Everyday presents a new opportunity to grow and press forward to your success. Stay the course believing that where you are right now doesn't matter, as long as you are moving in the right direction.
Spirit is a child, the tune of dancing feet its lullaby.
Well, I always know what I want. And when you know what you want--you go toward it. Sometimes you go very fast, and sometimes only an inch a year. Perhaps you feel happier when you go fast. I don't know. I've forgotten the difference long ago, because it really doesn't matter, so long as you move.
It's the smell of him in the bathroom, all I need to get ready for the day. Watching him get dressed, and the sound in the kitchen; a slow hum of a song and his movements, picking things to eat. The way I could observe him, for hours, just go on with his day – or as he sleeps – simply breathing in and out, in and out, and it's like the hymn that sings me to peace. I know the world is still out there and I know I'm not yet friendly to its pace, but as long as I know him with me, here, there, somewhere – us – I know I have a chance.
Harmony is our natural state of being, and so, when our energies become too stagnant, chaos is thrown into the mix to stimulate what will eventually result in balance and invite flow. The trick is to not let chaos trap or define you… simply allow it to create movement in the vehicle of your life so that you can snap your eyes open and take back control of the wheel. Do not lose yourself in the storm, instead, be the calm in the storm.
The only path wide enough for us all is love.
Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.
Through synergy of intellect, artistry and grace came into existence the blessing of a dancer.
Burdened no more is soul for whom life flows through dance and not breath.
Burdened no more is soul for whom life flows through dance like breath.
Truth is not fully explosive, but purely electric. You don't blow the world up with the truth; you shock it into motion.
Music does not need language of words for it has movements of dance to do its translation.
When the melody plays, footsteps move, heart sings and spirit begin to dance.
Dance resides within us all. Some find it when joy conquers sorrow, others express it through celebration of movements; and then there are those... whose existence is dance,
The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze.
Slowness means cleaving perfectly to time, so closely that the seconds fall one by one, drop by drop like the steady dripping of a tap on stone. This stretching of time deepens space. It is one of the secrets of walking: a slow approach to landscapes that gradually renders them familiar. Like the regular encounters that deepen friendship.
Walking: it hits you at first like an immense breathing in the ears. You feel the silence as if it were a great fresh wind blowing away clouds. There’s the silence of woodland. Clumps and groves of trees form shifting, uncertain walls around us. We walk along existing paths, narrow winding strips of beaten earth. We quickly lose our sense of direction. That silence is tremulous, uneasy. Then there’s the silence of tough summer afternoon walks across the flank of a mountain, stony paths, exposed to an uncompromising sun.
This time, there’s no question of freeing yourself from artifice to taste simple joys. Instead there is the promise of meeting a freedom head-on as an outer limit of the self and of the human, an internal overflowing of a rebellious Nature that goes beyond you. Walking can provoke these excesses: surfeits of fatigue that make the mind wander, abundances of beauty that turn the soul over, excesses of drunkenness on the peaks, the high passes (where the body explodes). Walking ends by awakening this rebellious, archaic part of us: our appetites become rough and uncompromising, our impulses inspired. Because walking puts us on the vertical axis of life: swept along by the torrent that rushes just beneath us. What I mean is that by walking you are not going to meet yourself. By walking, you escape from the very idea of identity, the temptation to be someone, to have a name and a history. Being someone is all very well for smart parties where everyone is telling their story, it’s all very well for psychologists’ consulting rooms. But isn’t being someone also a social obligation which trails in its wake – for one has to be faithful to the self-portrait – a stupid and burdensome fiction? The freedom in walking lies in not being anyone; for the walking body has no history, it is just an eddy in the stream of immemorial life.
