She walked down the basement steps. She saw an imaginary framed photo seep into the wall - a quiet-smiled secret. No more than a few meters, it was a long walk to the drop sheets and the assortment of paint cans that shielded Max Vandenburg. She removed the sheets closest to the wall until there was a small corridor to look through. The first part of him she saw was his shoulder, and through the slender gap, she slowly, painfully, inched her hand in until it rested there. His clothing was cool. He did not wake.She could feel his breathing and his shoulder moving up and down ever so slightly. For a while, she watched him. Then she sat and leaned back.Sleepy air seemed to have followed her.The scrawled words of practice stood magnificently on the wall by the stairs, jagged and childlike and sweet. They looked on as both the hidden Jew and the girl slept, hand to shoulder.They breathed.German and Jewish lungs.
Historically, the Germans had a habit of associating the names of objects with the sounds they made. After bell makers-turned-cannon-makers learned that by closing off the mouth of the cannon before lighting the fuse, the entire cannon could be made to explode, the device they invented became known as the 'bum' (for boom!). In keeping with this tradition, the first one-thousand-pound bomb was dubbed 'ein laussen bum' (meaning, "a loud boom"). After the first atomic bomb was dropped on Hiroshima, they called the fission device 'ein grossen laussen bum' (or, "a big loud boom"). The next obvious step was the fusion, or H-bomb, which was pronounced 'ein grossen laussen bum all ist kaput!
If they were going to be like that, then I just wished they hadn't actually been German. It was too easy. Too obvious. It was like coming across an Irishman who actually was stupid, a mother-in-law who actually was fat, or an American businessman who actually did have a middle initial and smoked a cigar. You feel as if you are unwillingly performing in a music-hall sketch and wishing you could rewrite the script. If Helmut and Kurt had been Brazilian or Chinese or Latvian or anything else at all, they could then have behaved in exactly the same way and it would have been surprising and intriguing and, more to the point from my perspective, much easier to write about. Writers should not be in the business of propping up stereotypes. I wondered what to do about it, decided that they could simply be Latvians if I wanted, and then at last drifted off peacefully to worrying about my boots.
As early as 1930 Schoenberg wrote: "Radio is an enemy, a ruthless enemy marching irresistibly forward, and any resistance is hopeless"; it "force-feeds us music . . . regardless of whether we want to hear it, or whether we can grasp it," with the result that music becomes just noise, a noise among other noises. Radio was the tiny stream it all began with. Then came other technical means for reproducing, proliferating, amplifying sound, and the stream became an enormous river. If in the past people would listen to music out of love for music, nowadays it roars everywhere and all the time, "regardless whether we want to hear it," it roars from loudspeakers, in cars, in restaurants, in elevators, in the streets, in waiting rooms, in gyms, in the earpieces of Walkmans, music rewritten, reorchestrated, abridged, and stretched out, fragments of rock, of jazz, of opera, a flood of everything jumbled together so that we don't know who composed it (music become noise is anonymous), so that we can't tell beginning from end (music become noise has no form): sewage-water music in which music is dying.
Now I don’t know how many people like to drive a Beetle at that kind of speed (on purpose) but I know I’d rather go down Brickmaker’s Kloof on a bicycle with no brakes! Driving any car at that speed in anything other than an expensive German luxury car on a long, straight autobahn is enough of a risk (let alone the risk of hitting anything) – but if you try that with a Beetle and add a light crosswind, factor in some rubber peeling off your tire, and you’ll more than likely find yourself dancing alone in a dark corner without any music.
Das mine!' protested Ava, Bennie's daughter, affirming Alex's recent theory that language acquisition involved a phase of speaking German. She snatched a plastic skillet away from his own daughter, Cara-Ann, who lurched after it, roaring, 'Mine pot! Mine pot!
Theologians are to look to the _beyond_-community–– _beyond_ nationality; skin-color, gender; sexual orientation, citizenship, religious affiliation––because God, the Divine, who is the primary frame of reference for theologians, is for, with, in, among those individual human beings. It is to reaffirm the sheer truth: No one is better or worse, superior or inferior than any other; and, 'Ich bin du, wenn Ich Ich bin' [I am you, when Iam I.]
Am I racially kin to this man? Baynes wondered. So closely so that for all intents and purposes it is the same? Then it is in me, too, the psychotic streak. A psychotic world we live in. The madmen are in power. How long have we known this? Faced this? And - how many of us do know it?
German is a much more precise language than English. Americans throw the word love around for everything: I love my wife! I love all my friends! I love rock music! I love the rain! I love comic books! I love peanut butter! The word you use to describe your feelings for your wife should not be the same word you use to describe your feelings for peanut butter. In German, there are a dozen different words that describe varying degrees of liking something a lot. Germans almost never use the word love, unless they mean a deep romantic love. I have never told my parents I love them, because it would sound melodramatic, inappropriate, and almost incestuous. In German, you tell your mother that you hold her very dear, not that you are in love with her.
He had been thinking of how landscape moulds a language. It was impossible to imagine these hills giving forth anything but the soft syllables of Irish, just as only certain forms of German could be spoken on the high crags of Europe; or Dutch in the muddy, guttural, phlegmish lowlands.
The English language is the tongue now current in England and her colonies throughout the world and also throughout the greater part of the United States of America. It sprang from the German tongue spoken by the Teutons, who came over to Britain after the conquest of that country by the Romans. These Teutons comprised Angles, Saxons, Jutes and several other tribes from the northern part of Germany. They spoke different dialects, but these became blended in the new country, and the composite tongue came to be known as the Anglo-Saxon which has been the main basis for the language as at present constituted and is still the prevailing element.
Going around in life using German, which Margaret had learned only a few years before, was like walking around in high heels--although it drove up the aesthetic rush of going out on the town, it was dreadfully uncomfortable after a while, and there were certain places you couldn't go
Cases of typhoid take the following course:When the fever is at its height, life calls out to the patient: calls out to him as he wanders in his distant dream, and summons him in no uncertain voice. The harsh, imperious call reaches the spirit on that remote path that leads into the shadows, the coolness and peace. He hears the call of life, the clear, fresh, mocking summons to return to that distant scene which he had already left so far behind him, and already forgotten. And there may well up in him something like a feeling of same for a neglected duty; a sense of renewed energy, courage, and hope; he may recognize a bond existing still between him and that stirring, colourful, callous existence which he thought he had left so far behind him. Then, how far he may have wandered on his distant path, he will turn back--and live. But if he shudders when he hears life's voice, if the memory of that vanished scene and the sound of that lusty summons make him shake his head, make him put out his hand to ward off as he flies forward in the way of escape that has opened to him--then it is clear that the patient will die." Buddenbrooks
We are living in an artificial world—a world of fantasies and illusions. We've learned beautiful phrases but haven't learned yet how to carry out that little bit that we know. Our brains are stuffed with quotations, while at the same time nine out of ten of these dogmas are incomprehensible, murky, or lies. Which are worthwhile and which are not? Yes, I must stop being false before others and myself. How simple it all seems! But how do I do this? Let just a little time pass, and then we may understand—only the simplest, honorable acts determine the value of a man. Only I myself can and must help myself to become an adult.
The sky is blue today, Max, and there is a big long cloud, and it's stretched out, like a rope. At the end of it, the sun is like a yellow hole..." Max, at that moment, knew that only a child could have given him a weather report like that. On the wall, he painted a long, tightly knotted rope with a dripping yellow sun at the end of it, as if you could dive right into it. On the ropy cloud, he drew two figures-a thin girl and a withering Jew-and they were walking, arms balanced, toward that dripping sun.