Burlic screamed. He threw back his head and roared a single furious word into the night: “Waeccan.” The name erupted from him in a savage wail that rasped at his throat, over and over until he could shout no more.His howls echoed along the valley. In the village, the other hunters heard and exchanged glances, shook their heads and said nothing. The women clutched their talismans, told the children to go inside. They had tried to help, but there was nothing they could do for Burlic now.
Under the sanctuary are the catacombs where the dead wait for resurrection. The living do not venture there. The caverns here underneath the Sanctuary are illuminated only by dim shafts of light from the sanctuary. The walls are etched with flowers of frost, but at least I am out of the wind. Dark bays line the hall in front of me, a vast rabbit warren, each hold filled to the brim with the scent of the past.
Stars flicker above, points of bright ice in a dark river. I pull a heavy sheepskin around my legs and stretch my feet toward the fire. Despite the cold, Liam plays his flute, the sound whistling through the night. Soon my eyes are heavy, my head nodding.I open my eyes at the deep melodious baritone of Salvius’s voice telling a tale. Liam’s flute is silent now. I have heard Salvius tell many tales on market days; he is known for his memory of wandering minstrels and mummers who visit us at Whitsunday and through Midsummer. Salvius is a mockingbird: he can give a fair charade of the rhythmic tones of any wandering bard or any noble of the Royal Court.In this darkness, his eyes catch the light like a cat in the night.