Walking causes a repetitive, spontaneous poetry to rise naturally to the lips, words as simple as the sound of footsteps on the road. There also seems to be an echo of walking in the practice of two choruses singing a psalm in alternate verses, each on a single note, a practice that makes it possible to chant and listen by turns. Its main effect is one of repetition and alternation that St Ambrose compared to the sound of the sea: when a gentle surf is breaking quietly on the shore the regularity of the sound doesn’t break the silence, but structures it and renders it audible. Psalmody in the same way, in the to-and-fro of alternating responses, produces (Ambrose said) a happy tranquillity in the soul. The echoing chants, the ebb and flow of waves recall the alternating movement of walking legs: not to shatter but to make the world’s presence palpable and keep time with it. And just as Claudel said that sound renders silence accessible and useful, it ought to be said that walking renders presence accessible and useful.
An author who composes while walking, on the other hand, is free from such bonds; his thought is not the slave of other volumes, not swollen with verifications, nor weighted with the thought of others. It contains no explanation owed to anyone: just thought, judgement, decision. It is thought born of a movement, an impulse. In it we can feel the body’s elasticity, the rhythm of a dance. It retains and expresses the energy, the springiness of the body. Here is thought about the thing itself, without the scrambling, the fogginess, the barriers, the customs clearances of culture and tradition. The result will not be long and meticulous exegesis, but thoughts that are light and profound. That is really the challenge: the lighter a thought, the more it rises, and becomes profound by rising – vertiginously – above the thick marshes of conviction, opinion, established thought. While books conceived in the library are on the contrary superficial and heavy. They remain on the level of recopying.
the joy of walking and feeling the body advancing ‘like a man alone’; the fullness of feeling alive. And then happiness, before the spectacle of a violet-shadowed valley below the beams of the setting sun, that miracle of summer evenings, when for a few minutes every shade of colour, flattened all day by a steely sun, is brought out at last by the golden light, and breathes. Happiness can come later, at the guesthouse, in the company of others staying there: people met there, happy to find themselves together for a moment through chance. But all of that involves receiving.
Joy is not the satisfied contemplation of an accomplished result, the emotion of victory, the satisfaction of having succeeded. It is the sign of an energy that is deftly deployed, it is a free affirmation: everything comes easy. Joy is an activity: executing with ease something difficult that has taken time to master, asserting the faculties of the mind and the body. Joys of thought when it finds and discovers, joys of the body when it achieves without effort. That is why joy, unlike pleasure, increases with repetition, and is enriched. When you are walking, joy is a basso continuo. Locally, of course, you may run into effort and difficulty. You will also find immediate moments of contentment: a proud gaze backwards to contemplate the long steep plunge of the slope behind you. Those satisfactions, though, too often present an opportunity to reintroduce quantities, scores, figures (which track? how long? what altitude?). And walking becomes a competition. That is why expeditions in high mountain country (conquering peaks, each one a challenge) are always slightly impure: because they give rise to narcissistic gratification. What dominates in walking, away from ostentation and showing off, is the simple joy of feeling your body in the most primitively natural activity.
When walking in this mode we discover the immense vigour of starry night skies, elemental energies, and our appetites follow: they are enormous, and our bodies are satisfied. When you have slammed the world’s door, there is nothing left to hold you: pavements no longer guide your steps (the path, a hundred thousand times repeated, of the return to the fold). Crossroads shimmer like hesitant stars, you rediscover the tremulous fear of choosing, a vertiginous freedom.
Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.
But just a vibration among the trees and stones, on the paths. Walking to breathe in the landscape. Every step an inspiration born to die immediately, well beyond the oeuvre. I like to walk at my ease, and to stop when I like. A wandering life is what I want. To walk through a beautiful country in fine weather, without being obliged to hurry, and with a pleasant prospect at the end, is of all kinds of life the one most suited to my taste.
But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.
