All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.
~Dance~My fingers danceOn the set Of ivory & black pirouettes.I let goWhile my fingers fly, Making music through the night.This is the best therapy. A place of release, House of freedom & relief.My oasis of redemption.My river of gentle.My ocean of mental. My mind is relieved. My fingers are free To let go, making music sweet.Rache Nicole Wagner Original
The kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The commonplace person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but translate his visions into human words, and his experiences into human actions. Perhaps he cannot; certainly he does not, or does so very seldom.
If, while at the piano, you attempt to form little melodies, that is very well; but if they come into your mind of themselves, when you are not practising, you may be still more pleased; for the internal organ of music is then roused in you. The fingers must do what the head desires; not the contrary.
ROCK STATE OF MINDThe lights go outDarkness takes over my mindI can see only the unreal…The sound of the pianoWhispers in my earsProvoking the sea of tearsBreaking down the stringsAttaching me to my fearsThe violin wakens the dreamsCreating the willDetaching from the groundLifting me upTo be one with the dark cloudsTo feel the storm whelming up insideThe strings of the guitar cinchesThe cords binding me to youLuring me to the ends of the galaxiesGluing me to an inaccessible timeWhere time stands stillAnd pain continuously spillsBut your voice slithers in betweenRising with each beatStretching out its wingsSheltering me from the windFighting my warsRisking it allSilence…..The pulsation of the drumsJoin with the beats of my heartStating their case in syncAwakening me to your presenceAnd in a flash of lightningHeaven and earth become oneThe piano severing the strings to my fearsThe violin forging a stormThe guitar freezing timeYour voice fighting my warsThe drums breathing life into meThat’s rock for meThe rock state of mind
An illusionist can make himself disappear; a musician can do the same thing: When he plays a piano, after a while we start seeing only the music, not the man!
Pianos, unlike people, sing when you give them your every growl. They know how to dive into the pit of your stomach and harmonize with your roars when you’ve split yourself open. And when they see you, guts shining, brain pulsing, heart right there exposed in a rhythm that beats need need, need need, need need, pianos do not run. And so she plays.
Name a song. Any song at all."She thought for a moment and said, "'Claire de Lune.'"I placed my hands on the keyboard. I closed my eyes and tilted my head back and struck a key, sounding a single note. "There you go. Gimme another one. I can play the first note of anything. As long as I get to choose the key it's in.
I dial her mum's number, then sit down cross-legged, facing the wall. When she comes on the line, she sounds uncertain, hesitant. 'Hey! Guess where I am?' I ask, my voice loud with false cheer. 'Rami told me. The Wellesly Hospital in Worthing. What's it like?' 'For a loony-bin it's actually quite decent,' I reply. 'I don't have Sky or an en-suite, and the menu isn't exactly à la carte, but you know...' I tail off. There is a silence. 'Do you have your own room?' Jenna asks, 'Oh yeah, yeah. I have a lovely view of the sea between the bars of my window.' She doesn't laugh. 'Have you started' -there is a pause as she searches for the right word -'threatment?''Yeah, yeah. We had group therapy today. Tomorrow we'll probably have art therapy - maybe I'll draw you a hourse and a garden. I know, perhaps they'll teach us to make baskets! Isn't that why they call us basket cases?''Flynn, stop,' Jennah softly implores.'And we'll probably have music therapy the day after. Maybe I'll get to play the tambourine. Or the triangle. I've always wanted to play the triangle!''Flynn-''No, I'm serious! I'll ask for some manuscript paper and see if I can write a composition for tambourine and triangle. Then I can post if off to you to hand in for my next composition assignment.''Flynn, listen-''Hold on, hold on! I'm making a note to myself now: Find fellow insane musician and start composing the Flynn Laukonen Sonata for Tambourine and Triangle.''Flynn-''And then, when they let me out, if they ever let me out, perhaps you could pull a few strigns and organize for me and my tambourine buddy to give a recital. I'm not sure where though -how about the subway at Marble Arch tube? Nice and central, good acoustics-''What are the other people like?' Jennah cuts in, an edge to her voice. I notice she doesn't use the word patients. Clever Jennah. For a moment there you almost made me forget I was locked up in a mental institution.'Round the bend, just like me,' I reply. 'I'm in excellent company. We'll be swapping suicide tips in no time at all!' I give a harsh laugh.
He considered for a moment, then started to play a piece that was very familiar to Ruth, although she had no idea what it was. It was lilting and wistful, and she could have sung the melody if she had wished.'Alright?' He raised his eyebrows inquiringly.'Yes. Exactly.'It was effortless and perfect, and he played it through to the end, closing with the softest and most delicate chords, which hung and faded in the quiet hall like the grains of dust raining through the evening light. Ruth was touched. It was all she had wanted. He did not move until there was complete silence again, then he closed the lid without saying anything, and stood up, shoving back the chair. ... 'What was that piece?''A Brahms waltz.''Hasn't it got a name?' she wanted it to remember.'Number fifteen. Opus thirty-nine.'It hadn't sounded like numbers to Ruth.
