It has sunk him, I cannot say how much it has sunk him in my opinion. So unlike what a man should be!-None of that upright integrity, that strict adherence to truth and principle, that distain of trick and littleness, which a man should display in every transaction of his life.
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife,' I said, sighing.'Is it?' said Veronica, looking surprised. 'Universally acknowledged? Surely that presupposes life similar to human societies beyond this planet, and besides--''No, no, it's a quote from ... Never mind,' I said.
They danced again, and when the assembly closed, parted, on the lady’s side at least, with a strong inclination for continuing the acquaintance. Whether she thought of him so much while she drank her warm wine and water and prepared herself for bed as to dream of him when there, cannot be ascertained; but I hope it was no more than in a light slumber, or a morning doze at most, for if it be true, as a celebrated writer has maintained, that no young lady can be justified in falling in love before the gentleman’s love is declared, it must be very improper that a young lady should dream of a gentlemen before the gentleman is first known to have dreamed of her.
What on earth did you say to Isola? She stopped in on her way to pick up Pride and Prejudice and to berate me for never telling her about Elizabeth Bennet and Mr. Darcy. Why hadn't she known there were better love stories around? Stories not riddled with ill-adjusted men, anguish, death and graveyards!
Miss Austen’s novels … seem to me vulgar in tone, sterile in artistic invention, imprisoned in the wretched conventions of English society, without genius, wit, or knowledge of the world. Never was life so pinched and narrow. The one problem in the mind of the writer … is marriageableness.
For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.
Another strike of lightening – now accompanied by the deep-bellied rumble, and the horse reared, incidentally setting Henry very picturesquely against the inconstant moon. Alas, Catherine was deeply engaged in her argument with Old Edric and this missed entirely the melodramatic display. But we may assume that, possessing so strong an imagination, Catherine had often pictured Henry thus...
You will be interested to hear, Hilary, that it [the drug] had a most remarkable effect — even on Selena after a very modest quantity. She cast off all conventional restraints and devoted herself without shame to the pleasure of the moment." I asked for particulars of this uncharacteristic conduct. "She took from her handbag a paperback edition of Pride and Prejudice and sat on the sofa reading it, declining all offers of conversation.
But neither could compare with the gargantuan natural edifice that was the mountain upon which Nachtstürm Castle rose. It was a mountain made of the darkness between two lightning bolts. It was made less of earth than Stygian frost. Whole towns fell away as they ascended, as though the ranks of black and frowning conifers waged war against the humans below. Even the path – rather narrow and rarely straight – seemed less made by centuries of pilgrim feet and more by the trace of some careless demon’s claw.It was, in fact, perfect.
The conversation soon turned upon fishing, and she heard Mr. Darcy invite him, with the greatest civility, to fish there as often as he chose while he continued in the neighbourhood, offering at the same time to supply him with fishing tackle, and pointing out those parts of the stream where there was usually most sport. Mrs. Gardiner, who was walking arm in arm with Elizabeth, gave her a look expressive of her wonder. Elizabeth said nothing, but it gratified her exceedingly; the compliment must be all for herself. Her astonishment, however, was extreme; and continually was she repeating, "Why is he so altered? From what can it proceed? It cannot be for me, it cannot be for my sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me.
I cannot say much for this Monarch's Sense--Nor would I if I could, for he was a Lancastrian. I suppose you know all about the Wars between him and the Duke of York who was on the right side; if you do not, you had better read some other History, for I shall not be very difuse in this, meaning by it only to vent my spleen against, and show my Hatred to all those people whose parties or principles do not suit with mine, and not to give information.
My dear, dear aunt,' she rapturously cried, what delight! what felicity! You give me fresh life and vigour. Adieu to disappointment and spleen. What are men to rocks and mountains? Oh! what hours of transport we shall spend! And when we do return, it shall not be like other travellers, without being able to give one accurate idea of any thing. We will know where we have gone -- we will recollect what we have seen. Lakes, mountains, and rivers shall not be jumbled together in our imaginations; nor, when we attempt to describe any particular scene, will we begin quarrelling about its relative situation. Let our first effusions be less insupportable than those of the generality of travellers.
Every line, every word was -- in the hackneyed metaphor which their dear writer, were she here, would forbid -- a dagger to my heart. To know that Marianne was in town was -- in the same language -- a thunderbolt. -- Thunderbolts and daggers! -- what a reproof would she have given me! -- her taste, her opinions -- I believe they are better known to me than my own, -- and I am sure they are dearer.
Her family had of late been exceedingly fluctuating. For many years of her life she had had two sons; but the crime and annihilation of Edward a few weeks ago, had robbed her of one; the similar annihilation of Robert had left her for a fortnight without any; and now, by the resurrection of Edward, she had one again.