Thoreau: ‘The West of which I speak is but another name for the Wild; and what I have been preparing to say is, that in Wildness is the preservation of the world.’ That is why walking leads to a total loss of interest in what is called – laughably no doubt – the ‘news’, one of whose main features is that it becomes old as soon as it is uttered. Once caught in the rhythm, Thoreau says, you are on the treadmill: you want to know what comes next. The real challenge, though, is not to know what has changed, but to get closer to what remains eternally new. So you should replace reading the morning papers with a walk. News items replace one another, become mixed up together, are repeated and forgotten. But the truth is that as soon as you start walking, all that noise, all those rumours, fade out. What’s new? Nothing: the calm eternity of things, endlessly renewed.
Perhaps the itinerant monks called ‘Gyrovagues’ were especially responsible for promoting this view of our condition as eternal strangers. They journeyed ceaselessly from monastery to monastery, without fixed abode, and they haven’t quite disappeared, even today: it seems there are still a handful tramping Mount Athos. They walk for their entire lives on narrow mountain paths, back and forth on a long repeated round, sleeping at nightfall wherever their feet have taken them; they spend their lives murmuring prayers on foot, walk all day without destination or goal, this way or that, taking branching paths at random, turning, returning, without going anywhere, illustrating through endless wandering their condition as permanent strangers in this profane world.
When one has walked a long way to reach the turning in the path that discloses an anticipated view, and that view appears, there is always a vibration of the landscape. It is repeated in the walker’s body. The harmony of the two presences, like two strings in tune, each feeding off the vibration of the other, is like an endless relaunch. Eternal Recurrence is the unfolding in a continuous circle of the repetition of those two affirmations, the circular transformation of the vibration of the presences. The walker’s immobility facing that of the landscape … it is the very intensity of that co-presence that gives birth to an indefinite circularity of exchanges: I have always been here, tomorrow, contemplating this landscape.
forest paths – flat labyrinths – and gentle plains invite the walker’s body to softness, to languor. And memories arise like eddying mists. The air is more bracing with Nietzsche, and above all sharp, transparent. The thought is trenchant, the body wide awake, trembling.
Zhuang Zhu also meant that the feet as such are small pieces of space, but their vocation (‘walking’) is to articulate the world’s space. The size of the foot, the gap between the legs, have no role, are never lined up anywhere. But they measure all the rest. Our feet form a compass that has no useful function, apart from evaluating distance. The legs survey. Their stride constitutes a serviceable measurement.
In the history of walking, many experts considering him (Wordsworth) the authentic originator of the long expedition. He was the first – at a time (the late eighteenth century) when walking was the lot of the poor, vagabonds and highwaymen, not to mention travelling showmen and pedlars – to conceive of the walk as a poetic act, a communion with Nature, fulfilment of the body, contemplation of the landscape. Christopher Morley wrote of him that he was ‘one of the first to use his legs in the service of philosophy’.
Don’t sit at home and wait for mango tree to bring mangoes to you wherever you are. It won’t happen. If you are truly hungry for change, go out of your comfort zone and change the world.
Chaos brings movement to whatever is stagnant in your life. Stagnation leads to apathy, numbness, illness, suffering, etc. Be grateful for the situations in your life that may seem chaotic in the present moment, and realize that, in the greater scheme of things, chaos is Spirit giving you an opportunity… or possibly pushing you to move, grow, and be in the flow.
We are all glorified motion sensors.Some things only become visible to us when they undergo change.We take for granted all the constant, fixed things, and eventually stop paying any attention to them. At the same time we observe and obsess over small, fast-moving, ephemeral things of little value.The trick to rediscovering constants is to stop and focus on the greater panorama around us. While everything else flits abut, the important things remain in place.Their stillness appears as reverse motion to our perspective, as relativity resets our motion sensors. It reboots us, allowing us once again to perceive.And now that we do see, suddenly we realize that those still things are not so motionless after all. They are simply gliding with slow individualistic grace against the backdrop of the immense universe.And it takes a more sensitive motion instrument to track this.
The more I can accept the fact that change is moving all the time, and that the change I am experiencing right now is just the change of this moment and that this moment will change into the next and the next, the less need I will have to clutch in fear.
