I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!
Ô, Wanderess, WanderessWhen did you feel your most euphoric kiss? Was I the source of your greatest bliss?
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
Ô, Muse of the Heart’s Passion,let me relive my Love’s memory,to remember her body, so brave and so free,and the sound of my Dreameress singing to me,and the scent of my Dreameress sleeping by me,Ô, sing, sweet Muse, my soliloquy!
Champagne arrived in flûtes on trays, and we emptied them with gladness in our hearts... for when feasts are laid and classical music is played, where champagne is drunk once the sun has sunk and the season of summer is alive in spicy bloom, and beautiful women fill the room, and are generous with laughter and smiles... these things fill men's hearts with joy and remind one that life’s bounty is not always fleeting but can be captured, and enjoyed. It is in writing about this scene that I relive this night in my soul.
Do we take less pride in the possession of our home because its walls were built by some unknown carpenter, its tapestries woven by some unknown weaver on a far Oriental shore, in some antique time? No. We show our home to our friends with the pride as if it were our home, which it is. Why then should we take less pride when reading a book written by some long-dead author? Is it not our book just as much, or even more so, than theirs? So the landowner says, ‘Look at my beautiful home! Isn’t it fine?’ And not, ‘Look at the home so-and-so has built.’ Thus we shouldn’t cry, ‘Look what so-and-so has written. What a genius so-and-so is!’ But rather, ‘Look at what I have read! Am I not a genius? Have I not invented these pages? The walls of this universe, did I not build? The souls of these characters, did I not weave?
Whilst the wolflets bayed, A grave was made, And then with the strokes of a silver spade, It was filled to make a mound. And for two cold days and three long nights, The father tended that holy plot; And stayed by where his wife was laid, In the grave within the ground.
...You see I believe in that stuff to: yoga and mystical powers. I once knew a man who could kill himself on command. Can you believe that? . . . Why do you laugh? . . . Believe it! By will of his own mind, he could make his heart stop beating for good' My neighbor poised and looked seriously at me, searching in my eyes. '...You laugh!' he repeated once more… 'You laugh, but he was a master at it! He could commit suicide at his own will!' Indeed, hearty laughter streamed through my nose. 'Could he do it perpetually?' I asked. 'Perpetually...?' My neighbor rubbed his waxy chin. 'I mean, is he still able to do it?' 'I’m not sure I understand.' 'Well? Then is he dead…?!'My neighbor's puzzled face slowly began to transform into a look of realization. 'But sir,' he said, 'Of course he’s dead! I mean to say... this man could kill himself on command, you see. And you don’t come back from the dead!' The two of us found ourselves crossing to the door so I could let my visitor out. I slapped him with friendliness on the shoulder. 'No, you don’t come back from the dead,' I agreed.
The season was waning fastOur nights were growing cold at lastI took her to bed with silk and song,'Lay still, my love, I won’t be long;I must prepare my body for passion.''O, your body you give, but all else you ration.''It is because of these dreams of a sylvan scene:A bleeding nymph to leave me serene...I have dreams of a trembling wench.''You have dreams,' she said, 'that cannot be quenched.''Our passion,' said I, 'should never be feared;As our longing for love can never be cured.Our want is our way and our way is our will,We have the love, my love, that no one can kill.''If night is your love, then in dreams you’ll fulfill...This love, our love, that no one can kill.'Yet want is my way, and my way is my will,Thus I killed my love with a sleeping pill.
Did I live the spring I’d sought?It’s true in joy, I walked along,took part in dance, and sang the song.and never tried to bind an hourto my borrowed garden bower;nor did I once entreata day to slumber at my feet.Yet days aren’t lulled by lyric song,like morning birds they pass along,o’er crests of trees, to none belong;o’er crests of trees of drying dew,their larking flight, my hands, eschewThus I’ll say it once and true…From all that I saw, and everywhere I wandered,I learned that time cannot be spent,It only can be squandered.
English:Ô, take this eager dance you fool, don’t brandish your stick at me. I have several reasons to travel on, on to the endless sea: I have lost my love. I’ve drunk my purse. My girl has gone, and left me rags to sleep upon. These old man’s gloves conceal the hands with which I’ve killed but one!Francais: Idiot, prends cette danse ardente, au lieu de tendre ton bâton.J'en ai des raisons de voyager encore sur la mer infinie: J'ai perdu l'amour et j'ai bu ma bourse.Ma belle m'a quitté, j'ai ses haillons pour m'abriter. Mes gants de vieillard cachent les mains d'un fameux assassin!
Fueled by my inspiration, I ran across the room to steal the cup of coffee the bookshelf had taken prisoner. Lapping the black watery brew like a hyena, I tossed the empty cup aside. I then returned to the chair to continue my divine act of creation. Hot blood swished in my head as my mighty pen stole across the page.