More than anything, I began to hate women writers. Frances Burney, Jane Austen, Elizabeth Browning, Mary Shelley, George Eliot, Virginia Woolf. Bronte, Bronte, and Bronte. I began to resent Emily, Anne, and Charlotte—my old friends—with a terrifying passion. They were not only talented; they were brave, a trait I admired more than anything but couldn't seem to possess. The world that raised these women hadn't allowed them to write, yet they had spun fiery novels in spite of all the odds. Meanwhile, I was failing with all the odds tipped in my favor. Here I was, living out Virginia Woolf's wildest feminist fantasy. I was in a room of my own. The world was no longer saying, "Write? What's the good of your writing?" but was instead saying "Write if you choose; it makes no difference to me.
Never presume to know a person based on the one dimensional window of the internet. A soul can’t be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person’s personality and intent. Until people “get that”, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.
Maria was married on Saturday. In all important preparations of mind she was complete, being prepared for matrimony by a hatred of home, by the misery of disappointed affection, and contempt of the man she was to marry. The bride was elegantly dressed and the two bridesmaids were duly inferior. Her mother stood with salts, expecting to be agitated, and her aunt tried to cry. Marriage is indeed a maneuvering business.
the only source whence any thing like consolation or composure could be drawn, was in the resolution of her own better conduct, and the hope that, however inferior in spirit and gaiety might be the following and every future winter of her life to the past, it would yet find her more rational, more acquainted with herself, and leave her less to regret when it were gone.
There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be.
If I understand you rightly, you had formed a surmise of such horror as I have hardly words to-- Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained. What have you been judging from? Remember the country and the age in which we live. Remember that we are English, that we are Christians. Consult your own understanding, your own sense of the probable, your own observation of what is passing around you. Does our education prepare us for such atrocities? Do our laws connive at them? Could they be perpetrated without being known, in a country like this, where social and literary intercourse is on such a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open? Dearest Miss Morland, what ideas have you been admitting?"They had reached the end of the gallery, and with tears of shame she ran off to her own room.
How to explain the sheer tingling joy one experiences when two interesting, complex, and occasionally aggravating characters have at last settled their misunderstandings and will live happily ever after, no matter what travails life might throw in their path, because Jane Austen said they will, and that's that? How to describe the exhilaration of being caught up in an unknown but glamorous world of balls and gowns and rides in open carriages with handsome young men? How to explain that the best part of Jane Austen's world is that sudden recognition that the characters are just like you?
Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit.But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works…It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.
You’re thinking, maybe it would be easier to let it sliplet it gosay ”I give up” one last time and give him a sad smile.You’re thinkingit shouldn’t be this hard,shouldn’t be this dark,thinkinglove could flow easily with no holding backand you’ve seen others find their match and build something greattogether,of each other,like two halves fitting perfectly and now they achieve great thingsone by one, always together, and it seems grand.But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle.You could get it all on a shiny piece of glass with wooden stools and a neverending blooming gardenbut that’s not yours. This is yours. The cracks and the faults, the ugly words in the winterwalking home alone and angrybut falling asleep thinking you love him.This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need youlike you need meand maybe it’s not a Jane Austen novel but this is your novel and your castleand you can run from it your whole life but this is herein front of you.Maybe nurture it?Sweet girl, maybe close the world off and look at him for an houror two.This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed.It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone.Be that someone for him.That’s your fairy tale. This is your castle.Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so.Welcome home, sweet girl, it will be all be fine.
Her face crumpled and he felt her pain as if it were his own. He wanted to take it back, but just like that memory, it was always going to be there. She worked to get control over her features, then said, “I’m sorry I didn’t defend you. I’m sorry I didn’t tell them you were my guest.” Jem hadn’t thought he cared anymore, not really, but her words were tugging loose the hard, painful knot in his chest. “It’s okay.” She shook her head. “It’s not. It wasn’t.” He reached out and cupped her cheek in his hand. He didn’t know what else to say and all he wanted was to touch her skin, let her know that he wasn’t that boy anymore and that she wasn’t that girl.
Her face crumpled and he felt her pain as if it was his own. He wanted to take it back, but just like that memory, it was always going to be there. She worked to get control over her features, then said, “I’m sorry I didn’t defend you. I’m sorry I didn’t tell them you were my guest.” Jem hadn’t thought he cared anymore, not really, but her words were tugging loose the hard, painful knot in his chest. “It’s okay.” She shook her head. “It’s not. It wasn’t.” He reached out and cupped her cheek in his hand. He didn’t know what else to say and all he wanted was to touch her skin, let her know that he wasn’t that boy anymore and that she wasn’t that girl.