Emotions have their own movement. They move like waves: huge tsunami waves, choppy rapids, or long slow tides. The best way I know to work with emotion, especially strong and difficult emotion is to let it move like a wave, allow it to complete its movement and, eventually, to leave. If the movement gets held back, if it gets trapped and stagnates, or an inner turbulence stirs, the unexpressed emotion and grief can turn into physical illness, fatigue, depression, anxiety, or other displaced emotion.
Whenever you are angry, take a beautiful object in your house and smash it to pieces. The pity you feel for what you have done is silly compared to what you are doing to your mind: taking a sacred moment to be alive and desecrating it by being angry.
If you move enough, your muscles change and grow. So does your mind. The brain initiates movement. But it is, in its turn, remade by movement. New cells are born; new vessels sprout. The same process operates body-wide. No cell in your body is unaffected by motion. Your very DNA is changed.
One day, this Establishment will fall. It will not do so on its own terms or of its own accord, but because it has been removed by a movement with a credible alternative that inspires. For those of us who want a different sort of society, it is surely time to get our act together.
She had what the Councillor knew, in the technical language of the ballet, as "ballon", a lightness that is not only the negation of weight, but which actually seems to carry upwards and make for flight, and which is rarely found in thin dancers - as if the matter itself had here become lighter than air, so that the more there is of it the better it works.
It’s is good you are about something. But wait and ask, “why and how?”. Without “whys and hows”, not every energetic movement can be called progress.
Every day, I take steps to resolve all my karmic ties, live with intention, smile and laugh often, express my love, and act on what brings me fulfillment. Why wait until we have one foot in the grave to suddenly become spiritual, forgiving, and at peace with the world?
Veganism is about nonviolence. It is about not engaging in harm to other sentient beings; to oneself; and to the environment upon which all beings depend for life. In my view, the animal rights movement is, at its core, a movement about ending violence to all sentient beings. It is a movement that seeks fundamental justice for all. It is an emerging peace movement that does not stop at the arbitrary line that separates humans from nonhumans.
Dance is the timeless interpretation of life.
One step, two steps, three steps; like winds of time experience joy of centuries, when movements become revelations of the dance of destinies.
Make dance the mission every moment seeks to accomplish.
Life is an affair of mystery; shared with companions of music, dance and poetry.
Dance as the narration of a magical story; that recites on lips, illuminates imaginations and embraces the most sacred depths of souls.
Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.
Dance to inspire, dance to freedom, life is about experiences so dance and let yourself become free.
Dance is the ritual of immortality.
If you opened the dictionary and searched for the meaning of a Goddess, you would find the reflection of a dancing lady.
DANCE – Defeat All Negativity (via) Creative Expression.
She who is a dancer can only sway the silk of her hair like the summer breeze.
Transcend the terrestrial; surpass the celestial, from nature’s hands when you receive the sublime pleasures of dance.
Dance is that delicacy of life radiating every particle of our existence with happiness.
Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.
We breathe too fast to be able to grasp things in themselves or to expose their fragility. Our panting postulates and distorts them, creates and disfigures them, and binds us to them. I bestir myself, therefore I emit a world as suspect as my speculation which justifies it; I espouse movement, which changes me into a generator of being, into an artisan of fictions, while my cosmogonic verve makes me forget that, led on by the whirlwind of acts, I am nothing but an acolyte of time, an agent of decrepit universes. (...)If we would regain our freedom, we must shake off the burden of sensation, no longer react to the world by our senses, break our bonds. For all sensation is a bond, pleasure as much as pain, joy as much as misery. The only free mind is the one that, pure of all intimacy with beings or objects, plies its own vacuity.
