafino uvaceo Sunto, oltremarino verecondo Plato, a
TO A GIRAFFE If it is unpermissible, in fact fatal to be personal and undesirable to be literal—detrimental as well if the eye is not innocent-does it mean that one can live only on top leaves that are small reachable only by a beast that is tall?— of which the giraffe is the best example— the unconversational animal. When plagued by the psychological, a creature can be unbearable that could have been irresistible; or to be exact, exceptional since less conversational than some emotionally-tied-in-knots animal. After all consolations of the metaphysical can be profound. In Homer, existence is flawed; transcendence, conditional; “the journey from sin to redemption, perpetual.
ROSEMARY Beauty and Beauty’s son and rosemary— Venus and Love, her son, to speak plainly— born of the sea supposedly, at Christmas each, in company, braids a garland of festivity. Not always rosemary— since the flight to Egypt, blooming differently. With lancelike leaf, green but silver underneath, its flowers—white originally— turned blue. The herb of memory, imitating the blue robe of Mary, is not too legendary to flower both as symbol and as pungency. Springing from stones beside the sea, the height of Christ when thirty-three— it feeds on dew and to the bee “hath a dumb language”; is in reality a kind of Christmas-tree.
In the days of Prismatic Colornot in the days of Adam and Eve, but when Adam was alone; when there was no smoke and color was fine, not with the refinement of early civilization art, but because of its originality; with nothing to modify it but the mist that went up, obliqueness was a variation of the perpendicular, plain to see and to account for: it is no longer that; nor did the blue-red-yellow band of incandescence that was color keep its stripe
A rural Venus, Selah rises from thegold foliage of the Sixhiboux River, sweepspetals of water from her skin. At once,clouds begin to sob for such beauty.Clothing drops like leaves."No one makes poetry,my Mme.Butterfly, my Carmen, in Whylah,”I whisper. She smiles: “We’ll shape it withour souls.”Desire illuminates the dark manuscriptof our skin with beetles and butterflies.After the lightning and rain has ceased,after the lightning and rain of lovemakinghas ceased, Selah will dive again into thesunflower-open river.
I know now that the poem in my head, the one that pushed me to the page, begged me - or dared me to be born is almost never the poem that comes out. I suppose it’s like anything born of/with free will and the will to live: once I’ve given the seed, once the juices flow through any sort of birth canal and make it to the ambient air there will, at that point, be forces that come into play that are no longer entirely mine. To forget that each word is a life unto itself is to strangle it dead before it can even take a step.
Look into words for the tomb of spacewhere beauties & stones & eternities untangle.(...)In them is the flood which bothers the seaand the songs which need no music.Say these words that evolve into silence,whose language survives not being understood.Pronounce those which are unpalatable &untangle from all the world wants to hear.
Discouragement, fear, and depression—three villains who lurk in the dark.They slip inside souls with a blindfold and goals to shatter your dreams and extinguish your spark.Their tactics are highly effective.They crush a great many each day.And under their spell it is easy to dwellOn fiascoes and failures that end in dismay.The heart and the mind are left heavy.The last speck of will is erased.And nothing stays on when these villains are gonebut a mouthful of bile with the bitterest taste.Alas! You must conquer the scoundrels!Elude, dodge, and keep them at bay!To feel fear slink in, boring under your skin,is a sign that his brothers are well on their way.So reach for your weapons against them!Take hope and hard work in each hand!Strap faith on your hips and a prayer on your lipsand show those debasers how firmly you stand!Discouragement, fear and depression—the truth should be known of these cads.They’re empty and weak; it is your strength they seek.Deny them and life is your wish in the bag.
One weekend it rained for 48 hours without stopping. The rain beat like bony fingers against the window panes. Tap. Tap. Tap. Tap. Tap. Fungus was growing on the walls. I polished off a bottle of gin sitting huddled over the two-bar electric fire and wrote a poem, one of the few that has lasted through the moves and the years. It is called 'Where Can I Go?'If this is not the place where tears are understood where do I go to cry? If this is not the place where my spirits can take wing where do I go to fly?If this is not the place where my feelings can be heard where do I go to speak? If this is not the place where you’ll accept me as I am where can I go to be me? If this is not the place where I can try and learn and grow where can I go to laugh and cry?
A Strange Prayer:Dear Lord, I, the self searching illusion, has seen and experienced the outer world:relationships,success and failure,true friends, strangers and backbiters.I lived the different emotionsduring different seasons;I witnessed ups & downs,enjoyed love & hate,was good & bad,faced beauty & ugliness.There were times when I was brave,there were times when I was a coward.There were times when I was proactive,there were times when I was indecisive.After, flying high in the skies,and yet being a loser...After, being nothing & no one,and yet feeling content..I have understood the differencebetween lust and love,happiness and sadness,selfishness and selflessness.One often leads to another;another secretly carries the one!Yet I am lostbetween being and becoming.An inner voice admits thatmy heart is an unexplored realm,my mind is a prisoner to my wishful thinking,and the soul is unknown to me.Setting that unknown free... now, this is my heartiest wish.As Saurabh Sharma,the human being,Ialwayspray to thee, " O lord, set me free.I don't want love,I don't want to be loved;I want myself to be love itself now.That beautiful, silent and divine existence...!I want to get merged into that.Please give me wisdom and courage; Merge me into your supreme kingdom by setting my soul free.
They’re close. Voices loud and fierce, Slapping faces with words. A scream … A cry … They’re getting closer.Did I lock the door? It’s too late to check. They’re coming. I barely move, barely breathe. Perhaps they’ll go away. But they’re getting closer.The door slams against the wall. My eyes squeeze shut. This curtain is not a shield. They’re here. They’ve come for me. I freeze.Metal rings clank together. My barrier is cast aside. Wearily, I look. Reddened eyes glower at one another … But not at me. I wonder.A moment of silence … Water streams down my face. Steam rolls around my flesh. I glare at the intruders And slide the curtain between us. I wait.He shrieks, “She took my glow stick!” She howls, “No, I didn’t!” I scowl. “Go tell your father about it.”They leave. I inhale the lavender mist. Slather bubbles over my skin. Five more minutes … And, next time, I shall lock the door.
NAMING THE EARTH(a poem of light for national poetry day)And the world will be born againin circles of steaming breathand beams of lightas each one of us directsour inner eyeupon its name.Hear the cry of wings,the sigh of leaves and grass,smell the new sweet mist risingas the pathway is cleared at last.Stones stand ready -they have knownsince ages and ages agothat they were not alone.Water carries the planet's energyinto skies and down to earth and bones.The cold parts steadily as we come together,bodies and hearts warm,hands tingling.We are silentbut our eyes are singing.We look, we feel, we know,we trust each other's souls,we have no need to speak.Not now, but later,when the time is right,the name will ringwithin the iron coreof each other's listening -and the very earth's being.Every creature, every plant,will hear it calling,tolling like a bell -a sound we've always feltbut never dared to hopeto hear reverberating -true at last, at every levelof existence.The poets come togetherto open the intimate centre.Believein life and air -breathe the light itself,for these are the energiesand rhythms that we needto see, to touch, to reach,to identify, to say, the NAME.Colours on your skinfuse and dissolve -leave the river cleanfor pure space and timeto enter and flow in.We all become one fluid streamof stillness and motion,of flaring thoughtpulses discoveringweird pools and twists withinwhere darkness hidesfrom the flames in our eyesbut will not snare us.We probe deeper still,journeying towards a unitywhich will be more rawand yet also more formedthan anything writtenor spoken before.Our fragile bodiesfall away -and the trees, and the roots of trees,guide us -lead us awayfrom the faces we rememberseeing each day in the mirror -into an oceanof dreamsseething with warmth,love,where the beginningis real,ripe, evolving.And the world is born againin circles of steaming breathand beams of light.An ache - a signal -a trembling moment -and the time is rightto say the name.We sing as one wholevoice of the universal -all the words, the namesof every tiny thirsting thing,and they ring out togetheras one sound,one energy, one sense,one vibration, one breath.And the world listens,beats, shines, glows -IS -Exists!
The world's an incessant transformation, and to meditateis awareness, with noclinging to,no working on, the mind.It is a floating; ever-moving; 'marvellous emptiness'.Only absorption in such a practice will release usfrom the accidents, and appetites,of life.And upon this leaf one shall cross overthe stormy sea,among the dragon-like waves.
I want you to judge me without thinking about it.I want you to give me advice without considering my opinion.I want you to expecting anything without the need to trust me.I want you to decide for me with all the care in the world.I want you to help me without smothering me.I want you to decide without seeing my point of view.I want you to hug me without holding me...I want you to feel protected in my presence without me having to lie.I want you to be close without suffocating me.I want you to know everything without knowing anything...I want you to know that both love and friendship should always be Unconditional.
I have become intoxicated again.You are such a potent wine, my friend.To escape your withdrawal effects,tomorrow I will drink in excess.Alas, why make me love?I was aware, conscious, and sensible before.I am ill by cause of this illusion.The devil plays tricks on me more and more.I was a harp you immaculately plucked at will.Your score, the nightingale song withinnotes composed to imprison and bear me wings.Oh, if only they could hear how it sings!I am now beyond parched.My strings left untouched.You are no longer an oasis, my friend,but a mirage soon coming to an end.
I wanted to write you a love poemBut my heart feels out of tuneSo I coax my breath into the darkness of my rib cage And invite it to fan openMaybe I would say something like,"One day, I would like to fall in love with you,"And here I pause while the tears that have been threatening to rain down all day swell high in my chest, blurring my vision"One day, I would like to fall in love with you,"I will start writing again, & continue,"wherever you are, whoever you are, but in this moment, I will fall in love with me."My brow furls ever so slightly, because that is not what I expected to sayI pause again & allow the container to soften, for the edges to get blurryAnd the tears, one by one spill overAnd all the holding of the day crumples awayAnd I am me again & you are you again,too
Love Just Happens"Love just happensWhen you are not looking for it,Not paying attention,Unaware.You could miss it the first few times,But then, unexpectedly, Somehow this invisible magnetic energyPulls you and another person together.And you feel this beautiful magic,Like a gravitational force -As if the moon were kissing the sun.And their name,Becomes the most hypnotic nameAnd you die to see their eyesWhen you open yoursEvery time.Love just happensWhen you least expect itAt any locationAt any time.It never announces its arrivalBut when it does find youIts warmth is so strongIt may frighten youYou could close your eyes and feel itAnd feel themNo matter where you areOr they areEvery time.Love just happensAnd it happens to everybody.But some people have their sensors off,Or hide from it,Or constantly look for it.Just don't think about it.Open your heart and it will find you.It always does.Whenever you think it forgot about you,It will hit you.Just like that – Every time.Love just happens.
A book about books is like a poem about poetry:Books are knowledge, paid for, all.Readers - horses in a stall.Stallions should always run.Lest they stale become, in turn.Running waters are most clear.In some books, you disappear –lose yourself, and track of time.How I wish that one was mine...Mine, to have, to write, to read...Mine, just like a flying steed.Mine, forever, - to improve.Would I then, of me, approve?I would not, I can't... myself.I'm but dust, swept off a shelf.Fly, can I, just 'til I'm settled,down, beside my flower, petalled.
I stood in your doorway this morningdreaming you’d turn aroundyou’d tilt your headyou’d softly whisper ”stay”or that you’d grab my armsto shake me while askingwhat the hell are we doingwe loveeach otherand this is not rightso we will make this worknow stay!You poured your coffee. Stirred the spoon like a crystal manwith your back to me and not a sound. the fridge humming elegies while the clock ticked onand the streets are so clean here people rushing to workand maybe I should be tooby nowat this agethis stagethis town.I will stand in that doorway dreamingfor many nights to come.
When you left you left behind a fieldof silent flowers under a sky full of unstirred clouds...you left a million butterfliesmid-silky flutters You left like midnight rain against my dreaming ears Oh and how you left leaving my coffee scentless and my couch comfortless leaving upon my fingers the melting snow of you you left behind a calendar full of empty days and seasons full of aimless wanders leaving me alone with an armful of sunsets your reflection behind in every puddle your whispersupon every curtain your fragranceinside every petal you left your echoes in between the silence of my eyes Oh and how you leftleaving my sands footless and my shores songless leaving me with windows full of moistened moonlight nights and nightsof only a half-warmed soul and when you left... you left behind a lifetime of moments untouched the light of a million starsunshed and when you left you somehowleft my poem...unfinished. (Published in Taj Mahal Review Vol.11Number 1 June 2012)
This ploughman dead in battle slept out of doorsMany a frozen night, and merrilyAnswered staid drinkers, good bedmen, and all bores:"At Mrs Greenland's Hawthorn Bush," said he,"I slept." None knew which bush. Above the town,Beyond `The Drover', a hundred spot the downIn Wiltshire. And where now at last he sleepsMore sound in France -that, too, he secret keeps.
If I had known what trouble you were bearing;What griefs were in the silence of your face;I would have been more gentle, and more caring,And tried to give you gladness for a space.I would have brought more warmth into the place,If I had known.If I had known what thoughts despairing drew you;(Why do we never try to understand?)I would have lent a little friendship to you,And slipped my hand within your hand,And made your stay more pleasant in the land,If I had known.
i want the moon tattooed on my wristsmy grandmother keeps asking me to pray, i don’t have the heart to tell her that mypoems are the only God i have left in memy mother keeps leaving without saying goodbyei wish she’d let me cut my hair in the 7th grade,maybe i’d know how to deal with loss by nowi told myself i’d stop kissing boys who didn’t know my namei said, i’d stop picking at my bones like broken decorations,i’d quit with the smoking and the drunken poems, and when i said things like “my bones are heavy” i would only mean itas a good thingheavy bones can’t be broken,you can’t break heavy bones
How long would our poem be?How much would it weigh?The first verse would be yours, of course−Age before beauty, you'd say.You would not rush so much as crest,a wave that spreads and breaksacross the eyes and ears to fillsome deeper, inner space.The next verse would be mine,self-conscious, yes, it's true,and full of fits and startsbut bits of music too.Would we share some lines then, just we two?Here's a place for my words;here, only yours will do,And would it matter, really,after all is said and done,who made which piece of glory?Who, this moon? Who, that sun?The pen drops from my hand,but there's still more to say.So I must write our final line,which is simplystay.
I could simply kill you now, get it over with, who would know the difference? I could easily kick you in, stove you under, for all those times, mean on gin, you rammed words into my belly. (p. 52)
oh. she heard it too-no waters coursing, canyon empty, sun soundless- and the beast your life nowhere hiding (p. 103)
...gripping the rim of the sink you claw your way to stand and cling there, quaking with will, on heron legs, and still the hot muck pours out of you. (p. 27)
blue-gold sky, fresh cloud, emerald-black mountain, trees on rocky ledges, on the summit, the tiny pin of a telephone tower-all brilliantly clear, in shadow and out. and on and through everything everywhere the sun shines without reservation (p. 97)
My Serinity,Thee, my serenity, one can not bear, Seeing thee befuddled, bereaved,Dimmed like the midnight, secluded, darkened,Thee, my serenity,A window to my eyes, A window to laughter, and peace of mind,Thee, my serenity, one can not bear,Seeing thee wail, whine, cry,Like a gloomy, mourning brume,Thee, my serenity,Soared through fervor and delight,To the crown of heavens, the Almighty Myth,One can not bear, Seeing thee prostrate, razed, demure,Upon the dimmed streets, crawling, for a sight of the lune,Thee, my birdy in love, What befall to thy song, The very chant of my life, Cut short, stopped, along with all I gasp,Thee, my serenity, one can not bear,Seeing thee, caged in thy own night, Encumbered, through thy own heart,Lean on my shoulders now,My beautiful, wonderful Lily,That thee shall not fear, the sorrow of,Of being lonely, apart, not having a peer,As I promise, to my most dear,The girl to my heart, always near,Come what may, don’t age a year,That I will be, forever here,
there’s nothing todiscussthere’s nothing torememberthere’s nothing toforgetit’s sadand it’s notsadseems themost sensiblethinga person can doissitwith drink inhandas the wallswavetheir goodbyesmilesone comes throughit allwith a certain amount ofefficiency andbraverythenleavessome acceptthe possibility ofGodto help themgetthroughotherstake itstaight onand to theseI drink tonight.
Wherever you go in the next catastrophéBe it sickroom, or prison, or cemet’ryDo not fear that your stay will besolit’ryCountless souls share your fate,you’ll have company!
I grieve and dare not show my discontent, I love and yet am forced to seem to hate,I do, yet dare not say I ever meant, I seem stark mute but inwardly do prate. I am and not, I freeze and yet am burned, Since from myself another self I turned. My care is like my shadow in the sun, Follows me flying, flies when I pursue it, Stands and lies by me, doth what I have done.
I fell into a restless sleep in which my dreams carried me away over misty valleys and moonlit woodlands toward a fairy glen, where I watched their beautiful midnight revels in silent awe as I whispered the words of my favorite poem. " 'You shall hear a sound like thunder, / And a veil shall be withdrawn, / When her eyes grow wide with wonder, / On that hill-top, in that dawn.
Her long beautiful red hair wasn’t what got me to stare. It was her beautiful heart that I heard beating when I thought no one was there. Her hugs wasn’t what got me to stay, it was the thought of me being alone again and I was afraid. She completes me more than she knows. I admire her more than I show, they say true love is hard to find but, I don’t believe that because once I saw her in my dreams, I knew she was mines. I’ve waited for this day for so long and she never knew it, I plan to give her the world. Lord please don’t let me blow it.
There was a warrior once who foughtAgainst man's subtlest, mightiest foe,And more than valiant deeds he wroughtT' effect th' enslaver's overthrow.But ah! how dread was his campaign,Forc'd in the wilderness to stray,Lone, hungry, stung with grief and pain,And thus sustain the arduous fray.Prompt at each call from place to place,'Mid sin's dark shade and sorrow's flow,He sped to save man's erring race,And bear for him the vengeful blow.But when his soldiers saw the strife,When imminent the danger grew,Though 'twas for them he pledg'd his life,Like dastards from the field they flew.Wearied, forsaken, still he strove,And gain'd the glorious victory;Yet such achievements few could move,To hail his triumpn 'beath the sky.Dying he conquer'd; yet at lastNo human honours grac'd his bier;No trumpet wail'd its mournful blast,No muffl'd drum made music drear.But when he dy'd the rocks were rent,The sun his radiant beams withheld,All nature shudder'd at th' event,And horror every bosom swell'd.E'en Death, fell Death! could not detainHim, who for man his life had given,He burst the ineffectual chain,And soar'd his advocate to heaven.
darkness falls upon Humanityand faces become terriblethingsthat wanted more than therewas.all our days are marked withunexpectedaffronts - somedisastrous, othersless sobut the process iswearing andcontinuous.attrition rules.most givewayleavingempty spaceswhere people shouldbe.and nowas we ready to self-destructthere is very little left tokillwhich makes the tragedyless and moremuch muchmore.
It is silly to think they all achieved it "just like that". nothing in life is so easy, that is a fact.Behind the scenes were tears and pain,they stumbled and fell but got up again. They heard a voice, firm and true"Muster yourself you'll make it through"Steadied by a hand they arose to dancein the turmoil and storm with perseverance At the end, it came upon them; a light so brightsuccess was theirs: it was their right!
