One grave in every graveyard belongs to the ghouls. Wander any graveyard long enough and you will find it - water stained and bulging, with cracked or broken stone, scraggly grass or rank weeds about it, and a feeling, when you reach it, of abandonment. It may be colder than the other gravestones, too, and the name on the stone is all too often impossible to read. If there is a statue on the grave it will be headless or so scabbed with fungus and lichens as to look like fungus itself. If one grave in a graveyard looks like a target for petty vandals, that is the ghoul-gate. If the grave wants to make you be somewhere else, that is the ghoul-gate.
She glanced around at the tombstones. “You’re surrounded by death here. Way too depressing. You really might want to think about getting another job.”“You see death and sadness in these sunken patches of dirt, I see lives lived fully and the good deeds of past generations influencing the future ones.
We all want to become more than we are, we want to live forever, that is why we hate death and create the afterlife.
Without hope we fail to exist.
Life is the only thing which can never be replaced when lost.
At the end of life, nobody knows where the spirit goes.
Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –
The graveyard is not the final resting place of our dear departed but an ephemeral repository of their remains. The real graveyard, however, is somewhere deep in our heart, where we can always visit them at any time of the day, talk about some unforgettable summers, or cry in solitude as if they were always there for us to stay. And should our twilight come, when we can no longer see the light of the day, some people dear to us will build a graveyard in their hearts. They will let us stay for a while or perhaps longer, as long as they continue to remember, but it does not matter anymore. What is comforting to know, no matter how tragic or tranquil our death may be, somewhere somehow someone will always build a sublime place for us to stay. (Danny Castillones Sillada, The Graveyard In Our Heart)
As usual, he saves his wife's for last. He leans on the cane and he looks at the headstone and he thinks about many things. Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
I shook with cold and fear, without being able to answer. After a lapse of some moments, I was again called. I made an effort to speak, and then felt the bandage which wrapped me from head to foot. It was my shroud. At last, I managed feebly to articulate, 'Who calls?''Tis I' said a voice.'Who art thou?''I! I! I!' was the answer; and the voice grew weaker, as if it was lost in the distance; or as if it was but the icy rustle of the trees.A third time my name sounded on my ears; but now it seemed to run from tree to tree, as if it whistled in each dead branch; so that the entire cemetery repeated it with a dull sound. Then I heard a noise of wings, as if my name, pronounced in the silence, had suddenly awakened a troop of nightbirds. My hands, as if by some mysterious power, sought my face. In silence I undid the shroud which bound me, and tried to see. It seemed as if I had awakened from a long sleep. I was cold.I then recalled the dread fear which oppressed me, and the mournful images by which I was surrounded. The trees had no longer any leaves upon them, and seemed to stretch forth their bare branches like huge spectres! A single ray of moonlight which shone forth, showed me a long row of tombs, forming an horizon around me, and seeming like the steps which might lead to Heaven. All the vague voices of the night, which seemed to preside at my awakening, were full of terror. ("The Dead Man's Story")
You are a cool cemetery.You have the sinner’s graveYou have the saint’s earthcollidingYou have all the bedsnarrow as a knife;as if a rally of tombstones to defend death.But you can’t really postponethe inauguration of my burial,can you?From the poem - Few Words to Cemetery
A place for the newly weds and nearly deads I'm counting the stones I hope you know I love you.Got a lot of friends 6 feet under us.Counting down the days till we join the party.Thoughts of your nightmare projected through mine...Breathing in these lies is no surpriseThese evil things are all we knowLets take these lives where we want to go.The future is our prize, when the stars align.Ghouls and ghosts will haunt my soul but they will never take me.Before I go, I want to show that we can make a difference. We've got some dumb perceptions.But I've got the death connection...All the hate that you have...Just throw it away Life is meant for more,But we're too distracted..Too caught up in the anger and judgment.. Caught up in the web of lies I've heard these things keep our blood boiling, Keeps us alive, and moving forward... If that's the case I was born a dead man. And I'm forever a ghost.Hatred is something that we're brought up to see.Now everybody's looking at meI hope they know... They won't get their satisfaction.
Showmen's Rest was truly something to behold. Throughout the entire yard, statues and carvings of elephants, clowns, and tight-rope walkers danced on the gray and white surfaces of tombstones and grave-markers. For the first time, Michael got the feeling that the men and women who'd been buried there were probably really happy with their final resting place. It was a touching tribute, one that honored their passion in life and that had been constructed out of love and respect.
It's a harrowing experience to see death approaching in haste towards you, what is hell but confronting your own mortality
Seeing that I would never manage to fall asleep, I arose, lit a candle, and after dressing went outside.Beneath the dull glow of the winter moon the snow glowed like pale blue china. The sidewalks sparkled weakly beneath the rays of the flickering street lamps; the benumbed streets slumbered forlornly. I walked, passing one corner after the other, and suddenly found myself on the edge of town. Further, beyond the square, an endless expanse began to glisten with a somber silverness.I stopped just before the gates. My intent gaze could distinguish nothing in the distant white expanse. Before me rose the imposing bank of the Volga like a gigantic snowdrift. So barren and uninviting was this deserted view resembling eternity that my heart contracted.I turned to the right and approached quite close to the monastery enclosure. From behind the bronze gates, glimmered a dense net of crosses and gravestones. The ancient eyes of the church gazed forbiddingly down on me, and with an eerie feeling I thought of the monks sleeping at this moment in tomb-like cells together with corpses. Were any of them thinking of the hour of death on this night?("Lamia")
In the middle of the cemetery is a grassy plane, strangely vacant. There are no granite tombs or crumbling concrete, just a sun-washed treeless patch of green known as "No Man's Land." Here 1,500 unidentified bodies are buried. At one time, their skin burned with yellow fever; now they lie in a cool, dark place where long ago their arms and legs, hands and feet, were intertwined for eternity.
A sematary," I say. "A what?" Viola says, looking round at all the square stones marking out their graves. Must be a hundred, maybe two, in orderly rows and well-kept grass. Settler life is hard and it's short and lotsa New World people have lost the battle."It's a place for burying dead folk,"
He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza.“Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—”“No,” Albert said.“We’re almost ready for you,” the director assured him.“That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.”“You’re saying those . . . those are actually . . .”“What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.”There were a dozen crew people in the McDonald’s. None spoke or moved.Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go.