The perpetual movement of the water, rolling from and to unknown destinations, the voices of the sea shield us from the raging furies and shrieking sounds of dystopian surroundings, creating an unwinding veil for stilled happiness, acquainting us with the gentle, cosmic rhythms of an extraneous world. They are a soothing relief and let us listen to the voices of our inner world. ("Voices of the sea" )
It is when things are at their worst that Allah will raise the best generation. The generation that the Prophet would be told Sahabat should look up to. So maybe the fact that you are living in the darkest of time means that Allah thinks you can be the strongest source of light.Allah thinks you -- you -- were born for this time. That's Allah's decision. Which means you have something significant to offer the world. You have some serious trees to plant. And you have to not get overwhelmed with the news around you. Even if dajjal is tapping you on the shoulders. Say (to Dajjal), "Hold on, I'm planting a tree". You do what you gotta do. You gotta focus.
As a black woman interested in feminist movement, I am often asked whether being black is more important than being a woman; whether feminist struggle to end sexist oppression is more important than the struggle to racism or vice versa. All such questions are rooted in competitive either/or thinking, the belief that the self is formed in opposition to an other...Most people are socialized to think in terms of opposition rather than compatibility. Rather than seeing anti-racist work as totally compatible with working to end sexist oppression, they often see them as two movements competing for first place.
May be the power lies in the hands of the one who holds the gun... so he just presses the trigger whenever the slightest streak of anger passes his mind... and after a few haunting days he roams freely in the country without fear .. and what about the one who faces the wrath and bears the bullets? He leaves a movement behind... but haven't such movements always been ephemeral? Is death the price you need to pay to open the eyes of those who care but just for a couple of days?
Know, child, that the One God—He is so vast that He cannot be moved, else the Universe falls. Nor can He answer, for the very act of opening His Mouth is Movement, indeed the greatest Act of all, for it is the Word. And this is precisely why He has made an infinity of lesser gods, creating them in His own image, so that we can do the lesser things on His behalf. We are His hands and arms and feet and mouths. We are His answers to your prayers, enacted along the great Framework of Being.
Such is life, imaginary or otherwise: a continuous parting of ways, a constant flux of approximation and distanciation, lines of fate intersecting at a point which is no-time, a theoretical crossroads fictitiously 'present,' an unstable ice floe forever drifting between was and will be.
For action, whatever its immediate purpose, also implies relief at doing something, anything, and the joy of exertion. This is the optimism that is inherent in, and proper and indispensable to action, for without it nothing would ever be undertaken. It in no way suppresses the critical sense or clouds the judgment. On the contrary this optimism sharpens the wits, it creates a certain perspective and, at the last moment, lets in a ray of perpendicular light which illuminates all one's previous calculations, cuts and shuffles them and deals you the card of success, the winning number.
Mindfulness & Meditation help focus on the moment while at the same time knowing we cannot capture that moment, we are in a flow of moments we let flow. We can watch moments in detail without being attached to them. Non-attachment to past & future stems from this practice. Worry about past or future is wasted energy, however we can observe the past & learn from it without agonising over it & trust ourselves to handle the future better. We can celebrate the opportunity to grow as we gain understanding from observation & experience. We can watch ourselves & avoid being caught up in over-reactions. "I am loved, right now, in this moment, I love, and am part of love itself. I am aware of myself at every level - the mental slowing gracefully to sense the spiritual within & all around, and the physical being still, or moving. I tune in to the flow of life in my body & the flow of life everywhere. I circulate love with each breath - from without to within & from within to all around.
Have you ever walked along a beach? You walk towards something in the distance. For the longest while it never seems to get any closer even though you are walking and walking. Then all of a sudden, you are there. You’ve arrived at last. That's what grief is like. Meanwhile we are running with you in the spray of the surf at the edge of the shore where the sand meets the sea. We are cheering you on.
