Pen-bereavement is a serious matter.

I prefer the pen. There is something elemental about the glide and flow of nib and ink on paper.

It is a pity he did not write in pencil. As you have no doubt frequently observed, the impression usually goes through -- a fact which has dissolved many a happy marriage.

When I started writing I wanted the best tools. I skipped right over chisels on rocks, stylus on wet clay plates, quills and fountain pens, even mechanical pencils, and went straight to one of the first popular spin-offs of the aerospace program: the ballpoint pen. They were developed for comber navigators in the war because fountain pens would squirt all over your leather bomber jacket at altitude. (I have a cherished example of the next generation ballpoint, a pressurized Space Pen cleverly designed to work in weightlessness, given to me by Spider Robinson. At least, I cherish it when I can find it. It is also cleverly designed to seek out the lowest point of your desk, roll off, then find the lowest point on the floor, under a heavy piece of furniture. That's because it is cylindrical and lacks a pocket clip to keep it from rolling. In space, I presume it would float out of your pocket and find a forgotten corner of your spacecraft to hide in. NASA spent $3 million developing it. Good job, guys. I'm sure it's around here somewhere.)

They took my booksbecause my message was love.They took my penbecause my words were love.Then they took my voicebecause my song was love.Soon they’ll take myselfso nothing remains.But they don’t know that when I'm gonemy love will stay.

Bolts work on nuts; pens work on paper. But you must work on yourself. Go, get working!

We write or we are written upon. The whole of our lives is the clumsy attempt to wield the pen with grace.

Writing with a biro is the emotional equivalent of giving your loved one a plastic rose on Valentine’s Day.

These reasonings will furnish us with an adequate definition of a true critic: that he is a discoverer and collector of writers’ faults. Which may be farther put beyond dispute by the following demonstration: that whoever will examine the writings in all kinds, wherewith this ancient sect has honoured the world, shall immediately find, from the whole thread and tenor of them, that the ideas of the authors have been altogether conversant and taken up with the faults and blemishes, and oversights, and mistakes of other writers; and let the subject treated on be whatever it will, their imaginations are so entirely possessed and replete with the defects of other pens, that the very quintessence of what is bad does of necessity distil into their own, by which means the whole appears to be nothing else but an abstract of the criticisms themselves have made.