Yes, I lay in my grave. But if you lie in a grave long enough, you get accustomed to it and you don't want to part from it. He had given me a pill of cyanide, He and his wife and their son also carried such pills. We all lived with death, and I want you to know that one can fall in love with death. Whoever has loved death cannot love anything else any more. When the liberation came and they told me to leave, I didn't want to go. I clung to the threshold like an ox being dragged to the slaughter. ("Hanka")
Whilst the wolflets bayed, A grave was made, And then with the strokes of a silver spade, It was filled to make a mound. And for two cold days and three long nights, The father tended that holy plot; And stayed by where his wife was laid, In the grave within the ground.
Do not stand at my grave and weep, I am not there, I do not sleep. I am in a thousand winds that blow, I am the softly falling snow. I am the gentle showers of rain, I am the fields of ripening grain. I am in the morning hush, I am in the graceful rush Of beautiful birds in circling flight, I am the starshine of the night. I am in the flowers that bloom, I am in a quiet room. I am in the birds that sing, I am in each lovely thing. Do not stand at my grave bereft I am not there. I have not left.
Oh Danny boy, the pipes, the pipes are callingFrom glen to glen, and down the mountain sideThe summer's gone, and all the flowers are dying'Tis you, 'tis you must go and I must bide.But come ye back when summer's in the meadowOr when the valley's hushed and white with snow'Tis I'll be here in sunshine or in shadowOh Danny boy, oh Danny boy, I love you so.And if you come, when all the flowers are dyingAnd I am dead, as dead I well may beYou'll come and find the place where I am lyingAnd kneel and say an "Ave" there for me.And I shall hear, tho' soft you tread above meAnd all my dreams will warm and sweeter beIf you'll not fail to tell me that you love meI'll simply sleep in peace until you come to me.I'll simply sleep in peace until you come to me.
THE BARROW In this high field strewn with stones I walk by a green mound, Its edges sheared by the plough. Crumbs of animal bone Lie smashed and scattered round Under the clover leaves And slivers of flint seem to grow Like white leaves among green. In the wind, the chestnut heaves Where a man's grave has been. Whatever the barrow held Once, has been taken away: A hollow of nettles and dock Lies at the centre, filled With rain from a sky so grey It reflects nothing at all. I poke in the crumbled rock For something they left behind But after that funeral There is nothing at all to find. On the map in front of me The gothic letters pick out Dozens of tombs like this, Breached, plundered, left empty, No fragments littered about Of a dead and buried race In the margins of histories. No fragments: these splintered bones Construct no human face, These stones are simply stones. In museums their urns lie Behind glass, and their shaped flints Are labelled like butterflies. All that they did was die, And all that has happened since Means nothing to this place.Above long clouds, the skiesTurn to a brilliant redAnd show in the water's faceOne living, and not these dead." — Anthony Thwaite, from The Owl In The Tree
But, Aunt... I don't want to go to the grave site set aside for me a few years ago at the ancestral grave site. I don't want to go there. When I lived here and woke up from the fog in my head, I would walk by myself to the grave site set aside for me, so that I could feel comfortable if I lived there after death. It was sunny, and I liked the pine tree that stood bent but tall, but remaining a member of this family even in death would be too much and too hard. To try to change my mind, I would sing and pull weeds, sitting there until the sun set, but nothing made me feel comfortable there. I lived with this family for over fifty years; please let me go now.
Imagine for a moment that you are the proud owner of a large house which you have spent years of your life painting and decorating and filling with everything you love. It's your home. It's something you've made your own, something for you to be remembered by, something that, perhaps years later, your children and grandchildren can visit and get a view of your life in. It's part of your creativity, your hard work... it's your property.Now suppose you decide to go camping for a couple of weeks. You lock your door and assume that nobody is going to break in... but they do, and when you return home, to your horror you find that not only do these trespassers break in, but they also have quite uniquely imaginative ways of disrespecting, vandalizing and corrupting everything within your property. They light fires on your lawn, your topiary hedges are in heaps of black ashes. There's some blatantly obscene graffiti splattered across your front door, offensive images and rude words splashed on the walls and windows. Your television has been tipped over. Your photographs of family and friends have had the heads cut out of them. There's mold growing in the refrigerator, bottles of booze tipped over on the table, and cigarette smoke embedded into the carpeting. Your beloved houseplants are dead, your furniture has been stripped down and ruined. Basically, the thing you've spent years working for and creating within your lifetime has been tampered with to the point where it is just a grim joke.So, I feel terrible for poor Sir Arthur Conan Doyle, Jane Austen and Lewis Carroll, who must be spinning in their graves since they have no rights to their own works of fiction anymore. I'm all for readers being able to read books for free once and only when the deceased author's copyright eventually ends. Still though, did Doyle ever think in a million years that his wonderful characters would be dragged through the mud of every pervy fanfiction that the sick internet geek can think of to create? Did Carroll ever suspect that Alice and the Hatter would become freakish clown-like goth caricatures in Tim Burton's CGI-infested films? Would Austen really want her writing to be sold as badly-formatted ebooks?The sharing of this Public Domain content isn't really an issue. Stories are meant to be told, meant to echo onward forever. That's what makes them magical. That being said, in the Information Age, there's a real lack of respect towards the creators of this original content. If, when I've been dead for 70 years and I then no longer have the rights to my novels, somebody gets the bright idea of doing anything funny with any of those novels, my ghost is going to rise from the grave and do some serious ass-kicking.