He imagines the water running in thick curving lines, like the drawings of the tree’s roots, cutting through stone and spilling over the earth. And then he reverses the flow of water, letting his imagination take over, and he sees the water racing north, uphill, towards the Catskills, weaving around towns, beneath bridges, rushing over stones and cutting through the trees, until it lands at the feet of Alice Pearson, who stands on the shore, looking out at the place where the water meets the sky.
Can you start a movement in your land that will encourage men and women to begin to think, to begin to make sound judgment and informed decisions? Will you bring illumination to your people? Will you facilitate understanding amidst those whom you live with? The earth is crying for people who make sound judgment and informed decisions
Do you have any idea how mad you sound?’‘Indeed I do. I have in moments of doubt considered the question of my sanity.’ (...)‘And?’‘Then I consider what a piece of work is man. How defective in reason, how mean his facilities, how ugly in form and movement, in action how like a devil, in apprehension how like a cow. The beauty of the world? The paragon of animals? To me the quintessence of dust.
Going in the company of negative people is just like having thick muddy soil underfoot... They will only draw you back if you don't tear them off! Move out of your current disposal with the intention of getting to your true destination!
The volume of your impacts is measured by the direction of your movements, the passion with which you inspire and the attitudes by which you make an influence!
You may have the greatest vision, plans or goals as you may term it. You can call it Vison 2020, Vision 2045 or whatever. But remember, not work is done unless a distance is covered!
Hands are difficult. You would think they would be just five quick lines, but no, they have personalities as intimate as faces. Elizabeth's hands, for instance—they are fine hands, with long fingers that remind me of tapered candles. A person one has loved—the memory of their hands. Did they flutter or sit still? Dry? Moist? Cool on a hot forehead? What? That is what I wish to express in my paintings. The memory—of the movement—of very particular hands, even though they appear to be unmoving on canvas.
One wants never to give up this crystalline perspective. One wants to keep counterpositioning home with what one knows of alternative realities, as they exist in Tunis or Hyderabad. One wants never to forget that nothing here is normal, that the streets are different in Wisebaden, and Louyang, that this is just one of many possible worlds.
Sometimes in the evening on Summer days,Even when there’s not a breeze at all, it seemsLike there’s a light breeze blowing for a minuteBut the trees are unmovingIn every leaf of their leavesAnd our feelings have had an illusion,An illusion of what would please them...
Gray.The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me.Gray...
A swirl of dust and dirt picked up from the shadows that fell over everything in this grungy corner of the world. The dancing movement was hypnotizing. The sand and grit had rested long enough to have drifted into obscurity. But fate had different plans, and this gust of wind had lifted them and turned their obscure and unknown existence into a chaotic tempest of action that could not be ignored.
Yes, movies! Look at them — All of those glamorous people — having adventures — hogging it all, gobbling the whole thing up! You know what happens? People go to the movies instead of moving! Hollywood characters are supposed to have all the adventures for everybody in America, while everybody in America sits in a dark room and watches them have them! Yes, until there's a war. That's when adventure becomes available to the masses! Everyone's dish, not only Gable's! Then the people in the dark room come out of the dark room to have some adventures themselves — Goody, goody! — It's our turn now, to go to the south Sea Island — to make a safari — to be exotic, far-off! — But I'm not patient. I don't want to wait till then. I'm tired of the movies and I am about to move!
I lay down across her with my face in her breasts and my hand on her. We lay there without moving. But under us all moved, and moved us, gently, up and down, and from side to side.(Pause. Krapp's lips move. No sound.)Past midnight. Never knew such silence. The earth might be uninhabited.
A clock that is moving through space at a very fast speed does not tick at the same rate as a slow-moving watch gently attached to your wrist as you stroll on a tropical beach. The idea of a universal time - a godlike clock that could somehow sit outside our universe and measure, in one go, the movement of everything in it, how its evolution unfolds, how old it is and all that - does not exist.