And I Said To My Soul, Be LoudMadden me back to an afternoonI carry in menot like a woundbut like a will against a woundGive me again enough manto be the childchoosing my own annihilationsTo make of this severed limba wand to conjurea weapon to shatterdark matter of the dirt daubers' nestsgalaxies of glassWhacking glintsbash-dancing on the cellar's fireI am the sound the sun would makeif the sun could make a soundand the gasp of rotstabbed from the compost's lumpen living deathis meO my life my war in a jarI shake you and shake youand may the best ant winFor I am come a whirlwind of wasted thingsand I will ride this tantrum back to Goduntil my fixed self, my fluorescent selfmy grief–nibbling, unbewildered, wall–to–wall selfwithers in me like a salted slug
Broken MelodyBroken melody — tear sparkling in the eyeOf a woman loved…Please past,Jewel lost,A trampled dreamLips unkissedIn the broken melody.With silent sobs the naked shoulders shake,Their whiteness dazzling…Stabbed, stabbed with remorseFor the moments of mindlessness,For her ruined fate,For the happiness lostIn the broken melody.Face hidden in her hands in shame,Remorsefully the woman weeps,With heart despairing(A broken guitar,A voice stifledOn lips kissed by painIn the broken melody).Silent he stands beside the woman weepingScolding tears of shameThat dim her eyes.Some money on the table quickly laysAnd goes away,Leaving the woman lostIn the broken melody.But when another comes, lust mounts again,The heated bloodPounds furiously through the veins,Benumbing mind… and only gaspsAnd grants are heardIn the horrid melody.(Translated by R.Elsie)
DICK’S DESIREDick's eyes-Soft, cold, and blue-Meet Devonshire's-Dark, sexy, and yearning.Turning away-Dick grabs two packets of sugar-While Devonshire's eyes-Are still upon him-Pondering his every move.Is Dick a playboy,A ladies' man,A mans' man,Or a killer?Does his sex long for,Something hard-Or something soft?Does he need cream in his coffee-The screaming splash of a man,Or the sweet flow of a woman?Finishing up at the bar-Dick turns to leave-Meets Devonshire's gaze again-Hot, thirsty, and longing-But full of trepidation.Following the flow of etiquette-Dick shoots out of the cafe,Past Devonshire,And into a world of dashed hopes,And regrets.But Devonshire-No longer of two worlds-Rises in pursuit-Goes after Dick,And taps him on the shoulder.Dick gives a turn,Raises his shoulders,And smiles with interest-Taking Devonshire's hand,And asking his name.Devonshire answers-Desire.Dick invites Devonshire to dinner,Where he eats everything,Swallowing Dick's life stories,And devouring his misgivings.For dessert,Devonshire takes Dick home,Into his bed,Against his flesh,And gives Dick all of him-His deepest desires,The love in his eyes,And the fire in his soul.
After you leftI stared at the drivewayFeeling its emptinessWondering if you’d return.After you leftI thought about your questionsWishing I hadn’t been so bluntWondering if I scared you away.After you leftI remembered how you felt in my arms.How you fit so perfectly there. Like my guitar.Wondering if I should have kissed you when I had the chance.After you leftI sat in my roomRemembering all the things you said, andWondering about all the things you didn’t.After you leftI sat in silence.Missing you in a way I didn’t quite understand.Wondering if you’d ever come back.
Darkness I find myself set upon a ship of fools and cast adrift.Adrift in sea of madness, steaming towards a storm of uncertainty. Overboard, swirling, twirling tumbling.Engulfed in madness. Shipwrecked, marooned. Washed upon a rock of hope. Darkness surrounds. Within the darkness madness laps upon a distant shore. Morning breaks and sun rises once more.Darkness retreats into the shadows. Golden rays of light cleanse the mind and soul. A new day dawns heralding sanity, and hopefor the human race once more.
THE CONSCIOUS HUMANYou are not just white,but a rainbow of colors.You are not just black,but golden.You are not just a nationality,but a citizen of the world.You are not just for the right or left,but for what is right over the wrong.You are not just rich or poor,but always wealthy in the mind and heart.You are not perfect, but flawed.You are flawed, but you are just.You may just be conscious human,but you are also a magnificentreflection of God.Suzy Kassem“The Conscious Human” Poetry by Suzy Kassem
Sing a song of suspense in which the players die.Four and twenty ravens in an Edgar Allan Pie.When the pie was broken, the ravens couldn't sing.Their throats had been sliced open by Stephen, the new King.The King was in his writing house, stifling a laughWhile his queen was in a tizzy of her bloody Lovecraft.When the dead maid got the garden for her rank as royal whore,King's shovel made it double and he married nevermore.
Once on a yellow piece of paper with green lines he wrote a poemAnd he called it "Chops" because that was the name of his dogAnd that's what it was all aboutAnd his teacher gave him an A and a gold starAnd his mother hung it on the kitchen door and read it to his auntsThat was the year Father Tracy took all the kids to the zooAnd he let them sing on the busAnd his little sister was born with tiny toenails and no hairAnd his mother and father kissed a lotAnd the girl around the corner sent him aValentine signed with a row of X's and he had to ask his father what the X's meantAnd his father always tucked him in bed at nightAnd was always there to do itOnce on a piece of white paper with blue lines he wrote a poemAnd he called it "Autumn" because that was the name of the seasonAnd that's what it was all aboutAnd his teacher gave him an A and asked him to write more clearlyAnd his mother never hung it on the kitchen door because of its new paintAnd the kids told him that Father Tracy smoked cigarsAnd left butts on the pewsAnd sometimes they would burn holesThat was the year his sister got glasses with thick lenses and black framesAnd the girl around the corner laughed when he asked her to go see Santa ClausAnd the kids told him why his mother and father kissed a lotAnd his father never tucked him in bed at nightAnd his father got mad when he cried for him to do it.Once on a paper torn from his notebook he wrote a poemAnd he called it "Innocence: A Question" because that was the question about his girlAnd that's what it was all aboutAnd his professor gave him an A and a strange steady lookAnd his mother never hung it on the kitchen door because he never showed herThat was the year that Father Tracy diedAnd he forgot how the end of the Apostle's Creed wentAnd he caught his sister making out on the back porchAnd his mother and father never kissed or even talkedAnd the girl around the corner wore too much makeupThat made him cough when he kissed her but he kissed her anyway because that was the thing to doAnd at three a.m. he tucked himself into bed his father snoring soundlyThat's why on the back of a brown paper bag he tried another poemAnd he called it "Absolutely Nothing"Because that's what it was really all aboutAnd he gave himself an A and a slash on each damned wristAnd he hung it on the bathroom door because this time he didn't think he could reach the kitchen.
Out of the huts of history's shameI riseUp from a past that's rooted in painI riseI'm a black ocean, leaping and wide,Welling and swelling I bear in the tide.Leaving behind nights of terror and fearI riseInto a daybreak that's wondrously clearI riseBringing the gifts that my ancestors gave,I am the dream and the hope of the slave.I riseI riseI rise.
A Woman's QuestionDo you know you have asked for the costliest thingEver made by the Hand above?A woman's heart, and a woman's life---And a woman's wonderful love.Do you know you have asked for this priceless thingAs a child might ask for a toy?Demanding what others have died to win,With a reckless dash of boy.You have written my lesson of duty out,Manlike, you have questioned me.Now stand at the bars of my woman's soulUntil I shall question thee.You require your mutton shall always be hot,Your socks and your shirt be whole;I require your heart be true as God's starsAnd as pure as His heaven your soul.You require a cook for your mutton and beef,I require a far greater thing;A seamstress you're wanting for socks and shirts---I look for a man and a king.A king for the beautiful realm called Home,And a man that his Maker, God,Shall look upon as He did on the firstAnd say: "It is very good."I am fair and young, but the rose may fadeFrom this soft young cheek one day;Will you love me then 'mid the falling leaves,As you did 'mong the blossoms of May?Is your heart an ocean so strong and true,I may launch my all on its tide?A loving woman finds heaven or hellOn the day she is made a bride.I require all things that are grand and true,All things that a man should be;If you give this all, I would stake my lifeTo be all you demand of me.If you cannot be this, a laundress and cookYou can hire and little to pay;But a woman's heart and a woman's lifeAre not to be won that way.
My child, I know you're not a childBut I still see you running wildBetween those flowering trees.Your sparkling dreams, your silver laughYour wishes to the stars above Are just my memories.And in your eyes the oceanAnd in your eyes the seaThe waters frozen overWith your longing to be free.Yesterday you'd awokenTo a world incredibly old.This is the age you are brokenOr turned into gold.You had to kill this child, I know.To break the arrows and the bowTo shed your skin and change.The trees are flowering no moreThere's blood upon the tiles floorThis place is dark and strange.I see you standing in the stormHolding the curse of youthEach of you with your storyEach of you with your truth.Some words will never be spokenSome stories will never be told.This is the age you are brokenOr turned into gold.I didn't say the world was good.I hoped by now you understoodWhy I could never lie.I didn't promise you a thing. Don't ask my wintervoice for springJust spread your wings and fly.Though in the hidden gardenDown by the green green laneThe plant of love grows next toThe tree of hate and pain.So take my tears as a token.They'll keep you warm in the cold.This is the age you are brokenOr turned into gold.You've lived too long among usTo leave without a traceYou've lived too short to understandA thing about this place.Some of you just sit there smokingAnd some are already sold. This is the age you are brokenOr turned into gold.This is the age you are broken or turned into gold.
A double-edged swordOne side destroysOne releasesI am your Gordian knotWill you release or destroy me?Follow truth and you shall:Find me on waterPurify me through fireTrapped by earth nevermoreAir will whisper to youWhat spirit already knows:That even shatteredanything is possibleIf you believeThen we shall both be free.
Please be SILENT and LISTEN.I am the SCHOOLMASTERand you are in the CLASSROOM.Just like ELEVEN PLUS TWO equalsTWELVE PLUS ONE,And even a FUNERAL can be REAL FUN,You will find my DICTIONARYis quite INDICATORY.If you want to read my story, just look...THEN UNREAD.
You sit at the edge of the world,I am in a crater that's no more.Words without lettersStanding in the shadow of the door.The moon shines down on a sleeping lizard,Little fish rain from the sky.Outside the window there are soldiers,steeling themselves to die.(Refrain)Kafka sits in a chair by the shore,Thinking for the pendulum that moves the world, it seems.When your heart is closed,The shadow of the unmoving Sphinx,Becomes a knife that pierces your dreams.The drowning girl's fingersSearch for the entrance stone, and more.Lifting the hem of her azure dress,She gazes --at Kafka on the shore
And it seems people should not build houses anymoreit seems people should stop working and sit in small rooms on second floorsunder electric lightswithout shades;it seems there is a lot to forgetand a lot not to doand in drugstores, markets, bars,the people are tired, they do not want to move, and I stand there at nightand look through this house and the house does not want to be built
But first, on earth as vampire sent,Thy corse shall from its tomb be rent,Then ghastly haunt thy native place,And suck the blood of all thy race.There from thy daughter, sister, wife,At midnight drain the stream of life,Yet loathe the banquet which perforceMust feed thy livid living corse.Thy victims ere they yet expireShall know the demon for their sire,As cursing thee, thou cursing them,Thy flowers are withered on the stem.
When the spent sun throws up its rays on cloudAnd goes down burning into the gulf below,No voice in nature is heard to cry aloudAt what has happened. Birds, at least must knowIt is the change to darkness in the sky.Murmuring something quiet in her breast,One bird begins to close a faded eye;Or overtaken too far from his nest,Hurrying low above the grove, some waifSwoops just in time to his remembered tree.At most he thinks or twitters softly, 'Safe!Now let the night be dark for all of me.Let the night be too dark for me to seeInto the future. Let what will be, be.
This poem is very longSo long, in fact, that your attention spanMay be stretched to its very limitsBut that’s okayIt’s what’s so special about poetrySee, poetry takes timeWe live in a timeCall it our culture or societyIt doesn’t matter to me cause neither one rhymesA time where most people don’t want to listenOur throats wait like matchsticks waiting to catch fireWaiting until we can speakNo patience to listenBut this poem is longIt’s so long, in fact, that during the time of this poemYou could’ve done any number of other wonderful thingsYou could’ve called your fatherCall your fatherYou could be writing a postcard right nowWrite a postcardWhen was the last time you wrote a postcard?You could be outsideYou’re probably not too far away from a sunrise or a sunsetWatch the sun riseMaybe you could’ve written your own poemA better poemYou could have played a tune or sung a songYou could have met your neighborAnd memorized their nameMemorize the name of your neighborYou could’ve drawn a picture(Or, at least, colored one in)You could’ve started a bookOr finished a prayerYou could’ve talked to GodPrayWhen was the last time you prayed?Really prayed?This is a long poemSo long, in fact, that you’ve already spent a minute with itWhen was the last time you hugged a friend for a minute?Or told them that you love them?Tell your friends you love them…no, I mean it, tell themSay, I love youSay, you make life worth livingBecause that, is what friends doOf all of the wonderful things that you could’ve doneDuring this very, very long poemYou could have connectedMaybe you are connectingMaybe we’re connectingSee, I believe that the only things that really matterIn the grand scheme of life are God and peopleAnd if people are made in the image of GodThen when you spend your time with peopleIt’s never wastedAnd in this very long poemI’m trying to let a poem do what a poem does:Make things simplerWe don’t need poems to make things more complicatedWe have each other for thatWe need poems to remind ourselves of the things that really matterTo take timeA long timeTo be alive for the sake of someone else for a single momentOr for many momentsCause we need each otherTo hold the hands of a broken personAll you have to do is meet a personShake their handLook in their eyesThey are youWe are all broken togetherBut these shattered pieces of our existence don’t have to be a messWe just have to care enough to hold our tongues sometimesTo sit and listen to a very long poemA story of a lifeThe joy of a friend and the grief of friendTo hold and be heldAnd be quietSo, prayWrite a postcardCall your parents and forgive them and then thank themTurn off the TVCreate art as best as you canShare as much as possible, especially moneyTell someone about a very long poem you once heardAnd how afterward it brought you to them
The whole idea of it makes me feellike I'm coming down with something,something worse than any stomach acheor the headaches I get from reading in bad light--a kind of measles of the spirit,a mumps of the psyche,a disfiguring chicken pox of the soul.You tell me it is too early to be looking back,but that is because you have forgottenthe perfect simplicity of being oneand the beautiful complexity introduced by two.But I can lie on my bed and remember every digit.At four I was an Arabian wizard.I could make myself invisibleby drinking a glass of milk a certain way.At seven I was a soldier, at nine a prince.But now I am mostly at the windowwatching the late afternoon light.Back then it never fell so solemnlyagainst the side of my tree house,and my bicycle never leaned against the garageas it does today,all the dark blue speed drained out of it.This is the beginning of sadness, I say to myself,as I walk through the universe in my sneakers.It is time to say good-bye to my imaginary friends,time to turn the first big number.It seems only yesterday I used to believethere was nothing under my skin but light.If you cut me I could shine.But now when I fall upon the sidewalks of life,I skin my knees. I bleed.
A BOAT beneath a sunny sky,Lingering onward dreamilyIn an evening of July —Children three that nestle near,Eager eye and willing ear,Pleased a simple tale to hear —Long has paled that sunny sky:Echoes fade and memories die:Autumn frosts have slain July.Still she haunts me, phantomwise,Alice moving under skiesNever seen by waking eyes.Children yet, the tale to hear,Eager eye and willing ear,Lovingly shall nestle near.In a Wonderland they lie,Dreaming as the days go by,Dreaming as the summers die:Ever drifting down the stream —Lingering in the golden gleam —Life, what is it but a dream?
Knock! knock!who's there?me!me who?that's right?what's right?meehoo!that's what I want to know!what's what you want to know?me who?yes, exactly!exactly what?yes, I have exactlywatt on a chain!exactly what on a chain?yes!yes what?no, exactlywatt!that's what I want to know!I told you-exactlywatt!exactly what?yes!yes what?yes it's with me.what's with you?exactlywatt-that's what with me.me who?yes!go away!knock knock...
Some say an army of horsemensome an army on footothers say ships laden for warare the fairest things on earth.But I say the fairest sighton this dark earthis the face of the one you love.Nor is it hard to understand:love has humbled the heartsof the proudest queens.And I would rather see you now stepping over my thresholdthan any soldier greaved in gold or any iron-beaked ship.
An Irish Airman foresees his DeathI Know that I shall meet my fate Somewhere among the clouds above; Those that I fight I do not hate Those that I guard I do not love, My country is Kiltartan Cross,My countrymen Kiltartan’s poor, No likely end could bring them loss Or leave them happier than before. Nor law, nor duty bade me fight, Nor public man, nor cheering crowds, A lonely impulse of delight Drove to this tumult in the clouds; I balanced all, brought all to mind, The years to come seemed waste of breath,A waste of breath the years behind In balance with this life, this death.
DAISIESIt is possible, I suppose that sometimewe will learn everythingthere is to learn: what the world is, for example,and what it means. I think this as I am crossingfrom one field to another, in summer, and themockingbird is mocking me, as one who eitherknows enough already or knows enough to beperfectly content not knowing. Song being bornof quest he knows this: he must turn silentwere he suddenly assaulted with answers. Insteadoh hear his wild, caustic, tender warbling ceaselesslyunanswered. At my feet the white-petalled daisies displaythe small suns of their center piece, their -- if you don'tmind my saying so -- their hearts. Of courseI could be wrong, perhaps their hearts are pale andnarrow and hidden in the roots. What do I know?But this: it is heaven itself to take what is given,to see what is plain; what the sun lights up willingly;for example -- I think thisas I reach down, not to pick but merely to touch --the suitability of the field for the daisies, and thedaisies for the field.
They're both convincedthat a sudden passion joined them.Such certainty is beautiful,but uncertainty is more beautiful still.Since they'd never met before, they're surethat there'd been nothing between them.But what's the word from the streets, staircases, hallways--perhaps they've passed by each other a million times?I want to ask themif they don't remember--a moment face to facein some revolving door?perhaps a "sorry" muttered in a crowd?a curt "wrong number" caught in the receiver?but I know the answer.No, they don't remember.They'd be amazed to hearthat Chance has been toying with themnow for years.Not quite ready yetto become their Destiny,it pushed them close, drove them apart,it barred their path,stifling a laugh,and then leaped aside.There were signs and signals,even if they couldn't read them yet.Perhaps three years agoor just last Tuesdaya certain leaf flutteredfrom one shoulder to another?Something was dropped and then picked up.Who knows, maybe the ball that vanishedinto childhood's thicket?There were doorknobs and doorbellswhere one touch had covered another beforehand.Suitcases checked and standing side by side.One night, perhaps, the same dream,grown hazy by morning.Every beginningis only a sequel, after all,and the book of eventsis always open halfway through.
