You're going to make it;You're going to be at peace;You're going to create, and love, and laugh, and live;You're going to do great things.

...the presence of others has become even more intolerable to me, their conversation most of all. Oh, how it all annoys and exasperates me: their attitudes, their manners, their whole way of being! The people of my world, all my unhappy peers, have come to irritate, oppress and sadden me with their noisy and empty chatter, their monstrous and boundless vanity, their even more monstrous egotism, their club gossip... the endless repetition of opinions already formed and judgments already made; the automatic vomiting forth of articles read in those morning papers which are the recognised outlet of the hopeless wilderness of their ideas; the eternal daily meal of overfamiliar cliches concerning racing stables and the stalls of fillies of the human variety... the hutches of the 'petites femmes' - another worn out phrase in the dirty usury of shapeless expression!Oh my contemporaries, my dear contemporaries...Their idiotic self-satisfaction; their fat and full-blown self-sufficiency: the stupid display of their good fortune; the clink of fifty- and a hundred-franc coins forever sounding out their financial prowess, according their own reckoning; their hen-like clucking and their pig-like grunting, as they pronounce the names of certain women; the obesity of their minds, the obscenity of their eyes, and the toneless-ness of their laughter! They are, in truth, handsome puppets of amour, with all the exhausted despondency of their gestures and the slackness of their chic...Chic! A hideous word, which fits their manner like a new glove: as dejected as undertakers' mutes, as full-blown as Falstaff...Oh my contemporaries: the ceusses of my circle, to put it in their own ignoble argot. They have all welcomed the moneylenders into their homes, and have been recruited as their clients, and they have likewise played host to the fat journalists who milk their conversations for the society columns. How I hate them; how I execrate them; how I would love to devour them liver and lights - and how well I understand the Anarchists and their bombs!

Woman lost (skin deep) like a damn fine thread in the fireWoman of the world caught up in your black machinationsI was a woman who cried alone at night, who gave it all away when she saw the good heart of the man insideWoman caught standing up; her open parts are broken -Someone's armour broke right through, it was you, youFor some reason I've been thinking about you, your lightToday, you poured out all the tension, the ego undergroundHibernating inside my heart. I was so close to it, to the flicker Of love in a lonely street and I turned my head and walkedAway from the flame in your arms. As I put away the fun inA house of fight I came across you and a mechanism inMy brain shifted chemically, walls caved in like the cadenceIn your words and I was lost in the darkness. Even now inMiddle age I remember when desire was a popular drugAnd everyone was selling it but I don't live to explore to beAble to illuminate the proof of my existence, live to burnVicariously though the diamond mouth of sleeping stars.From so much love, pictures of death arrived in black andWhite photographs and you're perfect, you always were -Illusions have no flaws; they're dangerous beings, smoke.Could I take the moon back and still live with my greatExpectations of nostalgia, laughter, tears and suffering -But they are all a part of me not the people of the stars,Long dead videotape, the past has stained the symphonyOf my soul (like the wind through the trees) throughoutMe finding myself, my two left feet as a female poetThe warning was there of the noise of eternity, signs That said, don't anger the sea, you have an ally in her.When men grow cold listen to their stories and bask inThe glory of their genuine deaths, their winters, putThem away so you can read them like the newspaper.Once in a while you can go back to where you stoodIn youth with your afternoon tea, the sun of God in ourEyes - I am that kind of woman who lives in the past

Some sleepers have intelligent faces even in sleep, while other faces, even intelligent ones, become very stupid in sleep and therefore ridiculous. I don't know what makes that happen; I only want to say that a laughing man, like a sleeping one, most often knows nothing about his face. A great many people don't know how to laugh at all. However, there's nothing to know here: it's a gift, and it can't be fabricated. It can only be fabricated by re-educating oneself, developing oneself for the better, and overcoming the bad instincts of one's character; then the laughter of such a person might quite possibly change for the better. A man can give himself away completely by his laughter, so that you suddenly learn all of his innermost secrets. Even indisputably intelligent laughter is sometimes repulsive. Laughter calls first of all for sincerity, and where does one find sincerity? Laughter calls for lack of spite, but people most often laugh spitefully. Sincere and unspiteful laughter is mirth. A man's mirth is a feature that gives away the whole man, from head to foot. Someone's character won't be cracked for a long time, then the man bursts out laughing somehow quite sincerely, and his whole character suddenly opens up as if on the flat of your hand. Only a man of the loftiest and happiest development knows how to be mirthful infectiously, that is, irresistibly and goodheartedly. I'm not speaking of his mental development, but of his character, of the whole man. And so, if you want to discern a man and know his soul, you must look, not at how he keeps silent, or how he speaks, or how he weeps, or even how he is stirred by the noblest ideas, but you had better look at him when he laughs. If a man has a good laugh, it means he's a good man. Note at the same time all the nuances: for instance, a man's laughter must in no case seem stupid to you, however merry and simplehearted it may be. The moment you notice the slightest trace of stupidity in someone's laughter, it undoubtedly means that the man is of limited intelligence, though he may do nothing but pour out ideas. Or if his laughter isn't stupid, but the man himself, when he laughs, for some reason suddenly seems ridiculous to you, even just slightly—know, then, that the man has no real sense of dignity, not fully in any case. Or finally, if his laughter is infectious, but for some reason still seems banal to you, know, then, that the man's nature is on the banal side as well, and all the noble and lofty that you noticed in him before is either deliberately affected or unconsciously borrowed, and later on the man is certain to change for the worse, to take up what's 'useful' and throw his noble ideas away without regret, as the errors and infatuations of youth.