But in this case,” he continues, tracing the line of the plasterwork with one finger, “I feel that there is one cliché that sums up my position so admirably that it would be pure egotism to attempt a more interesting periphrasis. Plain speaking, therefore, there is to be.“There is undoubtedly a strong possibility, notwithstanding the vagaries of contingency and misfortune, that my son mighthave fallen—or might, we could say, have voluntarily jumped, in accordance with the ethical codes with which he has been brought up—for a play you have made with some success, although, as I am persuaded you would concede, very little originality.”Plain speaking if you’re Henry James, perhaps.
His indirect way of approaching a character or an action, striving to realize it by surrounding rather than invading it, is ideally suited to the indefinite and suggestive presentation of a ghost story.(introduction to "Sir Edmund Orme" by Henry James)
You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught. The library, on the other hand, has no biases. The information is all there for you to interpret. You don’t have someone telling you what to think. You discover it for yourself.