Lucy gripped her chilled glass of orange and raspberry juice. When Rebecca talked about Austen, she’d mostly mentioned Mr. Darcy or Mr. Knightley. She hadn’t really thought of the doe-eyed, pale-skinned heroines. On the screen, Anne Elliot walked down a long hallway, glancing just once at covered paintings, her mouth a grim line. Lucy thought Jane Austen would start the story with the romance, or the loss of it, but instead the tale seemed to begin with Anne’s home, and having to make difficult decisions. Maybe this writer from over two hundred years ago knew how everything important met at the intersection of family, home, love, and loss. This was something Lucy understood with every fiber of her being.
Sophia shrieked and fainted on the ground – I screamed and instantly ran mad. We remained thus mutually deprived of our senses, some minutes, and on regaining them were deprived of them again. For an Hour and a Quarter did we continue in this unfortunate situation – Sophia fainting every moment and I running mad as often. At length a groan from the hapless Edward (who alone retained any share of life) restored us to ourselves.
Dear Eloisa (said I) there’s no occasion for your crying so much about such a trifle. (for I was willing to make light of it in order to comfort her) I beg you would not mind it – You see it does not vex me in the least; though perhaps I may suffer most from it after all; for I shall not only be obliged to eat up all the Victuals I have dressed already, but must if Henry should recover (which however is not very likely) dress as much for you again; or should he die (as I suppose he will) I shall still have to prepare a Dinner for you whenever you marry any one else. So you see that tho perhaps for the present it may afflict you to think of Henry’s sufferings, yet I dare say he’ll die soon and then his pain will be over and you will be easy, whereas my Trouble will last much longer for work as hard as I may, I am certain that the pantry cannot be cleared in less than a fortnight
Before the house-maid had lit the fire the next day, or the sun gained any power over the cold, gloomy morning in January, Marianne, only half dressed, was kneeling against one of the window-seats for the sake of all the little light she could command from it, and writing as fast as a continual flow of tears would permit her.
In the Blue Room, Cora Cash was trying to concentrate on her book. Cora found most novels hard to sympathise with -- all those plain governesses -- but this one had much to recommend it. The heroine was 'handsome, clever, and rich', rather like Cora herself. Cora knew she was handsome -- wasn't she always referred to in the papers as 'the divine Miss Cash'? She was clever -- she could speak three languages and could handle calculus. And as to rich, well, she was undoubtedly that. Emma Woodhouse was not rich in the way that she, Cora Cash, was rich. Emma Woodhouse did not lie on a lit à la polonaise once owned by Madame du Barry in a room which was, but for the lingering smell of paint, an exact replica of Marie Antoinette's bedchamber at le petit Trianon. Emma Woodhouse went to dances at the Assembly Rooms, not fancy dress spectaculars in specially built ballrooms. But Emma Woodhouse was motherless which meant, thought Cora, that she was handsome, clever, rich and free.
...the long blue shadows of afternoon advanced before me like cheerful ghosts of last summer's growth, dancing past the withered flower borders and the stiff hedges to fall at the feet of a stone nymph, her cascade of water frozen in her urn.
You know, there was a time when childbirth was possibly the most terrifying thing you could do in your life, and you were literally looking death in the face when you went ahead with it. And so this is a kind of flashback to a time when that's what every woman went through. Not that they got ripped apart, but they had no guarantees about whether they were going to live through it or not. You know, I recently read - and I don't read nonfiction, generally - Becoming Jane Austen. That's the one subject that would get me to go out and read nonfiction. And the author's conclusion was that one of the reason's Jane Austen might not have married when she did have the opportunity...well, she watched her very dear nieces and friends die in childbirth! And it was like a death sentence: You get married and you will have children. You have children and you will die. (Laughs) I mean, it was a terrifying world.
Right, I totally forgot. I can’t wait to taste the flummery.”“I’m not sure if I want to know what that is,” Manning said.“It’s a sort of jelly, but made into a mold that is shaped like a castle or a tower or just a”—Debbie Mae wiggled one hand—“big wobbly thing. The ragout of veal will be a hit, I’m sure. And the Roman punch will have to be changed a little bit. It’s usually lemon water and hot syrup with a lot of rum.
I did not have an opportunity to speak privately with Peter until just as he was leaving, when he handed me one of the Burns song-sheets and (with a most earnest look) told me to read it before I went to bed.The song was 'My Love is Like a Red, Red Rose,' but it was not until was up in my bedchamber that I saw he had written on the inside page: 'My mother would be honoured if you visited her after church tomorrow.
[Jane] Austen was not a novelist for nothing: she knew that our stories are what make us human, and that listening to someone else's stories -- entering into their feelings, validating their experiences -- is the highest way of acknowledging their humanity, the sweetest form of usefulness.
But look behind you, Mary.' She nodded towards the dais. 'One of the musicians seems to be trying to attract your attention.'It was Peter. He was standing on the dais smiling across at me. My delight at seeing him was such that I could not disguise it - did not try to disguise it.