For God to prove himself on demand, physically, would be a grave disappointment, and the strongest Christians should be considerably grateful that he chooses not to do so. The skeptic endlessly demands proof, yet God refuses to insult the true intelligence of man, the '6th sense', the chief quality, the acumen which distinguishes man from the rest of creation, faith.
We're going to meet a lot of lonely people in the next week and the next month and the next year. And when they ask us what we're doing, you can say, We're remembering. That's where we'll win out in the long run. And someday we'll remember so much that we'll build the biggest goddamn steamshovel in history and dig the biggest grave of all time and shove war in it and cover it up.
We all want to become more than we are, we want to live forever, that is why we hate death and create the afterlife.
In a patriarchal society, one of the most important functions of the institution of the family is to make feel like a somebody whenever he is in his own yard a man who is a nobody whenever he is in his employer’s yard.
Refusal to engage in spiritual warfare does not exempt you from being among the next casualties of war
If I were to believe in God enough to call him a murderer, then I might also believe enough that he, as a spirit, exists beyond death; and therefore only he could do it righteously. For the physical being kills a man and hatefully sends him away, whereas God, the spiritual being, kills a man and lovingly draws him nigh.
Alone, all alone in the world, sad and small like a nightingale serenading the infinite. How could a love so tender and sweet become the cross of my pain? No, no, I can't conceive I won't receive your precious lips again. My eyes are tired of weeping, my heart of beating. If perhaps some crystal moment before dawn or twilight you remember me, bring only a bouquet of tears to lay upon my thirsty grave.
Do we reflect on life? Someday this life will be gone.
Listen in close, Wall Street Conquistadors, you’re spreading like vapor up through people’s floors, you’re moving en masse under the cracks of our doors and grabbing our children to work in your stores, feeding the needy to make them your whores, but you need to remember the grave you’re digging is yours.
I do not believe in the government of the lash, if any one of you ever expects to whip your children again, I want you to have a photograph taken of yourself when you are in the act, with your face red with vulgar anger, and the face of the little child, with eyes swimming in tears and the little chin dimpled with fear, like a piece of water struck by a sudden cold wind. Have the picture taken. If that little child should die, I cannot think of a sweeter way to spend an autumn afternoon than to go out to the cemetery, when the maples are clad in tender gold, and little scarlet runners are coming, like poems of regret, from the sad heart of the earth—and sit down upon the grave and look at that photograph, and think of the flesh now dust that you beat. I tell you it is wrong; it is no way to raise children! Make your home happy. Be honest with them. Divide fairly with them in everything.
Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –
Façade. One, simple word. But, very complex portents. It’s like living a life of half-dead. You are neither fully inside a grave, nor completely out of it, beyond the oppressive calmness of the slabs, tombstones and plaques. There is one solace though, you soon discover that you are not alone in the vast graveyard of the half-dead. This is what Kamini soon realized when she plunged herself back into the world that the destiny had conspired her to inherit.
The living has a great hope, we have life to bounce back from any difficulty. The dead had no hope.
The graveyard is not the final resting place of our dear departed but an ephemeral repository of their remains. The real graveyard, however, is somewhere deep in our heart, where we can always visit them at any time of the day, talk about some unforgettable summers, or cry in solitude as if they were always there for us to stay. And should our twilight come, when we can no longer see the light of the day, some people dear to us will build a graveyard in their hearts. They will let us stay for a while or perhaps longer, as long as they continue to remember, but it does not matter anymore. What is comforting to know, no matter how tragic or tranquil our death may be, somewhere somehow someone will always build a sublime place for us to stay. (Danny Castillones Sillada, The Graveyard In Our Heart)
She bent and placed a single daisy upon the grave. A simple white daisy. The plainest of flowers, perhaps the purest, Elspeth thought. It had cost next to nothing at all, and perhaps that was the point. She wasn’t being cheap. She was being symbolic. In her mind, Andrea deserved only the unstained purity of the simplest of daisies, a daisy that was unsoiled by a wealth that couldn’t find the money to have claimed her soul.
