O Moon that rid'st the night to wakeBefore the dawn is pale,The hamadryad in the brake,The Satyr in the vale,Caught in thy net of shadowsWhat dreams hast thou to show?Who treads the silent meadowsTo worship thee below?The patter of the rain is hushed,The wind's wild dance is done,Cloud-mountains ruby-red were flushedAbout the setting sun:And now beneath thy argent beamThe wildwood standeth still,Some spirit of an ancient dreamBreathes from the silent hill.Witch-Goddess Moon, thy spell invokesThe Ancient Ones of night,Once more the old stone altar smokes,The fire is glimmering bright.Scattered and few thy children be,Yet gather we unknownTo dance the old round merrilyAbout the time-worn stone.We ask no Heaven, we fear no Hell,Nor mourn our outcast lot,Treading the mazes of a spellBy priests and men forgot.
Our fights must be rooted in experiences, in stories, and in anecdotes. People remember these more than sterile numbers or facts. Myths are powerful magic and can turn enemies into friends. In a world where too many still tell stories that some are illegal and that to be free we must control the movement of others, the work of making new myths is essential.
Time slipped and slid around him, unanchored by any fact that could be verified. Perhaps it did not matter. 'Where does our story take place, and when?' asked Cocteau at the start of Orphée. 'It's the privilege of legends to be ageless. Comme il vous plaira. As you please.