How clear, how lovely bright,How beautiful to sight Those beams of morning play;How heaven laughs out with gleeWhere, like a bird set free,Up from the eastern sea Soars the delightful day.To-day I shall be strong,No more shall yield to wrong, Shall squander life no more;Days lost, I know not how,I shall retrieve them now;Now I shall keep the vow I never kept before.Ensanguining the skiesHow heavily it dies Into the west away;Past touch and sight and soundNot further to be found,How hopeless under ground Falls the remorseful day.
Yawn...I believe that I love sleepmuch more than anybody I’ve evermet.I have the ability to sleep for2 or 3 days andnights.I will go to bed at any givenmoment.I often confused my girlfriendsthis way—say it would be about onethirtyin the afternoon:“well, I’m going to bed now, I’mgoing to sleep…”most of them wouldn’t mind, theywould go to bed with methinking I was hinting forsexbut I would just turn my backand snore off.this, of course, could explainwhy so many of my girlfriendsleft me.as for doctors, they were neverany help:“listen, I have this desire togo to bed and sleep, almost allthe time.what is wrong withme?”“do you get enough exercise?”“yes…”“are you getting enoughnourishment?”“yes…”they always handed me aprescriptionwhich I threw awaybetween the office and theparking lot.it’s a curious maladybecause I can’t sleep between6 p.m. and midnight.it must occur aftermidnightand when I ariseit can never bebefore noon.and should the phone ringsay at 10:30 a.m.I go into a mad ragedon’t even ask who the callerisscream into thephone: “WHAT ARE YOUCALLING ME FOR AT THISHOUR!”hangup…every person, I suppose, hastheir eccentricitiesbut in an effort to benormalin the world’seyethey overcome themand thereforedestroy theirspecial calling.I’ve kept mineand do believe thatthey have lent generously tomy existence.I think it’s the main reason Idecided to become awriter: I can typeanytime andsleepwhen I damn wellplease.
To harden the earththe rocks took charge:instantlythey grew wings:the rocksthat soared:the survivorsflew upthe lightning bolt,screamed in the night,a watermark,a violet sword,a meteor.The succulentskyhad not only clouds,not only space smelling of oxygen,but an earthly stoneflashing here and therechanged into a dove,changed into a bell,into immensity, into a piercingwind:into a phosphorescent arrow,into salt of the sky.
One sister for sale,One sister for sale,One crying and spying young sister for saleI'm really not kidding so who'll start the biddingDo I hear a dollar?A nickle?A penny?Oh isnt there isnt there isnt there anyOne person who will buy this sister for saleThis crying spying old young sister for sale.
His brow is seamed with line and scar;His cheek is red and dark as wine;The fires as of a Northern starBeneath his cap of sable shine.His right hand, bared of leathern glove,Hangs open like an iron gin,You stoop to see his pulses move,To hear the blood sweep out and in.He looks some king, so solitaryIn earnest thought he seems to stand,As if across a lonely seaHe gazed impatient of the land.Out of the noisy centuriesThe foolish and the fearful fade;Yet burn unquenched these warrior eyes,Time hath not dimmed, nor death dismayed.
THE ONE WHO STAYEDYou should have heard the old men cry,You should have heard the biddiesWhen that sad stranger raised his fluteAnd piped away the kiddies.Katy, Tommy, Meg and BobFollowed, skipped gaily,Red-haired Ruth, my brother Rob,And little crippled Bailey,John and Nils and Cousin Claire,Dancin', spinnin', turnin','Cross the hills to God knows where-They never came returnin'.'Cross the hills to God knows whereThe piper pranced, a leadin'Each child in Hamlin Town but me,And I stayed home unheedin'.My papa says that I was blestFor if that music found me,I'd be witch-cast like all the rest.This town grows old around me.I cannot say I did not hearThat sound so haunting hollow-I heard, I heard, I heard it clear...I was afraid to follow.
THE POEMS OF OUR CLIMATEIClear water in a brilliant bowl, Pink and white carnations. The lightIn the room more like a snowy air, Reflecting snow. A newly-fallen snowAt the end of winter when afternoons return.Pink and white carnations - one desiresSo much more than that. The day itselfIs simplified: a bowl of white, Cold, a cold porcelain, low and round,With nothing more than the carnations there.IISay even that this complete simplicityStripped one of all one's torments, concealedThe evilly compounded, vital IAnd made it fresh in a world of white,A world of clear water, brilliant-edged,Still one would want more, one would need more,More than a world of white and snowy scents.IIIThere would still remain the never-resting mind,So that one would want to escape, come backTo what had been so long composed.The imperfect is our paradise.Note that, in this bitterness, delight,Since the imperfect is so hot in us,Lies in flawed words and stubborn sounds.
The little boy was looking for his voice.(The king of the crickets had it.)In a drop of waterthe little boy was looking for his voice.I do not want it for speaking with;I will make a ring of itso that he may wear my silenceon his little fingerIn a drop of waterthe little boy was looking for his voice.(The captive voice, far away,put on a cricket's clo
I have studied many timesThe marble which was chiseled for me—A boat with a furled sail at rest in a harbor.In truth it pictures not my destinationBut my life.For love was offered me and I shrank from its disillusionment;Sorrow knocked at my door, but I was afraid;Ambition called to me, but I dreaded the chances.Yet all the while I hungered for meaning in my life.And now I know that we must lift the sailAnd catch the winds of destinyWherever they drive the boat.To put meaning in one’s life may end in madness,But life without meaning is the tortureOf restlessness and vague desire—It is a boat longing for the sea and yet afraid.
the flesh covers the bone and they put a mind in there and sometimes a soul, and the women break vases against the walls and the men drink too much and nobody finds the one but keep looking crawling in and out of beds. flesh covers the bone and the flesh searches for more than flesh.
The Last LeafI saw him once before,As he passed by the door,And againThe pavement stones resound,As he totters o'er the groundWith his cane.They say that in his prime,Ere the pruning-knife of TimeCut him down,Not a better man was foundBy the Crier on his roundThrough the town.But now he walks the streets,And looks at all he meetsSad and wan,And he shakes his feeble head,That it seems as if he said,"They are gone."The mossy marbles restOn the lips that he has prestIn their bloom,And the names he loved to hearHave been carved for many a yearOn the tomb.My grandmamma has saidPoor old lady, she is deadLong agoThat he had a Roman nose,And his cheek was like a roseIn the snow;But now his nose is thin,And it rests upon his chinLike a staff,And a crook is in his back,And a melancholy crackIn his laugh.I know it is a sinFor me to sit and grinAt him here;But the old three-cornered hat,And the breeches, and all that,Are so queer!And if I should live to beThe last leaf upon the treeIn the spring,Let them smile, as I do now,At the old forsaken boughWhere I cling.
Just looking at themI grow greedy, as if they werefreshly baked loaveswaiting on their shelvesto be broken open--that oneand that--and I make my choicein a mood of exalted luck,browsing among themlike a cow in sweetest pasture.For life is continuousas long as they waitto be read--these inked pathsopening into the future, pageafter page, every bookits own receding horizon.And I hold them, one in each hand,a curious ballast weighing mehere to earth.
Fox-TrotBy the stream the fox and she-fox stoodNose to nose beneath the starsDancing the music of the woods.The deer rapped a beat with their hooves,The ravens sang from raven heartsAs by the stream the fox and she-fox stood.The great owl called as a great owl would,The squirrels all shimmied in the dark,Dancing the music of the woods.Then from the north a fierce wind blewAnd broke the starry dance apartBy the stream where the fox and she-fox stood.
Believe me, if all those endearing young charms,Which I gaze on so fondly to-day,Were to change by to-morrow, and fleet in my arms,Live fairy-gifts fading away,Thou wouldst still be adored, as this moment thou art,Let thy loveliness fade as it will,And around the dear ruin each wish of my heartWould entwine itself verdantly still.It is not while beauty and youth are thine own,And thy cheeks unprofaned by a tear,That the fervor and faith of a soul may be known,To which time will but make thee more dear!No, the heart that has truly loved never forgets,But as truly loves on to the close,As the sunflower turns on her god when he setsThe same look which she turned when he rose!
Mark but this flea, and mark in this, How little that which thou deniest me is; Me it sucked first, and now sucks thee, And in this flea our two bloods mingled be; Thou know’st that this cannot be said A sin, or shame, or loss of maidenhead, Yet this enjoys before it woo, And pampered swells with one blood made of two, And this, alas, is more than we would do. Oh stay, three lives in one flea spare, Where we almost, nay more than married are. This flea is you and I, and this Our mariage bed and mariage temple is; Though parents grudge, and you, we are met, And cloisterd in these living walls of jet. Though use make you apt to kill me, Let not to that, self-murder added be, And sacrilege, three sins in killing three. Cruel and sudden, hast thou since Purpled thy nail in blood of innocence? Wherein could this flea guilty be, Except in that drop which it sucked from thee? Yet thou triumph’st, and say'st that thou Find’st not thy self, nor me the weaker now; ’Tis true; then learn how false, fears be: Just so much honor, when thou yield’st to me, Will waste, as this flea’s death took life from thee.
Ah Sun-flower! weary of time,Who countest the steps of the Sun:Seeking after that sweet golden climeWhere the traveller's journey is done. Where the Youth pined away with desire,And the pale Virgin shrouded in snow: Arise from their graves and aspire, Where my Sun-flower wishes to go.
El remanso de airebajo la rama del eco.El remanso del aguabajo fronda de luceros.El remanso de tu bocabajo espesura de besos.*The still waters of the airunder the bough of the echo.The still waters of the waterunder a frond of stars.The still waters of your mouthunder a thicket of k
As a perfume doth remain In the folds where it hath lain, So the thought of you, remaining Deeply folded in my brain, Will not leave me; all things leave me -You remain. Other thoughts may come and go, Other moments I may know That shall waft me, in their going, As a breath blown to and fro, Fragrant memories; fragrant memories Come and go. Only thoughts of you remain In my heart where they have lain, Perfumed thoughts of you, remaining, A hid sweetness, in my brain. Others leave me; all things leave me -You remain.
Oh, a sleeping drunkard Up in Central Park, And a lion-hunter In the jungle dark, And a Chinese dentist,And a British queen--All fit togetherIn the same machine.Nice, nice, very nice;Nice, nice, very nice; Nice, nice, very nice--So many different peopleIn the same device.
Do I, then, belong to the heavens?Why, if not so, should the heavensFix me thus with their ceaseless blue stare,Luring me on, and my mind, higherEver higher, up into the sky,Drawing me ceaselessly upTo heights far, far above the human?Why, when balance has been strictly studiedAnd flight calculated with the best of reasonTill no aberrant element should, by rights, remain-Why, still, should the lust for ascensionSeem, in itself, so close to madness?Nothing is that can satify me;Earthly novelty is too soon dulled;I am drawn higher and higher, more unstable,Closer and closer to the sun's effulgence.Why do these rays of reason destroy me?Villages below and meandering streamsGrow tolerable as our distance grows.Why do they plead, approve, lure meWith promise that I may love the humanIf only it is seen, thus, from afar-Although the goal could never have been love, Nor, had it been, could I ever haveBelonged to the heavens?I have not envied the bird its freedomNor have I longed for the ease of Nature,Driven by naught save this strange yearningFor the higher, and the closer, to plunge myselfInto the deep sky's blue, so contraryTo all organic joys, so farFrom pleasures of superiority But higher, and higher,Dazzled, perhaps, by the dizzy incandescenceOf waxen wings.Or do I then Belong, after all, to the earth?Why, if not so, should the earthShow such swiftness to encompass my fall?Granting no space to think or feel,Why did the soft, indolent earth thusGreet me with the shock of steel plate?Did the soft earth thus turn to steelOnly to show me my own softness?That Nature might bring home to meThat to fall, not to fly, is in the order of things,More natural by far than that improbable passion?Is the blue of the sky then a dream?Was it devised by the earth, to which I belonged,On account of the fleeting, white-hot intoxicationAchieved for a moment by waxen wings?And did the heavens abet the plan to punish me?To punish me for not believing in myself Or for believing too much;Too earger to know where lay my allegianceOr vainly assuming that already I knew all;For wanting to fly offTo the unknownOr the known:Both of them a single, blue speck of an idea?
His gaze, bluntedby the unnumbered processionof iron bars, uncountedas his softly padded steps.Smooth motion of blood and sinewturning in its own, small circleprescribed by bars and walls...and skin, confined.Suddenly, without warning,a flash of light and imagepierces the caged brain,and passing through its beating heartto stillness finds its way.
The weight of the world is love. Under the burden of solitude, under the burden of dissatisfaction the weight, the weight we carry is love. Who can deny? In dreams it touches the body, in thought constructs a miracle, in imagination anguishes till born in human-- looks out of the heart burning with purity-- for the burden of life is love, but we carry the weight wearily, and so must rest in the arms of love at last, must rest in the arms of love. No rest without love, no sleep without dreams of love-- be mad or chill obsessed with angels or machines, the final wish is love --cannot be bitter, cannot deny, cannot withhold if denied: the weight is too heavy --must give for no return as thought is given in solitude in all the excellence of its excess. The warm bodies shine together in the darkness, the hand moves to the center of the flesh, the skin trembles in happiness and the soul comes joyful to the eye-- yes, yes, that's what I wanted, I always wanted, I always wanted, to return to the body where I was born.
No matter how right or how beautiful your path is, never try to impose your path on others! Remember that flowers by no means pull bees by force to their world! Your path is your poem; if people like your poem, they will fondly join you in your path!
Medicinal Spirit, Inside MirrorTherapy becomes a harmony, and that harmony is built on levels,No one knows how to upscale another, for it has to come from the inside grails,Striking inflicts at the mirror and hatred to the being of creator,Causes hate in mirror too and abused flesh to the author,Changes come from its prudence and rationalism liberation,Not its pardon,A mirror is but a substance of a conscious,But identity says "let me fly" when journeying from the subconscious to the conscious.
A dragon grows in leaps and bounds,Like troubles mounting by the pound.Its stature heightens day to day,Imposing dread and deep dismay.A paralyzing roar it gainsWhile from its snout hot fire rains.It sees you shrink. Your fear it knows.And by the hour the nightmare grows.Unless you slay the dragon soon,Your troubles may become your doom.
Today you are young.your beauty attract every manBut the day when you will feel older yourself when you will feel magic of body vanishOn that day time will remind you,that man who fall in love with your soulbut you will not find him,because you killed him in AllThe day when you will feel wrinkles on your skinand will understand,no one want to touch it,not soft any moreOn that day time will remind that manwho die for aroma of your skin,for him its always remain best fragrance But you will not find him, because you killed him by your ignoranceThe day you will feel,you are now not able to feed sex hungerand you will understand men around you but not with youOn that day time will remind you that manwho never hungry for your body,who just feed love and emotions to your soul and to your heartBut you will not find him,because,you killed him by put your betrayed knife in his heartmaybe it will not happen,maybe your life will full of lovemaybe you will never remember past.maybe you will forget AllBut on the day when you will die,and your loving people will bury youinside your grave,when you will realize,all that who loves you,all that with you spend days & nightsall that for whom you cooked you serve,all that whose bed you warmall that who impress by your beauty,all that who claim to love youthey all buried you here alone and gonein that your loneliness,time will remind you,that manwho just dream to lay with you inside your grave,who dream to bury together in one graveBut you will not find himThat day will realize you,whom you killedThat day will realize you,you killed a manwho don't wanted to be just partner of you life but to partner of your deathwho don't wanted to be just partner of your bed but to partner of your graveThen you will realize you betrayed killed,partner of your gravePartner Of Your Grave,
Death lurks in the shadows, just out of view. Now and then I see his reaching hand, uncertain of the blurry image that passes before my eyes, but conscious of the crippling influence of his touch. Some say Death rears an ugly head, so hideous a view the beholder can scarcely gasp their last breath. Others call him beautiful, a sweet relief to look upon. But these are rumors babbled by the unknowing. For Death is like the gorgon, Medusa, who when perceived, turns the body to stone. Those who know Death take the knowledge of his shadowed face with them to wherever it is he leads our dearly departed by the hand. All who are left behind must wait their turn to glance into the eyes of the one who will close our mouths forever.
What if dragons breathed bubbles and purred when they cuddled and giggled at chivalrous knights for their troubles?What if dragons felt soft, having scales made of cloth,and they moved rather slow like a brown-throated sloth?What if dragons were shyand did easily crywhen confronted by characters callous and sly?What if dragons did goodbut were misunderstoodso men mercilessly slew the beasts right where they stood?What if dragons aren’t missedbecause there is no listof extinct types of quarry that now don’t exist?
could not sleep last nightbed cover of unease distance kept me awake windy whispers in summer nightwas telling you were awake one corner to another rollinglike swimming in a competitionmy heart wanted to seeyou then n thenwe live ,we loveon same earth mostlyrare within a real another world don't allow usto sleep in side your ,or mine restful love©litymunshi
Even when the lights go out, even when someone says to me: "It's over---," even when from the stage a gray gust of emptiness drifts toward me,even when not one silent ancestor sits beside me anymore---not a woman, not even the boy with the brown squint-eye:I'll sit here anyway. One can always watch.
I will missmy chest explodingyou coming home latenot turning on the lightalways waking me upI will missthe sudden burst of safetywhen you look at meor hold my handor say something like”let’s go home”I will missthe years I loston something or someone.The pieces didn’t fit, shaped wrongthe timing slightly off.I loved you like I always will.
You Have Happened To MeLike the first blossom of the spring and the first drizzle of the rain, You have happened to me.With that sudden smile, very close to mine, You have happened to me.When I was at lowest aura, with tears on edge of my eyes, You have happened to me.When I have least expected, in that depth of our talks, out of my knowledge,You have happened to me.Somewhere in those loud laughs and gathering some smoky puffs, You have happened to me.Without the fear of world, got tied up with just one knurled,You have happened to me.In the most beautiful way I could ever imagine, while getting my self lagin, You have happened to me.I don’t know if that’s a blessing or a miracle then,How you have happened to me?I am still surprised with those shiny sparks in my eyes,You have happened to me.Talking about having the happy time, you became the reason of my smile,You have happened to me.In those long waits and running behind your fast steps,You have happened to me.Around your long advices, rolling my eyes while trying to believe in them,You have happened to me.The warmth of tea I have sipped next to you, melted my heart for you and You have happened to me.Over those answers of my every question, and the way my heart felt so freshen,You have happened to me,Somehow surrounded by our rational deliberation, and continuous feel of desperation,You have happened to me.Looking at you a many times a day and look! How it is changing the way in slow motion, You have happened to me.
My Lovely GrandsonYour lovely smile that warms my heartYour infectious laughter that brings me joyI fell in love in with your charming characterGrandma's little boyMay God protect you in every aspect of your lifeMay He give you wisdom in everything you doMay He bless you and keep youAll the days of your life.
Gloomy roomimmersed in a scentof modern cowardsfilled withshapeless creaturessitting in silencebecause they havenothing to sayFake plastic faceswith a grimaceof disappointmentpainted on themAre we stuck on holdexpecting our turnin a waiting roomof so-calledlost generation?
