We'll see what you find out," Stew said. "You'll find out what it feels like to be thrown from a speeding train to the rocky bottom of a drained sea. Except you won't really find out, because you'll be dead. Get it? What I mean is, it'll kill you when I throw you from this train so you'll be in no state to find out what it feels like. Get it? Due to your death by falling from a train.
Money is like a child—rarely unaccompanied. When it disappears, look to those who were supposed to be keeping an eye on it while you were at the grocery store. You might also look for someone who has a lot of extra children sitting around, with long, suspicious explanations for how they got there.
Ellington Feint was a line in my mind running right down the middle of my life, separating the formal training of my childhood and the territory of the rest of my days. She was an axis, and at that moment and for many moments afterward, my entire world revolved around her.
It doesn't matter if you never see someone again, I told myself. There are millions of people in the world, and most of them never see each other in the first place. You hoped to know Ellington Feinr forever, but there's no such thing as forever, really. Everything is much shorter than that.
We believe in an aristocracy... Not an aristocracy of power, based on rank or wealth, but an aristocracy of the sensitive, the considerate, and the plucky. Our members are found in all nations and classes, and all through the ages, and there is a secret understanding between us when we meet... We represent the true human tradition, the one permanent victory over cruelty and chaos. We're an invincible army, but not a victorious one. We've had different names throughout history, but all the words that describe us are false and all attempts to organize us fail. Right now we're called V.F.D., but all our schisms and arguments might cause us to disappear. It won't matter. People like us always slip through the net. Our true home is the imagination, and our kingdom is the wide-open world.
Occasionally, events in one's life become clearer through the prism of experience, a phrase which simply means that things tend to be clearer as time goes on. For instance, when a person is just born, they usually have no idea what curtains are and spend a great deal of their first months wondering why on earth Mommy and Daddy have hung large pieces of cloth over each window in the nursery. But as the person grows older, the idea of curtains becomes clearer through the prism of experience. The person will learn the word "curtains" and notice that they are actually quite handy for keeping a room dark when it is time to sleep, and for decorating an otherwise boring window area. Eventually, they will entirely accept the idea of curtains of their own, or venetian blinds, and it is all due to the prism of experience.
Yes, I know," Isadora said, and then read her poem, leaning forward so Carmelita Spats would not overhear:"I would rather eat a bowl of vampire batsthan spend an hour with Carmelita Spats."The Baudelaires giggled and then covered their mouths so nobody would know they were laughing at Carmelita."That was great," Klaus said. "I like the part about the bowl of bats.
If you were smart," Genghis said, "you would have borrowed the silverware of one of your friends.""We never thought of that," Klaus said. When one is forced to tell atrocious lies, one often feels a guilty flutter in one's stomach, and Klaus felt such a flutter now. "You certainly are an intelligent man.""Not only am I intelligent," Genghis agreed, "but I'm also very smart.
In between bites of banana, Mr. Remora would tell stories, and the children would write the stories down in notebooks, and every so often there would be a test. The stories were very short, and there were a whole lot of them on every conceivable subject. "One day I went to the store to purchase a carton of milk," Mr. Remora would say, chewing on a banana. "When I got home, I poured the milk into a glass and drank it. Then I watched television. The end." Or: "One afternoon a man named Edward got into a green truck and drove to a farm. The farm had geese and cows. The end." Mr. Ramora would tell story after story, and eat banana after banana, and it would get more and more difficult for Violet to pay attention.
You write poetry?" Klaus asked.He had read a lot about poets but had never met one."Just a little bit," Isadora said modestly. "I write poems down in this notebook. It's an interest of mine.""Sappho!" Sunny shrieked, which meant something like, "I'd be very pleased to hear a poem of yours!
The world is swirling with so many mysteries and secrets that nobody will ever track down all of them. But with a book you can stay up very late, reading until all the secrets are clear to you. The questions of the world are hidden forever, but the answers in a book are hiding in plain sight.
I'm afraid it's not nonsense," Genghis said, shaking his turbaned head and continuing his story. "As I was saying before the little girl interrupted me, the baby didn't dash off with the other orphans. She just sat there like a sack of flour. So I walked over to her and gave her a kick to get her moving.""Excellent idea!" Nero said. "What a wonderful story this is! And then what happened?""Well, at first it seemed like I'd kicked a big hole in the baby," Genghis said, his eyes shining, "which seemed lucky, because Sunny was a terrible athlete and it would have been a blessing to put her out of her misery."Nero clapped his hands. "I know just what you mean, Genghis," he said. "She's a terrible secretary as well.""But she did all that stapling," Mr. Remora protested. "Shut up and let the coach finish his story," Nero said."But when I looked down," Genghis continued, "I saw that I hadn't kicked a hole in a baby. I'd kicked a hole in a bag of flour! I'd been tricked!""That's terrible!" Nero cried.