That which is external, it is instrumental (naimitik); it is relative and it is perishable [destructive]. Instrumental means no one has a say in it. One’s actions are not of his own free will; he is under the control of external power. So on what basis do you need to object? Sooner or later you will have to become free from objections.
Where visual artists are concerned, the Baroque sculptor and architect Bernini and the painter and sculptor Picasso were clearly adept at both experiential and instrumental attending, says Tellegen, as is the modern architect Frank Gehry. Choosing a literary example, he says that F. Scott Fitzgerald once admitted to "wrapping one of his romantic flings in cellophane" for later artistic use and notes that "this kind of heartless but honest professionalism is not uncommon among creative people.