At such moments the collapse of their courage, willpower, and endurance was so abrupt that they felt they could never drag themselves out of the pit of despond into which they had fallen. Therefore they forced themselves never to think about the problematic day of escape, to cease looking to the future, and always to keep, so to speak, their eyes fixed on the ground at their feet. But, naturally enough, this prudence, this habit of feinting with their predicament and refusing to put up a fight, was ill rewarded. For, while averting that revulsion which they found so unbearable, they also deprived themselves of those redeeming moments, frequent enough when all is told, when by conjuring up pictures of a reunion to be, they could forget about the plague. Thus, in a middle course between these heights and depths, they drifted through life rather than lived, the prey of aimless days and sterile memories, like wandering shadows that could have acquired substance only by consenting to root themselves in the solid earth of their distress.
I have outlasted all desire,My dreams and I have grown apart;My grief alone is left entire,The gleamings of an empty heart.The storms of ruthless dispensationHave struck my flowery garland numb,I live in lonely desolationAnd wonder when my end will come.Thus on a naked tree-limb, blastedBy tardy winter's whistling chill,A single leaf which has outlastedIts season will be trembling still.
I thought about suicide all the time, but it seemed toomuch effort, swallowing all those pills or jumping off things. If I'd lived out in the country I would have found a quiet stretch of railway track, and lain on it, fallen asleep, so that I would never have known when my last moment came. In London, the minimum tube fare had gone up so much that even to get near the line cost a fortune. Suicide seemed an extravagance I couldn't afford. People never leave you alone, either; I knew that if I'd tried to lie down on the line, any number of commuters would have pulled me off again, so that I didn't delay their train. There must have been murderers out there who wanted to kill, with no way of finding those who wanted to be dead. If there had been some way of contacting them, a date-with-death line, I would have called them to set up a meeting. The current ways of death seemed too haphazard; it was all left up to chance. Had Chance come up, tapped me on the shoulder, said "Oi, you - long black tunnel, white light, off you go," I wouldn't have complained. It was like having frostbite all over - feeling numb and in pain at the same time.
After great pain, a formal feeling comes – The Nerves sit ceremonious, like Tombs – The stiff Heart questions was it He, that bore,And Yesterday, or Centuries before?The Feet, mechanical, go round – Of Ground, or Air, or Ought – A Wooden way Regardless grown, A Quartz contentment, like a stone – This is the Hour of Lead – Remembered, if outlived, As Freezing persons, recollect the Snow – First – Chill – then Stupor – then the letting go –
The first time it was reported that our friends were being butchered there was a cry of horror. Then a hundred were butchered. But when a thousand were butchered and there was no end to the butchery, a blanket of silence spread. When evil-doing comes like falling rain, nobody calls out "stop!"When crimes begin to pile up they become invisible. When sufferings become unendurable the cries are no longer heard. The cries, too, fall like rain in summer.
Art can blow us out of our pigeon hole. In deafness it may shout or scream, in blindness it may arrest our attention, in numbness it may shake up our mind. If we don’t sense anything at all and take everything for granted, art can kick us in the ass, give a conscience and make us aware. ("When is Art?")
Some attribute had departed from her, the permanence of which had been essential to keep her a woman. Such is frequently the fate, and such the stern development, of the feminine character and person, when the woman has encountered, and lived through, an experience of peculiar severity. If she be all tenderness, she will die. If she survive, the tenderness will either be crushed out of her, or—and the outward semblance is the same—crushed so deeply into her heart that it can never show itself more.
When our mental functioning is whittling away and our mind becomes a lame duck, perception does not form the context anymore and all connections on the social chessboard are conked out. Only patience and endurance may draw us out of the quagmire of numbness and allow us to tear open the cloudy screen that is hiding our points of ‘interest’ and ‘attention’, so long as we focus on the ‘singular moments’ and the ‘appealing details’ in our life. Awareness can help us shape a comprehensive picture for a functional future. ("Lost the global story.")
To distort our faces with joy, or wail and weep with sorrow, or collapse in agony, or wallow in sentimentality – wasn’t an inviolable human trait but something we can lose simply by leading dull and dreary lives. ‘A rich emotional life,’ she’d written, ‘is a privilege reserved only for the daring few’.
Dissociation is numbness and nothingness; it is a feeling of being lost; it is floating on a cloud that threatens to suffocate; it is automatic speech and action without awareness or control; it is looking at the world and blinking to try to remove the blurry fog; it is hearing and seeing the immediate world and simultaneously feeling very far away; it is raw fear; it is unfamiliarity in familiar places; it is possession; it is being haunted everyday by unknown monsters that can be felt but not seen (at least not by others); it is looking in the mirror and not knowing who is looking back; it is fantasy and imagination; and, above all else, it is survival. Dissociation is all of these things and none of them at once.
