It often occurs that pride and selfishness are muddled with strength and independence. They are neither equal nor similar; in fact, they are polar opposites. A coward may be so cowardly that he masks his weakness with some false personification of power. He is afraid to love and to be loved because love tends to strip bare all emotional barricades. Without love, strength and independence are prone to losing every bit of their worth; they become nothing more than a fearful, intimidated, empty tent lost somewhere in the desert of self.
Know that it is a corpse who loves you and adores you and will never, never leave you!...Look, I am not laughing now, crying, crying for you, Christine, who have torn off my mask and who therefore can never leave me again!...Oh, mad Christine, who wanted to see me!
The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can't be any large-scale revolution until there's a personal revolution, on an individual level. It's got to happen inside first.
There’s no such thing as a good or bad person: there are just people who have each been or seem to have been good or bad to you, someone, or some people, thus far.
Ask anyone and they'll most likely say their family is crazy, and if they don't say their family is crazy, their friends are crazy. That's because everyone is crazy after taking the mask off. People are most themselves when not really trying to fit in, when either alone or around those already closest to them, and that is crazy.
Have the courage to take off your mask and be humbled.
He was like one of those pictures full of small errors, the kind you could only pick out by searching the image from every angle, and even then, a few always slipped by. On the surface, Eli seemed perfectly normal, but now and then Victor would catch a crack, a sideways glance, a moment when his roommate's face and his words, his look and his meaning, would not line up. Those fleeting slices fascinated Victor. It was like watching two people, one hiding in the other's skin. And their skin was always too dry, on the verge of cracking and showing the color of the thing beneath.
First, create your ego. Then destroy it. This is all of life.
It was as if he had two faces, one of utmost calm, one of furious action; and he wore both with ease. He was like the animal whose face he wore, able to sit in silence for hours, without moving a muscle, then flying like a raging storm into battle, returning again to perfect calm when the fight was over.
Everybody is equally weak on the inside, just that some present their ruins as new castles and become kings –
To be inspired is great, but to inspire is an honor.
I always am in a role, lovely – for you, for them – even for myself. Yeah... Even when I’m alone, I am still in a role – and I myself am the most exacting audience I have ever had.
Even I don’t know myself... In fact, I don’t know if I really have a self at all, as I’m constantly playing different roles and pretending – not so much on stage as in real life...
Emotions don’t interfere in my acting, nor in my life.
Everyone wears masks.They come in all different shapes and sizes.The only problem with trying one on is that it fits. How easily we fall into the trap that we don’t have to be who we really are.How easily we convince ourselves that we need to cover up what we were born to be.It’s a tragedy that fear keeps us from our destiny.It’s hell when the person you were created to be is covered up by some cheap imposter
Tapping While Peeling, Back These Masks Stained With Stars…This Ashtrays My Heart, Colored In Filters Sucked Dry From The High, The Lipsticked & Famous, The Lovers The Haters, The Bent Or Those Who Live In The Cage…With Vision Sealed Tight Denying All Light...Left Only With Assumption From A Judge In Sleep State...
March 1898What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul.They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike!They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels.I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring...I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive.Their vitreous eyes were looking at me...I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting.Am I to be haunted by masks now?
Ephraim lifted the top of the trunk. Neatly stacked were mementoes from what seemed like hundreds of journeys. Right on top was an etching of the Eiffel tower next to an African mask that looked at him with surprised eyes. He reached in a little deeper and unearthed a small teapot decorated with blue drawings just like the kind his grandmother collected and kept in a locked china cabinet.
And I wasn’t playing a role – I was trying to be myself.But the harder I was striving, the more I was realizing that I had probably lost that ‘myself’ somewhere between two perfectly performed roles...
As you recover, you will find yourself letting go of many of your negative beliefs. You will discover that many of the so-called truths you were raised with and forced to believe are not truths at all. With this perspective, you will come to see, for example, that the names you were called as a child are simply not true. You are not ‘stupid,’ ‘lazy,’ ‘ugly,’ or a ‘liar’. You can discover just who you really are. You can let go of your pretenses and masks and discover who the real person is underneath.