What do you think of when you think of mourning?' Jenny asks.The question snaps me back to attention. I answer without really thinking. "I guess 'Funeral Blues' by W.H. Auden. I think it was Auden. I suppose that's not very original.''I don't know it.''It's a poem.''I gathered.''I'm just clarifying. It's not a blues album.'Jenny ignores my swipe at her intelligence.'Does your response need to be original? Isn't that what poetry is for, for the poet to express something so personal that it ultimately is universal?'I shrug. Who is Jenny, even new Jenny, to say what poetry is for? Who am I for that matter?'Why do you thin of that poem in particular?'"Stop all the clocks, cut off the telephone, / Prevent the dog from barking with a juicy bone, / Silence the pianos and with muffled drum / Bring out the coffin, let the mourners come.' I learned the poem in college and it stuck.
And there you sit.My eyes burning a hole on the side of your face while the stars are being captured in your eyes from the prolonged, there's-plenty-of-time, full attention you're giving each one.And there you sit.And I'm wishing I could give you every ounce of what you give the stars.
Rise AgainOne goal goes by the waysideSome watch sneering arms foldedLaughing at you until the endUntil you have the last laughYou've courage you're no riffraffAnother will lend you a handYou're apparently not left for deadYou rise again and all is fineDefeat no matter how crushingThat seemingly final act they consingIs speckle of dust to you the leaningMajestic Tower of Pisa still standingHow dissapointed they must beThinking they have the master keyMore bogus then a midnight sunYet you stand on a solid foundationYour destiny is beyond what anyoneOr anything can give or take from youDangling hope strings attached rescueInstead rise and face the morning dewYou the sun reclaiming your denFrom the frost,beams of hope chasingYou are alone but alive againShining the sheen of your greenYou rise again free no one's lienYou are alive because you alaoneCan decide the meaning of the dustIf they had meaning to begin withKaleb Kilton (c) 2016
Which Are You?"There are two kinds of people on earth to-day;Just two kinds of people, no more, I say.Not the sinner and saint, for it's well understood,The good are half bad, and the bad are half good.Not the rich and the poor, for to rate a man's wealth,You must first know the state of his conscience and health.Not the humble and proud, for in life's little span,Who puts on vain airs, is not counted a man.Not the happy and sad, for the swift flying yearsBring each man his laughter and each man his tears.No; the two kinds of people on earth I mean,Are the people who lift, and the people who lean.Wherever you go, you will find the earth's masses,Are always divided in just these two classes.And oddly enough, you will find too, I ween,There's only one lifter to twenty who lean.In which class are you? Are you easing the load,Of overtaxed lifters, who toil down the road?Or are you a leaner, who lets others shareYour portion of labor, and worry and care?
Already the ripening barberries are redAnd the old asters hardly breathe in their beds.The man who is not rich now as summer goesWill wait and wait and never be himself.The man who cannot quietly close his eyescertain that there is vision after vision inside,simply waiting for nighttimeto rise all around him in darkness-it's all over for him, he's like an old man.Nothing else will come; no more days will openand everything that does happen will cheat him.Even you, my God. And you are like a stonethat draws him daily deeper into the depths.
LamiumMigraine dreams, jagged seams,A badge of love and pain.Or dreamy eyes, sleepy eyes,Drooping, closing, losing light.Packages scattered under the tree,Some torn open, some tied tight.Is there a heartbeat in those purple veins?Are those embryos or mouths or rosary beads?The color of my first dress, gathered with love,Fairy cups stirred with blades of grass,notes clustered on a windy score,Three blooms, three friends, alas!Grape flowers, cloud flowers, love flowers,Paper parasols upside down, a butterfly herdStopped to rest by a deep green pool.Petals small as a child's tears good-bye,Dropped stitches everywhereFrom a blanket the color of sky.
If grief could burn outLike a sunken coal,The heart would rest quiet, The unrent soulBe still as a veil; But I have watched all nightThe fire grow silent, The grey ash soft:And I stir the stubborn flintThe flames have left, And grief stirs, and the deftHeart lies impotent.
Safe DepositI thought that I could keep it−the light on the running tide,how your eyes give you awayno matter what you hide.I thought that I could hold it−the forest along the sand,your neck bones like pearlsunderneath my hand.But time's school has taught mehow petals brown and die.There's no saving pleasure.Don't try. Don't try.
Time present and time pastAre both perhaps present in time futureAnd time future contained in time past.If all time is eternally presentAll time is unredeemable.What might have been is an abstractionRemaining a perpetual possibilityOnly in a world of speculation.What might have been and what has beenPoint to one end, which is always present.
Do you want to see all the wrong things in our world?You sit right there.Then notice how many people move too fast about in life,they go blind over the miracle of being in the moment.Now, do you want to see all the right things?Well I can't honestly speak for others.But this is how it always works for me.I just sit right here.Right here. Beside you.Then silently,I notice how all the wrong things in my worldjust seem to start fallinginto their rightful places.Right here. Beside you.
Air of dustFor a moment I was a storm cloud,All righteous booming thunder;All sharp and pinning,Dazzling.Once the flashing fadedA sizzling prong sprang upwards.I was positively popped.The static situationStruck meNegatively, And I leaked out sulfur on the peopleWho dared hold up the sky.Strong storms are still bonelessAnd mostly all alone.
Sound.Noisethe air employs.Melodies sweet.Tweet, tweet, tweet.Soft. Loud.A roaring crowd.Cluck. Caw. Crow.Tet, tet. Tis, tis.Guttural growl.Harrowing howl.Drip, drip, drip.Tap, tap, tap.Moan and groan.Endless drone.Ding, dang, dong.A church bell song.Vibrations in my earto hear.Sound.
I wanted her presence... but her absence was the reply... i wanted peace... instead her anger she try... i wanted freedom... it was her tantrums I got always... i wanted love... but it was ignorance i was gifted... i wanted to hate... but it was care i offered instead... i wanted to leave... but stayed indeed...
You do know, right,that between the no-longer & the still-to-comeyou are being continuallytattooed, inkedwith the skulls ofeveryoneyou’ve ever loved—the you& the you& the you & the you—you don’tsit in a chair, thumbthrough a binder, pick adesign, it simplyhappens each time youbring your fingers to your faceto inhale him back into you . . .tiny skulls, some of us arecovered. You, love, couldsimply tattoo an opendoor, lightpouring in from somewhereoutside, youcould make your body a doorso it appears you(let her fill you) are madeof light.
I slay dragons at night while you sleep. I see by the way your face contorts how they exist in your dreams. Willing a magic sword, I plunge into your deepest nightmares and swing at the beasts with all my might, dodging flames exhaled by monsters that would eat me alive to go on torturing the fair one I love. I see your face relax, eyes still drowsily closed, when the mighty dragon is slain. It may be that my fingers rub soft circles on your forehead as I imagine my brave fight as a knight reclaiming your dreams. You smile under the spell of my touch, and I am rewarded. And so, my love, as I await the dawn, I stand ready to slay dragons while you sleep.
Journeying over many seas & through many countries I came dear brother to this pitiful leave-taking The last gestures by your gravesideThe futility of words over your quiet ashes.Life cleft us from each other Pointlessly depriving brother of brotherAccept then, our parents' customThese offerings, this leave-takingEchoing forever, brother, through a brother's tears
JESUS Woke up in a white veilThe fog sets the silence in my handsI think back to my thoughtsAbout the peopleI'm thinkingWith increasing pain in my headPeople who have condemned meDark hourinthe hoursAnd I would now complain quietlyBut there is no furyAnd there is no sadnessThe time has melted away like water in the seaTearsofthe womenThey are covered with cloudsLet my heart bleed to deathAmong the thornsatlastThere is no sun in the zenith
And it was at that age ... Poetry arrived in search of me. I don't know, I don't know where it came from, from winter or a river. I don't know how or when, no they were not voices, they were not words, nor silence, but from a street I was summoned, from the branches of night, abruptly from the others, among violent fires or returning alone, there I was without a face and it touched me.
You are a cool cemetery.You have the sinner’s graveYou have the saint’s earthcollidingYou have all the bedsnarrow as a knife;as if a rally of tombstones to defend death.But you can’t really postponethe inauguration of my burial,can you?From the poem - Few Words to Cemetery
People who are buried leaveBehind their memories.People feel sad for them andWorry, but for the living man,They are never sorry.This person, who is the sufferer,Will never be able to withstand,The chances snatched from him,He thinks, “Am I under a ban?”So he dies, and the world isForever in debtFor the man who facedDeath before his death.
And what I said was I’ll miss you, What I meant to say was that I love you, What I wanted to say was that I meant what I said I miss you like I miss my own bedafter too many nights of sleeping on couchesor hardwood floors Or sitting silently behind the doors Of hotel rooms became wounds Breathing life in to this loneliness I miss youLike a burn victim must miss their own skinI miss you like a sad ending Must miss someplace new to beginBecause some say that the highway becomes a flat line if you travel it for too longI can’t tell if that’s true or false, But I’m racing down it towards you trying to find myPulse.
Wadsworth MoorWhere the millstone of skyGrinds light and shadow so purple-fineAnd has ground it so longGrinding the skin off the earthEarth bleeds her raw true darknessA land naked now as a woundThat the sun swabs and dabsWhere the miles of agony are numbnessAnd harebell and heather a euphoria
I do not attachany exaggerated importance to my poetical works. Life isthere to be lived rather than to be written about. My aimis to search out the manifold experience that it offers,wringing from each moment what of emotion it presents.I look upon my writing as a graceful accomplishmentwhich does not absorb but rather adds pleasure toexistence. And as for posterity—damn posterity.
Queen and huntress, chaste and fair,Now the sun is laid to sleep,Seated in thy silver chair,State in wonted manner keep:Hesperus entreats thy light,Goddess excellently bright.Earth, let not thy envious shadeDare itself to interpose,Cynthia's shining orb was madeHeaven to clear when day did close:Bless us then with wished sight,Goddess excellently bright.Lay thy bow of pearl apart,And thy crystal-shining quiver,Give unto the flying hartSpace to breath, how short soever:Thou that mak'st a day of night-Goddess excellently bright.
I am looking at this shiny star tonight,Wishing wishes could come true...I wonder if by any chance,He sees the same star too!!The overwhelming darkness tickles the lonely heart tonight,I wonder if he sees the star I am watching,May be he would stand within its light!There are many miles between us,but still our souls can meet...At this point when we look at this star together,May be our hearts could find their beat!Don't you feel the need for someone to come,Into your life...I am wishing for the same thing,As I watch this star tonight!This gentle light on my face,Cheers and comforts and holds me tight...I wonder if by some chance, I find you holding me with love and sitting by my side!But this remains a wish as he is still unseen and unknown,I wonder who he might be, to whom I would be prone!A hopeless or born romantic,Everyone is searching for true love,Wishing wishes in the darkness,To this magical star that hangs above!
The age old question, what is Love?Isn't it the greatest gift from the holy one Above?Is it pure and white like a new born Dove?Does it cuddle you up,Like a hand in a Glove?Answer this hard question that what is LOVE??the force that propels you ,through pain and despair,the benevolence,the blessings,from the heavens above, the ray of sunshine that pierces the clouds, a perennial hope, that's what is love;Its the glimmer of light at the end of the tunnel,Its the mirth that ends melancholy's reign, A fountain of glee,the elixir of life,Its the drug that heals,and cures all the pain; Its an eternal promise, never meant to be broken,Its the bond that adheres two hearts together, People may die and their stories may end,But their love is immortal,it lives on forever; Its the river that cuts through boulders and rocks,and the stream that flows through our barren lives,And on its long course,it leaves behind a trail Of vivid fragrant flowers,and clear blue skies; Love is felt by the heart,relished by the soul,Blissful like the divine touch of the Gods, I yearn for more ballads and more metaphors,But i fall short of verses, can't bind love in words.
At childhood’s end, the houses petered outinto playing fields, the factory, allotmentskept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big earshe had! What big eyes he had! What teeth!In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry.The wolf, I knew, would lead me deep into the woods,away from home, to a dark tangled thorny placelit by the eyes of owls. I crawled in his wake,my stockings ripped to shreds, scraps of red from my blazersnagged on twig and branch, murder clues. I lost both shoesbut got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem.I clung till dawn to his thrashing fur, forwhat little girl doesn’t dearly love a wolf?Then I slid from between his heavy matted pawsand went in search of a living bird – white dove –which flew, straight, from my hands to his hope mouth.One bite, dead. How nice, breakfast in bed, he said,licking his chops. As soon as he slept, I crept to the backof the lair, where a whole wall was crimson, gold, aglow with books.Words, words were truly alive on the tongue, in the head,warm, beating, frantic, winged; music and blood.But then I was young – and it took ten years in the woods to tell that a mushroomstoppers the mouth of a buried corpse, that birdsare the uttered thought of trees, that a greying wolfhowls the same old song at the moon, year in, year out,season after season, same rhyme, same reason. I took an axeto a willow to see how it wept. I took an axe to a salmonto see how it leapt. I took an axe to the wolfas he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones.I filled his old belly with stones. I stitched him up.Out of the forest I come with my flowers, singing, all
To the Bullock RoserootWhat's the thought you thinkall your life long?It must be a great one,a solemn one, to make you gazethrough the world at it,all your life long.When you have to look aside from ityour eyes roll, you bellowin anger, anxiousto return to it, steadilyto gaze at it, think itall your life long.
imagine the desertmothers, with hair tangledtighter than their theologyand breasts that flowed milkand mystic wisdom. theyknew how to draw the singingsigils in the sand, how to digrough and bitten fingersinto desiccated dirt for waterto wet the lips of their young.women of hips and heft, wholearned how to burnbeneath the wild and searingsun, who made loud loveagainst the star-flecked threatof night, who knew that strengthis not always a matter of muscle.imagine your ancestresses,the prophetesses of the aridlands, before these starchedtraditions and pews too hardto pray from, who bled trueritual and birthed their own fiercesouls at creation's crowning --
Abba Father! Your love for me is transparent no hidden agenda, no ulterior motives because You are the Holy God. And the only thing abides us is the covenant of your love that will never be broken. In times of need I call unto You and You answer. When I feel alone you always beside me with Your loving and caring touch.
I'm not your blue-eyed Czech,I'm just a brown-eyed girl, A little mix of rock your world,And now you'll never be the same. You grabbed me by the hand,I grabbed you by the neck. I changed the game, and your convictions.So is it criminal to steal a heart or two?I keep them on the shelf, Like only hunters do. I like it hardI like you highI love your mouthWhen it's on mine.I wanna hear you make that sound, Cause it's the greatest thing around. Take it off now,Take from here.Watch your head spin When I come near,And you will lose every time,Cause I won't stop until your mine.And they say who the hell is she?They either love me or they hate me. But still they never look away,This vixen's gonna give you everything.
How can you say you love mewhen you’ve never seen me cry?when you’ve never heard the pieces that keep breaking up insideOr when the sky is dark and I’m restless in my bed will you be the one to whisper that the sun will rise ahead?You’ve never seen the battle scarsthat lay across my skin the price I paid for love, and a joy that grew withinSometimes the weight I carry isn't always feather light will you pick it up and stand up straight, brave against the fight?There's always room for fun and laughs and a beauty to keep warm but I'd never sail away with you if you can’t survive the storm.
Everything is temporary, almost like a passing fase, some of laughter Some of pain. What we would do, If we had the chance to explore What we had taken for Granted the very day before, Some would say I'm selfish, To hold a little sadness in my eyes, But they don't feel the sorrow When I can't do, all that helps me feel alive. I can express my emotions, but I can't run wild and free, My mind and soul would handle it but hell upon my hip, ankle and knees, This disorder came about,as a friendship said its last goodbyes, Soooo this is what I got given for all the years I stood by? I finally stand still to question it, life it is in fact? What the fuck is the purpose of it all if you get stabbed in the back? And after the anger fills the air, the regret takes it places, I never wanted to be that girl, Horrid, sad and faded... So I took with a grain of salt, my new found reality, I am not of my pain,the disability doesnt define me. I find away to adjust, also with the absence of my friend,I trust the choices I make, allow my heart to mend. I pick up the piecesI retrain my leg, I find where I left off And I start all over again, You see what happens... When a warrior gets tested; They grow from the ashes Powerful and invested. So I thank all this heartache,As I put it to a rest, I move forward with my life And I'll build a damn good nest.
They were full of mysteries and secrets, like... like poems turned into landscapes.""'Poems turned into landscapes.'" he murmured with a slight smile. "And what of Vestenveld's gardens? Do you see poems in them?""Your gardens are like your country's poetry. Very frilly and organized.
We all wear masksto veil the truth.Truth is nakedness.Truth is fear.Truth is the gardener making you sit on his lapasking you tolight his cigarette.Truth is father— with a limp cigarette on his lips —telling you to never use his matches to light it for him.Truth is father yelling:"It is not nice for little girls to do so”.Truth is a curious girlwanting to ignite a matchlike a woman.Truth is the maid watching from the kitchen,knowing.But knowing isn’t truth.Truth is the maid calling:Come. Come.Truth is the gardener understanding. But understanding isn’t truth.Truth is the maid saying,"Stay away!"Truth is a girl thinking she is in control.That nothing happened, nothing bad.But the truest truthis a girl knowing, a girl understanding thaton that daysomeone stole a little piece of her truth.
A poem is a place where the conditions of beyondness and withinness are made palpable, where to imagine is to feel what it is like to be. It allows us to have the life we are denied because we are too busy living. Even more paradoxically, a poem permits us to live in ourselves as if we were just out of reach of ourselves.
Arrive before your Husband. Not that I canSee quite what good arriving first will do;But still arrive before him. When he's takenHis place upon the couch and you go tooTo sit beside him, on your best behaviorStealthily touch my foot, and look at me,Watching my nods, my eyes, my face's language;Catch and return my signals secretly.I'll send a wordless message with my eyebrows;You'll read my fingers' words, words traced in wine.When you recall our games of love together,Your finger on rosy cheeks must trace a line.If in your silent thoughts you wish to chide me,Let your hand hold the lobe of your soft ear;When, darling, what I do or say gives pleasure,Keep turning to an fro the ring you wear.When you wish well-earned curses on your husband,Lay your hand on the table, as in prayer.If he pours you wine, watch out, tell him to drink it;Ask for what you want from the waiter there.I shall take next the glass you hand the waiterAnd I'll drink from the place you took your sips;If he should offer anything he's tasted,Refuse whatever food has touch his lips.Don't let him plant his arms upon your shoulders,Don't let him rest your gentle head on his hard chest,Don't let your dress, your breasts, admit his fingers,And--most of all--no kisses to be pressed!You kiss--and I'll reveal myself your lover;I'll say 'they're mine'; my legal claim I'll stake.All this, of course I'll see, But what's well hiddenunder your dress--blind terror makes me quake.
Fire burns blue and hot.Its fair light blinds me not.Smell of smoke is satisfying, tastes nourishing to my tongue.I think fire ageless, never old, and yet no longer young.Morning coals are cool: daylight leaves me blind.I love the fire most because of what it leaves behind.
Maple. MaypoleCatch and carry.Ash and Ember.Elderberry.Woolen. Woman.Moon at night.Willow. Window.Candlelight.Fallow farrow.Ash and oak.Bide and borrow.Chimney smoke.Barrel. Barley.Stone and stave.Wind and water.Misbehave.Maple. MaypoleCatch and carry.Ash and Ember.Elderberry.Woolen. Woman.Moon at night.Willow. Window.Candlelight.Fallow farrow.Ash and oak.Bide and borrow.Chimney smoke.Barrel. Barley.Stone and stave.Wind and water.Misbehave.