Waking up in the same place in which you dozed off has never happened either to you or to anyone else. Ever. Earth does not stop moving when you sleep. Every hour that passes, Earth travels a little more than 800,000 kilometres around the centre of our galaxy. And so do you. That's the equivalent of about twenty trips around the planet. Every hour. No one minds, though, as long as their bed stays still beneath their body.
So when I watch trains, it makes me think about how much movement there is in the world. How every train has dozens of cars and every car has hundreds of parts, and all those parts and cars work day after day. And then there are all these other motions. People are born and die. Seasons change. Rivers flow to the sea. Earth circles the sun and the moon circles Earth. Everything whirring and spinning toward something. And I get to be part of it for a little while, the way I get to watch a train for a minute or two, and then it's gone.
What if racism is so perfect, it made you believe the boycotting and peaceful protests of the civil rights movement actually changed policies, but in actuality policies were gonna change anyway."Hell, let them sit whereever they want on the bus. Just don't sit with them. Let them into our schools, the teachers will still teach from a eurocentric curriculum anyway. Let them eat with us, they'll need the energy and strength to build our homes."Racism is a perfect system with an impenetrable barrier.
Sometimes it’s only in the ecstasy of unrepressed movement that we may enter the stillness of our authentic selves. In such sacred moments, the world seems to be in step. This is why the idea of finding love across the dance floor endure — symbolizing that, when we know the true rhythm of our heart, we know the other.
In the Bay, whenever I got depressed, I always drove out to the Ocean Beach. Just to sit. And, I don't know, something about looking at water, how it just goes and goes and goes, something about that I found very soothing. As if somehow I were connected to every ripple that was sending itself out and out until it reached another shore.
Our Victrola stood in the diningroom. I was allowed to climb onto the seat of a diningroom chair to wind it, start the record turning, and set the needle playing. In a second I'd jumped to the floor, to spin or march around the room as the music called for - now there were all the other records I could play too. I skinned back onto the chair just in time to lift the needle at the end, stop the record and turn it over, then change the needle. Winding up, dancing, being cocked to start and stop the record, was of course, all in one the act of listening. Movement must be at the very heart of listening.
The first morning I really sat and watched him it was a Tuesday. I know that because Tuesday is trash day for our neighborhood. Unlike me, he leaves gathering up his trash for the morning of pickup instead of doing it the night before. My alarm went off at 6 AM and I went in to start the coffee maker, and as I went about selecting a bit of fruit from the bowl on my kitchen table I looked out the window. It was just a casual glance, and the human eye is attracted to movement.
Moving provides meaning for our humble (if still vicious) life of four-dimensional existence. Four-dimensional existence makes the frightening fox hunt into an entertainment, or war into a pastime or a sport. Even when evil is dull and monotonous, there tends to be a lot of movement, action and entertainment involved. Maybe movies are evil.
Imagination is haunted by the swiftness of the creatures that live on the mountain - eagle and peregrine falcon, red deer and mountain hare. The reason for their swiftness is severely practical: food is so scarce up there that only those who can move swiftly over vast stretches of ground may hope to survive. The speed, the whorls and torrents of movement, are in plain fact the mountain's own necessity. But their grace is not necessity. Or if it is - if the swoop, the parabola, the arrow-flight of hooves and wings achieve their beauty by strict adherence to the needs of function - so much the more is the mountain's integrity vindicated. Beauty is not adventitious but essential.
There are people who put their dreams in a little box and say "Yes I've got dreams of course I've got dreams." Then they put the box away and bring it out once in a while to look in it and yep they're still there. These are great dreams but they never even get out of the box. It takes an uncommon amount of guts to put your dreams on the line to hold them up and say "How good or how bad am I?" That's where courage comes in.
In photographs taken from the sky, cities resembled circuit boards. It was no surprise, really, that there were sparky misfirings, dangerous connections. Even traffic, Alice concluded, set up a kind of static in the air, let loose vibrations and uncontainable agitation. Freighted with more than they could absorb, with city intentions, citizens moved in designs of inexplicable purpose.