I have been finding treasures in places I did not want to search. I have been hearing wisdom from tongues I did not want to listen. I have been finding beauty where I did not want to look. And I have learned so much from journeys I did not want to take. Forgive me, O Gracious One; for I have been closing my ears and eyes for too long. I have learned that miracles are only called miracles because they are often witnessed by only those who can can see through all of life's illusions. I am ready to see what really exists on other side, what exists behind the blinds, and taste all the ugly fruit instead of all that looks right, plump and ripe.
Jesus Christ is the source—the only source—of meaning in life. He provides the only satisfactory explanation for why we’re here and where we’re going. Because of this good news, the final heartbeat for the Christian is not the mysterious conclusion to a meaningless existence. It is, rather, the grand beginning to a life that will never end. That same Lord is waiting to embrace and forgive anyone who comes to Him in humility and repentance. He is calling your name, just as He called the name of Pete Maravich. His promise of eternal life offers the only hope for humanity. If you have never met this Jesus, I suggest that you seek spiritual counsel from a Christian leader who can offer guidance. You can also write to me, if that would help. Thanks for reading along with me. I hope to meet you someday. If our paths don’t cross this side of heaven, I’ll be looking for you in that eternal city. By all means, Be there!
Looking but not seeing is the hearing but not understanding of the eye.
It's not that we spend five days looking forward to just two. It's that most people do what they enjoy most on those two days. Imagine living a life where everyday are your Saturdays and Sundays. Make everyday your weekend. Make everyday a play-day…
Maybe we're just falling stars, we once danced in the same skyline looking down at the world. And we've fallen like all others, from near and far, we've gathered together, but separated by time and space, keeping a part of that light that we've came with and spreading it in this dark world that we've chosen to live in, in order to shine some light and love around. Maybe we've chosen to believe one truth today, and find it to be false tomorrow. Maybe we're trying to not get attached to the idea that we now know it all. At night, we see the truth of where we've fallen from, gazing in that night sky full of distant stars, constellations, planets, the reflection of the sun on the moon, all with their own stories to tell. Sometimes we wonder why would we leave such a mysterious place, with an infinite amount of stories and wonders. Maybe it's because as stars we could've only seen each other's light from afar, but here we can listen more carefully to each other's story, embrace each other and kiss, discover more and more of what can be seen when infinite star dust potential is put into one body and given freedom to walk the Earth and wander, love and enjoy every moment until coming back. Maybe in the morning, we'll only see one star shining up there and forget the others. Maybe that is also how life and death is, and the beauty of the sunrise and sunset that come in between, our childhood years and old years, when we reflect on the stars that we once were and that we will once again be. Maybe, just maybe.
Embrace contradictions for they make upall of life:You will eternally be looking for yourself andseeking ways to lose yourself.
Yesterday I watched a curious nightfall. The cloud ceiling took on a warm tone, deepened, and departed as if drawn on a leash. I could no longer see the fat snow flying against the sky; I could see it only as it fell before dark objects. Any object at a distance –like the dead, ivy-covered walnut I see from the bay window- looked like a black and white frontispiece seen through a sheet of white tissue. It was like dying, this watching the world recede into deeper and deeper blues while the snow piled; silence swelled and extended, distance dissolved, and soon only concentration at the largest shadows let me make out the movement of falling snow, and that too failed. The snow on the yard was blue as ink, faintly luminous; the sky violet. The bay window betrayed me, and started giving me back the room’s lamps. It was like dying, that growing dimmer and deeper and then going out.
Rylan!"Nadia and I turn our heads simultaneously towards the entrance to the living room as Tim Powers appears."Yeah?" I yell across the room.That's when I notice the expression on Power' face. A mixture of awe, amazement, appreciation, and a bit of jealousy."Your girlfriend's here," Tim informs me.He steps aside, and a goddess enters the room.It's been forever since I first had those dreams Ivy sent me with her in her disguise. But I still remember how she looks. Pale skin, long hair, bright-green eyes, and a model's figure. A perfect dream girl, who's now reality.Ivy smiles shyly as she steps into the room. Her skin is porcelain, unflawed and shiny. White-blind hair, straight and flowing, falls down her back and ends a little bit past her waist. She's not wearing her woven grass robe, but instead a dress mist likely altered from a piece of clothing from her clothes sack. It probably reached the floor at one point, with long sleeves, but the sleeves are gone and the skirt's been snipped away, leaving behind a green dress that shows off mile-long legs.But her face...all that pales in comparison to her face. Heart-shaped, with high cheekbones, an elegant nose, a well-shaped chin, and her lips—she's not covering them anymore—two shimmering, bright green pools I would be happy to drown in or go through. People believe the eyes are the window to your soul, and Ivy's soul is beautiful.
It doesn’t matter whether you are looking for a reason to be happy or sad, you will always find it.
As a panting Tracy Ferris scrambled into the life-pod, this thought was precisely what was running through her already agitated mind. From the very beginning of their association, she’d had a bad feeling about Brandon Carver. Something about that guy just never seemed to fit. Sure, he was good looking – but so were many of the other out of work space bums hitch-hiking from place to place she’d also had the misfortune to meet.
If you are looking for a job that may make you sick, I can recommend working at a high powered solar photovoltaic (PV) utility power plant.
That thing over there was more there than it’s there!Yes, sometimes I cry about the perfect body that doesn’t exist.But the perfect body is the bodiest body there can be,And the rest are the dreams men have,The myopia of someone who doesn’t look very much,
If you are looking at anything from one point, from one angle, you can never attain wisdom because wisdom is to see all the things from every point, from every angle!
