As for the piano, the faster her fingers flew over it, the more he marveled. She struck the keys with aplomb and ran from one end of the keyboard to the other without a stop.

The smooth folds of her dress concealed a tumultuous heart, and her modest lips told nothing of her torment. She was in love.

Motionless we traverse countries we fancy we see, and your thought, blending with the fiction, playing with the details, follows the outline of the adventures. It mingles with the characters, and it seems as if it were yourself palpitating beneath their costumes.

One's duty is to feel what is great, cherish the beautiful, and not accept all the conventions of society with the ignominy that it imposes upon us.

I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. No matter how many times we reopen 'King Lear,' never shall we find the good king banging his tankard in high revelry, all woes forgotten, at a jolly reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert's father's timely tear. Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them.

Deep in her soul, however, she was waiting for something to happen. Like a sailor in distress, she would gaze out over the solitude of her life with desperate eyes, seeking some white sail in the mists of the far-off horizon. She did not know what this chance event would be, what wind would drive it to her, what shore it would carry her to, whether it was a longboat or a three-decked vessel, loaded with anguish or filled with happiness up to the portholes. But each morning, when she awoke, she hoped it would arrive that day, and she would listen to every sound, spring to her feet, feel surprised that it had not come; then at sunset, always more sorrowful, she would wish the next day were already there.

One thinks of nothing,’ he continued; ‘the hours slip by. Motionless we traverse countries we fancy we see, and your thought, blinding with the fiction, playing with the details, follows the outline of the adventures. It mingles with the characters, and it seems as if it were yourself palpitating beneath their costumes.

I have often thought that Walter Mitty had it in him to be more than a hen-pecked loser. Instead of living it up as a flamboyant daredevil in his dreams, he could have chosen to be a responsible man in real life, going about his work with dignity, and people may just have treated him with respect. Did his failures in life lead him to seek solace in daydreams or did his wandering mind stand in the way of his potential success? One must have triggered the other, and then it would have been both working together. An empty life drives you to fantasies of fulfilment, which then form a deadly, vicious circle which can turn you into a cartoon, as it did poor Mitty. Or lead you to ruin like Madame Bovary.

[T]he truth is that fullness of soul can sometimes overflow in utter vapidity of language, for none of us can ever express the exact measure of his needs or his thoughts or his sorrows; and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.