I put my faith in something unknown, beyond the moon, sun, and stars, one day I will own. I put my faith in something, renew. Beyond the rivers, deserts, mountains and valleys.One day it shall become new. I cannot renounce the struggle But yes, it’s what this destiny holds The pain is worst. My heart is whole and will not burst.I live on sweet nothing.I am tired of hope, when this dream is not in the scope. I told the pope, he told me to hold on to life and use the rope.I put my faith in you, this is too good to be true.
Rare and powerful harmonies exist,Shaping both scent and contour in a flower.Thus brilliance lies unseen by us until,Beneath the chisel, it blazes in the diamond.And thus do images of fleeting vision,Drifting above like cloud-forms in the sky,Once turned to stone live on from age to age,Held always in a faultless, polished phrase.("A Sonnet To Form")
The ProdigalDark morning rainMeant to fallOn a prison and a schoolyard,Falling meanwhileOn my mother and her old dog.How slow she shuffles nowIn my father’s Sunday shoes.The dog by her sideTrembling with each stepAs he tries to keep up.I am on another corner waitingWith my head shaved.My mind hops like a sparrowIn the rain.I’m always watching and worrying about her.Everything is a magic ritual,A secret cinema,The way she appears in a window hours laterTo set the empty bowlAnd spoon on the table,And then exitsSo that the day may pass,And the night may fallInto the empty bowl,Empty room, empty house,While the rain keepsKnocking at the front door.
(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case)You can “CATCH THE RAINBOW” –“A RAINBOW IN THE DARK”Through “ROCK & ROLL CHILDREN”“HOLY DIVER” will lurk“BEFORE THE FALL” of “ELECTRA”“ALL THE FOOLS SAILED AWAY”“JESUS,MARY AND THE HOLY GHOST”-“LORD OF THE LAST DAY”“MASTER OF THE MOON” you areWhen my “ONE FOOT IN THE GRAVE”With our “BLACK”, “COLD FEET”,“MYSTERY” of “PAIN” you craveYou’re “CAUGHT IN THE MIDDLE”,“BETWEEN TWO HEARTS”When “HUNGRY FOR HEAVEN”“HUNTER OF THE HEART” hurts“FALLEN ANGELS” “FEED MY HEART”“FEVER DREAMS” “FEED MY HEAD”“I AM” “ANOTHER LIE”“AFTER ALL (THE DEAD)”Not “GUILTY” if you “HIDE IN THE RAINBOW’’With your perfect “GUITAR SOLO”“DON’T TELL THE KIDS” to “DREAM EVIL”Don’t “GIVE HER THE GUN” to follow“DON’T TALK TO STRANGERS”Those “EVIL EYES” can see“LORD OF THE NIGHT” “MISTREATED”;“MY EYES” hate to fancy“SHAME ON THE NIGHT” “TURN UP THE NIGHT”Now it’s “TIME TO BURN”“TWISTED” “VOODOO” does “WALK ON WATER”And today its our turn“BLOOD FROM A STONE” “BORN ON THE SUN”I’m “BETTER IN THE DARK” “BREATHLESS”The “PRISONER OF PARADISE” you are!Forever you are deathless“SACRED HEART” “SHIVERS”Laying “NAKED IN THE RAIN”“THIS IS YOUR LIFE”- “ WILD ONE”!Your “GOLDEN RULES” we gain“IN DREAMS” “I SPEED AT NIGHT”I’m “LOSING MY INSANITY”“ANOTHER LIE”: “COMPUTER GOD”Your “HEAVEN AND HELL”- my vanity!By “KILLING THE DRAGON”“I COULD HAVE BEEN A DREAMER”I’m “THE LAST IN LINE” To “SCREAM”Like an “INVISIBLE” screamerNow that you are gone“THE END OF THE WORLD” is here“STRAIGHT THROUGH THE HEART”“PUSH” “JUST ANOTHER DAY” in fear“CHILDREN OF THE SEA” “ DYING IN AMERICA”Is it “DEATH BY LOVE”?“FACES IN THE WINDOW” looking forA “GYPSY” from aboveDear “STARGAZER” from “STRANGE HIGHWAYS”Our love “HERE’S TO YOU”“WE ROCK” “ONE MORE FOR THE ROAD”The “OTHER WORLD” anew“ONE NIGHT IN THE CITY” with “NEON KNIGHTS”“THE EYES” “STAY OUT OF MY MIND”The “STARSTRUCK” “SUNSET SUPERMAN”Is what we long to find“THE MAN WHO WOULD BE KING”Is the “INSTITUTIONAL MAN”“SHOOT SHOOT” to “TURN TO STONE”“WHEN A WOMAN CRIES” to planTo “STAND UP AND SHOUT”before “ THE KING OF ROCK AND ROLL”Though “GOD HATES HEAVY METAL”“EAT YOUR HEART OUT” to reach the goal.From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)
I have seen the face of sorrowShe looks away in the distanceAcross all these bridgesFrom whence I cameAnd those spans, trussed and archedHold up our lives as we go back againTo how we thought thenTo how we thought we thought thenI have seen sorrow's face,But she is ever turned awayAnd her words leave me blindHer eyes make me muteI do not understand what she says to meI do not know if to obeyOr attempt a flood of tearsI have seen her faceShe does not speakShe does not weepShe does not know meFor I am but a stone fitted in placeOn the bridge where she walksLay of the BridgeburnersToc the Younger
i bring my kiasu friend to the airportleavings are never easy, not for longand though we both saw blur along the waymemories flooded present tensions.in the curry of his life no lemak remainedso now the predictable exit signalledthe end of his roundings, his bombings–he can bluff like hell, ma, he got style–and left me thinking about home, my kampong.
How Beautiful is the rain!After the dust and heat,In the broad and fiery street,In the narrow lane,How beautiful is the rain!How it clatters along the roofs,Like the tramp of hoofs!How it gushes and struggles outFrom the throat of the overflowing spout!Across the window-paneIt pours and pours;And swift and wide,With a muddy tide,Like a river down the gutter roarsThe rain, the welcome rain!-"Rain in Summer
She didn't do anything at allexcept arrived without warningin the middle of the night(right when I least expected it)She walked by me, with a strut in her stepsmelling like summercausing me to turn my head(even the leaves swayed her way)All she did was look at mewith bright, curious eyesfilled with mirth and secrets(as if an adventure was about to happen)I tried not to think of her at allnot the curves of her bodyor the stories that she told(you knew there'd never be dull conversations)By then, I couldn't walk awayI got caught up in her stormwithout a care in the world(I was a very good swimmer)She was a hurricane who created her own sunshine.
If an eagle gives you a feather, keep it safe.Remember: that giants sleep too soundly; thatwitches are often betrayed by their appetites;dragons have one soft spot, somewhere, always;hearts can be well-hidden,and you betray them with your tongue.Do not be jealous of your sister.Know that diamonds and rosesare as uncomfortable when they tumble from one's lips as toads and frogs:colder, too, and sharper, and they cut.Remember your name.Do not lose hope -- what you seek will be found.Trust ghosts. Trust those that you have helped to help you in their turn.Trust dreams.Trust your heart, and trust your story.When you come back, return the way you came.Favors will be returned, debts be repaid.Do not forget your manners.Do not look back.Ride the wise eagle (you shall not fall).Ride the silver fish (you will not drown).Ride the grey wolf (hold tightly to his fur).There is a worm at the heart of the tower; that is why it will not stand.When you reach the little house, the place your journey started,you will recognize it, although it will seem much smaller than you remember.Walk up the path, and through the garden gate you never saw before but once.And then go home. Or make a home.Or rest.
The words of the true poems give you more than poems, they give you to form for yourself poems, religions, politics, war, peace, behavior, histories, essays, daily life, & everything else, they balance the ranks, colors, races, creeds, and the sexes, they do not seek beauty, they are sought, forever touching them or close upon them follows beauty, longing, fain, love-sick. They prepare for death, yet they are not the finish, but rather the outset, they bring none of his or her terminus or to be content & full, whom they take they take into space to behold the birth of the stars, to learn one of the meanings, to launch off with absolute faith, to sweep through the ceaseless rings & never be quiet again.
The Garden Under Snow "Now the garden is under snow a blank page our footprints write onclare who was never minebut always belonged to herselfSleeping Beautya crystalline blanketthis is her springthis is her sleeping/awakeningshe is waitingeverything is waitingthe improbable shapes of rootsmy babyher facea garden, waiting.
A demon seduced an angel in the middle of the nightand they gave the stars a glimpse.There was nothing casual about it, it was tender skin and battle scars breathless passion under storm clouds a rapid river stream mirroring the moon light. Until one day, he left her with nothing, just a bruised heart and carved memories iridescent wings chipped on the edges heat under her skin, like an ember burning low.I asked her, "What do you do after a love like that?"She laughed.And madness danced behind her eyes.But she flew so high the world was jealous.
LITTLE STAR BIG UNIVERSE I love everyone-And everything.The ocean,The sky,The other planets,The people here,The people there.I love to smile,To run and play,I love to work hard,And create everyday.I love to rest,When the long day's through,But most of all,l love thinking of you.
Looking from outside into an open window one never sees as much as when one looks through a closed window. There is nothing more profound, more mysterious, more pregnant, more insidious, more dazzling than a window lighted by a single candle. What one can see out in the sunlight is always less interesting than what goes on behind a windowpane. In that black or luminous square life lives, life dreams, life suffers.
THE MOON was but a chin of gold A night or two ago, And now she turns her perfect face Upon the world below. Her forehead is of amplest blond; Her cheek like beryl stone; Her eye unto the summer dew The likest I have known. Her lips of amber never part; But what must be the smileUpon her friend she could bestow Were such her silver will! And what a privilege to be But the remotest star! For certainly her way might pass Beside your twinkling door. Her bonnet is the firmament, The universe her shoe, The stars the trinkets at her belt, Her dimities of blue.
The Law of the Jungle NOW this is the Law of the Jungle — as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die. As the creeper that girdles the tree-trunk the Law runneth forward and back —For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack. Wash daily from nose-tip to tail-tip; drink deeply, but never too deep; And remember the night is for hunting, and forget not the day is for sleep. The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown, Remember the Wolf is a Hunter — go forth and get food of thine own. Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear. And trouble not Hathi the Silent, and mock not the Boar in his lair. When Pack meets with Pack in the Jungle, and neither will go from the trail, Lie down till the leaders have spoken — it may be fair words shall prevail. When ye fight with a Wolf of the Pack, ye must fight him alone and afar, Lest others take part in the quarrel, and the Pack be diminished by war. The Lair of the Wolf is his refuge, and where he has made him his home, Not even the Head Wolf may enter, not even the Council may come. The Lair of the Wolf is his refuge, but where he has digged it too plain, The Council shall send him a message, and so he shall change it again. If ye kill before midnight, be silent, and wake not the woods with your bay, Lest ye frighten the deer from the crop, and your brothers go empty away. Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can; But kill not for pleasure of killing, and seven times never kill Man! If ye plunder his Kill from a weaker, devour not all in thy pride; Pack-Right is the right of the meanest; so leave him the head and the hide. The Kill of the Pack is the meat of the Pack. Ye must eat where it lies; And no one may carry away of that meat to his lair, or he dies. The Kill of the Wolf is the meat of the Wolf. He may do what he will; But, till he has given permission, the Pack may not eat of that Kill. Cub-Right is the right of the Yearling. From all of his Pack he may claim Full-gorge when the killer has eaten; and none may refuse him the same. Lair-Right is the right of the Mother. From all of her year she may claim One haunch of each kill for her litter, and none may deny her the same. Cave-Right is the right of the Father — to hunt by himself for his own: He is freed of all calls to the Pack; he is judged by the Council alone. Because of his age and his cunning, because of his gripe and his paw, In all that the Law leaveth open, the word of your Head Wolf is Law.Now these are the Laws of the Jungle, and many and mighty are they;But the head and the hoof of the Law and the haunch and the hump is — Obey!
LIFE ON ITS EDGE''What the title reflects?It says about life's edge''Edge, where life has nothing,nothing to achieve.But wait is there,that it will gonna over in this believe''No power, no strength but there's just weakness,All attempts get fail and everything goes mess.''Power gets off even needed speckles for eye sight.No teeth are there, taste of buds even goes light''Shivering body, noddy head and even shivering hands,Preparing to settle at new but unknown land''No sound, silent life, people behave them rude,Hey youngsters, their lives are on edge and To be Continued! '-Samar Sudha
NowNow is the time…Now is the time – Make a changeNow is the time – All is strangeNow is the time – Start life anewNow is the time – Cannot stewHeartbreak, loss, pain, and challenges paleNow is the time – Sharp as a nailNow is the time – Take a chanceNow is the time – Sing and danceNow is the time – Make a changeNow is the time – engageNow is the time…
And now it is said of meThat my love is nothing because I have borne no children, Or because I have fathered none;That I twisted the twig in my handsAnd cut the blossom free too soon from the seed;That I lay across the fire,And snuffed it dead sooner than draft or rain.But I have turned away, and drawn myself Upright to walk along the room alone. Across the dark the spines of cactus plants Remind me how I go—aloof, obscure, Indifferent to the words the children chalk Against my house and down the garden walls. They cannot tear the garden out of me,Nor smear my love with names. Love is a cliff, A clear, cold curve of stone, mottled by stars, smirched by the morning, carved by the dark sea Till stars and dawn and waves can slash no more, Till the rock’s heart is found and shaped again.I keep the house and say no words, the evening Falls like a petal down the shawl of trees. I light the fire and see the blossom dance On air alone; I will not douse that flame, That searing flower; I will burn in it.I will not banish love to empty rain.For I know that I am asked to hate myself For their sweet sakeWho sow the world with child.I am given to burn on the dark fire they make With their sly voices.But I have burned already down to bone. There is a fire that burns beyond the namesOf sludge and filth of which this world is made. Agony sears the dark flesh of the body,And lifts me higher than the smoke, to rise Above the earth, above the sacrifice;Until my soul flares outward like a blue Blossom of gas fire dancing in mid-air:Free of the body’s work of twisted iron.
I will always know the glory of the beautiful and rare, as they will know security from labour and prayer. As they will hear the laughter of the children they gave life, I will know the torments of the song born under knife.And to their girls, they will give,while with their sons they'll share;where I will bear a song—a son! The wife of despair.
After the fierce midsummer all ablaze Has burned itself to ashes, and expires In the intensity of its own fires,There come the mellow, mild, St. Martin daysCrowned with the calm of peace, but sad with haze. So after Love has led us, till he tires Of his own throes, and torments, and desires,Comes large-eyed friendship: with a restful gaze,He beckons us to follow, and across Cool verdant vales we wander free from care. Is it a touch of frost lies in the air?Why are we haunted with a sense of loss?We do not wish the pain back, or the heat;And yet, and yet, these days are incomplete
In trials of ir'n and silver fain“The dead will rise and walk again“The blesséd few that touch the light“Will aid the war against the night.“But one by one they all will die“Without a cause to rule them by“As Darkness spreads across the land“He'll wield the oceans in his hand.“Five warriors will oppose his reign“And overthrow the Shadow Thane“They come from sides both dark and light“The realm the mortals call “twilight.”“A magus crowned with boughs of fire“Will rise like Phoenix from his pyre“A beast of shadows touched with sight“Will claim a Dark One as her knight“The next, a prophet doomed to fail“Will find her powers to avail“The final: one mere mortal man“Who bears the mark upon his hand“The circle closes round these few“Made sacred by the bonds they hew“But if one fails then so shall all“Bring death to those of Evenfall.
At sunset, on the river ban, KrishnaLoved her for the last time and left. . .That night in her husband's arms, Radha feltSo dead that he asked, What is wrong,Do you mind my kisses, love? And she said,Not not at all, but thought, What is It to the corpse if the maggots nip?
The Waterfall and the Sea""Her love and passion are a waterfall, fed from the wellspring of her heart,gently tumbling into a pool, preparing herself to share her gifts.His passion and love are like the sea, deep and wide, waiting mysteriously,Patiently he awaits her, calling out through time and spaceShe hears his call, her pool overflowing.Her love and passion gushing over her banks she rushes toward himWinding and twisting she finds her way, destined to reach his shoresHe awaits her arrival as she opens her delta and his tide comes inTheir waters mingle every molecule of her river with his seaForever mixing and sharing their passion and love in that place betweenThe Waterfall and the Sea
The dead do not needaspirin orsorrow,I suppose.but they might needrain.not shoesbut a place towalk.not cigarettes,they tell us,but a place to burn.or we're told:space and a place to flymight be thesame.the dead don't need me.nor do theliving.but the dead might needeachother.in fact, the dead might needeverything weneedandwe need so muchif we only knewwhat itwas.it isprobablyeverythingand we will allprobably dietrying to getitor diebecause wedon't getit.I hopeyou will understandwhen I am deadI got as muchaspossible.
No sun—no moon! No morn—no noon—No dawn— No sky—no earthly view— No distance looking blue—No road—no street—no "t'other side the way"— No end to any Row— No indications where the Crescents go— No top to any steeple—No recognitions of familiar people— No courtesies for showing 'em— No knowing 'em!No traveling at all—no locomotion,No inkling of the way—no notion— "No go"—by land or ocean— No mail—no post— No news from any foreign coast—No park—no ring—no afternoon gentility— No company—no nobility—No warmth, no cheerfulness, no healthful ease, No comfortable feel in any member—No shade, no shine, no butterflies, no bees,No fruits, no flowers, no leaves, no birds, November!
We wear the mask that grins and lies, It hides our cheeks and shades our eyes,— This debt we pay to human guile; With torn and bleeding hearts we smile, And mouth with myriad subtleties. Why should the world be over-wise, In counting all our tears and sighs? Nay, let them only see us, while We wear the mask. We smile, but, O great Christ, our cries To thee from tortured souls arise. We sing, but oh the clay is vile Beneath our feet, and long the mile; But let the world dream otherwise, We wear the mask!
Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper. Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut.
Quote from "The Whole World Is Gone" ".... It's sensual, though, too, and interestingly mental. What I do alone, loving him in my mind. Trying not to let imagination win over reality. Hurtling through the night passions so spent become facts one observes. Not tempered, just momentarily out of view by the body that perceives them. Turning that into my prayer: to be deprived.
(...) It,s hard not to be able. There, look there!/ I cannot get the movement nor the light;/Sometimes it almost makes a man despair/To try and try and never get it right./Oh, if I could -oh, if I only might,/I wouldn,t mind what hells I,d have to pass,/Not if the whole world called me fool and ass."Dauber (A poem). John Masefield. 1916. London William Heinemann
If we meet and I say, "Hi,"That's a salutation.If you ask me how I feel,That's a consideration.If we stop and talk awhile,That's a conversation.If we understand each other,That's communication.If we argue, scream and fight,That's an altercation.If later we apologize,That's a reconciliation.If we help each other home,That's cooperation.And all these ations added upMake civilization.(And if I say this is a wonderful poem, Is that exaggeration?)
