After so many years even the fire of passion dies, and with it what was believed the light of the truth. Who of us is able to say now whether Hector or Achilles was right, Agamemnon or Priam, when they fought over the beauty of a woman who is now dust and ashes?
They were people whose lives were slow, who did not see themselves growing old, or falling sick, or dying, but who disappeared little by little in their own time, turning into memories, mists from other days, until they were absorbed into oblivion.
I just wish moments weren’t so fleeting!' Isaac called to the man on the roof, 'They pass so quickly!' 'Fleeting?!' responded the tilling man, 'Moments? They pass quickly?! . . . Why, once a man is finished growing, he still has twenty years of youth. After that, he has twenty years of middle age. Then, unless misfortune strikes, nature gives him twenty thoughtful years of old age. Why do you call that quickly?' And with that, the tilling man wiped his sweaty brow and continued tilling; and the dejected Isaac continued wandering. 'Stupid fool!' Isaac muttered quietly to himself as soon as he was far enough away not to be heard.
But no, what interested him, psychologically speaking, was the sense of continuity itself, the mind's insistence that this was the same Regan he'd known when he was eight; had anything befallen her, the Regan he lost would have been the one who'd perched on the black rocks of the park back then, with all her futures inside.
An artist adopts a radically different view regarding the importance of time than a businessperson does. Instead of perceiving time as a merchantable facet doled out incrementally according to marketplace demands, an artist portrays time as an agent of destruction. The irrevocability of time frames the human condition. Time might the medium of all human experience, but its passage obscures and eventually obliterates all human endeavors. Time unchecked leads to a blank slate of nothingness. Time’s destructive march towards meaningless is arrested through memory and art depicting humankind’s struggles and accomplishments.
Generations cometh and generations passeth, but the earth abideth forever. While successive generations live and die, and all things change, man can never rest until death claims us. I choose to use my time alone to contemplate human existence, probe the human condition, and trace what it means to be one man in our modern world. There can be no profit from my labor, no lasting yield realized from this laborious and painful sojourn. We will leave everything behind. The earth shall dissolve all of our acquisitions and obliterate all traces of our petty affections. Passage of time shall alter, not annihilate the products of any artistic labors. The substance of our artistic enterprises shall continue forward in a renewed and redefined state.
Human beings intuitively divide time into the past, the present, and the future. We perceive the past as immutable and fixed, the present as reflecting actuality, and the future as undefined and nebulous. As time passes, the moment that was once was part of the present becomes part of the past; and a moment of the heretofore previously unrealized future arrives and becomes the new present. The past is a record, the present is real, and the future is an imaginary thought.
According to the scientist, time is interminable and inexhaustible. The artist is more inclined to relate the passage of time as a subject involving the randomness of memory and humankind’s ability to create vivid recollections. Astute artists depict collections of disjointed thought fragments in paintings and literature in order to stir the pot of human consciousness. Art rests upon the correspondence between the impact of external experience and the finiteness of human life. An artist attempts to articulate answers to the mystery of being by rendering a thoughtful interpretation of the world that we occupy and experience through our senses.
It was a gift. What did I do with it? Life didn't accumulate as I'd once imagined. I graduated from boarding school, two years of college. Persisted through the blank decade in Los Angeles. I buried first my mother, then my father. His hair gone wispy as a child's. I paid bills and bought groceries and got my eyes checked while the days crumbled away like debris from a cliff face. Life a continuous backing away from the edge.
Time possesses emotional potency. For persons whom suffer from of bereavement, time possesses a healing capacity. Passage of time cures heartache by dimming the mind’s attunement to painful occurrences. For some people, the passage of time is akin to placing a welcomed physical boundary between themselves and past horrors. Passage of time allows us to forget and the ability to forget is medicinal. Time acts as a mental barrier between our present mental state and the pain that we once felt.
His hatred for all was so intense that it should extinguish the very love from which it was conceived. And thus, he ceased to feel. There was nothing further in which to believe that made the prospect of feeling worthwhile. Daily he woke up and cast downtrodden eyes upon the sea and he would say to himself with a hint of regret at his hitherto lack of indifference, 'All a dim illusion, was it? Surely it was foolish of me to think any of this had meaning.' He would then spend hours staring at the sky, wondering how best to pass the time if everything—even the sky itself— were for naught. He arrived at the conclusion that there was no best way to pass the time. The only way to deal with the illusion of time was to endure it, knowing full well, all the while, that one was truly enduring nothing at all. Unfortunately for him, this nihilistic resolution to dispassion didn’t suit him very well and he soon became extremely bored. Faced now with the choice between further boredom and further suffering, he impatiently chose the latter, sailing another few weeks along the coast , and then inland, before finally dropping anchor off the shores of the fishing village of Yami.
But time soon passes. Even the deepest pain eventually loses its edge in the more vivid reality of the present; then, what once was unbearable becomes strangely familiar. And after much familiarity, it assumes the insignificance of just another milestone, ever marking the journey to higher ground.
A person experiences time by traveling through the environment consisting of time and space, and encounters a variety of sense impressions. Time is the combined experience and cataloguing what is taking place now, a recollecting what took place before now, and the anticipation or expectation of a person registering future physical and mental sensations. Time is a happening that will arrive from the future and it will last for about as long as it takes to a person to inhale and exhale one deep bodily breath. In each recognizable segment of time, a person experiences in a thematic breathing cycle a tangible sense perception of either seeing, hearing, smelling, tasting, touching, or some combination thereof. Then that distinct morsel of life detected by the physical senses passes from the slipstream of now and lodges into the silted fold of bygone memories.
Quartering the topmost branches of one of the tall trees, an invisible bird was striving to make the day seem shorter, exploring with a long-drawn note the solitude that pressed it on every side, but it received at once so unanimous an answer, so powerful a repercussion of silence and of immobility, that one felt it had arrested for all eternity the moment which it had been trying to make pass more quickly.
Time is inexplicable because it moves – clicks away – at steady increments, while increasing the past and bringing the future into the present. Time has a necessary affinity with both heaven and the earthly reality. ‘Pythagoras, when he was asked what time was, answered that it is the soul of the world.’ Plato said that time and heaven must be coexistent. Without time nothing can be created or generated in the universe, nor is anything intelligible without eternity. Time is no accident or affection, but the cause, power, and principle of the symmetry and order that confines all created beings, by which the animated nature of the universe moves.