Often I return to the grave after leaving flowers – tulips, lilies, carnations – to find the heads eaten by deer. It’s just as good a use for the flowers as any, and one Paul would have liked. The earth is quickly turned over by worms, the processes of nature marching on, reminding me of what Paul saw and what I now carry deep in my bones, too: the inextricability of life and death, and the ability to cope, to find meaning despite this, because of this. What happened to Paul was tragic, but he was not a tragedy.
You are a cool cemetery.You have the sinner’s graveYou have the saint’s earthcollidingYou have all the bedsnarrow as a knife;as if a rally of tombstones to defend death.But you can’t really postponethe inauguration of my burial,can you?From the poem - Few Words to Cemetery
What man ever openly apologizes for slander? It is not so much a feeling of slander as it is that of a massive lie, a misdeed not only to the slandered but also to those manipulated in the process. He has made them all, every one, his enemies, thereupon he is so overwhelmed with guilt that he will deny it until his grave.
Darker and darker, he said; farther and farther yet. Death takes the good, the beautiful, and the young - and spares me. The Pestilence that wastes, the Arrow that strikes, the Sea that drowns, the Grave the closes over Love and Hope, are steps of my journey, and take me nearer and nearer to the End.
Everything was gone, the garden of wind and light, the Chrysalis, the Mother and her sister-crones, the rowan tree, everything. I was in a grove–no, it was a triad of trees: apple, oak, hazel. And at my feet something that smacked of familiar miens, a stone half buried in a pitch of heather. A stone bearing my name and a date I could hardly remember.A moment passed, another and in those moments I stood numb with gluey feet at the foot of my own grave. For the first time since I’d come to the Faeran Valley, I was alone. And the silence was deafening.
After six long hours of driving and three rest stops, Tiger pulls up to a snow-topped, metal speaker box just outside the State Penitentiary's first gate in Walla Walla. As he rolls down his window and snow flies in his face, Joshua starts begging for a Happy Meal.I turn around, snapping at him. "This ISN'T MCDONALDS and YOU AREN'T HUNGRY. NOW SHUT UP BRAT."A loud scratchy masculine voice blasts out of the speaker. "CAN I HELP YOU?"Tiger leans out the window, as he answers- We're here to visit Raven Chandler."HAVE YOU BEEN HERE BEFORE?""Yes sir. I've been here A LOT." "WHERE'S HIS MOTHER?""I don't know.. I haven't seen her in months.""NOT THE PRISONER'S MOTHER. THE BRAT IN THE BACK SEAT OF YOUR JEEP.""Oh- HIM-" As he turns, smiling and sticking his tongue out at Joshua, I lean towards his window to answer the guard's question. "SHE'S IN VEGAS, SIR. I'M BABYSITTING. HE'S MY GODSON." When the speaker remains disturbingly silent for far too long, I continue. "HE'S A GOOD BOY SIR. HE WON'T BE ANY TROUBLE- I SWEAR." "THAT'S RIGHT," Tiger said. "HE SWEARS ON THE LITTLE BRAT'S MOTHER'S GRAVE.
But I was awake, sitting by the window looking down at the trailer and Mr. Zoltan's truck. I could not sleep. That is how it is with folks my age. We take naps during the day, and then we cannot sleep at night. I think that it is because God is getting us ready for the grave. Is that right? Did He ever tell you? ("The Little Stranger")
It's a harrowing experience to see death approaching in haste towards you, what is hell but confronting your own mortality
Tommy asks where Carolyn is."She's at Cindy's.""They live together now," Salvador added."Didn’t they just start dating?" Tommy asked.Tiger answered, "Yeah... A couple of WEEKS ago."Unhappy about the news, Tommy objects to Carolyn moving in with Cindy."That's how it happens in our WORLD," Salvador said. "One night you MEET, the next night you MOVE IN, and before you KNOW IT- you're digging a GRAVE IN THE BACK YARD FOR YOUR LOVER DURING A FREAK THUNDERSTORM.""THAT IS HIGHLY INAPPROPRIATE," Tommy said.After Salvador apologizes, Tommy asks how Raven's doing in prison."Fucking GREAT." Tiger answered. "How do you THINK?""No longer on suicide watch?""NO... FUCK...""Speaking of fucking. Is he still with BULL DOG?""I REALLY don’t wanna TALK about RAVEN right now- AND WHO HE'S FUCKING. Talk about INAPPROPRIATE.
Astride of a grave and a difficult birth.Down in the hole, lingeringly, the grave digger puts on the forceps.We have time to grow old.The air is full of our cries.But habit is a great deadener.At me too someone is looking, of me too someone is saying, He is sleeping, he knows nothing.Let him sleep on.