It was strange how in that moment of tragedy, it had seemed so unreal, like an old-fashioned movie reel playing on a screen for my eyes only. The pain and broken heart were blocked off for a little while, leaving me numb with disbelief. Shock is what Dad called it. But after a while, the cruel reality started to seep into my tissues, and my body became a sponge, just sucking it all up until, finally, there was so much grief inside, I couldn't help feeling it.That's how it happened for me. First, the numbness right after she died, next the agonising pain and then the place I was at now—the land of perpetual depression.
You know, I think the people I feel saddest for are the ones who once knew what profoundness was, but who lost or became numb to the sensation of wonder, who felt their emotions floating away and just didn't care. I guess that's what's scariest: not caring about the loss.
Someone is going to tell you to get use to this. That feeling of being scared and sad. They're going to say it'll be better when you learn to ignore it. Don't listen to them. Hold on to it, remember it... Don't let yourself forget it. It's too easy to lose.-Carl Grimes
At the time, I remained relatively calm before that spectacle of horrors, which is perhaps the most telling indication of just how desensitized I had become. The more I witnessed such atrocities and rubbed shoulders with death, the more I desired to stay alive, no matter the cost.
Traumatized people chronically feel unsafe inside their bodies: The past is alive in the form of gnawing interior discomfort. Their bodies are constantly bombarded by visceral warning signs, and, in an attempt to control these processes, they often become expert at ignoring their gut feelings and in numbing awareness of what is played out inside. They learn to hide from their selves.” (p.97)
Your instincts may tell you that you can’t survive if you experience feelings. But they are leftover child instincts. They’re the ones that first told you to freeze your feelings. They themselves are frozen and haven’t grown with the rest of you. These instincts don’t know that you’re far more capable of learning to cope with overwhelming emotion now than when you were a [child].
MOMENTSI saw you firstYou looked exactly The same as beforeTall and awkward and shyI walked towards youMy hands clammy I felt cold insideMy insides were shakingCant runThis is it.U saw meYour face brightenedA smile painted on your faceI missed itYour smileIt brought back the pastYou walkedI walkedNearerIt feels like in theMoviesTwo peopleA boy and a girlMeeting halfwayHoping for a happyEver afterI stopped Right before I reached youI realizedThis isn't like the moviesI turnedI told myselfDon’t smileYou reached meCloseSo closeI felt the urgeTo touch youHug youAnd maybeKiss youThere weren't HellosOnly silent prayersSmiling You reached for my handGiving me somethingYou knew I loveIt was awkwardYou standing thereMe standing thereSo closeToo closeYet so farI looked up to youI tried to ask myselfAre you for real?You smiled widerShy but happyYou left as fastAs you came backIt was for a secondI hated timeI wished it wasA little bit longerWith that,I knewI still want you.
No achingJust numbnessSadnessThat feeling as ifU miss himBut then you realized,Maybe he wasn't yours To begin with.AndThere were no memories To Reminisce,Only pain.Because you knewFrom the very beginningHe didn't love u as muchAs you loved him.And that isthe most painfulAnd crucial part.Or maybe not.Maybe it's the truth That there isStill an ounce ofLove that shouldn'tBe there at all.Not after everything.
In general, it’s not too hard to corrupt an American, mostly a matter of supply to their demand. Supply should be variegated to encourage the Illusion of Choice. Other than that they’re looking for numbness, so be ready to sedate. Drugs, booze, television, shopping, etc…
I walked back to the window to look down at the people who shared this city with me. The people who made every day a series of mediocrities.The unreformed murderers masquerading as businessmen in borrowed suits and debt-laden cars. The voluptuous bimbos floating around in an inexplicable mix of vacuity and despair. The crumbling face of my building looked pretty enough from across the street, but from here I could see how worn it was. I peeled off a satisfying chunk of paint, cement and matter. And I let it fall to the street below.
Dissociation gets you through a brutal experience, letting your basic survival skills operate unimpeded…Your ability to survive is enhanced as the ability to feel is diminished…All feeling are blocked; you ‘go away.’ You are disconnected from the act, the perpetrator & yourself…Viewing the scene from up above or some other out-of-body perspective is common among sexual abuse survivors.
Dissociation, a form of hypnotic trance, helps children survive the abuse…The abuse takes on a dream-like, surreal quality and deadened feelings and altered perceptions add to the strangeness. The whole scene does not fit into the 'real world.' It is simple to forget, easy to believe nothing happened.