I just wish moments weren’t so fleeting!' Isaac called to the man on the roof, 'They pass so quickly!' 'Fleeting?!' responded the tilling man, 'Moments? They pass quickly?! . . . Why, once a man is finished growing, he still has twenty years of youth. After that, he has twenty years of middle age. Then, unless misfortune strikes, nature gives him twenty thoughtful years of old age. Why do you call that quickly?' And with that, the tilling man wiped his sweaty brow and continued tilling; and the dejected Isaac continued wandering. 'Stupid fool!' Isaac muttered quietly to himself as soon as he was far enough away not to be heard.
Ô, the wine of a womanfrom heaven is sent, more perfect than allthat a man can invent.When she came to my bed and begged me with sighsnot to tempt her towards passion nor actions unwise, I told her I’d spare her and kissed her closed eyes, then unbraided her body of its clothing disguise.While our bodies were nude bathed in candlelight fineI devoured her mouth, tender lips divine;and I drank through her thighs her feminine wine.Ô, the wine of a woman from heaven is sent,more perfect than all that a man can invent.
Ô, the wine of a woman from heaven is sent,more perfect than all that a man can invent.
This was how it was with travel: one city gives you gifts, another robs you. One gives you the heart’s affections, the other destroys your soul. Cities and countries are as alive, as feeling, as fickle and uncertain as people. Their degrees of love and devotion are as varying as with any human relation. Just as one is good, another is bad.
Gentlemen,” the king called out, “and ladies, First Meal is getting cold.” Which was the cue for everyone to head back to the dining room and actually eat what had been only studiously ignored up until now. With Payne safe and at home, appetites were free to roam once more . . . although as God was his witness he was not going to think about what the hell that surgeon and his sister were no doubt about to get into. As he groaned, Jane tightened her arm around his waist. “Are you all right?” He glanced down at his shellan. “I don’t think my sister is old enough to have sex.” “V, she’s the same age you are.” He frowned for a moment. Was she? Or had he been born first? Yeah, only one place to go for the answer to that. Shit, he hadn’t even thought of his mother in all this. And now that he was . . . he had absolutely no desire or interest to pop up there and announce that Payne was doing great, fuck you very
When I was younger, I would cling to life because life was at the top of the turning wheel. But like the song of my gypsy girl, the great wheel turns over and lands on a minor key. It is then that you come of age and life means nothing to you. To live, to die, to overdose, to fall in a coma in the street... it is all the same. It is only in the peach innocence of youth that life is at its crest on top of the wheel. And there being only life, the young cling to it, they fear death… And they should! ...For they are 'in' life.
It’s not that we have to leave this life one day, it's how many things we have to leave all at once: holding hands, hotel rooms, wine, summertime, drunkenness, and the physics of falling leaves, clothing, myrrh, perfumed hair, flirting friends, two strangers' glance; the reflection of the moon, with words like, 'Soon' ... 'do you want me?' ... '...to lie enlaced' ... 'and sleep entwined' thinking ahead, with thoughts behind...?' Ô, Why!Why can’t we leave this life slowly?
After joyfully working each morning, I would leave off around midday to challenge myself to a footrace. Speeding along the sunny paths of the Jardin du Luxembourg, ideas would breed like aphids in my head—for creative invention is easy and sublime when air cycles quickly through the lungs and the body is busy at noble tasks.
It was a time I slept in many rooms, called myself by many names. I wandered through the quarters of the city like alluvium wanders the river banks. I knew every kind of joy, ascents of every hue. Mine was the twilight and the morning. Mine was a world of rooftops and love songs.
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.
I sat up in the strange bed fearing it had been a dream, afraid I would never see her again. Not because I wanted anything from her, only her presence. The disappearance of the presence of beauty is the most despairing of events on this time-wheel of ours that rolls onward towards death.
There are times when a man should sleep entwined in the warm flesh of a woman, his flanks plummeting into the perfumed bedding while she lovingly rolls her sweet shoulders into his chest. Whereas, there are times to be stoic and solitary—sleeping alone on a wooden board with twill sheets and splinters that scratch the skin.
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born.
Somewhere I’d heard, or invented perhaps, that the only pleasures found during a waning moon are misfortunes in disguise. Superstition aside, I avoid pleasure during the waning or absent moon out of respect for the bounty this world offers me. I profit from great harvests in life and believe in the importance of seasons.
It is growing cold. Winter is putting footsteps in the meadow. What whiteness boasts that sun that comes into this wood! One would say milk-colored maidens are dancing on the petals of orchids. How coldly burns our sun! One would say its rays of light are shards of snow, one imagines the sun lives upon a snow crested peak on this day. One would say she is a woman who wears a gown of winter frost that blinds the eyes. Helplessness has weakened me. Wandering has wearied my legs.