There were fat cats and skinny cats. The long-tailed and the bobbed. The daring young leapers, and the old windowsill sleepers. Balls of waddling fluff, smooth-coated prowlers, and hairless ones that looked fragile and wise. The tiger-striped, the ring-tailed, and the ones with matching coloured socks and mittens. There were tabbies and calicos. Manx and Persians. Siamese and Bombay. Ragdolls and Birmans. Maine Coons and Russian Blues. There were Snowshoes and Somalis, Tonkinese and Turkish, and many, many more. Brown and beige and orange and grey and black and white and silver cats, each with gleaming eyes of emerald, or sapphire, or amber. A rainbow of precious stones.
King Yorandt to Kristina in book three of Fracture the Secret Enemy Saga~Secretsrelease date: Summer 2014 Even the master does not play perfectly. He can only hope to make fewer mistakes than his opponent, and that in the end, he is the victor. Sajah (chess) is a ruthless game where the pieces are all pawns and the Queen is the true killer. She spares no one to protect the king. The king however, is ruled by all of the pieces that lay before him, even his opponent. Every move is a decision that can change the whole board, and the endgame.
She smells like spring and flowers and rain, even though it’s winter. Sometimes, he thinks he loves her so much that his mind is unable to distinguish between love and obsession. Which is worse?
He began as a minor imitator of Fitzgerald, wrote a novel in the late twenties which won a prize, became dissatisfied with his work, stopped writing for a period of years. When he came back it was to BLACK MASK and the other detective magazines with a curious and terrible fiction which had never been seen before in the genre markets; Hart Crane and certainly Hemingway were writing of people on the edge of their emotions and their possibility but the genre mystery markets were filled with characters whose pain was circumstantial, whose resolution was through action; Woolrich's gallery was of those so damaged that their lives could only be seen as vast anticlimax to central and terrible events which had occurred long before the incidents of the story. Hammett and his great disciple, Chandler, had verged toward this more than a little, there is no minimizing the depth of their contribution to the mystery and to literature but Hammett and Chandler were still working within the devices of their category: detectives confronted problems and solved (or more commonly failed to solve) them, evil was generalized but had at least specific manifestations: Woolrich went far out on the edge. His characters killed, were killed, witnessed murder, attempted to solve it but the events were peripheral to the central circumstances. What I am trying to say, perhaps, is that Hammett and Chandler wrote of death but the novels and short stories of Woolrich *were* death. In all of its delicacy and grace, its fragile beauty as well as its finality.Most of his plots made no objective sense. Woolrich was writing at the cutting edge of his time. Twenty years later his vision would attract a Truffaut whose own influences had been the philosophy of Sartre, the French nouvelle vague, the central conception that nothing really mattered. At all. But the suffering. Ah, that mattered; that mattered quite a bit.
A soft mist blew around them. Raindrops glistened in his hair, shimmering under the pale glow of the light post. His eyes were shadowed beneath wispy fringes, but the silver in them glinted like pools of liquid mercury. Her breath caught. It must have made a sound because his fingers tightened. His shaky exhale whispered across her face.“This,” he whispered so quietly she almost didn’t hear him. “Is why you are so bad for me.
She looked at Word. “You asked about X-it. He’s sleeping. There are no intruders in his consciousness. I’ve done a sweep. Several installations, their A-I and Super-Recognizers have all been rendered inoperable, but others will quickly pick up the slack. Some will malfunction. All are on high alert. They know contact has been made, that you are still alive, and a global search has begun. No A-I or human Super-Recognizer can penetrate the room that you were in and in which X-it is now sleeping. But he cannot come out of the room until we are ready to return to the second in time when Death saved you.
It was like this blackness that crept into the corners of my life until everything was grey and dirty. My insides felt burnt out, like if you cut me open, all you would find would be smoke. No heart. No bones. There was nothing left, just the anger. It followed me everywhere. It sat on my bed and watched me sleep and when I had to eat, it looked at me across the table.
The eeriness of the weeping moss from the trees, reminding me of shrouds covering the faces of mourners. There are people coming home from work, families going out to dinner, couples walking through the squares. My wish is that none of them are ever touched by the darkness I see.
It never was about the musician or the instrument - it was about the laser notes in a hall of mirrors, the music itself. It was going to change the world for the better and it has. Maybe not as fast or as much as we wanted, but it has and it still will. Whether your name is Mozart, or Django Reinhardt, or Robert Johnson, or Jimi Hendrix, or whoever is next; who you are doesn't matter so long as you can open that conduit and let the music come through. It is the burning edge, whatever it sounds like and whoever is playing it. It is the noisy, messy, silly, invincible voice of life that comes through the LP on the turn-table, the transistor radio, or the Bose in your new Lexus that makes you want to get up out of whatever you are stuck in and dance. It is Dionysus and the Maenads all over again. No one can control it and I pity whoever tries. I am old now and only a house cat sunning herself in the window - but I was a tigress once, and I remember. I still remember.
If I weren't so screwed up, I would've sold my soul a long time ago for a handsome man who made me feel pretty or who could at least treat me to a Millionaire's Martini. Instead I lingered over a watered down Sparkling Apple and felt sorry about what I was about to do to the blue-eyed bartender standing in front of me. Although I shouldn’t, after all, I am a bail recovery agent. It's my job to get my skip, no matter the cost.If I weren't so screwed up, I would've sold my soul a long time ago for a handsome man who made me feel pretty or who could at least treat me to a Millionaire's Martini. Instead I lingered over a watered down Sparkling Apple and felt sorry about what I was about to do to the blue-eyed bartender standing in front of me. Although I shouldn't, after all, I am a bail recovery agent. It's my job to get my skip, no matter the cost. Yet, I had been wondering lately. What was this job costing me? Yet, I had been wondering lately. What was this job costing me?