The darker side of the City tried to emphasize the selfish parts of me by encouraging my sense of entitlement and my desire for personal space. But God seemed to whisper that the alternative existed: to let Him grow humility and concern for others in a way I had never experienced, to live out His peace amid whirling chaos. (p.67)
I revealed my affection towards my former employer and felt sick at myself for betraying him. My grandfather stood and poured me another tall glass. He offered me a sour tomato to take the edge off of the vodka. Pappy pulled his chair up next to mine then put his oversized arm around my shoulder and offered me his wisdom. "Feel no pity for this man James," he whispered. "A fool and his money are lucky to come together in the first place. More so, it's the responsibility of much smarter, more dubious men to party them," he finished.
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It was a brave city, she decided, eyeing them. Brave in its other sense; not courageous, so much as outstanding, commanding. It was too nice a town to die in. Though it had no honeysuckle vines and no balconies and no guitars, it was meant for love. For living and for love, and the two were inseparable; one didn't come without the other.("Too Nice A Day To Die")
This is the story of an electrically alive young woman on the brink of her adult life. An artist equally attuned to the light as the shadows, with a limitless hunger for experience and knowledge, completely unafraid of life's more frightening opportunities.
ERIC: What are you always writin' in that book anyway?RODNEY: Poetry.TYRONE: Poetry?Rodney stops sketching and sentimentally flips through a few dozen pages of sketches and handwritten poems and notes.RODNEY: Poetry and pictures. Snapshots of our lives developed in the darkrooms of our souls."From CENTRAL PARK SONG -- a screenplay
While the layman sees an opportunity and decides to take it, the professional criminal through the use of deceit and treachery, is able to create opportunities. This individual not only actively searches for a crime to commit, the professional criminal assembles teams of similar people and generates situations in which crime can be safely perpetrated in a controlled environment for maximum profit.
Night is the permanent revolution, that of the globe. Every sundown the streets change, becoming sinister or libidinous, or, for that matter, longer or narrower or unexpectedly twisted. The familiar rebels against those who presume to know it. The map is altered and time is telescoped. Daylight restores things to their normal condition, or is that really their normal condition? The map of the city wrinkles and unfolds, wrinkles and unfolds.
Royal Young has accomplished a rare feat in his fresh and riveting debut: he manages to recount his fascinating youth and unconventional family with a mixture of humor, scathing honesty and tenderness. Much more than simply a book about a kid who dreams of stardom, Fame Shark is a thoughtful, hilarious and moving love letter to his family and the Lower East Side of New York City.
She likes the mystery of that changeover, those fifteen minutes of sundown when the streets and trees and people and parked cars are delicate and immediate, every sound and smell and movement amplified by the lowest light or the lightest darkness. Even a city that’s broken and dirty can, in that time, be divine and intimate.
Titus, have you ever had your heart broken?”“Oh, son. How could you ask a man who used to play the blues a question like that?”“How long does it take to go away?”“A broken heart?”“Yeah.”“There’s no precise formula, Sammy.”“Just give me an estimate.”“A good rule of thumb is at least half the time that you were in love. Or twice the time. It all just depends.
For you cannot live in New York City very long and not be conscious of the niceties of being rich—the city is, after all, an ecstatic exercise in merchandising—and one evening of his visit to Venezuela Sutherland sat straight up when he read a line of Santayana’s: “Money is the petrol of life.
At one point, I began to think that I had a divine doorman. Lenny was the most unlikely incarnation of God I could imagine, and yet, I kept drifting irresistibly towards this absurd conclusion. Despite my staunchly atheistic inclinations, I couldn't explain Lenny any other way. But eventually I came to my senses and realized that he was just one of those game show freaks with an encyclopedic memory. That didn't make him God, did it? Would God proclaim so regularly how much he likes Patsy's Pizza?
I had always been an atheist until I met Lenny. He was too wonderously complex and good for there to be no benevolent and intelligent force behind our marvelous cosmos. Lenny gave me the actual proof my fiercely skeptical mind had always demanded. Not some logical, 37-step proof of God's existence. It was a personal proof. And it was irrefutable.
Sometimes, down in the subway, a train Maxine's riding on will slowly be overtaken by a local or an express on the other track, and in the darkness of the tunnel, as the windows of the other train move slowly past, the lighted panels appear one by one, like a series of fortune-telling cards being deal and slid in front of her. The Scholar, The Unhoused, The Warrior Thief, The Haunted Woman... After a while Maxine has come to understand that the faces framed in these panels are precisely those out of all the city millions she must in the hour be paying most attention to, in particular those whose eyes actually meet her own - they are the day's messengers from whatever the Beyond has for a Third World, where the days are assembled one by one under non-union conditions. Each messenger carrying the props required for their character, shopping bags, books, musical instruments, arrived here out of darkness, bound again into darkness, with only a minute to deliver the intelligence Maxine needs. At some point naturally she begins to wonder if she might not be performing the same role for some face looking back out another window at her.
