All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.
1. I think what haunts many people in the world is to lose something they love, something they value, and someone they care for, for me it was my father, I was losing him when I met him. I felt life is bitter, it happens. I laughed while I see him but there was a girl inside me, who was crying and feeling angry for life and the way it treats people. Deep inside I was already broke, but I smiled to show my father.
Do we not each dream of dreams? Do we not dance on the notes of lostmemories? Then are we not each dreamers of tomorrow and yesterday, since dreamsplay when time is askew? Are we not all adrift in the constant sea of trial and when all is done, do we not all yearn for ships to carry us home?
Call me crazy, but there is something terribly wrong with this city.
There is a stillness between us, a period of restlessness that ties my stomachin a hangman’s noose. It is this same lack in noise that lives, there! in thedarkness of the grave, how it frightens me beyond all things.
I can’t help but ask, “Do you know where you are?”She turns to me with a foreboding glare. “Do you?
Did Bach ever eatpancakes at midnight?
History doesn’t start with a tall buildingand a card with your name written on it, but jokes do. I think someone is takingus for suckers and is playing a mean game.
I steal one glance over my shoulder as soon as we are far from the foreboding luminance of the neon glow, and it is there that my stomach leaps into my throat. Squatting just shy of the light and partially concealed by the shade of an alley is a sinister silhouette beneath a crimson cowl, beaming a demonic smile which spans from cheek to swollen cheek.
She leaves my side and heads deeper intothe apartment singing, “—if the spirit tries to hide, its temple far away… acopper for those they ask, a diamond for those who stay.
I rouse Emily to our guests, as she finishes off our fifteenth snowman by setting the head atop its torso. She stands limp at my direction, pointing out the coming shadows and I cannot help but hear a muffled sigh as she decapitates her latest creation with a single push of her hand.
That’s a stupid name! Whirly-gig is much better, I think. Who in their rightmind would point at this thing and say, ‘I’m going to fly in my Model-A1’.People would much rather say, ‘Get in my whirly-gig’. And that’s what youshould name it.
As survivors and procreators, we unravel stories that at their root are not dissimilar from the habitual behaviors seen in nature. But as beings who know they will die we digress into episodes and epics that are altogether dissociated from the natural world. We may isolate this awareness, distract ourselves from it, anchor our minds far from its shores, and sublimate it as a motif in our sagas. Yet at no time and in no place are we protected from being tapped on the shoulder and reminded, “You’re going to die, you know.” However much we try to ignore it, our consciousness haunts us with this knowledge. Our heads were baptized in the font of death; they are doused with the horror of moribundity.