LOOKINGThe world goes by, and what have I to do with it? I merely observe how the geese stretch their necks towards the orange rim of sky. I watch how light fades and children make their way home, hungry and tired. The bushes outside become ghosts while baths run and kitchen windows steam up with the cooking. This is the smell of our home, where I have a place in the wrinkled hours making beds and hugging boys awake. This is the sound of the house where I feel out lives into words, translate ragged nights and days into something whole, or try to. You may look if you wish..... The world goes by, and what have you or I to do with it, except perhaps for looking... ?
He’s dying!’ Doctor Cove, one of the ship’s two medical officers told me, looking at his med-scanner as he kneeled at the broken body of the only living Corsair on the black ship. I remember the look on his face as he told me – which seemed more to be puzzlement than actual concern. The man was a Corsair after all, and had injuries I could see, but he was conscious, and none of them looked fatal. But then, I’m no doctor. I never was any good at healing anything – and my job was doing the opposite, and I admit I’m pretty good at it. Always have been.
You can save hundred words with just one look!
Wonders amaze me. They can aim wanderlessly in any forest, be it of dark trees or lighted bushes. And apparently, as per what I’ve heard, they can buy stuff that’s on sale, but only if and when they feel wonderfully wonderful. Because otherwise they wouldn’t really be themselves, which would be a problem for them, because if they aren’t what they are - they can’t exist, and if they don’t exist – that makes them invisible and silent to all the wandering people, who may or may not be looking for them to sell themselves to.
i often sit and wonderi often sit and dreami often sit and waitfor the one that’s just for me i search the many facesin the crowds of people i see exploring, seeking,looking for, the one that it could be.is it Mister Blue Collar? is it Mister Too Clean? is it Mister Holy Onewhich was made for me? then i stop and thinkof the biggest catastrophe -what if this man i’m waiting fordoesn’t even recognize me?-LostInACrowd
Stop looking outside or at others for that which you seek of yourself.
...The editors of (i)Life(i) rejected Kerész'a photographs when he arrived in the United States in 1937 because, they said, his images 'spoke too much'; they made us reflect, suggested a meaning — a different meaning from the literal one. Ultimately, Photography is subversive not when it frightens, repels, or even stigmatizes, but when it is (i)pensive(i), when it thinks.
Your suffering needs to be respected. Don't try to ignore the hurt, because it is real. Just let the hurt soften you instead of hardening you. Let the hurt open you instead of closing you. Let the hurt send you looking for those who will accept you instead of hiding from those who reject you.
The survivor spoke to us though, or tried to. Mumbling through that matted brown beard of his, pale as death itself. I can’t say now if it was weakness from his wounds or what it was – but we struggled to understand him. In fact we got nothing intelligible from him at all then. He seemed afraid, like any dying man probably would be, but he did seem more terrified than any dying man I’ve seen before – and I’ve seen a few in my time. Let me tell you, Corsair or not, he grabbed whatever hand would hold his, and clenched it so tight his knuckles turned white! He kept fading out as we carried him on the stretcher board the medics brought with them. Looking back, I think he tried to warn us, poor bastard. He tried to tell us to leave him behind and go, but we wouldn’t listen. We thought we were better than the Corsairs, remember? We thought we would be all moral and upright and try to help him. ‘Don’t say I didn’t warn you.’ were the last words he said before losing consciousness. At least, those that we could make out. At the end of it all, he was right – as it turned out, we couldn’t even help ourselves.
Let me ask you something. Do you think there's such a thing as a perfect day?""What?""A perfect day. Start to finish. When nothing terrible or sad or ordinary happens. Do you think it's possible?""I don't know.""Have you ever had one?""No.""I've never had one either, but I'm looking for it.
Seeing the obvious is often harder than seeing the hidden!
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
Ultimately — or at the limit — in order to see a photograph well, it is best to look away or close your eyes. 'The necessary condition for an image is sight,'Janouch told Kafka; and Kafka smiled and replied: 'We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes.
Hence the detail which interests me is not, or at least is not strictly intentional, and probably must not be so; it occurs in the field of the photographed thing like a supplement that is at once inevitable and delightful; it does not necessarily attest to the photographer's art; it says only that the photographer was there, or else, still more simply, that he could not (i)not(i) photograph the partial object at the same time as the total object (how could Kerész have 'separated' the dirt road from the violinist walking on it?). The Photographer's 'second sight' does not consist in 'seeing' but in being there. And above all, imitating Orpheus, he must not turn back to look at what he is leading — what hi is giving to me!
I went back every evening, after work, for nearly a year. I learned the meaning of the cud of a leaf and the glisten of wet pebbles, and the special significance of curves and angles. A great deal of the writing was unwritten. Plot three dots on a graph and join them; you now have a curve with certain characteristics. Extend that curve while maintaining the characteristics, and it has meaning, up where no dots were plotted.In just this way I learned to extend the curve of a grass-blade and of a protruding root, of the bent edges of wetness on a drying headstone. I quit smoking so I could sharpen my sense of smell, because the scent of earth after a rain has a clarifying effect on graveyard reading, as if the page were made whiter and the ink darker. I began to listen to the wind, and to the voices of birds and small animals, insects and people; because to the educated ear, every sound is filtered through the story written on graves, and becomes a part of it.("The Graveyard Reader")