People don't dream all their lives of escaping the hellish countries they live in and pay their life savings to underworld types for the privilege of being locked up in a freezing, filthy, stinking container ship and hauled like cargo for weeks until they finally arrive in Moscow or Beijing or Baghdad or Kabul. People risk their lives to come here---to New York. The greatest city in the world, where dreams become reality.
I love Israel, I go back all the time. I just love New York a little more. My workers are Arabs, my best friend is a black man from Alabama, my girlfriend's a Puerto Rican, and my landlord is a half-Jew bastard. You know what I did this morning? I read in the paper yesterday that the circus is setting up in the Madison Square Garden, they said the elephants would be walking through the Holland Tunnel at dawn. I'm a photographer a little too, you know? So I get up at five o'clock, bike over to the tunnel, and wait. It turns out the paper got it wrong, they came through the Lincoln, but still, you know? This is a hell of a place.
This was a quarrel they did not need | It was one they knew they could never win. Beat us with a bat and we come back with Jiggers | Stick us with a knife and we bring the heaters | Plug one of us, and you'd better murder us all. We were the authentic spectacle, and the fact they left with their lives intact, no bones broken, or a limb missing, was miracle enough.
If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant.
For those of you that truly believe there's no such thing as the mafiya, I would be more than happy to sell you your own fast lane on the Belt Parkway, you know, so you can avoid the rush hour commute. The mafiya is real as a heart attack and, contrary to popular consensus, has been steadily growing in power since its inception in the 1920s. Italian organized crime just doesn't operate out in the open anymore, former mayor Rudy made sure of that.
Fear is the primary tool of the mafiya. It's how they contain their vast criminal enterprise. For the mafiya, fear is the grease in the wheel. Fear is much stronger than love | Fear lasts much longer. Love fades and is replaced by hatred and contempt. Fear lingers and brings forth other emotions such as doubt. Fear encourages procrastination and cowardice. Besides, you always hurt the ones you love. Most are too afraid to hurt the ones they fear.
Another deputy threw down a clear plastic trash bag with my orange jumpsuit. I reached for the bag and was knocked down to the floor with an overhead right, another shove, and I was inside the 4X6 room. The heavy white door was already closing behind me. The walls here were made of hard white rubber. There was a small shower head towards the back of the tiny cell and a grated hole in the middle of the floor | I assumed that the hold would be my toilet. The cell reeked of anguish.
Wanting to leave communist Russia is all fine and well | Actually leaving the country is where you might run into a few setbacks. Obtaining a visa for a simple vacation outside the soviet block was a long and arduous process. To immigrate to a free society was about as easy as finding whiskey in a church.
The Jewish center on Kings Highway scheduled an interview at the local labor hall downtown for my father to meet one of their counselors in order to asses his skills and capabilities. When my father sat down with the fellow and asked all sorts of questions, his reply was a blank stare. Boris didn't understand a word. He did speak a little English | He knew two words, pipe and chair. So Boris did the smart thing. He kept saying pipe over and over. Whatever question, he simply replied... pipe. The counselor soon got the gist | Boris must be a plumber. He was handed a small slip of paper and was instructed to report to the address penciled on it at 6 am sharp the following day.
I'd known since I was a child that I was going to live in New York eventually, and that everything in between would just be an intermission. I'd spent all those years imagining what New York was going to be like. I thought it was going to be the most exciting, magical, fraught-with-possibility place that you could ever live; a place where if you really wanted something you might be able to get it; a place where I'd be surrounded by people I was dying to know; a place where I might be able to become the only thing worth being, a journalist. And I'd turned out to be right.
Life is amazingly simplified,” she wrote in her journal, “now that the recalcitrant forsythia has at last decided to come and blurt out springtime in petalled fountains of yellow. In spite of reams of papers to be written, life has snitched a cocaine sniff of sun-worship and salt air, and all looks promising.” She already adored New York.
As filthy as any night was, a New York City morning is always clean. The eyes get washed.Flowers in white deli buckets are replenished. The population bathes, in marble mausoleums of Upper East Side showers, or in Greenwich Village tubs, or in the sink of a Chinatown one-bedroom crammed with fifteen people. Some bar opens and the first song on the jukebox is Johnny Thunders, while bums pick up cigarette butts to see what’s left to smoke. The smell of espresso and hot croissants. The weather vane squeaks in the sun. Pigeons are reborn out of the mouths of blue windows.
New York had saved him, in a very real way. It had pushed and prodded him with its impatient and sharp fingers, reminding him on a daily basis during that jittery first year that it didn't really give a goddamn whether he sank or swam. He liked its selfishness and its generosity and its propensity for flipping the bird to the rest of the world.