He considered for a moment, then started to play a piece that was very familiar to Ruth, although she had no idea what it was. It was lilting and wistful, and she could have sung the melody if she had wished."Alright?" He raised his eyebrows inquiringly."Yes. Exactly."It was effortless and perfect, and he played it through to the end, closing with the softest and most delicate chords, which hung and faded in the quiet hall like the grains of dust raining through the evening light. Ruth was touched. It was all she had wanted. He did not move until there was complete silence again, then he closed the lid without saying anything, and stood up, shoving back the chair. ... "What was that piece?" "A Brahms waltz.""Hasn't it got a name?" she wanted it to remember."Number fifteen. Opus thirty-nine." It hadn't sounded like numbers to Ruth.
There's a story here.A catastrophic silence where our thoughts and feelings collide ...Where your sweetness overrides my senses and our bodies move to the same tune.The same song.The same melody.The same stroke.The same rhythm.It's our story, Trinity, and it's just begging to be told.
I had never before thought of how awful the relationship must be between the musician and his instrument. He has to fill it, this instrument, with the breath of life, his own. He has to make it do what he wants it to do. And a piano is just a piano. It's made out of so much wood and wires and little hammers and big ones, and ivory. While there's only so much you can do with it, the only way to find this out is to try; to try and make it do everything.
Do we not each dream of dreams? Do we not dance on the notes of lostmemories? Then are we not each dreamers of tomorrow and yesterday, since dreamsplay when time is askew? Are we not all adrift in the constant sea of trial and when all is done, do we not all yearn for ships to carry us home?
Call me crazy, but there is something terribly wrong with this city.
There is a stillness between us, a period of restlessness that ties my stomachin a hangman’s noose. It is this same lack in noise that lives, there! in thedarkness of the grave, how it frightens me beyond all things.
I can’t help but ask, “Do you know where you are?”She turns to me with a foreboding glare. “Do you?
Did Bach ever eatpancakes at midnight?
History doesn’t start with a tall buildingand a card with your name written on it, but jokes do. I think someone is takingus for suckers and is playing a mean game.
I steal one glance over my shoulder as soon as we are far from the foreboding luminance of the neon glow, and it is there that my stomach leaps into my throat. Squatting just shy of the light and partially concealed by the shade of an alley is a sinister silhouette beneath a crimson cowl, beaming a demonic smile which spans from cheek to swollen cheek.
She leaves my side and heads deeper intothe apartment singing, “—if the spirit tries to hide, its temple far away… acopper for those they ask, a diamond for those who stay.
I rouse Emily to our guests, as she finishes off our fifteenth snowman by setting the head atop its torso. She stands limp at my direction, pointing out the coming shadows and I cannot help but hear a muffled sigh as she decapitates her latest creation with a single push of her hand.
That’s a stupid name! Whirly-gig is much better, I think. Who in their rightmind would point at this thing and say, ‘I’m going to fly in my Model-A1’.People would much rather say, ‘Get in my whirly-gig’. And that’s what youshould name it.
But most of the time, with a contented resignation that comes normally to a man only at the end of a long and busy life, he sat before the keyboard and filled the air with his beloved Bach. Perhaps he was deceiving himself, perhaps this was some merciful trick of the mind but now it seemed to Jan that this what he had always wished to do. His secret ambition had at last dared to emerge into the full light of consciousness. Jan had always been a good pianist, and now he was the finest in the world.
On the stage Tristen bent over the piano, his fingers swift and sure, his blond hair gleaming under the spotlight. I glanced around at the audience, watching their faces, gratified that they were as captivated as I was by the dark, thunderous song that Tristen conjured.
Each stroke of your fingers is a different word that describes the story. By itself it’s meaningless, but—” I pushed down on a few fingers helping her play a few notes. “String them together and you have a melody. You have a story. So, Saylor, what story do you want to tell?
It was not for the piano-tuner to know that in this still, grey, winter-gripped dining-room, this apparent mortuary of desire and passion (in which the lift rumbled and knives and forks scraped upon plates), waves were flowing forward and backward, and through and through, of hellish revulsion and unquenchable hatred!
She always paid attention to fingers rather than faces because they told so much more. People remembered to guard their faces. They forgot their hands. Her own were small, though strong and supple from all the hours of piano playing, but what use was that now? For the first time she understood what real danger does to the human mind, as flat white fear froze the coils of her brain.