We all wear masksto veil the truth.Truth is nakedness.Truth is fear.Truth is the gardener making you sit on his lapasking you tolight his cigarette.Truth is father— with a limp cigarette on his lips —telling you to never use his matches to light it for him.Truth is father yelling:"It is not nice for little girls to do so”.Truth is a curious girlwanting to ignite a matchlike a woman.Truth is the maid watching from the kitchen,knowing.But knowing isn’t truth.Truth is the maid calling:Come. Come.Truth is the gardener understanding. But understanding isn’t truth.Truth is the maid saying,"Stay away!"Truth is a girl thinking she is in control.That nothing happened, nothing bad.But the truest truthis a girl knowing, a girl understanding thaton that daysomeone stole a little piece of her truth.
We might feel that we must demonstrate explicitly when we’re upset, or not upset. This perceived need may stem from our family of origin, from how we learned to be heard when a simple “no” wasn’t enough. We may have learned to mask certain feelings, or portray feelings that weren’t ours. But as adults we each need to learn to state our personal truth without having to prove it or shout it.
Most men who very seldom say a moral thing, very seldom do a wrong thing. Their immorality is simply a pose, an image that serves to differentiate them from the ‘morally perfect masses’. And as opposite to it, most men who very frequently say a moral thing, very frequently do a wrong thing. Their morality is simply a mask in order to gain the respect of the masses.
In fact the "mask" theme has come up several times in my background reading. Richard Sennett, for example, in "The Corrosion of Character: The Personal Consequences of Work in the New Capitalism", and Robert Jackall, in "Moral Mazes: The World of Corporate managers", refer repeatedly to the "masks" that corporate functionaries are required to wear, like actors in an ancient Greek drama. According to Jackall, corporate managers stress the need to exercise iron self-control and to mask all emotion and intention behind bland, smiling, and agreeable public faces. Kimberly seems to have perfected the requisite phoniness and even as I dislike her, my whole aim is to be welcomed into the same corporate culture that she seems to have mastered, meaning that I need to "get in the face" of my revulsion and overcome it. But until I reach that transcendent point, I seem to be stuck in an emotional space left over from my midteen years: I hate you; please love me.
The essence of true love is mutual recognition-two individuals seeing each other as they really are. We all know that the usual approach is to meet someone we like and put our best self forward, or even at times a false self, one we believe will be more appealing to the person we want to attract. When our real self appears in its entirety, when the good behavior becomes too much to maintain or the masks are taken away, disappointment comes. All too often individuals feel, after the fact-when feelings are hurt and hearts are broken-that it was a case of mistaken identity, that the loved one is a stranger. They saw what they wanted to see rather than what was really there.
Here is the life you have tried to throw away. Here is your second chance. Here is the destiny you have tried to shake off by inventing a hundred false roles, a hundred false identities for yourself. It will look at first like disaster, but is really good fortune in disguise, since fate too knows how to follow your evasions through a hundred forms of its own. Now you will become at last the one you intended to be.
But in the morning I would always rise and polish the surface of myself, a gleaming, confident young woman, an excellent student and good daughter starting her fourth year at the university, moving smoothly through the world, and even though inside the chaos scraped and railed I would push it into the crevices of the day so it could not be detected.
How beautiful the tragic seems when it is beneath a mask, but when it appears so nakedly before me and... when I am so forcibly implicated... I don't know whether I care for it so much. Somehow or other it is as though I were torturing myself.("Thirty-Three Abominations")
I wonder. If I had you wear that mask today, Anne, would you find the courage to tell me what is troubling you?" Anne would very much have liked to confide in her father, but where in the world would she begin? He leaned over and whispered in her ear. "I will tell you a secret, my dear. All of my children are shy. They have simply learned the art of wearing masks.
Let's don't join the mask to say the truth and without a mask to say the lie. DON't BE a such pussy, people which are an idiots, stupid and... they do this. You aren't one of them, unless you join them and you be part of them. Truth always goes with us, it follows and always can be found, the lie is just masks, one over another, over another and what happens in the end... You even don't know with which guy did you sleep, was this guy with you yesterday or you were in date with other??