[T]he new weird represents a productive experiment in fantasy fiction. The New Wave of the 1960s and 1970s arguably embodied science fiction's claim to literary 'seriousness.' This desire for seriousness is not snobbery, as sometimes suggested by folks who overemphasize the entertainment function of speculative fiction; it's about recognition of the vast possibilities within the field.

Michael [Hutchence] is hands down one of the greatest frontmen in music. The style, the voice—all of it. Any way that I was ever influenced by him really comes down to small, pale imitations compared to the real thing. There is a fearlessness about him. Watching him at Wembley Stadium with 70,000 people, he looks as comfortable as if he were in his own living room.

Should have taken warning it's justPeople mourningRunning, hiding, lostYou can't find, find a place to go, so it'sRed skies at nightRed skies at night, whoa oh, oh oh oh, oh-oh-oh-oh-oh... red skies at night, red skies at night, whoa oh, oh oh oh...Someone's taking over, and it look like they're aiming right at you...Someone said we'll be dead by morning...Someone cries, leaving... red skies at night, whoa oh-h-h