I love you in my very own way.Like a stone loves the mosses around itLike a sea loves the pebbles in itLike a coincidence...Taking you as the way you are,With all the bruises, scars and broken parts all around you and your heart.I love you in my very own wayBy throwing the stone, the mosses, the sea and the pebbles to your headLike i want to kill you.Just because of envying the love That my heart spend on you.
i am really colored & really sad sometimes & you hurt memore than i ever danced outta/ i am ready to die like a lily in thedesert/ & i cdnt let you in on it cuz i didnt know/ hereis what i have/ poems/ big thighs/ lil tits/ &so much love/ will you take it from me this one time/ please this is for you
Pile the bodies high at Austerlitz and Waterloo.Shovel them under and let me work-- I am the grass; I cover all.And pile them high at GettysburgAnd pile them high at Ypres and Verdun.Shovel them under and let me work.Two years, ten years, and the passengers ask the conductor: What place is this? Where are we now? I am the grass. Let me work.
I'm only leaving you for a handful of days, but it feels as though I'll be gone forever—- the way the door closes behind me with such solidity, the way my suitcase carries everything I'd need for an eternity of traveling light. I've left my hotel number on your desk, instructions about the dog and heating dinner. But like the weather front they warn is on its way with its switchblades of wind and ice, our lives have minds of their own.
We don't know how to say goodbye,We wander on, shoulder to shoulderAlready the sun is going downYou're moody, and I am your shadow.Let's step inside a church, hear prayers, masses for the deadWhy are we so different from the rest?Outside in the graveyard we sit on a frozen branch.That stick in your hand is tracingMansions in the snow in which we will always be together.
Very Like a WhaleOne thing that literature would be greatly the better forWould be a more restricted employment by authors of simile and metaphor.Authors of all races, be they Greeks, Romans, Teutons or Celts,Can'ts seem just to say that anything is the thing it is but haveto go out of their way to say that it is like something else.What foes it mean when we are toldThat the Assyrian came down like a wolf on the fold?In the first place, George Gordon Byron had had enough experienceTo know that it probably wasn't just one Assyrian, it was a lotof Assyrians.However, as too many arguments are apt to induce apoplexy and thus hinder longevity,We'll let it pass as one Assyrian for the sake of brevity.Now then, this particular Assyrian, the one whose cohorts were gleaming in purple and gold,Just what does the poet mean when he says he came down like a wolfon the fold?In heaven and earth more than is dreamed of in our philosophy thereare a great many things,But i don't imagine that among then there is a wolf with purpleand gold cohorts or purple and gold anythings.No, no, Lord Byron, before I'll believe that this Assyrian was actually like a wolf I must have some kind of proof;Did he run on all fours and did he have a hairy tail and a big redmouth and big white teeth and did he say Woof woof?Frankly I think it very unlikely, and all you were entitled to say,at the very most,Was that the Assyrian cohorts came down like a lot of Assyrian cohorts about to destroy the Hebrew host.But that wasn't fancy enough for Lord Byron, oh dear me no, he hadto invent a lot of figures of speech and then interpolatethem,With the result that whenever you mention Old Testament soldiersto people they say Oh yes, they're the ones that a lotof wolves dressed up in gold and purple ate them.That's the kind of thing that's being done all the time by poets,from Homer to Tennyson;They're always comparing ladies to lilies and veal to venison,And they always say things like that the snow is a white blanketafter a winter storm.Oh it is, is it, all right then, you sleep under a six-inch blanketof snow and I'll sleep under a half-inch blanket of unpoeticalblanket material and we'll see which one keeps warm,And after that maybe you'll begin to comprehend dimly,What I mean by too much metaphor and simile.
If my like for you was a footy crowd, you'd be deaf cos of the roar.And if my like for you were a boxer, there'd be a dead guy lying on the floor.And if my like for you were sugar, you'd lose your teeth before you were twenty. And if my like for you was money, let's just say you'd be spending plenty.
These aren't still shots; the camera is always moving. And the scene is always just slipping out of sight, as if in spite of myself I were always descending a hill, rounding a corner, stepping into the street with a companion who urges me on, while I look back over my shoulder at the sight which recedes, vanishes. The present of my consciousness is itself a mystery which is also always just rounding a bend like a floating branch borne by a flood. Where am I? But I'm not. "I will overturn, overturn, overturn, it: and it shall be no more. . . .
Soul MateWhen we are born, the soul we are given is split apart and half of it is given to someone else. Throughout our lives, we search for the person with the other half of our soul. Very few ever succeed.I am blessed that we have met. In a sudden moment, warm within your loving glare, my soul said, “At last! I can rest. I have found my missing half.” When this happens, it is said we have found our soul mate. We are happy and at peace. When we shared ourselves, we were engulfed in eternity, dancing in a timeless universe. I am truly blessed because that day, my heart recognized you as a part of its own.Thank you for blessing me with you. Thank you for dreaming with me - for seeing the same future as I do. For your beautiful eyes, reminding me of the truest bliss in life. I am forever grateful for you.I will spend an eternity loving you, caring for you, respecting you, showing you every day that I hold you as high as the stars. I am sorry that it’s taken me this long to find you – I shall make it up to you, my flower, as long as we live. I love you!
Yes, I know," Isadora said, and then read her poem, leaning forward so Carmelita Spats would not overhear:"I would rather eat a bowl of vampire batsthan spend an hour with Carmelita Spats."The Baudelaires giggled and then covered their mouths so nobody would know they were laughing at Carmelita."That was great," Klaus said. "I like the part about the bowl of bats.
Objects and ObjectivesTo contemplate LEGO. Many colours. Many shapes. Many inventive and useful shapes. Plastic. A versatile and practical substance. Symbolic of the resourcefulness of man. Oil taken from the depths of the very earth. Distillation of said raw material. Chemical processes. Pollution. Creating a product providing hours of constructive play. For children all over the world. Teaching our young. Through enjoyment. Preparing them for further resourcefulness. The progress of our kind.A book. Many books. Proud liners of walls. Fingered. Taken out with great care. Held open. Gazed upon / into with something like awe. A medium for the recording of and communication of knowledge. From the many to the many. Down the ages. And of art. And of love. But do you hear the trees outside whispering? Do their voices haunt you? No wonder. They are calling for their brothers. Pulped. Pressed. Coated. Printed. Bound. And for their other brothers which made the shelves to hold them. And for the roof over them as well.From the very beginning - everything at cost. A cave man, to get food, had to deal with the killing. And the bones from one death proved very useful for implementing the death of another.
YENWhat happens if you take a cup? Put it to your lips. A cup of desire. Of dazzling colour. Of intoxicating aroma. You can't resist. Drink. And in the bottom of the cup. There is a fish. And the fish says "You have uncovered me! Now I am condemned. To die."What happens if you find a box? 35mm by 35mm exactly. And are curious. You open it quickly. Of course. And inside there is an eye. And the eye seems to think that the box is its exclusive property. And fixes you with a terrifying glare.What happens if you catch a soft sound? A voice whispering in the air. Above the tree tops. And you can't quite hear what it is saying. But you have to listen. So you float up. Then you find you can't come down again. When the conversation is finished.
ENTER THIS DESERTED HOUSEBut please walk softly as you do.Frogs dwell here and crickets too.Ain't no ceiling, only blueJays dwell here and sunbeams too.Floors are flowers - take a few.Ferns grow here and daisies too.Whoosh, swoosh - too-whit, too-woo,Bats dwell here and hoot owls too.Ha-ha-ha,hee-hee,hoo-hoooo,Gnomes dwell here and goblins too.And my child, I thought you knewI dwell here...and so do you.
POOR ANGUSOh what do you do, poor Angus,When hunger makes you cry?"I fix myself an omelet, sir,Of fluffy clouds and sky."Oh what do you wear, poor Angus,When winds blow down the hills?"I sew myself a warm cloak, sir,Of hope and daffodils."Oh who do you love, poor Angus,When Catherine's left the moor?"Ah, then, sir, then's the only timeI feel I'm really poor.
the answer is to just let gothe betrayal is to the pastthe cocoon dangles emptythe desire outlasts the objectthe effort lingersthe frustration is in how pointless the effort wasthe ghost does not make itself transparentthe heart knows nothing except its own mindthe ideas are not enoughthe jealousy is always therethe killing blow is sometimes the softestthe life you lead can be detouredthe moment you know cannot be taken backthe new you will try to bury the old methe opportunity has passedthe past is inopportunethe questions all grow from whythe reality will always be contendedthe sadness will ebbthe trouble is the time it might takethe ugly words cannot be erased, only discreditedthe versions are never the samethe wonder is that we make it throughthe x is the unknown variablethe yesterday cannot be repeatedthe zenith is the point when you look down and realize you’re no longer below
...feel the fierce way desiretourniquets itself around you andclingsClubland South of Market tweak-chic trannies powder their noses frombullet-shaped compacts and flick their forkedtongues like switchblades as they burn the nightdown bleed day to night to day toMission sidewalks where pythons hidetwenty dollar balloons beneath their tongues whichget bartered in smiles quicker than a coke buzz andtossed out through the cracksCottonmouth kissescamouflage emotions andstrike with a vengeancewhen hewants and shewants and theywant and Iwon'tGenet was right, I supposewhen he wrote "The only wayto avoid the horror of horror isto give in to it"it'sthe nature ofthe economy of thebusiness it's thenature ofthings...
A child said, What is the grass? fetching it to me will full hands; How could I answer the child?......I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. There was the hope Dr. Holden had talked about-the grass was a metaphor for his hope. But that"s not all. He continues, Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropped, Like grass is a metaphor for God's greatness or something.... And then soon after is itself a child.... And then soon after that, Or, I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broadzones and narrow zones. Growing among black folk as among white.
I could go on all night, Lake. I could go on and on and on about all the reasons I’m in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you’re the only other person I know who understands my situation. I do love you because both of us know what it’s like to lose your mom and your dad. I do love you because you’re raising your little brother, just like I am. I love you because of what you went through with your mother.I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I’m not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don’t need days, or weeks, or months to think about why I love you. It’s an easy answer for me. I love you because of you. Because of every single thing about you.
That's what I love about poetry. The more abstract, the better. The stuff where you're not sure what the poet's talking about. You may have an idea, but you can't be sure. Not a hundred percent. Each word, specifically chosen, could have a million different meanings.
Answers I kept my answers small and kept them near;Big questions bruised my mind but still I letSmall answers be a bullwark to my fear.The huge abstractions I kept from the light;Small things I handled and caressed and loved.I let the stars assume the whole of night.But the big answers clamoured to be moved Into my life. Their great audacityShouted to be acknowledged and believed.Even when all small answers build up toProtection of my spirit, still I hearBig answers striving for their overthrow.And all the great conclusions coming near
All day long you sit and sew,Stitch life down for fear it grow,Stitch life down for fear we guessAt the hidden ugliness.Dusty voice that throbs with heat,Hoping with your steel-thin beatTo put stitches in my mind,Make it tidy, make it kind,You shall not: I'll keep it freeThough you turn earth, sky and seaTo a patchwork quilt to keepYour mind snug and warm in sleep!
The fusty showman fumbles, must Fit in a particle of dustThe universe, for fear it gainIts freedom from my cube of brain.Yet dust bears seeds that grow to graceBehind my crude-striped wooden faceAs I, a puppet tinsel-pinkLeap on my springs, learn how to think—Till like the trembling golden stalkOf some long-petalled star, I walkThrough the dark heavens, and the dewFalls on my eyes and sense thrills through.
Solo For Ear-Trumpet The carriage brushes through the brightLeaves (violent jets from life to light);Strong polished speed is plunging, heavesBetween the showers of bright hot leavesThe window-glasses glaze our facesAnd jar them to the very basis — But they could never put a polishUpon my manners or abolishMy most distinct disinclinationFor calling on a rich relation!In her house — (bulwark built betweenThe life man lives and visions seen) — The sunlight hiccups white as chalk,Grown drunk with emptiness of talk,And silence hisses like a snake — Invertebrate and rattling ache….Then suddenly EternityDrowns all the houses like a seaAnd down the street the Trump of DoomBlares madly — shakes the drawing-roomWhere raw-edged shadows sting forlornAs dank dark nettles. Down the hornOf her ear-trumpet I conveyThe news that 'It is Judgment Day!''Speak louder: I don't catch, my dear.'I roared: 'It is the Trump we hear!''The What?' 'THE TRUMP!' 'I shall complain!…. the boy-scouts practising again.
I have a fairy by my side Which says I must not sleep, When once in pain I loudly cried It said "You must not weep" If, full of mirth, I smile and grin, It says "You must not laugh" When once I wished to drink some gin It said "You must not quaff". When once a meal I wished to taste It said "You must not bite" When to the wars I went in haste It said "You must not fight". "What may I do?" at length I cried, Tired of the painful task. The fairy quietly replied, And said "You must not ask". Moral: "You mustn't.
I listened long to your story,Listened but could not hear.When you chose to walk that path so overgrown,I remained alone with my fear.Cold silence covers the distance,Stretches from shore to shore.I follow in my mind your far-off journeying,But I will walk that path no more.
-A Word On Statistics-Out of every hundred people, those who always know better:fifty-two.Unsure of every step:almost all the rest. Ready to help,if it doesn't take long:forty-nine. Always good,because they cannot be otherwise:fourwell, maybe five. Able to admire without envy:eighteen. Led to errorby youth (which passes):sixty, plus or minus. Those not to be messed with:four-and-forty. Living in constant fearof someone or something:seventy-seven. Capable of happiness:twenty-some-odd at most. Harmless alone,turning savage in crowds:more than half, for sure. Cruelwhen forced by circumstances:it's better not to know,not even approximately. Wise in hindsight:not many morethan wise in foresight. Getting nothing out of life except things:thirty(though I would like to be wrong). Balled up in painand without a flashlight in the dark:eighty-three, sooner or later. Those who are just:quite a few, thirty-five. But if it takes effort to understand:three. Worthy of empathy:ninety-nine. Mortal:one hundred out of one hundreda figure that has never varied yet.
From the time I began to read, as a child, I loved to feel their heft in my hand and the warm spot caused by their intimate weight in my lap; I loved the crisp whisper of a page turning, the musky odor of old paper and the sharp inky whiff of new pages. Leather bindings sent me into ecstasy. I even loved to gaze at a closed book and daydream about the possibilities inside.
I thought I was growing wings—it was a cocoon.I thought, now is the time to stepinto the fire—it was deep water.Eschatology is a word I learnedas a child: the study of Last Things;facing my mirror—no longer young,the news—always of death,the dogs—rising from sleep and clamoringand howling, howling....("Seeing For a Moment")
I just sit where I'm put, composedof stone and wishful thinking:that the deity who kills for pleasurewill also heal,that in the midst of your nightmare,the final one, a kind lionwill come with bandages in her mouthand the soft body of a woman,and lick you clean of fever, and pick your soul up gently by the nape of the neckand caress you into darkness and paradise.
The Wolf trots to and fro,The world lies deep in snow,The raven from the birch tree flies,But nowhere a hare, nowhere a roe,The roe -she is so dear, so sweet -If such a thing I might surpriseIn my embrace, my teeth would meet,What else is there beneath the skies?The lovely creature I would so treasure,And feast myself deep on her tender thigh,I would drink of her red blood full measure,Then howl till the night went by.Even a hare I would not despise;Sweet enough its warm flesh in the night.Is everything to be deniedThat could make life a little bright?The hair on my brush is getting grey.The sight is failing from my eyes.Years ago my dear mate died.And now I trot and dream of a roe.I trot and dream of a hare.I hear the wind of midnight howl.I cool with the snow my burning jowl,And on to the devil my wretched soul I bear.
I went out to the hazel woodbecause a fire was in my headcut and peeled a hazel wandand hooked a berry to a threadand when white moths were on the wingand moth-like stars were flickering outI dropped the berry in a stream,and caught a little silver trout....(Song of Wandering Aengus)
Things it helps me to rememberWhen in a bad mood, keep quiet or still.Baggy jumpers don’t suit you.When you’re tired you get doubtful.Difficulties come in spurts.Listen to the echo of your own voice. Avoid be strident.All aeroplanes go through clouds during their journeys. So do people during theirs.Often greater clarity comes out of confusion. You have to be puzzled before you find a solution.PMS often brings on a crisis of confidence.Ordinariness is restful.If someone is explosive in front of you, be silent. If you feel explosive, be silent.
You do not seem to realize that beauty is a liability ratherthanan asset - that in view of the fact that spirit creates formwe are justified in supposingthat you must have brains. For you, a symbol of theunit, stiff and sharp,conscious of surpassing by dint of native superiority andliking for everythingself-dependent, anything anambitious civilization might produce: for you, unaided, toattempt through sheerreserve, to confuse presumptions resulting fromobservation, is idle. You cannot make usthink you a delightful happen-so. But rose, if you arebrilliant, itis not because your petals are the without-which-nothingof pre-eminence. Would you not, minusthorns, be a what-is-this, a mereperculiarity? They are not proof against a worm, theelements, or mildew;but what about the predatory hand? What is brilliancewithout co-ordination? Guarding theinfinitesimal pieces of your mind, compelling audience tothe remark that it is better to be forgotten than to be re-membered too violently,your thorns are the best part of you.
A poem, as a manifestation of language and thus essentially dialogue, can be a message in a bottle, sent out in the –not always greatly hopeful-belief that somewhere and sometime it could wash up on land, on heartland perhaps. Poems in this sense too are under way: they are making toward something. Toward what? Toward something standing open, occupiable, perhaps toward an addressable Thou, toward an addressable reality.
Sour MilkYou can't make itturn sweetagain. Onceit was an innocent colorlike the flowers of wild strawberries,and its texture was simplewould pass through a clean cheesecloth,its taste was fresh.And nowwith nothing more guilty that the passage of timeto chide it with,the same substancehas turned sour and lumpy.The sour milkmakes interesting & delicious doughs,can be carried to a further state of bacterial actionto create new foods,can in its own rightbe considered complicated and more interesting in textureto one who studies it closely,like a map of the world.Butto most of us:it is spoiled.Sour.We throw it out,down the drain-not in the backyard-careful not to spill anybecause the smell is strong.A good cook would be shocked with the waste.But we do not live in a world of good cooks.I am the milk.Time passes.You cannot make it turn sweetagain.I sit guiltily on the refrigerator shelftrembling with hope for a cookwho dreams of waffles,biscuits, dumplingsand other delicious breadsfearing the modern housewifewho will lift me off the shelf and with one deft twistof a wrist...you know the rest.You are the milk.When it is your turnremember,there is nothing more than the passage of timewe can chide you with.
My country, 'tis of thee,Sweet land of liberty,Of thee I sing;Land where my fathers died,Land of the pilgrims' pride,From every mountainsideLet freedom ring!My native country, thee,Land of the noble free,Thy name I love;I love thy rocks and rills,Thy woods and templed hills;My heart with rapture thrills,Like that above.Let music swell the breeze,And ring from all the treesSweet freedom's song;Let mortal tongues awake;Let all that breathe partake;Let rocks their silence break,The sound prolong.Our father's God to Thee,Author of liberty,To Thee we sing.Long may our land be bright,With freedom's holy light,Protect us by Thy might,Great God our King.
