You thought you had the choice to stay still or move forward, but your didn't. As long as your heart kept pumping an your blood kept blowing and your lungs kept filling, you didn't. The pang she felt for Tibby carried something like envy. You couldn't stand still for anything short of death, and God knew she had tried.
I was mistaken when I said you live in my heart. How absurd I was when you live in my fingertips so that everything I touch is you. How foolish I was when you live in my toes so that everywhere I go there's you. How senseless of me to say you live in my heart when you breathe in my lungs, walk on my mind, and drink in my mouth. I came to pen another poem for you, but even every unwritten poem is you.
Eyes and ears are two.Lungs and kidneys, too.I wonder thenwhy we're born with oneheart that skips a beat when hay is here,and beats quickly when you are near.One heart that cracks when you are far, lie to me and leave a scar.I wonder thenwhy we're born with oneheart that gets broken.Was I supposed to find you then?So your heart would make one plus one is twofor me andtwo for you.
I count everything. Even numbers, odd numbers, multiples of 10. I count the ticks of the clock i count the tocks of the clock I count the lines between the lines on a sheet of paper. I count the broken beats of my heart I count my pulse and my blinks and the number of tries it takes to inhale enough oxygen for my lungs. I stay like this I stand like this I count like this until the feeling stops. Until the tears stop spilling, until my fists stop shaking, until my heart stops aching. There are never enough numbers.
Fifteen years ago I had an odd dream. In it, a medicinal plant that I was interested in, an Usnea lichen that is ubiquitous on trees throughout the world, told me that while it was good for healing human lungs it was primarily a medicine for the lungs of the planet, the trees. When I awoke, I was amazed. It had never occurred to me in quite that way that plants have some life and purpose outside their use to human beings.
I do not know what inspires the image of a fish but it comes to me, wide eyed, open mouthed and gaping, glimmering, swimming towards me as though a creature of the darkness come to claim me. I imagine it in a twinkling blue pool. It swims through the dark currents of the sea, gliding above sea weed, beneath sunlight, augmenting and shying away from the surface. It belongs to this element between land and sky, sifts through it, a creature of the deep. My mind drifts, fades, but then comes back to the fish: its glimmering scales, its strange beady eyes. Its body is contained within the water. It opens its mouth, moving it open and closed as though it’s trying to speak a language I never learned. I think about the fish’s lungs, full of water. Is not the sea contained within the fish, too?