When the evening was over, Anne could not but be amused at the idea of her coming to Lyme, to preach patience and resignation to a young man whom she had never seen before; nor could she help fearing, on more serious reflection, that, like many other great moralists and preachers, she had been eloquent on a point in which her own conduct would ill bear examination.
He shakes his head and his mouth is quirked at one corner. I can't tell if he thinks I am sort of amusing or truly pathetic. It's especially hard to tell because we are both looking resolutely at the teacher so she can't accuse us of not paying attention. We talk out of the sides of our mouths, like gangsters in those old movies my dad likes to watch.
When I first met him (Michael) at the beginning of the year and found out that I would have to be his lab partner in bio and the year-long series of projects in AP English, I seriously considered taking night school classes and getting a GED just to avoid him.
I will probably die a misunderstood virgin like Ophelia in HAMLET, only I won't do it by floating down a stream, singing my own mad song. They'll just find me here, on my bed, on a weekend night, my dead body slumped over a homework assignment.Hopefully they'll discover me before Teeny eats my remains.
Though she had been surprised to find that murder was so thoroughly enjoyable, Mrs Bennet did not believe that this reflected any fault or wickedness in her character. She knew she only committed these acts tosecure the future well-being of her daughters. Naturally, she would be able to stop killing once her daughters had husbands and there was no further use for such bloodthirsty deeds. Indeed, she felt adamant that she only enjoyed the planning and execution of such matters because her daughters had not been so good as to provide her with wedding preparations to occupy her active mind.
After having so nobly disentangled themselves from the shackles of Parental Authority, by a Clandestine Marriage, they were determined never to forfeit the good opinion they had gained in the World, in so doing, by accepting any proposals of reconciliation that might be offered them by their Fathers – to their farther trial of their noble independence however they never were exposed.
Our time was most delightfully spent, in mutual Protestations of Freindship, and in vows of unalterable Love, in which we were secure from being interrupted, by intruding and disagreeable Visistors, as Augustus and Sophia had on their first Entrance in the Neighbourhood, taken due care to inform the surrounding Families, that as their happiness centered wholly in themselves, they wished for no other society.
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." ~ Jane Austin. Arguably one of the best opening lines in literary history (I said ARGUABLY doesn't mean I want to argue). However, to make it a modern retelling it would have to read: It is a truth universally acknowledged, that a single man or women in possession of a good fortune, just treading water or so broke it aint no joke, must be in want of a life partner.
Lucy saw the delighted expressions of the guests and knew they looked like something out an Austen movie. Well, at least Jem did. She giggled a little and cleared her throat. “Something funny?” he murmured out of the corner of his mouth. “Just thinking how you’re just like Captain Wentworth and I’m just like Tina Turner.
Shortly after you left the room, Bushell came over and spoke to your father. I was not near enough to hear what he said, but Maria Lucas told me afterwards that he had been -' (she smiled) 'amazingly impertinent.''Peter actually spoke to Papa?''He did. According to Maria, he had the impudence to criticise Mr Bennet for his treatment of you. I must say it gives me the most favourable idea of his character.
Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts.
I would self-medicate with fat, carbohydrates, and Jane Austen, my number one drug of choice, my constant companion through every breakup, every disappointment, every crisis. Men might come and go, but Jane Austen was always there in sickness and in health, for richer, for poorer, till death do us part.
In suiting the action to the words, however, I perceived that the stars were all wrong.That was my undoing. I had looked up unthinkingly, anticipating the familiar, and, finding it gone, began to cry like a baby. Whereupon Peter stopped the gig and took me in his arms, kissing me so that my face was soon sore both from kissing and crying.
Peter was now standing very close - as if he wanted to comfort me - as if he knew how hurt I felt that Mrs Knowles had not asked me to play or to sing. And I did feel comforted. It was as if a tide of warmth was carrying me out of myself, inclining me to trust him and to conduct myself well.
After a moment, he added more seriously: 'I don't get as angry as m'father used to about things. Or maybe I', just better at hiding m'feelings.''I fear I'm not very good at hiding my feelings.'He covered my hand with his own. 'That's what I like about you. I liked it from the first. You're so different from the others.
It is a most repulsive quality, indeed,’ said he. ‘Oftentimes very convenient, no doubt, but never pleasing. There is safety in reserve, but no attraction. One cannot love a reserved person.’‘Not till the reserve ceases towards oneself; and then the attraction may be the greater.
At that moment a solitary violin struck up. But the music was not dance music; it was more like a song - a solemn, sweet song. (I know now that it was Beethoven's Romance in F.) I listened, and suddenly it was as if the fog that surrounded me had been penetrated, as if I were being spoken to.
I seem finally to have stopped worrying about Elinor, and age. She seems now to be perfectly normal -- about twenty-five, a witty control freak. I like her but I can see how she would drive you mad. She's just the sort of person you'd want to get drunk, just to make her giggling and silly.