What a skeletal wreck of man this is.Translucent flesh and feeble bones,the kind of temple where the whores and villains try to tempt the holistic domes.Running rampid with free thought to free form, and the free and clear.When the matters at hand are shelled out like lint at alaundry mat to sift and focus on the bigger, better, now.We all have a little sin that needs venting,virtues for the rending and laws and systems and stems are rippedfrom the branches of office, do you know where your post entails? Do you serve a purpose, or purposely serve?When in doubt inside your atavistic allure, the value of a summer spent, and a winter earned.For the rest of us, there is always Sunday.The day of the week the reeks of rest, but all we do is catch our breath,so we can wade naked in the bloody pool, and place our hand on the big, black book.To watch the knives zigzag between our aching fingers.A vacation is a countdown, T minus your life andcounting, time to drag your tongue across the sugar cube,and hope you get a taste.WHAT THE FUCK IS ALL THIS FOR?WHAT THE HELL’S GOING ON? SHUT UP!I can go on and on but lets move on, shall we?Say, your me, and I’m you, and they all watch the things we do,and like a smack of spite they threw me down the stairs,haven’t felt like this in years.The great magnet of malicious magnanimous refuse, let me go,and punch me into the dead spout again.That’s where you go when there’s no one else around,it’s just you, and there was never anyone to begin with, now was there?Sanctimonious pretentious dastardly bastards with their thumb on the pulse,and a finger on the trigger.CLASSIFIED MY ASS! THAT’S A FUCKING SECRET, AND YOU KNOW IT!Government is another way to say better…than…you.It’s like ice but no pick, a murder charge that won’t stick,it’s like a whole other world where you can smell the food,but you can’t touch the silverware.Huh, what luck. Fascism you can vote for.Humph, isn’t that sweet?And we’re all gonna die some day, because that’s the American way,and I’ve drunk too much, and said too little,when your gaffer taped in themiddle, say a prayer, say a face, get your self together and see what’s happening.SHUT UP! FUCK YOU! FUCK YOU!I’m sorry, I could go on and on buttheir times to move on so, remember: you’re a wreck, an accident.Forget the freak, your just nature.Keep the gun oiled, and the temple cleaned shit snort,and blaspheme, let the heads cool, and the engine run.Because in the end, everything we do, is just everything we’ve done.
Twas a sheep not a lamb that strayed awayIn the parable Jesus told,A grown-up sheep that strayed awayFrom the ninety and nine in the fold.And why for the sheep should we seekAnd earnestly hope and pray?Because there is danger when sheep go wrong;They lead the lambs astray.Lambs will follow the sheep, you know,Wherever the sheep may stray.When sheep go wrong, it won’t take longTil the lambs are as wrong as they.And so with the sheep we earnestly pleadFor the sake of the lambs today,For when sheep are lost, what a terrible costThe lambs will have to pay!
A Book I Can Put DownI’m halfway throughand I’ve gotten usedto the way it wantsto be read. This writerwants to spoon it up,wants to watch meswallow it. This writermakes a point of gooddeeds, clean living,god and country,when what I wantis sin and shame,the rusty metal edgeof cruelty, varietiesof pain, his motherstill crying years later,just like mine. I wanta writer who’s given upon the moral of the story,one who’ll hand mea knife and sit backto see what I do wi
People need people and the happiest people aresurrounded with friendly flesh.If you have ten kids they'll be so sweet --ten really sweet kids! Have twelve!What if there were 48 pro baseball teams,you could see a damn lot more games!And in this fashion we get awayfrom tragedy. Because tragedy comes when someone gets too special.
I desired to praise the Chosen One and was hinderedBy my own inability to grasp the extent of his glory.How can one such as I measure an ocean, when the ocean is vast?And how can one such as I count the stones and the stars?If all of my limbs were to become tongues, even then –Even then I could not begin to praise him as I desired.And if all of creation gathered together in an attemptTo praise him, even then they would stint in his due.I have altogether ceased trying – awestruck, clinging to courtesy,Tempered by timidity, glorifying his most exalted rank.Indeed, sometimes silence holds within it the essence of eloquence,And often speech merely fodder for the faultfinder.
This is for you, all the women of the worldThose who lived, all who ever willthis is for your love, mine is yoursLove is fate, I am hereBecause you know the meaning of lifeThat begins and ends with a kissWe are knights in shining ardor, who toil for youAnd our children, it's a circleSo they will know this truthLove is the sacred gospel, all we need to knowAs your son and lover, my spirit lives imbuedWith, from and by your wisdom and beautyI am here to pay honor and homage to your soulThis is and will always be my devotionThis I dedicate, because through you I become whole
my mine ,I searching for you ..long time in the trip time walls,searching you in was me..I never felt lonely,this world always singeven at grave heart'sbeing numb to hearyour song is ..What the dealt of this life saidso breathe in wind singingsinking sailing in waves,and breathe out find me..in the rain and riversbut you and me are the ocean,you know ? in long time agothe time in this room make you forget..keep searching time with me and i.put the name your mine to heart of golduntil you coming home,behind the tumble light waiting.
Touch was absolutelyout of the question. I couldn’t stop sweating. My heart, a butterfly pinnedto a glacier. Empires fell inside my mouth. I touched myself like a pogrom& broke my sex into a history of inconsequential shames. I wept viciouslyinside of my own stomach & had it condemned. From an upside-down bellI drank silence, subsisted on the memory of someone else’s hands. Wolvessang & I did not answer. I forgot their names. Mornings were the worst, thenthere were days & evenings. Streetlights & darkened sycamore & suburbangrief so full it made me foolish. I shattered my fist on the Lord’s jaw. Sorrowsat, licking my wrists & my neck. I slept at its convenience. O, uncelebratedbody. My penis, a lighthouse on the bottom of the ocean, shining shadowsat the undersides of boats. Nobody drowned for so many years. Desperatefor the making of those candy-throated ghosts, I found the rooms betweenthe violence of comets. I threw myself into anything’s path. Even the skybent around me. How lonely to be something that nothing wants to kill. (So I Locked Myself Inside A Star for Twenty Years)
The Perfect Man.The perfect man is gentle,Never cruel or mean.He has an beautiful smile,And keeps his face so clean.The perfect man likes children,And will raise them by your side.He will be a good father,As well as an good husband to his bride.The perfect man loves cooking ,Cleaning and vacuuming too.He will do anything in his power,To convey his feelings of love on you.The perfect man is sweet ,Writing poetry from your name.He's an best freind to your mother,And kisses away your pain.He has never made you cry,Or hurt you in any way.Oh f*** this stupid poem,The perfect man is GAY!
Your gravity, your grace have turned a tideIn me, no lunar power can reverse;But in your narcoleptic eyes I spiedA sightlessness tonight: or something worse,A disregard that made me feel unmanned.Meanwhile, insomniac, I catch my breathTo think I saw my future traced in sandOne afternoon "as still, as carved, as death,”And pray for an oblivion so deepIt ends in transformation. Only dawnCan save me, flood this haunted house of sleepWith light, and drown the thoughts that nightly warn:Another lifetime is the least you’ll need, to traceThe guarded secrets of her gravity, her grace.
DO IT NOWIf with pleasure you are viewingany work a man is doing,If you like him or you love him,tell him now;Don’t withhold your approbationtill the parson makes orationAnd he lies with snowy lilies on his brow;No matter how you shout ithe won’t really care about it;He won’t know how many teardrops you have shed;If you think some praise is due himnow’s the time to slip it to him,For he cannot read his tombstone when he’s dead.More than fame and more than moneyis the comment kind and sunnyAnd the hearty, warm approval of a friend.For it gives to life a savor,and it makes you stronger, braver,And it gives you heart and spirit to the end;If he earns your praise – bestow it,if you like him let him know it,Let the words of true encouragement be said;Do not wait till life is overand he’s underneath the clover,For he cannot read his tombstone when he’s dead.
I haven't got a clue on how to love you like a lover should, how to make you happy or even how to make you stay. I hardly grasp the essence of desire and true affection scares me more than it should, but know that every stutter, every shy glance, every hesitant touch, come from someone who believes in you and I.
There once was a good man who lived in a house alone.He didn't want any visitors so he kept his doors locked.That is until I knocked, knocked and knocked.The man wouldn't see me at first.He tried to resist the inevitable thirst.This is how it happens, I've seen it so many times.First comes curiosity, second comes desire.Third comes an itch that is most dire.For even a good man like him couldn't resist seeing more.So he opened his eyes and unlocked the door.
I am not soft. I do not have that luxury. I am the wolf in girl’s clothing; all snarls and claws. My mother once told me: be gentle, be kind. She forgot to mention that the world was full of beasts, and if I wanted to survive I would have to become one myself.
Closed eyescan't sacrifice a third timei may never knowA dreamer's dreammy stars are onlymade of goldCame into this life holding onWas it a dream Or life lived beforeAlien genetics Formed on the 7thToo late So i was turned awayToo lateBut i seen those gatesIt’s just latelyi’ve forgot the wayWhat am i saying?somewhere out there is a starCovered in goldlaugh, its okayit's just best i wait this time can't sacrifice a third timehow will i knowfeverish devils place their bets the abyss or the flameBut at the edgei stop & look to the skytonight I find the stars are covered in gold so right here i will just stayHere i’ll just remain in a place where time and space does not existbut a gateway to Sarin does covered in golddeep in the chest you appearjust like I always knewa distant star
I sought Him where my logic led. “This friend is always sure and right; His lantern is sufficient light.I need no Star,” I said.I sought Him in the city square. Logic and I went up and down The marketplace of many a town,But He was never there.I tracked Him to the mind’s far rim. The valiant intellect went forth To east and west and south and north,But found no trace of Him.We walked the world from sun to sun, Logic and I, with Little Faith, But never came to Nazareth,Nor met the Holy One.We sought in vain. And finally, Back to the heart’s small house I crept, And fell upon my knees, and wept;And Lo! He came to me!
Those lips that Love's own hand did makeBreathed forth the sound that said, 'I hate'To me that languished for her sake,But, when she saw my woeful state,Straight in her heart did mercy come,Chiding that tongue that ever sweetWas used in giving gentle doom,And taught it thus anew to greet:'I hate,' she altered with an endThat followed it as gentle dayDoth follow night, who like a fiendFrom Heaven to Hell is flown away.'I hate' from hate away she threwAnd saved my life, saying 'not you'.
Regret nothing. Not the cruel novels you read to the end just to find out who killed the cook. Not the insipid movies that made you cry in the dark, in spite of your intelligence, your sophistication. Not the lover you left quivering in a hotel parking lot, the one you beat to the punchline, the door, or the one who left you in your red dress and shoes, the ones that crimped your toes, don’t regret those. Not the nights you called god names and cursed your mother, sunk like a dog in the livingroom couch,b chewing your nails and crushed by loneliness. You were meant to inhale those smoky nights over a bottle of flat beer, to sweep stuck onion rings across the dirty restaurant floor, to wear the frayed coat with its loose buttons, its pockets full of struck matches. You’ve walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You’ve traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don’t bother remembering any of it. Let’s stop here, under the lit sign on the corner, and watch all the people walk by.
We have all seen them circling pastures, have looked up from the mouth of a barn, a pine clearing, the fences of our own backyards, and have stood amazed by the one slow wing beat, the endless dihedral drift. But I had never seen so many so close, every limb of the dead oak feathered black; and I cut the engine let the river grab the jon boat and pull it toward the tree... Then as I passed under their dream, I saw for the first time its soft countenance the raw fleshy jowls, wrinkled and generous like the faces of the very old who have grown to empathize with everything. And I drifted away from them, reluctant, looking back at their roost, calling them what they are- transfiguring angels who pray over the leaf graves of the anonymous lost with mercy enough to consume us all and give us wings.
With chilling care, my hardshipshave managed to implant a spiritof recklessness within me,one that impels me to point out injustice and wrongdoing.So, while many strive to have a toil free life, I spend my time criticizing tyrants,and so the spirit of subversion was quickly established within me. Now all I can do is calmly wait for cold death to seize me.
Shadow of Your SpiritAt night I see the shadow of your spiritMixing with my blood and soulDuring the day I see your photosThey tell me come to meCome to my world and romanceEven I don’t know by myselfHow I fell into your loveI cannot remove it from my heartYour love stabled my soul
I don't feel at home where I am,or where I spend time; only where,beyond counting, there's freedom and calm,that is, waves, that is, space where, when there,you consist of pure freedom, which, seen,turns that Gorgon, the crowd, to stone,to pebbles and sand . . . where life's mean-ing lies buried, that never let onecome within cannon shot yet.From cloud-covered wells untoldpour color and light, a feteof cupids and Ledas in gold.That is, silk and honey and sheen.That is, boon and quiver and call.That is, all that lives to be free,needing no words at all.
I am a runaway, lost at sea. I am a broken bird, yearning to fly free. I am a sinner, unworthy and unholy. I am a rose, wilting slowly. I am a raindrop, touching your cheek.I am a child who plays hide and seek. I am nothing, and yet I am everything. I am contradictions and complexities. I am a face with a hundred entities. I am love and I am hate. I am the voice that cannot communicate. I am a melody, haunting and sad. I am a soul that has slowly gone mad. I am death in a living body. I am a dangerous opium poppy. I am rage, running through my veins. I am pain, bound in chains.I am isolation, imprisoned in my mind. I am abandoned and left behind. I am tenderness, soft and kind. I am trust, naïve and blind. I am remorse, shattered and frozen. I am the path I have not chosen. I am sadness, drowning in an ocean. I am faith, yearning for devotion. I am madness, rebellious and wild. I am sanity, safely filed. I am wisdom, cursed and blessed. I am a name that will burn in your chest. I am a journey, destination unknown. I am a heart turned to stone. I am forever alone.
O Moon that rid'st the night to wakeBefore the dawn is pale,The hamadryad in the brake,The Satyr in the vale,Caught in thy net of shadowsWhat dreams hast thou to show?Who treads the silent meadowsTo worship thee below?The patter of the rain is hushed,The wind's wild dance is done,Cloud-mountains ruby-red were flushedAbout the setting sun:And now beneath thy argent beamThe wildwood standeth still,Some spirit of an ancient dreamBreathes from the silent hill.Witch-Goddess Moon, thy spell invokesThe Ancient Ones of night,Once more the old stone altar smokes,The fire is glimmering bright.Scattered and few thy children be,Yet gather we unknownTo dance the old round merrilyAbout the time-worn stone.We ask no Heaven, we fear no Hell,Nor mourn our outcast lot,Treading the mazes of a spellBy priests and men forgot.
Amour, love, the dream of man,Woman’s deep devoted plan.AmourAmor means no hungry child,Begging, hair blowing wild.Searching amongst the rats and mice,Left-over food, contaminated rice.Eyes, the saddest soul sight,Hidden is the child’s plight.Bleeding feet, glass cut bare,Dirty rags for a child to wear.Clambering through the bin,Society’s senseless sin.Amor, love save this child’s life,Poverty is the nefarious knife,A child of poverty and strife,Deserves amour, love of life.Maureen Brindle from Beloved Isles[Inspired by H.H. Princess Maria Amor We Care for Humanity]
The Butcher’s ShopThe pigs are strung in rows, open-mouthed,dignified in martyrs’ deaths. They hangstiff as Sunday manners, their porky headsvoting Tory all their lives, their blue rosettesdiscarded now. The butcher smiles a meaty smile,white apron stained with who knows what,fingers fat as sausages. Smug, woolly cattleand snowy sheep prance on tiles, grazingon eternity, cute illustrations in a children’s book.What does the sheep say now?Tacky sawdust clogs your shoes.Little plastic hedges divide the trays of meat, playing farms. playing farms. All the way homeyour cold and soggy paper parcel bleeds.
Cold stars reflected in the waterAbyss beckons us his dark distance.Our world, only one of hundreds,In which we can not see the sun.In this world, I am uneasy,I want to touch another planets.Because there is dark and cramped,That spirit is calling me to run.Wander through the world I'm tired,And every day to meet the dawn,For me this world has closed its doors.I want to go to other worlds,To know all mysteries of their,And here never to return.
The first stanza of Eyes In Moonlight Drown, a poem from DeadVerse.With your face framed in a halo of stars,your hair melts into trailing clouds,and your eyes in moonlight drown.A man could lose himselfin those freckled irises,reflecting the galaxies above;surely he could fall into their promiseof eternity, of Heaven, of love.Your lips glisten, part, and beckon,a smile of warm invitation,a suggestion of sweet intensity,a loss of self in addictive agony.For we translate these aestheticsinto something mystical;ideas of fantasy, of fiction,obscuring the clinical truthof chemical reactions,electric sparks, responsesas sure as gravity,measurable yet beyond cold,above philosophy and below truth.
The mercy bulletI envy horses: if they break a leg and feel humiliated because they can no longer charge back and forth in the wind, they are cured by a mercy bullet. So if something in me gets broken, physically or spiritually, I would do well to look for a proficient killer, even if he is one of my enemies. I will pay him a fee and the price of the bullet, kiss his hand and his revolver, and if I am able to write, extol him in a poem of rare beauty, for which he can choose the metre and rhyme.
To count the stones losing countis the sense of our life: the algebraof our displacements.To follow paths losing sense is the circumvolution, the evolution: the logicof our moments. But. No.There is no symmetry in our acts.Never the chance of steps that surprise usto salt.Our time machine. Forward.Never backward the meat machine.No turning back. No turning back.There is no remedy: deathis an incurable asymmetry.Huge is the ticking of the Clock butbut our time has the clutch, the vortexthe saltwater of a wave that covers us.It reshapes and hollows out the face, like sandrobs us of our flesh.
The Earth Turned to Bring us Closerby: Eugenio MontejoThe earth turned to bring us closerit turned on itself and within usuntil it finally brought us together in this dreamas written in the Symposium.Nights passed by, snowfalls and solsticestime passed in minutes and millennia.An ox cart that was on its way to Nineveharrived in Nebraska.A rooster was singing some distance from the world,in one of the thousand pre-lives of our fathers.The earth was spinning with its musiccarrying us on board;it didn't stop turning a single momentas if so much love,so much that is beautifulwas only an adagio written long agoin the Symposium's score.
You are in his car and your words taste like honey. The suns yolk is stretching over the road, with hues of pink and red ribbon pressed against the bruises of the sky. He is talking about mechanics or sugar factories, and you are touching the rings on your fingers. The windows are open and the wind is making a home in your bones. Your jeans are ripped, your perfume smells like lilacs, your nails painted the color of sea weed. You forget about noise. You forget about color. It’s your lungs - I think, it’s your lungs that are morphing into purple butter. You are in his car and you are Mozart composing art, Claude Monet painting Water Lilies, you are Aphrodite, you are Shakespeare. You are in his car and you can’t remember what salt feels like against your tongue. You are in his car and you are ocean, fire - lip, tongue, breath, sweat. You are in his car and you are telling him you love him. You are in his car and he is telling you he loves you back.
Shall the dire day break when lifefinds us merely husband and wifewith passion not so much deniedas neatly laundered and put asideand the old joyous insistencetrimmed to placid coexistence?Shall we sometime arise from bedwith not a carnal thought in our headlook at each other without surpriseout of wide awake uncandid eyestouch and know no immediate urgewhere all mysteries converge?Speak for the sake of something to sayand now and then put on a displayof elaborate mimicry of the past to provethat ritual reigns where once ruled loveand calmly observe those bleak ritesthat once made splendour of our nights?Dear, when we stop being outrageousand no longer find contagiousthe innumerable ecstasies we findin rise of hand or leap of mind - not now or then, love, need we fear
Perfect...as it was, it had to be, andlittle dreams were spinning madlyas a flock of birds in mid-flight, thesingle vision of a single moment, a singlemoment, frozen in time no more. No moredid he need, to understand thatit was better than any he couldtake, and call his own, it was Perfect...
True poetry is composed of metaphors and symbols which are born in the heart, rise like clouds, and assume a celestial form; verses formed otherwise are not poetry, but only artificial words, each of which contradicts the feelings inside. The utterances and words that have not been formed in a person’s soul as the voice of conscience are all hollow, no matter how embellished they are or how dazzling they seem to be.
True poetry is the perception of human feelings, the voice of the heart, open or hidden. It is the lyrics, compositions, and melody of the relation between humankind, the universe and God, a shadow pinpointing each of the truths we can discern everywhere (from the earth to the stars), a photograph of the creation’s projection cast in our feelings and thoughts and framed through words, a heartfelt tune of our loves and joys played on different strings, and it is a bouquet of our faith, hope, determination, beauty, love, reunion, and yearnings.
In fact, poetry has always been like archives that peoples have continually used to serve their feelings, thoughts, national identities and cultures, and it has served as a factor uniting different historical periods. Those who had lost contact with their past for a certain period found and experienced the expression of their own selves in poetry, and the were able to see their history as a whole in it.
But no matte what kind of an understanding is adopted, whether associated with positivism, which asserts that the truth can only be reached by trial and error, or rationalism, which asserts that everything can be explained and grasped by reason, whether the perspective of romanticism, which overemphasizes imagination and sensitivity, or an approach based on ardent naturalism, whether based on realism, which aims to describe everything as it is including its shortcomings, or a curiosity-raising approach such as surrealism, whether idealism, which asserts that there is nothing real but ideas, or cubism, which asserts that there is nothing real but instead of direct description, or some other such current or perspective, that is not true poetry.
Poetry can be more eloquent than the most eloquent sermons, and it becomes a weapon more formidable than the sharpest of swords; whenever such a poem--which finds its correct tune and conveys the excitement of the heart--rings out, all the miserable, heaped drifts of words fly for shelter and bury themselves in ashamed silence. Whenever such a sword of poetry is drawn from its scabbard, all the false princes of words, who have set their thrones on a void, are thwarted and retreat into seclusion.
A perfect poem owes its perfection to sounding the voice of the heart and the melodies of the conscience, as well as its ability to reflect the considerations, beliefs, opinions, and horizons of thought of the poet, but not due to its formal or mental aspects.
Every time a poet is about to write, every time the open their mouth to say something, they express their inner world and tell of their own feelings, thoughts, beliefs, and opinions, unless they are deliberately pursuing fantasies which contrast with their beliefs, opinions, thoughts, and the point of view.
As a youth, I listened to the rain from the bowers of pleasure houses,Red silk drapes translucent in the glow of candlelight.In my prime, I listened to the rain as a traveler,The sky low, the river broad, the calls of the wild geese harsh and cold.Now, grey at the temples, I listen to the rain beneath the eaves of an abandoned cloister.Has mine been a futile life?I have no answers, only the sound of raindrops upon worn stone steps,And long hours yet to pass before the light of dawn.
When the heartIs cut or cracked or brokenDo not clutch itLet the wound lie openLet the windFrom the good old sea blow inTo bathe the wound with saltAnd let it sting.Let a stray dog lick itLet a bird lean in the hole and singA simple song like a tiny bellAnd let it ringLet it go.Let it out.Let it all unravel.Let it free and it can beA path on which to travel.
Once there was an elephant,Who tried to use the telephant-No! no! I mean an elephoneHe tried to use the telephone-(Dear me! I am not certain quiteThat even now I've got it right.)Howe'er it was, he got his trunkEntangled in the telephunk;The more he tried to get it free, The louder buzzed the telephee-(I fear I'd better drop the songOf elephop and telephong!)
You must take these poems as mirrors; for you know that the mirror has no form of itself, but rather reflects the face of anyone who looks in it. Just so a poem has no one particular meaning of itself , but presents to each reader his state of the moment and the completeness of his case
Life, a miracle of nature, an evolved molecule of matter, blossomed in the vast expanse of oceans. Methane, ammonia, hydrogen and water vapor When joined under the radio-active sun, The molecules of non living matter underwent massive changes and became live. It's this accident that made the molecule of protein, Which even Stanley Miller reproduced in lab. Evolution went on, and on and changed , from amoeba to dinosaurs, from ape to man, It was an amazing architecture of nature , Which still continue improving human brain. The amazing creation nature, the man, kept on exploring the mysteries of nature, and succeeded in duplicating nature's marvel through his latest invention - the cloning, and succeeded in decoding even the genetic code. Still we have to salute the mother nature, which has many more mysteries in store!.
Beneath it allI kept faith with Ithaca, travelled,Travelled and travelled,Suffering much, enjoying a little;Met strange people singingNew myths; made myths myself.But this lion of the seaSalt-maned, scaly, wondrous of tail,Touched with power, insistentOn this brief promontory...Puzzles.
Of all the days dropped in time's pocketThis day will seek acknowledgement with a child's shy asking, because the love between us used no word uncommoner than coffee, and was never traced by graphs of huge emotion. Yet some fancy will recall this day hallowed past recognition.
Gargoyles sat on the battlements- lean they were and the same hideous damp grey as the stone. They looked at her with hollow eyes and rattled their silver chains. They had wings of bats or wings or birds, most of them, and licked their beaks or teeth with forked or double tongues. Two paced restlessly before their platforms; others whined or picked their claws or groomed their mangy fur or feathers or lizard skin or scales.
what if you get most of what the eye sees?what if love came in seeds?what if we plant them and they grow trees? what if they form hearts instead of leafs?what if hate was to freeze?what if there was no honeybees?what if your heart stops when you sneeze?what if the evil uses the word please?what if we get down on our knees?what if we pray to the creator of the earth, heavens ,and seas?what if the heartless bleeds?what if the poor needs?what if the wealthy and greedy feeds?what if the illiterate reads what if hearts had keys?what if we aim for our dreams?what if we do all good deeds?what if the only brew was teas?what if we all wore white tees?what if we could accomplish some of these? WHAT IF ?
AmendsRegret lingers, niggles. Yellow lilieson the table, gone brown in the vase.The garden we talk about, endlessly, but never begin, deterred by tough sod.On the edge of the walk, the wheelbarrowfull of stones waits like an undeliveredapology. Within, the floor needs scrubbingand only hands and knees will do the job.I know that forgiveness is a simple meal—a salad, a boiled potato, a glass of tea.Easy to prepare, to offer. That the silenceafterward will satisfy, perhaps even nourish.
Ultimately, we will lose each otherto something. I would hope for grandcircumstance—death or disaster.But it might not be that way at all.It might be that you walk outone morning after making loveto buy cigarettes, and never return,or I fall in love with another …It might be a slow drift into indifference.Either way, we’ll have to learnto bear the weight of the eventualitythat we will lose each other to something.So why not begin now, while your headrests like a perfect moon in my lap …?Why not reach for the seam in this …night and tear it, just a little, so the fallingcan begin? Because later, when we crosseach other on the streets, and are forcedto look away, when we’ve thrownthe disregarded pieces of our togethernessinto bedroom drawers and the smellof our bodies is disappearing like the sweetdecay of lilies—what will we call it,when it’s no longer love?
I wrought me a lyric of fire and fear,And called on the world to heed —Till strong men blenched at my haggard faceAnd shuddered, but would not read.So I stole me the gold of the mines of JoyAnd fashioned a conscious lie —And they gave me the wreath of the kings of SongAnd prayed that I might not die!(For the lie that I wrought was as old as the worldAnd dear as the vision of Heaven —Of the crimson lure of a maiden's lipsAnd the myth of a sin forgiven!)But my heart was sick, and my soul grew less, With the light of my failing days,Because I had lied to my Knowledge-GodFor the pottage of human praise.O I clung to the rim of the cliffs of HellAnd called on an empty Name —Till there dropped the tears of a weeping TruthAnd saved my soul from the flame.So I hid my soul in a maiden's hair,And climbed to a clearer view —And I found I had lied to a lying God,And the myth I had sung - was true!
I forced myself out of a love that I knew would only end fatally.I forced myself into the dark, until I could no longer remember how to feel with my eyes. I forced my mind to believethat someone would hold youbetter than I ever could. But the worst part was selling my soulfor a price I know I'll never repay, and forcing myself into lovewith someone who wasn't you
My love, I have tried with all my beingto grasp a form comparable to thine own,but nothing seems worthy;I know now why Shakespeare could notcompare his love to a summer’s day.It would be a crime to denounce the beautyof such a creature as thee,to simply cast away the precisionGod had placed in forging you.Each facet of your beingwhether it physical or spiritualis an ensnarementfrom which there is no release.But I do not wish release.I wish to stay entrapped forever.With you for all eternity.Our hearts, always as one.
It wouldn't have to be sunny It wouldn't have to be anything else then just that It would really simplify my walk home at night, where every thought I think is some contrived line I repeat over and over to myself Words are always just replaced with new ones The pictures would never need to know otherwise
Every time I watchLady and the TrampI think"SHE'S HAVING SOME OF YOUR PASTA!""QUICK! EAT IT ALL! EAT IT ALL, NOW!!!""GROWL! BARE YOUR TEETH! DO SOMETHING!"OH, DON'T GIVE HER THE MEATBALL!THERE'S MEAT IN IT!""IDIOT!"But then againI'm not the romantic type.
Within my heart a garden grows,wild with violets and fragrant rose.Bright daffodils line the narrow path,my footsteps silent as I pass.Sweet tulips nod their heads in rest;I kneel in prayer to seek God's best.For round my garden a fence stands firmto guard my heart so I can learnwho should enter, and who should waiton the other side of my locked gate.I clasp the key around my neckand wonder if the time is yet.If I unlocked the gate today, would you come in? Or run away?
On the Gallows OnceKofi AwoonorI crossed quite a fewof your rivers, my gods,into this plain where thirst reignsI heard the cry of mournersthe long cooing of the African wren at duskthe laughter of the children at dawnhad long ceasednight comes fast in our landwhere indeed are the promised vistasthe open fields, blue skies, the singing birdsand abiding love?History records actsof heroism, barbarismof some who had powerand abused it massivelyof some whose progenitorsplanned for themthe secure state of madnessfrom which no storm can shake them;of some who took the last shipsdisembarked on some far-off shores and forgotof some who simply laid down the loadand went home to the ancestors
Monster a person though monster not human.Monster like music. Like Beatles! Like Schumann!World full of stupid. World full of noise.Monster feel ANGRY. No birthday. No joys.World full of JUNK monster not comprehend.What is a childhood? What is a friend?Monster and human both want the same.Want conversation. Want love. WANT NO PAIN.If monster speak heart: monster life only worsen.Monster not human: BUT MONSTER A PERSON!
Mine, said the stone,mine is the hour.I crush the scissors,such is my power.Stronger than wishes,my power, alone.Mine, said the paper,mine are the wordsthat smother the stonewith imagined birds,reams of them, flownfrom the mind of the shaper.Mine, said the scissors,mine all the knivesgashing through paper’sethereal lives;nothing’s so properas tattering wishes.As stone crushes scissors,as paper snuffs stoneand scissors cut paper,all end alone.So heap up your paperand scissor your wishesand uproot the stonefrom the top of the hill.They all end aloneas you will, you will.
Justice DeniedThousands of women, probably moreI cannot reach them behind justice doorsMany stay silent, barred just like me.Haunted by demons, faces unseen.Still by the hundreds, they continue to serveDuty and country, active and reserve.Thankless, forgotten through America's warsScarred like their brethren, treated as foes.Volunteered to go to the shores.Died like the others, shamed to the core.Where is the dignity, long since denied? Lost in the White House of Justice DeniedWomen in service since beginning of time Often they're treated like victims in crime.Where is their voice, silence throughout the years? It's dead in the Senate and House, with their tears!
When i remember your namei know you are my hope.for what ?not for love...'cause i know you can't love me.but i know you are my hope for... Life.Just remembering your smile...i know you are my worldyou shaping my world that became like this...you are my storyNot to be told, But to remember...i love youand... I miss you nowi miss my worldi miss your face, your smile and your voiceI miss you more than anyone that I've ever met-For Enno Indi WP-
Your printers have made but one blunder,Correct it instanter, and then for the thunder!We'll see in a jiffy if this Mr S[pencer]Has the ghost of a claim to be thought a good fencer.To my vision his merits have still seemed to dwindle,Since I have found him allied with the great Dr T[yndall]While I have, for my part, grown cockier and cockier,Since I found an ally in yourself, Mr L[ockyer]And am always, in consequence, thoroughly willin',To perform in the pages of Nature's M[acmillan].
My second thoughts condemnAnd wonder how I dareTo look you in the eye.What right have I to swearEven at one a.m.To love you till I die?Earth meets too many crimesFor fibs to interest her;If I can give my word,Forgiveness can recurAny number of timesIn Time. Which is absurd.Tempus fugit. Quite.So finish up your drink.All flesh is grass. It is. But who on earth can thinkWith heavy heart or lightOf what will come of this?
Time Out To Cry ©All alone at the end of the dayThe time, just a little past tenEvening has come for a short stayIt’s time for her sorrow againThe smile on her face she’s been holdingSuddenly, she lets fallAnd the feelings begin unfoldingShe comes out of her personal wallAs the world settles down for the nightShe awakens herself from a dreamAnd the girl they all thought had her life going rightIs no longer the image she’d seemShe takes off the disguise she’s been wearingThen opens her heart to the truthBehind closed doors she’s not caringAbout life or love in her youthSo she sits by the mirror spilling tearsAnd cries by herself in the darkA whole day of acting like she has no fearsTakes a lot from an empty heartInside she’s lonely and sadBut acts like she's fine in the dayRevealing her misery, secretly wishing she hadA friend, or a promise to stayShe’s ashamed of the truth she’s been keepingLiving her hours in daylight a lieAnd this is the reason for in darkness she’s weepingTaking time out from each day to cryWritten by Shannen WrassCopyright © 1995 Shannen Wrass. All Rights Reserved
You take my breath awayFrom mile awayHair, twice as niceSmile is your make up, angelic faceYou light up the entire placeCaptured my attentionCan't help but stare at your perfectionso charming, You will set the red carpet on fireWith that amazing attireBest dress among the restPretty girls are envy in your beautyAnd one of a kind personality
Your daily war chant: ( screaming it is mandatory! )Ooooooooh today, today I will see,what a happy place the world can be!I will make someone smile,refuse to being vile!I will share what I love,take someone high above,in the sky, between the cloudswith joyful shouts!Today, today even you will see,What a happy place the world can be!Make it happen, enjoy your day,Remember it is a temporary stay,here on earth, this single hour,today I give my love a flower!YEAAAAAH! Today I kick life’s behind,making good what is unkind!Making smile who is not grinning!And this is only the beginning!Today.I.am. AAAAAAALIVEE!
Scarring smiles, hidden tears,You stand, heads bowed and revereThe soul before us, burnt and tornHer faded essence, we sadly mournAnd though she walked a path of liesHer spirit surely still shall riseAnd among her own, she can be at peace An eternal angel, she’s been released.
Holding up an oil-paper umbrella,I loiter aimlessly in the long, longAnd lonely rainy alley,I hope to encounterA lilac-like girlNursing her resentmentA lilac-like color she hasA lilac-like fragrance,A lilac-like sadness,Melancholy in the rain,Sorrowful and uncertain;She loiters aimlessly in this lonely rainy alleyHolding up an oil-paper umbrellaJust like meAnd just like meWalks silently,Apathetic, sad and disconsolateSilently she moves closerMoves closer and castsA sigh-like glanceShe glides byLike a dreamHazy and confused like a dreamAs in a dream she glides pastLike a lilac spray,This girl glides past beside me;She silently moves away, moves awayUp to the broken-down bamboo fence,To the end of the rainy alley.In the rains sad song,Her color vanishesHer fragrance diffuses,Even herSigh-like glance,Lilac-like discontentVanish.Holding up an oil-paper umbrella, aloneAimlessly walking in the long, longAnd lonely rainy alley,I wish forA lilac-like girlNursing her resentment glide by.
Caleb dumped me on my birthday,Before I’d ordered an entrée,“What a dick!” some might say!But don’t you worry my little sheep,I am not sad and will not weep,For Caleb Jones is a cheat!He two-timed me with some ho,Whose name is Kacey ‘Slut’ Munroe!But I don’t care about my foe,For I have found a brand new guy,My Blue Eyed, Mr Berry Pie!And I know, he won’t make me cry,For I did fall under his spell,To him, I am his gorgeous Belle,So Caleb Jones can go to Hell!
When daylight is here i dream of the night,The stars of a country sky that shine so bright.A night sky without clouds, for the moon to hide under,Revealing every twinkle and every beam, of the Milky Way's wonder.I grow sad in the morning, And i pay the day no mind.Every time i see the light coming, I know the sunset's not far behind.
I know you can't wash in the same river even onceI know the river will bring new lights that you will not seeI know we live slightly longer than a horse and not nearly as long as a crowI know this has troubled people before and will trouble those after meI know all this has been said a thousand times before and will be said after meI didn't know I like the sky cloudy or clearthe blue vault that Andrei watched on his back on the battlefield at Borodino...
Up the still, glistening beaches,Up the creeks we will hie,Over banks of bright seaweedThe ebb-tide leaves dry.We will gaze, from the sand-hills,At the white, sleeping town;At the church on the hill-side—And then come back down.Singing: "There dwells a loved one,But cruel is she!She left lonely for everThe kings of the sea.(from poem 'The Forsaken Merman')
The search began 10 years agoTo find a nasty viscous foeThey searched in caves and undergroundBut no Bin Laden could be foundThe President full of seethingCalls his Generals to a meetingHave you looked under your noses?Is the question he proposesQuick smart a search is under wayA General comes back the same dayOh president you’re the cats pyjamasYou really do have all the answersDo you know that sneaky toadIs in a house down the roadObama calls him a useless bum(It’s time to get that terror scum)The SEALS are sent to get their manFrom a house in PakistanBut from behind his wifely shieldOsama Bin Laden does not yieldYou’ll not take me you infidelThe SEAL replies you go to hellYou scum this is for 9-11Then shoots him dead with his weapon
There is an Anglo-Saxon form of riddling that plays with the polarities of words like bright and dark, cold and warm, throwing them against one another and crafting lines of rich, humorous nonsense like this poem that has been around for so many hundreds of years that you just have to sit back and, with nothing else in mind, laugh out loud.